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Books on the topic 'Analysis of visual structure'

Author: Grafiati

Published: 24 April 2022

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1

1943-, Banks David, ed. Text and texture: Systemic functional viewpoints on the nature and structure of text. Paris: Harmattan, 2004.

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2

Grbich, Carol. Structural and Poststructural Analysis of Visual Documentation: An Approach to Studying Photographs. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications, Ltd., 2015. http://dx.doi.org/10.4135/9781473947504.

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3

C, Cooper Stephen, ed. Visual mechanics: Beams & stress states. Boston: PWS Pub. Co., 1998.

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4

Manas, Leo. Visual analysis. 4th ed. Santa Ana, CA: Optometric Extension Program Foundation, 2009.

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5

Manas, Leo. Visual analysis. 4th ed. Santa Ana, CA: Optometric Extension Program Foundation, 2009.

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6

Manas, Leo. Visual analysis. 4th ed. Santa Ana, CA: Optometric Extension Program Foundation, 2009.

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7

Visual complex analysis. Oxford [England]: Clarendon Press, 1998.

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8

Needham, Tristan. Visual complex analysis. Oxford: Clarendon Press, 1997.

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9

1963-, Rodríguez Jaime, and Jaspars Marcel 1966-, eds. Organic structure analysis. New York: Oxford University Press, 1998.

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10

Crews, Phillip. Organic structure analysis. 2nd ed. New York: Oxford University Press, 2010.

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11

1963-, Rodríguez Jaime, and Jaspars Marcel 1966-, eds. Organic structure analysis. 2nd ed. New York: Oxford University Press, 2010.

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12

Kamp, Roza Maria, Theodora Choli-Papadopoulou, and Brigitte Wittmann-Liebold, eds. Protein Structure Analysis. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-59219-5.

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13

University), International Rodin Remediation Conference (7th 1988 Wenner-Gren Center and Uppsala. Brain and reading: Structural and functional anomalies in developmental dyslexia with special reference to hemispheric interactions, memory functions, linguisticprocesses and visual analysis in reading. Basingstoke: Stockton, 1989.

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14

Chen, Chen, Yuzhuo Ren, and C. C. Jay Kuo. Big Visual Data Analysis. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0631-9.

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15

Kovalerchuk, Boris, and James Schwing, eds. Visual and Spatial Analysis. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2958-5.

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16

Gong, Shaogang, and Tao Xiang. Visual Analysis of Behaviour. London: Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-670-2.

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17

Moeslund, Thomas B., Adrian Hilton, Volker Krüger, and Leonid Sigal, eds. Visual Analysis of Humans. London: Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-997-0.

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18

Hildebrand, Milton. Analysis of vertebrate structure. 3rd ed. Chichester: Wiley, 1988.

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19

Uebersax, John. Latent structure agreement analysis. Santa Monica, Ca: Rand Corp., 1989.

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20

C, Lingoes James, ed. Multidimensional similarity structure analysis. New York: Springer-Verlag, 1987.

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21

Hildebrand, Milton. Analysis of vertebrate structure. 3rd ed. New York: Wiley, 1988.

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22

E, Goslow G., ed. Analysis of vertebrate structure. 5th ed. New York: John Wiley, 2001.

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23

Borg, I., and J. Lingoes. Multidimensional Similarity Structure Analysis. New York, NY: Springer New York, 1987. http://dx.doi.org/10.1007/978-1-4612-4768-5.

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24

Sarkis, Ziad. General Cost Structure Analysis. Boston, MA: Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-4599-6.

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25

Hildebrand, Milton. Analysis of vertebrate structure. 4th ed. New York: J. Wiley, 1995.

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26

1932-, Tsuji Saburō, ed. Computer analysis of visual textures. Boston: Kluwer Academic Publishers, 1990.

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27

owner, Heskett Marilyn former, ed. Structure of the visual book. Rochester, NY: Keith A. Smith Books, 1991.

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28

Freeman, Thomas Charles Augustus. Visual analysis of retinal flow. Birmingham: University of Birmingham, 1991.

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29

Structure of the visual book. 4th ed. Rochester, N.Y: K. Smith Books, 2003.

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30

Smith, Keith A. Structure of the visual book. 4th ed. Rochester, N.Y: K. Smith Books, 2003.

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31

Structure of the visual book. Fairport, NY: The Sigma Foundation, 1992.

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32

Computational analysis of visual motion. New York: Plenum Press, 1994.

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33

Tomita, Fumiaki, and Saburo Tsuji. Computer Analysis of Visual Textures. Boston, MA: Springer US, 1990. http://dx.doi.org/10.1007/978-1-4613-1553-7.

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34

Mitiche, Amar. Computational Analysis of Visual Motion. Boston, MA: Springer US, 1994. http://dx.doi.org/10.1007/978-1-4757-9785-5.

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35

Van Leeuwen, Theo, and Carey Jewitt. The Handbook of Visual Analysis. 1 Oliver's Yard, 55 City Road, London England EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2004. http://dx.doi.org/10.4135/9780857020062.

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36

Helmers, Marguerite H. The elements of visual analysis. New York: Longman, 2005.

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37

Easton, David. The analysis of political structure. New York: Routledge, 1990.

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38

Easton, David. The analysis of political structure. London: Routledge, 1990.

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39

N, Trueblood Kenneth, ed. Crystal structure analysis: A primer. 3rd ed. Oxford: Oxford University Press, 2010.

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40

N, Trueblood Kenneth, ed. Crystal structure analysis: A primer. 2nd ed. New York: Oxford University Press, 1985.

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41

Atassi, M. Zouhair, and Ettore Appella, eds. Methods in Protein Structure Analysis. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4899-1031-8.

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42

Chang, Corina Yee-Mei. Analysis of infant visual evoked potentials. Ottawa: National Library of Canada, 1993.

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43

MacLean, W. James, ed. Spatial Coherence for Visual Motion Analysis. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11676959.

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44

Moraitis, Catherine. The Art of David Lean: A Textual Analysis of Audio-Visual Structure. AuthorHouse, 2004.

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45

Mccormac. Structual Analysis 2e W/Disk and Visual Encyploped Ia Set. John Wiley & Sons Inc, 2000.

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46

Visual Soil Evaluation: Realising Potential Crop Production with Minimum Environmental Impact. CABI, 2015.

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47

Cooper, Stephen C., and Gregory R. Miller. Visual Mechanics: Beams and Stress States. Thomson-Engineering, 1997.

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48

Cumhaill, Clare Mac. Nonsense and Visual Evanescence. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198722304.003.0014.

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I focus on a species of animal camouflage which is distinct from the cases of mimicry that have hitherto occupied philosophers of perception. In cases of what I call visual evanescence, the visible animal body can be said to ‘cease to appear’ and, in certain conditions, can even be said ‘to pass instead for an empty region’. I explain why certain structured visible patterns on the surface of the animal body can give rise to evanescence at a place and time, and how we should read such peculiar descriptive phenomenological claims. I conclude by suggesting that if my analysis is convincing we should be prepared to grant that empty space is seen— and that this is the primary lesson from visual evanescence.

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49

Green, Alexandra. Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390885.001.0001.

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This volume draws upon art historical, anthropological, and religious studies methodologies to delineate the structures and details of late Burmese wall paintings and elucidate the religious, political, and social concepts driving the creation of this art form. The combination of architecture, paintings, sculpture, and literary traditions created a complete space in which devotees could interact with the Buddha through his biography. Through the standardization of a repertoire of specific forms, codes, and themes, the murals were themselves activating agents, spurring devotees to merit-making, worship, and other ritual practices, partially by establishing normative religious behavior and partly through visual incentives. Much of this was accomplished through the manipulation of space, and the volume contributes to the analysis of visual narratives by examining how the relationships between word and image, layouts, story and scene selection, and narrative themes both demonstrate and confirm social structures and changes, economic activities, and religious practices of seventeenth, eighteenth, and nineteenth century Burma. The visual material of the wall painting sites worked together with the sculpture and the architecture to create unified spaces in which devotees could interact with the Buddha. This analysis takes the narrative field beyond the concept that pictures are to be “read” and shows the multifarious and holistic ways in which they can be viewed. To enter temples of the seventeenth, eighteenth, and early nineteenth centuries was to enter a coherent space created by a visually articulated Burmese Buddhist world to which the devotee belonged by performing ritual activities within it.

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50

Reddy. Basic Structure Analysis. McGraw-Hill Education, 2001.

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