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1

Cadwallader, Robyn. The anchoress. London: Faber and Faber, 2015.

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2

Moorcraft, Paul L. Anchoress of Shere. Scottsdale, AZ: Poisoned Pen Press, 2002.

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3

Spalding, Esta. Anchoress: A poem. Concord, ON: Anansi, 1997.

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4

Nazarena: An American anchoress. New York: Paulist Press, 1998.

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5

Hugh, White, ed. Ancrene wisse: Guide for anchoresses. London: Penguin Books, 1993.

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6

Millett, Bella. Ancrene Wisse - Guide for Anchoresses: A Translation. University of Exeter Press, 2009.

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7

Anonyma. Ancrene Wisse: Guide for Anchoresses (Penguin Classics). Penguin Classics, 1994.

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8

Ancrene wisse: Guide for anchoresses : a translation based on Cambridge, Corpus Christi College, MS 402. Exeter: University of Exeter Press, 2009.

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9

Bella, Millett, ed. Ancrene wisse: Guide for anchoresses : a translation based on Cambridge, Corpus Christi College, MS 402. Exeter: University of Exeter Press, 2009.

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10

(Translator), Myra Heerspink Scholz, ed. Lives Of The Anchoresses: The Rise Of The Urban Recluse In Medieval Europe (Middle Ages Series). University of Pennsylvania Press, 2005.

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11

Anchoress. Faber & Faber, Limited, 2016.

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12

The anchoress. 2015.

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13

Moorcraft, Paul. Anchoress of Shere. Poisoned Pen Press, 2012.

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14

Nickson, Chris. Anchoress of ChesterfieldThe Anchoress of Chesterfield: John the Carpenter. History Press Limited, The, 2020.

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15

Anchoresses of Thirteenth-century Europe: The Lives of Yvette of Huy by Hugh of Floreffe And Margaret the Lame of Magdeburg by John of Magdeburg (Medieval Women: Texts and Contexts). Brepols Publishers, 2007.

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16

More, Alison. Fictive Orders and Feminine Religious Identities, 1200-1600. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807698.001.0001.

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Any visitor to Belgium or the Netherlands is immediately struck by the number of convents and beguinages (begijnhoven) in both major cities and small towns. Their number and location in urban centres suggest that the women who inhabited them once held a prominent role. Despite leaving a visible mark on cities, much of the story of these women—known variously as beguines, tertiaries, klopjes, recluses, and anchoresses—remains to be told. Instead of aspiring to live as traditional religious, they transcended normative assumptions about religion and gender and had a very real impact on their religious and secular worlds. The sources for their tale are often fragmentary and difficult to interpret. However, careful scrutiny allows their voices to be heard. Drawing on an array of sources including religious rules, sermons, hagiographic vitae, and rapiaria, this work traces the story of pious laywomen between the thirteenth and sixteenth centuries. It both emphasizes the innovative roles of women who transcended established forms of institutional religious life and reveals the ways in which historiographical habits have obscured the dynamic and fluid nature of their histories. By highlighting the development of irregular and extra-regular communities and tracing the threads of regularization and monasticization that wove their way around pious laywomen, this book draws attention to the vibrant and dynamic culture of feminine lay piety that persisted from the later middle ages onwards.
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17

The Anchoress: A Novel. Picador, 2016.

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18

Matus, Thomas. Nazarena: An American Anchoress. Paulist Press, 1998.

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19

Anchoress of ChesterfieldThe Anchoress of Chesterfield: A John the Carpenter Mystery. History Press Limited, The, 2020.

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20

Anchoress and Cardinal: Julian of Norwich and Adam Easton, O.S.B. Salzburg: Analecta Cartusiana, 2008.

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21

Bildhauer, Bettina, and Robert Mills, eds. The Monstrous Middle Ages. University of Toronto Press, 2003.

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22

Liutbirg, Saint, d. ca. 870., Hathumoda 840-874, and Paxton Frederick S. 1951-, eds. Anchoress and abbess in ninth-century Saxony: The lives of Liutbirga of Wendhausen and Hathumoda of Gandersheim. Washington, D.C: Catholic University of America Press, 2009.

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23

Hall, Mark A. Material Culture, Museums, Movies, and Make Believe. Edited by Sally Crawford, Dawn M. Hadley, and Gillian Shepherd. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199670697.013.36.

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This contribution explores the biographical life stage of childhood in medieval Europe through the contemporary (now) representations of such childhood, particularly in the cinema and the museum. Aspects to be explored include defining childhood, nested identities, gender and social contexts, narrative inclinations and independence of action (e.g. through play, education and apprenticeship, and training for adulthood). A range of films will be considered for their powerful and vital depictions of a constructed and variously authentic notion of medieval childhood, in particular Andrei Roublev, The Seventh Seal, Anchoress, Navigator: A Medieval Odyssey, Marketa Lazarová, and Brave. The various strands of exploration will be drawn together in an assessment of the images being put forward to represent children both in archaeology and museums (including temporary exhibitions and permanent museums of childhood) and in cinema.
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