Relevant bibliographies by topics / Ananda Coomaraswamy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ananda Coomaraswamy'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Ananda Coomaraswamy"

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Croswell, Kimberly. "Ananda Coomaraswamy: Anarchizing Performance, East and West." Modernism/modernity 27, no. 3 (2020): 467–89. http://dx.doi.org/10.1353/mod.2020.0037.

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Wagoner, Phillip B. "Ananda K. Coomaraswamy and the Practice of Architectural History." Journal of the Society of Architectural Historians 58, no. 1 (March 1, 1999): 62–67. http://dx.doi.org/10.2307/991437.

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Chanchani, Nachiket. "The Camera Work of Ananda Kentish Coomaraswamy and Alfred Stieglitz." History of Photography 37, no. 2 (May 2013): 204–20. http://dx.doi.org/10.1080/03087298.2012.711903.

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Ribeiro, Almir. "A Marionete em Chamas - O Teatro-dança Clássico da Índia e o Über-marionette de Gordon Craig: processos de Marionetização do ator." Pitágoras 500 7, no. 1 (August 24, 2017): 68. http://dx.doi.org/10.20396/pita.v7i1.8650801.

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Gordon Craig idealizou seu Über-marionette como uma crítica ao teatro centrado na personalidade. Para alicerçar sua criação, buscou inspiração no teatro asiático e em suas formas animadas, e com isso, se acercou do processo de marionetização presente nestas formas teatrais. O historiador Ananda Coomaraswamy questionou a relação entre o Über-marionette e o teatro-dança clássico da Índia. Este diálogo inaugura historicamente o viés investigativo chamado teatro intercultural.
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Korotchikova, Polina V. "Ananda Kentish Coomaraswamy: “The Indians Have Never Believed in Art for Art...”." Observatory of Culture, no. 4 (August 28, 2014): 88–95. http://dx.doi.org/10.25281/2072-3156-2014-0-4-88-95.

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Analyses ideas of the famous indologist and orientalist, philosopher and art theorist whose works may be regarded as an attempt of the East­West cultural dialogue. The article focuses on the Coomaraswamy’s concepts that are most relevant and important today for both indologists and wider audiences. The main objective of the paper is to introduce the core principles of Coomaraswamy’s methodology to contemporary discourse and to reveal the specificity of his interpretations of the Oriental art and its features
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Macdonald, Murdo J. S. "Education, Visual Art and Cultural Revival: Tagore, Geddes, Nivedita, and Coomaraswamy." Gitanjali & Beyond 1, no. 1 (November 9, 2016): 39. http://dx.doi.org/10.14297/gnb.1.1.39-57.

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<p>Rabindranath Tagore and Patrick Geddes were part of the same milieu long before they met. They were both internationally minded cultural thinkers. The links between them are illuminated by consideration of their links with two other internationally minded cultural activists: the Irishwoman Margaret Noble, better known as Sister Nivedita, and the historian of art and ideas Ananda Coomaraswamy. The lives of all four exemplify educational and political expression driven by spiritual commitment and underpinned by literature and the visual arts. </p>
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Ribeiro, Almir. "Um Diálogo às Margens do Ganges: Gordon Craig e Ananda Coomaraswamy." Revista Brasileira de Estudos da Presença 4, no. 3 (December 2014): 463–85. http://dx.doi.org/10.1590/2237-266045461.

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RESUMO O artigo analisa o diálogo entre Edward Gordon Craig e Ananda Coomaraswamy, historiador de arte indiana, como ponto inaugural do universo investigativo conhecido como teatro intercultural e as consequências desse diálogo no pensamento do diretor inglês, desafiando sua criação do Über-marionette. A partir desse diálogo, o texto apresenta a postura precavida de Gordon Craig sobre as trocas entre tradições culturais. Problematiza-se as idiossincrasias inerentes a estes intercâmbios, que povoaram as pesquisas ao longo do século XX e início do XXI. Exemplifica-se o aspecto cíclico do debate, resgatando o embate entre Rustom Bharucha, crítico severo das tentativas de interculturalismo ocidental, e Richard Schechner, um dos mentores do teatro intercultural.
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Brow, James. "Utopia's New-Found Space: Images of the Village Community in the Early Writings of Ananda Coomaraswamy." Modern Asian Studies 33, no. 1 (January 1999): 67–86. http://dx.doi.org/10.1017/s0026749x9900308x.

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‘The influence of William Morris, even here.’Stephen Potter, One-UpmanshipIntroductionIn 1978 the village of Kukulewa, in the North Central Province of Sri Lanka (formerly Ceylon), was selected for development under the Gam Udava (Village Awakening) program launched by the recently elected UNP (United National Party) government. Five years later, in 1983, I spent nine months in Kukulewa, studying the changes that had taken place since I had first done ethnographic research there from 1968 to 1970. As I examined the local impact of the Village Awakening project, in the broader context of escalating ethnic violence, I was repeatedly struck by the official priority given to the task of revitalizing the village community, not just in programs of rural development, but in the discourse of Sinhala nationalism more generally (Brow 1988, 1990a, 1990b, 1992, 1996; cf. Moore 1989, 1992; Woost 1993, 1994).
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Romain, Julie. "Ananda Coomaraswamy and the formation of the Sri Lanka collection at the Los Angeles County Museum of Art." Journal of the History of Collections 28, no. 3 (January 12, 2016): 465–78. http://dx.doi.org/10.1093/jhc/fhv042.

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10

Victoria Turner, Sarah. "The ‘Essential Quality of Things’: E.B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain,c. 1910–14." Visual Culture in Britain 11, no. 2 (July 2, 2010): 239–64. http://dx.doi.org/10.1080/14714787.2010.481165.

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Dissertations / Theses on the topic "Ananda Coomaraswamy"

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Pasovic, Maja. ""Hold Infinity in the palm of your hand And Eternity in an hour": William Blake's Visions of Time and Space in the Light of Eastern Traditions." Thesis, 2013. http://hdl.handle.net/10012/7656.

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This thesis examines William Blake’s conceptions of time and space in the light of the philosophies of Hinduism and Islam. In order to perform this analysis, source material, often from rare and neglected texts, is utilized to examine Blake’s possible unorthodox influences. The analysis of influences takes a three-pronged track: literary, symbolic, and linguistic; Blake’s possible knowledge of Orientalist translations; the symbols in his poetry, prose, and paintings are analyzed; and his potential knowledge of major Orientalist languages is also examined. Once this has been examined in sufficient depth, an excavation of Blake’s views on time and space is then undertaken. This analysis of Blake’s philosophical perspectives utilizes a comparative phenomenological approach in order to show their similarity to the perspectives of the Hindu Vedanta and Ismaili Islam. Throughout this analysis, I aim to demonstrate both that Blake’s views on space are inherently mystical (space as limitless and unbound by the physical universe), and that his view on time, having a similarity to that of the Platonists, views Eternity as the one true reality.
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Books on the topic "Ananda Coomaraswamy"

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Coomaraswamy, Ananda Kentish. Ananda K. Coomaraswamy: Bibliography/index. Berwick-upon-Tweed: Prologos Books, 1988.

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2

Indira Gandhi National Centre for the Arts., ed. A bibliography of Ananda Kentish Coomaraswamy. New Delhi: Indira Gandhi National Centre for the Arts [&] Manohar, 2002.

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Coomaraswamy, Ananda Kentish. Selected letters of Ananda K. Coomaraswamy. Delhi: Indira Gandhi National Centre for the Arts, 1988.

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4

University of Kelaniya) Ananda Coomaraswamy Memorial Seminar on Asian Art (2008 Centre for Asian Studies. Asian art and culture: A research volume in honour of Ananda Coomaraswamy. Edited by Coomaraswamy, Ananda K. (Ananda Kentish), 1877-1947, honouree, Manatunga Anura editor, Ranaweera Sachee editor, Siriwardana Thilanka Manoj editor, Gunasena Kaushalya Gangadari editor, Sri Lanka Pravr̥tti Depārtamēntuva, and University of Kelaniya. Centre for Asian Studies. Colombo: Department of Information, Government of Sri Lanka, 2012.

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5

Coomaraswamy, Ananda Kentish. The wisdom of Ananda Coomaraswamy: Selected reflections on Indian art, life, and religion. Bloomington, Ind: World Wisdom, 2011.

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6

Coomaraswamy, Ananda Kentish. Guardians of the sundoor: Late iconographic essays and drawings of Ananda K. Coomaraswamy. Louisville, Ky: Fons Vitae, 2004.

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7

Coomaraswamy, Ananda Kentish. The door in the sky: Coomaraswamy on myth and meaning. Princeton, N.J: Princeton University Press, 1997.

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8

Coomaraswamy, Ananda Kentish. Rajput painting: Being an account of the Hindu paintings of Rajasthan and the Panjab Himalayas from the sixteenth to the nineteenth century described in their relation to contemporary thought with text and translations by Ananda Coomaraswamy. London: Humphrey Milford, 2003.

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Coomaraswamy, Ananda Kentish. Rajput painting: Being an account of the Hindu paintings of Rajasthan and the Panjab Himalayas from the sixteenth to the nineteenth century described in their relation to contemporary thought with text and translations by Ananda Coomaraswamy. New Delhi: B.R. Publishing, 2003.

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10

Singam, Durai Raja. The Wisdom of Ananda Coomaraswamy. Indica Books, 2002.

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Book chapters on the topic "Ananda Coomaraswamy"

1

Sutton, Jonathan. "Meaning and Symbolism in the Work of Ananda Coomaraswamy." In Symbols in Art and Religion, 171–90. Routledge, 2019. http://dx.doi.org/10.4324/9780203036556-9.

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Ganser, Elisa. "Ananda K. Coomaraswamy’s Mirror of Gesture and the Debate about Indian Art in the Early Twentieth Century." In Asia and Europe - Interconnected:, 91–130. Harrassowitz, O, 2019. http://dx.doi.org/10.2307/j.ctvh4zf29.7.

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You might also be interested in the extended bibliographies on the topic 'Ananda Coomaraswamy' for particular source types:
Journal articles
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