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Books on the topic 'Analytic aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Richard, Shusterman, ed. Analytic aesthetics. B. Blackwell, 1989.

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2

Bennett, Michael Y. Philosophy, Analytic Aesthetics, and Theater. Routledge, 2024. http://dx.doi.org/10.4324/9781003378310.

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3

Dickie, George. Introduction to aesthetics: An analytic approach. Oxford University Press, 1997.

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4

1951-, Bender John W., and Blocker H. Gene, eds. Contemporary philosophy of art: Readings in analytic aesthetics. Prentice Hall, 1993.

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5

Laiho, Timo. Perception, time and music analysis: An introduction to analytic-generative methodology. University of Helsinki, Department of Philosophy, History, Culture and Art Studies, Musicology, 2013.

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6

Peter, Lamarque, and Olsen Stein Haugom 1946-, eds. Aesthetics and the philosophy of art: The analytic tradition : an anthology. Blackwell Pub., 2004.

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7

Swirski, Peter. Literature, analytically speaking: Explorations in the theory of interpretation, analytic aesthetics, and evolution. University of Texas Press, 2010.

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8

Swirski, Peter. Literature, analytically speaking: Explorations in the theory of interpretation, analytic aesthetics, and evolution. University of Texas Press, 2010.

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9

Kit Wah Man, Eva, and Jeffrey Petts. Comparative Everyday Aesthetics. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723367.

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Leading international scholars present analysis and case studies from different cultural settings, East and West, exploring aesthetic interest and experience in our daily lives at home, in workplaces, using everyday things, in our built and natural environments, and in our relationships and communities. A wide range of views and examples of everyday aesthetics are presented from western philosophical paradigms, from Confucian and Daoist aesthetics, and from the Japanese tradition. All indicate universal features of human aesthetic lives together with their cultural variations. Comparative Ever

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10

Schmidt, Lars-Henrik. Smagens analytik. Modtryk, 1991.

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11

Loya, Paul. Amazing and Aesthetic Aspects of Analysis. Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4939-6795-7.

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12

Lamarque, Peter. Analytic Aesthetics. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199238842.013.0001.

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13

Msimang, Mfundo. Analytic Aesthetics: An Inquiry. Natal Society Foundation, 2011.

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14

Introduction to Aesthetics: An Analytic Approach. Oxford University Press, Incorporated, 1997.

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15

Introduction to Aesthetics: An Analytic Approach. Oxford University Press, USA, 1996.

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16

Blocker, H. Gene, and John W. Bender. Contemporary Philosophy of Art: Readings in Analytic Aesthetics. Prentice Hall, 1997.

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17

Blocker, H. Gene, and John W. Bender. Contemporary Philosophy of Art: Readings in Analytic Aesthetics. Prentice Hall, 1997.

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18

Devereaux, Mary. Feminist Aesthetics. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0038.

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This article provides a critical survey of English-language feminist work in aesthetics since the early 1970s. The aim is to focus on those areas of feminist inquiry that have most significantly affected philosophical aesthetics in the analytic tradition. Feminist aesthetics starts from the assumption that the historical domain of art and the aesthetic is itself patriarchal. At one level, it simply extends the analysis of patriarchy to the practices of art institutions, in particular to the treatment of women in and by these institutions (e.g. demotions in the status of female-authored artwork

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19

Aesthetics and the Philosophy of Art: The Analytic Tradition, An Anthology. Wiley-Blackwell, 2018.

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20

Lamarque, Peter, and Stein Haugom Olsen. Aesthetics and the Philosophy of Art: The Analytic Tradition, an Anthology. Wiley & Sons, Incorporated, John, 2017.

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21

Lamarque, Peter, and Stein Haugom Olsen. Aesthetics and the Philosophy of Art: The Analytic Tradition, an Anthology. Wiley & Sons, Incorporated, John, 2018.

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22

Lamarque, Peter, and Stein Haugom Olsen. Aesthetics and the Philosophy of Art: The Analytic Tradition, an Anthology. Wiley & Sons, Incorporated, John, 2018.

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23

Olsen, Stein Haugom. Aesthetics and the Philosophy of Art: The Analytic Tradition (Blackwell Philosophy Anthologies). Edited by Peter Lamarque and Stein Haugom Olsen. Blackwell Publishing Limited, 2003.

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24

Lopes, Dominic McIver. Aesthetics and Philosophy of Art. Edited by Herman Cappelen, Tamar Szabó Gendler, and John Hawthorne. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199668779.013.11.

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This article focuses on aesthetics and the philosophy of art as branches of so-called analytic philosophy. It begins with a historical overview of aesthetics and the philosophy of art before turning to a discussion of how the philosophy of art bears upon human culture. It then considers the methods used in attacking problems in aesthetics and the philosophy of art by highlighting the distinctions between pure and applied philosophy, between internal and external perspectives on aesthetic and artistic phenomena, and between first-order and second-order methods. It also examines how aesthetics a

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25

Lessons on the Analytic of the Sublime. Stanford Univ Pr, 1994.

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26

Swirski, Peter. Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution. de Gruyter GmbH, Walter, 2010.

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27

Swirski, Peter. Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution. University of Texas Press, 2011.

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28

Literature, analytically speaking: Explorations in the theory of interpretation, analytic aesthetics, and evolution. University of Texas Press, 2010.

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29

Olsen, Stein Haugom. Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology (Blackwell Philosophy Anthologies). Blackwell Publishing Limited, 2003.

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30

Hallen, Barry, ed. Yorùbá Art and Aesthetics. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350476141.

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An introduction to the art and aesthetics of southwest Nigeria using the writings of Yorùbá scholars and artists who have made these subjects their special interest over the last forty years. Barry Hallen brings together the writings of four pioneering Yorùbá thinkers who write about the art and aesthetics of their own culture: J.R.O. Ojo, Babatunde Lawal, Rowland Abiodun and Wole Soyinka. All were based at the Obafemi Awolowo University, named Great Ife because of the faculty and students' conviction that it was committed to achieving all of the great things that a university community can. E

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31

Terrosi, Roberto. New Cultural Theory of Aesthetics. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666982589.

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Traditional aesthetics has tried to locate the reasons for aesthetic value in the transcendental subject while neglecting the importance of culture, even though it is obvious that artistic styles vary from culture to culture in both a geographical and historical sense. However, after recognizing importance of a cultural approach, one is faced with the problem of how to do so without dissolving aesthetics into art history or visual culture, the risk faced in both continental and analytic philosophical aesthetics. Scientific theories of aesthetics inspired by evolutionary psychology and cognitiv

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32

Elyotard, Jean-Francois. Lessons on the Analytic of the Sublime, Sections 23-29: Kant's Critique of Judgment. Stanford University Press, 1994.

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33

Lessons on the analytic of the sublime: Kant's Critique of judgment, [sections] 23-29. Stanford University Press, 1994.

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34

Beiser, Frederick C. Neo-Kantian Writings in Marburg, 1880–1889. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198828167.003.0009.

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This chapter describes Cohen’s writings on philosophy in the 1880s, specifically his work on epistemology and aesthetics. It analyzes Cohen’s Das Princip der Unendliche Methode where Cohen advocates an analysis of sensibility into intelligible units called infinitesimals. This marks the beginning of his break with Kant’s dualism between understanding and sensibility. One section considers the second edition of Kants Theorie der Erfahrung, which brought many changes in his evolving philosophy. A final section deals with Cohen’s first foray into the field of aesthetics, his book Kants Begründung

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35

Lewis, Tyson E. The Aesthetics of Education. Continuum International Publishing Group, 2012. http://dx.doi.org/10.5040/9781472581358.

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This innovative book examines the aesthetic event of education. Extending beyond the pedagogy of art or art appreciation, Tyson E. Lewis takes a much broader view of aesthetics and argues that teaching and learning are themselves aesthetic performances. As Jacques Ranciere has recently argued, there is an inherent connection between aesthetics and politics, both of which disrupt conventional distributions of who can speak and think. Here, Lewis extends Ranciere’s general thesis to examine how there is not only an aesthetics of politics but also an aesthetics of education. In particular, Lewis’

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36

Saito, Yuriko. Aesthetics of the Familiar. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199672103.001.0001.

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Everyday aesthetics was recently proposed as a challenge to the contemporary Anglo-American aesthetics discourse dominated by the discussion of art and beauty. This book responds to the subsequent controversies regarding the nature, boundary, and status of everyday aesthetics and argues for its legitimacy. Specifically, its discussion highlights the multifaceted aesthetic dimensions of everyday life that are not fully accounted for by the commonly held account of defamiliarizing the familiar. Instead, the appreciation of the familiar as familiar, negative aesthetics, and the experience of doin

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37

Bull, Michael. Remaking the Urban. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0023.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores the creation of an urban sonic aesthetic through a critical analysis of Apple iPod use. Based on original ethnographic material, it chapter explores the differing audiovisual ways in which urban space is mediated through communication technologies like the Apple iPod. It divides the experience of urban space into Fordist aesthetics and hyper-post-Fordist aesthetics and strategies and situates these aesthetic “moments” within a critical a

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38

Moland, Lydia L. Hegel's Aesthetics. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190847326.001.0001.

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Hegel’s Aesthetics: The Art of Idealism is the first comprehensive interpretation of Hegel’s philosophy of art in English in thirty years. In a new analysis of Hegel’s notorious “end of art” thesis, it argues for a variety of ways art ends, including historical, conceptual, and prosaic endings. It shows the indispensability of Hegel’s aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. In contrast to previous interpretations, it argues for considering Hegel’s discussion of individual arts—architecture, sculpture, paintin

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39

McKenna, Thomas J. Bonaventure’s Aesthetics. The Rowman & Littlefield Publishing Group, Inc., 2020. https://doi.org/10.5040/9781666985955.

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The authors of the standard approach to Bonaventure’s aesthetics established the broad themes that continue to inform the current interpretation of his philosophy, theology, and mysticism of beauty: his definition of beauty and its status as a transcendental of being, his description of the aesthetic experience, and the role of that experience in the soul’s ascent into God. Nevertheless, they also introduced a series of pointed questions that the current literature has not adequately resolved. In Bonaventure’s Aesthetics: The Delight of the Soul in Its Ascent into God, Thomas J. McKenna provid

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40

Fenner, David E. Introducing Aesthetics. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798216187622.

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This concise yet comprehensive introduction to the discipline of western aesthetical philosophy is focused directly on the central questions of aesthetics. Fenner arranges his analysis around four general themes—Experiences, Objects and Events, Meaning, and Judgment—that progress from issues of everyday experience to subjects of greater subtlety. Within these broader themes, Fenner explores such issues as The Aesthetic Attitude, Defining Art, and Reviewing Art Criticism. Although a historical organization is employed wherever a particular movement unfolds from earlier movements, the text's mai

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41

Costello, Diarmuid. Aesthetics After Modernism. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197756423.001.0001.

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Abstract Aesthetics after Modernism argues for the ongoing relevance of aesthetics to art after modernism. The author shows that even what are typically taken to be the hardest of hard cases engage us in recognisably aesthetic ways and so remain amenable to aesthetic analysis. The book traces the artworld’s rejection of aesthetic theory to Clement Greenberg’s success in co-opting the discourse of aesthetics, notably Immanuel Kant’s aesthetics, to underwrite his own formalism about modernist art. Not only has this led to Kant being tarred with the brush of Greenbergian formalism; it has also le

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42

Levinson, Jerrold, ed. The Oxford Handbook of Aesthetics. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001.

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The Oxford Handbook of Aesthetics looks at a fascinating theme in philosophy and the arts. Leading figures in the field contribute forty-eight articles which detail the theory, application, history, and future of philosophy and all branches of the arts. The first article of the book gives a general overview of the field of philosophical aesthetics in two parts: the first is a quick sketch of the lay of the land, and the second an account of five central problems over the past fifty years. The second article gives an extensive survey of recent work in the history of modern aesthetics, or aesthe

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43

Hutchinson, Mark. Coherence in New Music: Experience, Aesthetics, Analysis. Taylor & Francis Group, 2016.

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44

Coherence in New Music: Experience Aesthetics Analysis. Taylor & Francis Group, 2016.

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45

Coherence in New Music: Experience, Aesthetics, Analysis. Taylor & Francis Group, 2016.

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46

Hutchinson, Mark. Coherence in New Music: Experience, Aesthetics, Analysis. Taylor & Francis Group, 2016.

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47

Coherence in New Music: Experience, Aesthetics, Analysis. Taylor & Francis Group, 2016.

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48

Coherence in New Music: Experience, Aesthetics, Analysis. Taylor & Francis Group, 2019.

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49

Aesthetics of Necropolitics. The Rowman & Littlefield Publishing Group, Inc., 2018. https://doi.org/10.5040/9798881816773.

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Every politics is an aesthetic. If necropolitics is the (accelerated) politics of what is usually referred to as the ‘apolitical age’, what are its manoeuvres, temporalities, intensities, textures, and tipping points? Bypassing revelatory and reconstructionist approaches – the tendency of which is to show that a particular site or practice is necropolitical by bringing its genealogy into evidence – this collection of essays by artist-philosophers and theorist curators articulates the pre-perceptual working of necropolitics through a focus on the senses, assignments of energy, attitudes, cognit

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50

Film Music: History, Aesthetic-Analysis, Typologies. Leonard Corporation, Hal, 2019.

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