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Dissertations / Theses on the topic 'Anatsui, El, Art Nigeria'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Vergnaud, Stéphanie. "El Anatsui, un artiste ghanéen : des connexions locales aux interprétations globales." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0713.

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Cette thèse propose un travail de réflexion autour de l’œuvre de l’artiste ghanéen El Anatsui, figure internationale, primé à de nombreuses reprises, mais pas encore étudié en France. Il s’agit donc d’une monographie, qui entend produire des éléments de réponse concernant les conditions de production et de réception de l’art africain contemporain, à l’échelle nationale et internationale. L’enjeu est de comprendre les mécanismes qui font passer un artiste d’une appréhension locale à une réception globale. Avec l’appui de l’enquête de terrain menée en 2011 et les nombreux entretiens personnels a

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2

Ifejika-Obukwelu, Kate Omuluzua. "Igbo pottery in Nigeria : issues of form, style and technique /." Access Digital Full Text version, 1990. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10939362.

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3

Schulze, Katrin. "The state and development of contemporary art in Northern Nigeria." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603084.

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4

Yusuf, Abass Babatunde. "Adherence to ART among HIV Infected Female Sex Workers in Nigeria." ScholarWorks, 2019. https://scholarworks.waldenu.edu/dissertations/7524.

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A lack of adherence to antiretroviral therapy (ART) increases the risk of onward human immunodeficiency virus (HIV) transmission and mortality. The purpose of this cross-sectional study based on Andersen's conceptual framework was to test the associations between age, marital status, job/occupational status, education, membership in a peer support group, community, and facility ARV drug refill and alcohol and substance use, and adherence to ART among female sex workers (FSWs) who are 15 years and older in Rivers and Cross Rivers states Nigeria. Data were abstracted from existing program data c

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5

Ukpong, Onoyom Godfrey. "Contemporary southern Nigeria art in comparative perspective reassessment and analysis, 1935-2002 /." Diss., Online access via UMI:, 2006.

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6

Spiesse, Emmanuelle. "Devenir artiste au Nigeria : du début du XXème siècle au début du XXIème siècle." Paris 1, 2012. http://www.theses.fr/2012PA010623.

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A partir d'archives inédites et d'une centaine d'entretiens auprès d'acteurs de l'art (artistes, galeristes, historiens de l'art, universitaires, collectionneurs, journalistes), cette étude reconstitue des trajectoires pour devenir artiste contemporain au Nigeria. Ces trajectoires passent notamment par des lieux de formations (universités, ateliers), par des lieux d'expositions (les galeries lagosiennes. . . ), par l'insertion de l'artiste dans un réseau professionnel, personnel et/ou associatif et enfin par son combat ambivalent pour la reconnaissance de son art dans son pays et à l'extérieur

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7

Edidaha, Edidaha John Ukpong 1939. "CURRICULUM FOR NIGERIAN TEACHERS EDUCATION STUDENTS (ART)." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/291944.

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This thesis defines and presents discipline-based art education curricula as defined by Greer 1983 for Nigerian Art Education Students. Current requirements in art education programs both in Nigeria and the United States are compared in order to more fully understand and develop this course of study. Attention is paid to the national goals and the inherent culture of Nigeria. An analysis of the curriculum of five colleges with discipline-based and education programs has been studied in order to determine a suitable outline of curricula for college teachers in Nigeria. It is concluded that Nige

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8

Makhubu, Nomusa Mary. "The fantastic subject: a visio-cultural study of Nollywood video-film." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1021166.

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The increasing popularity of Nigerian video-film, defined as the ‘Nollywood phenomenon’ (Barrot 2008, Haynes 2010, Adesokan 2011), has attracted recent interdisciplinary academic attention, now known as ‘Nollywood Studies’. The aesthetics and ideological approach of Nollywood video-film are often differentiated from those of the long-established and illustrious African Cinema. Films of Africa are, however, generally characterised by seemingly unique forms of the fantastic – an uneasy theme in scholarship on Nollywood. Although Nollywood video-film is commended by some scholars, its representat

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9

Willis, Elizabeth Anne. "Uli painting and identity : twentieth century development in art in the Igbo - speaking region of Nigeria." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264967.

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10

Rice, Erin [Verfasser]. "The Pattern of Modernity: Textiles in Art, Fashion, and Cultural Memory in Nigeria since 1960 / Erin Rice." Berlin : Freie Universität Berlin, 2020. http://d-nb.info/1213724899/34.

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11

Mbahi, Adamu Anjikwi. "An investigation into the factors which determine students' choice of art education in secondary schools in Nigeria." Thesis, University College London (University of London), 1991. http://discovery.ucl.ac.uk/10018868/.

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The purpose of the study was to examine the factors which influence students' decision to take up the role of an art student in secondary schools in Nigeria and propose ways to advance the study of art in secondary education. Pedagogy tells that children in elementary schools are very interested in art education, but when they leave primary school and enter secondary school, this enthusiasm changes quickly and students no longer show interest in art education. Researches in art education also show that only a fraction of the teenage population which attend secondary schools choose art educatio

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12

Akpang, Clement Emeka. "Nigerian modernism(s) 1900-1960 and the cultural ramifications of the found object in art." Thesis, University of Bedfordshire, 2016. http://hdl.handle.net/10547/621830.

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This thesis explored the phenomenon of Modernism in Twentieth Century Nigerian art and the cultural ramifications of the Found Object in European and African art. Adopting the analytical tools of postcolonial theory and Modernism, modern Nigerian art was subjected to stylistic, conceptual and contextual analysis. The avant-gardist context of the form was explored for two reasons; first in an attempt to distinguish the approaches of named artists and secondly, to address the Eurocentric exclusion of the ‘Other’ in Modernist discourse. The works of Nigerian modernists - Aina Onabolu, Ben Enwonwu

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13

Eguaroje, Francis Olayemi. "An assessment of the impact of political change and art leadership orientation on arts policy implementation in Nigeria /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487596307359671.

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14

Nour, A. I. "Developing African art : innovation and tradition seen through the work of two artists; Lamidi Fakeye and Ahmed Shibrain." Thesis, University of St Andrews, 2006. http://hdl.handle.net/10023/2620.

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The dissertation explores the work of two African artists: Lamidi O. Fakeye a Yoruba wood carver, and Ahmed M. Shibrain a Sudanese painter, as an exemplary development within African art during the second half of the 20th century. It examines their works through the sense of "tradition" as it is seen within the context of their cultures and their histories. It considers their works to be a reflection of their time, a hybrid art and a new tradition emerging within their respective cultures as a result of change in their societies. It argues against the notion that separates their art from their

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15

Onyebuchi, Iroezindu Michael. "Prevalence of HIV-related opportunistic diseases amongst HAART patients at the Federal Medical Centre in Owerri, Nigeria." Thesis, University of the Western Cape, 2012. http://hdl.handle.net/11394/5200.

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Magister Public Health - MPH<br>Background: The hallmark of HIV infection is immunosuppression which predisposes to unusual infections and malignancies generally known as opportunistic diseases (ODs). Globally, ODs are the major cause of morbidity and mortality in people living with HIV (PLHIV). Since the advent of Highly Active Antiretroviral Therapy (HAART), a significant decline in AIDS progression and ODs has been observed globally. However, most of the evidence suggesting sustained decline in AIDS progression and ODs has come from high-income settings with relatively less burden of ODs i

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16

Beck, Christina [Verfasser]. "The Value of Art. Studies in the Material Character of the Terracotta Figurines of the Nok Culture of Central Nigeria / Christina Beck." München : Verlag Dr. Hut, 2017. http://d-nb.info/112629621X/34.

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17

Jewell, Kaleb W. "Hidden in Plain Sight: Image, Text, and Social Commentary in Victor Ekpuk's Cartoons for The Daily Times of Nigeria, 1989-1998." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4194.

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This thesis provides an analysis of the cartoons produced by Victor Ekpuk for The Daily Times newspaper of Nigeria from 1989 through 1998 and the artist’s use of ancient nsibidi script to “hide in plain sight” his social commentaries on sociopolitical and economic issues in Nigeria. Victor Ekpuk’s original cartoons within the permanent collection of the Smithsonian Institution’s National Museum of African Art are examined in the context of indigenous masking practices and other indirect methods employed by indigenous comedians to protect themselves. Moreover, the cartoons’ use of caricature an

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18

Van, Rhyn Chris. "Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85813.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: African art music practices of western origin have oftentimes been excluded from general discourses on western art music practices. In this study, close readings of selected art songs by twentieth and twenty-first century Nigerian, Ghanaian, Egyptian and South African composers serve to ‘map’ this music through challenging existing general discourses on art music composition, and genre-specific discourses on art song composition in Africa. The readings also serve to create new discourses, including ones that promote African

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19

Beck, Christina [Verfasser], Peter [Akademischer Betreuer] [Gutachter] Breunig, and Rüdiger [Gutachter] Krause. "The value of art : studies in the material character of the terracotta figurines of the Nok Culture of Central Nigeria / Christina Beck ; Gutachter: Peter Breunig, Rüdiger Krause ; Betreuer: Peter Breunig." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2016. http://d-nb.info/1123144850/34.

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20

Smith, Sandra A. "Uli metamorphosis of a tradition into contemporary aesthetics /." [Kent, Ohio] : Kent State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1267478083.

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Thesis (M.A.)--Kent State University, 2010.<br>Title from PDF t.p. (viewed Apr. 28, 2010). Advisor: Fred Smith. Keywords: Uli; Igbo; Nigeria; body painting; wall painting; Nsukka; traditional women painters. Includes bibliographical references (p.101-105).

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21

Diebold, Paige. "Yoruba Applique Lappets." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1308073741.

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22

Ikebude, Chukwuemeka M. "Identity in Igbo Architecture: Ekwuru, Obi, and the African Continental Bank Building." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1250885407.

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23

Aguigah, Angèle. "Pavements et terres damées dans les régions du Golfe du Bénin : enquête archéologique et historique." Paris 1, 1995. http://www.theses.fr/1995PA010634.

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Ces trente dernières années, de nombreux évènements de sol ont été exhumés dans plusieurs endroits en Afrique. Ces vestiges n'ont pas encore fait l'objet d'une étude exhaustive. Nous voulons ici faire le bilan de ces techniques d'ornementation et de protection que sont les revêtements de sol et analyser les cultures matérielles qui y sont liées. Après avoir donné un aperçu sur la zone de recherche, les conditions de travail et la méthodologie adoptée, nous présentons, dans la première partie, la répartition géographique des sites. La répartition géographique des sites visualisera six grande zo

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24

Reintjes, Brandon. "Installing Anatsui : the politics of economics in global contemporary art /." 2009. http://digital.library.louisville.edu/cgi-bin/showfile.exe?CISOROOT=/etd&CISOPTR=820&filename=821.pdf.

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25

Alexakis, Matina. "Le recyclage du déchet dans l'art du XXIe siècle : trois études de cas." Thèse, 2011. http://hdl.handle.net/1866/6201.

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Le présent mémoire de maîtrise porte sur le rôle du déchet comme matériau dans la création de trois artistes contemporains. Les artistes étudiés viennent de trois pays différents qui ne connaissent pas le même stade de développement économique ce qui influence le statut du déchet au sein de chacune de ces cultures. Le premier artiste, El Anatsui, est né au Ghana et vit présentement au Nigéria. Sa série Cloth est composée de sculptures flexibles, construites à partir de bouchons de bouteilles en aluminium, qui font référence aux étoffes traditionnelles kente et adinkra. Le second artiste, Vik M

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26

Chiegil, Robert Joseph. "Nigerian health workers' views concerning paediatric adherence to anti-retroviral therapy." Diss., 2009. http://hdl.handle.net/10500/3670.

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This study sought to explore the views of healthcare workers regarding paediatric anti-retroviral therapy (ART) adherence in Nigeria. An exploratory descriptive qualitative research design was used to identify and describe healthcare workers’ views in Kano and Lagos, Nigeria. Three focus group discussions were held. The transcribed data was analysed using the framework approach of data analysis. Healthcare providers perceived poverty, illiteracy, stigma and discrimination, inappropriate care approaches, and parental dynamics as factors influencing ART adherence. Recommendations for enhancing

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