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Journal articles on the topic 'Anchoresses'

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1

Easterling, Joshua S. "Mary, Silence, and the Fictions of Power in Ancrene Wisse 2.269–481." Early Middle English 3, no. 1 (2021): 87–100. http://dx.doi.org/10.17302/eme.3-1.6.

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A work of spiritual guidance composed for English anchoresses, the thirteenthcentury Ancrene Wisse encourages its readers to imitate the Virgin Mary and her exemplary silence. In its attempt thus to manage the anchoritic voice, Part 2 of the text draws on and substantially reimagines the image presented of the saint in a sermon by the Cistercian Bernard of Clairvaux (d. 1153). For women aspiring to channel spiritual power through their own voice, Mary becomes, as she was for many anchoresses, an object of imitation, though in this case one radically different from Bernard’s model. By reconceptualizing the imperatives of silence, Ancrene Wisse invites the counseling and teaching anchoress into a new relation with her body, in its vocal potentials, and the wider social networks wherein it operated. The work’s figuration of voice demonstrates how both the anchoress and her material environment were shaped through diverse forms of imitatio.
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2

Brown, Jennifer N. "The Material of Vernacular English Devotion: Temptation and Sweetness in Ancrene Wisse and Richard Rolle’s Form of Living." Early Middle English 3, no. 1 (2021): 123–29. http://dx.doi.org/10.17302/eme.3-1.9.

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This short essay looks at how language about the material world is used to describe the spiritual world and how that language is replicated and changed in the course of medieval devotional texts for anchoresses. It specifically discusses the thirteenth-century Ancrene Wisse (Guide for Anchoresses) and Richard Rolle’s Form of Living.
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3

Innes-Parker, Catherine. "Mi bodi henge with thi bodi neiled o rode: The gendering of the Pauline concept of crucifixion with Christ in medieval devotional prose for women." Studies in Religion/Sciences Religieuses 28, no. 1 (March 1999): 49–61. http://dx.doi.org/10.1177/000842989902800105.

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This article explores the implications of gendering biblical texts through an examination of the use of the Pauline concept of crucifixion with Christ in the group of 13th-century texts known as the Katherine Group. Written for an audience of female religious recluses or anchoresses, these texts tie the image of being crucified with Christ to the spousal metaphor of the soul as the bride of Christ, figuring the anchoress's re-enactment of the incarnation and the crucifixion in profoundly feminine terms. The results are ambiguous: female flesh is transformed and empowered, yet this empowerment is tied to images of suffering and penance. This equivocal outcome has significant ramifications for feminist scholarship as we explore the implications of gendered language in the analysis and translation of biblical texts.
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4

Degregorio, Scott. "Ancrene Wisse: Guide for Anchoresses." English Studies 92, no. 4 (June 2011): 464–65. http://dx.doi.org/10.1080/0013838x.2011.564415.

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5

Moores, Elizabeth. "Ancrene Wisse: guide for anchoresses (review)." Parergon 12, no. 2 (1995): 255. http://dx.doi.org/10.1353/pgn.1995.0058.

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6

Farina, Lara. "Anneke B. Mulder-Bakker, Lives of the Anchoresses. University of Pennsylvania Press, 2005." Medieval Feminist Forum 42 (December 2006): 134–37. http://dx.doi.org/10.17077/1536-8742.1071.

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7

Muessig, Carolyn. "Lives of the Anchoresses: The Rise of the Urban Recluse in Medieval Europe (review)." Catholic Historical Review 92, no. 1 (2006): 113–14. http://dx.doi.org/10.1353/cat.2006.0107.

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8

Sawicka-Sykes, Sophie. "Relics and the Recluse’s Touch in Goscelin’s Miracles of St. Edmund." Early Middle English 3, no. 1 (2021): 71–85. http://dx.doi.org/10.17302/eme.3-1.5.

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While Ancrene Wisse (Guide for Anchoresses) has prompted discussions on the prohibition of touch in anchoritic devotional culture, the critical focus on the didactic literature of the high Middle Ages has left little room for exploring how anchorites used touch to initiate or heighten spiritual experience. This article attempts to address this imbalance through a close reading of Goscelin of Saint-Bertin’s Miracles of St. Edmund (ca. 1100). The text offers an insight into Seitha, a female recluse living in close proximity to the community of monks at Bury St. Edmunds in the 1090s, and her physical contact with St. Edmund’s secondary relics. Sawicka-Sykes argues that while the monks of Bury are punished for their audacious handling of the saint’s incorrupt remains, Seitha is granted privileged access to the saint’s clothing on account of her anchoritic virtues of purity, humility, and servitude.
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9

Parker, Catherine Innes. "Medieval Widowhood and Textual Guidance: The Corpus Revisions of Ancrene Wisse and the de Braose Anchoresses." Florilegium 29 (January 2011): 4. http://dx.doi.org/10.3138/flor.28.4.

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10

Edsall, Mary Agnes. "“True Anchoresses Are Called Birds”: Asceticism as Ascent and the Purgative Mysticism of the Ancrene Wisse." Viator 34 (January 2003): 157–86. http://dx.doi.org/10.1484/j.viator.2.300386.

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11

Innes-Parker, Catherine. "Medieval Widowhood and Textual Guidance: The Corpus Revisions of Ancrene Wisse and the de Braose Anchoresses." Florilegium 28, no. 1 (January 2011): 95–124. http://dx.doi.org/10.3138/flor.28.005.

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In 1990, Margaret Wade Labarge published a seminal article on medieval widowhood and religious devotion, arguing that “among the upper classes widowhood could provide for the first time in a woman’s life a freedom of action and choice that she had not previously enjoyed.”1 She pointed out that not all medieval widows were elderly, and indeed, one of the widows whose life she explored, Loretta, countess of Leicester, was widowed in her early twenties. Such women might wish to avoid remarriage for a variety of reasons, yet their lives were far from over even if they were widowed in their thirties or forties: Loretta lived well into her eighties. Labarge outlined a number of “second careers” that widows might undertake in the secular world, though her article focused on women who “turned to an active religious life and, in reality, took up a new career.”2 She argued that “Because of their superior social position these women had the luxury of a choice among several patterns of religious life, as recluse, or nun, or mystic living a devout life in the world.”3 Labarge concentrated on the influence that widows in the religious life could exercise, presenting one example of each of these three patterns: Loretta, countess of Leicester, who became a recluse by 1221; Ela, countess of Salisbury, who founded Lacock Abbey in 1232 and entered it as a nun, serving as abbess for nearly twenty years; and St. Birgitta, wife and daughter of Swedish nobles, who influenced popes and kings through her mystical Revelations.
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12

Bynum, Caroline. "Mulder-Bakker, Anneke B.,Lives of the Anchoresses: The Rise of the Urban Recluse in Medieval Europe." Theology & Sexuality 12, no. 2 (January 2006): 217–19. http://dx.doi.org/10.1177/1355835806061435.

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13

Teel, Karen. "Lives of the Anchoresses: The Rise of the Urban Recluse in Medieval Europe – By Anneke B. Mulder-Bakker." Religious Studies Review 33, no. 3 (July 2007): 250. http://dx.doi.org/10.1111/j.1748-0922.2007.00204_20.x.

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14

McGuire, Brian Patrick. "Lives of the Anchoresses: The Rise of the Urban Recluse in Medieval Europe. Anneke B. Mulder-Bakker , Myra Heerspink Scholz." Speculum 81, no. 4 (October 2006): 1234–36. http://dx.doi.org/10.1017/s0038713400004796.

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15

Njus, Jesse. "The Politics of Mysticism: Elisabeth of Spalbeek in Context." Church History 77, no. 2 (May 12, 2008): 285–317. http://dx.doi.org/10.1017/s0009640708000553.

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Elisabeth of Spalbeek (fl. 1246–1304) was one of the mulieres religiosae who flourished in the Low Countries during the thirteenth century. Although she is known today almost exclusively for her stigmata and her performance of Christ's Passion, I will argue that she provides an exceptional example of the spiritual networking described by scholars such as John Coakley and Anneke Mulder-Bakker. As they have shown, medieval holy women—recluses and anchoresses included—functioned only within tightly woven spiritual networks that connected other mulieres religiosae, sympathetic clerics, and powerful nobles who provided economic and political support in return for the women's prayers and spiritual authority. No one has analyzed Elisabeth's network in this light in part because the chief source for her life—the text written by Abbot Philip of Clairvaux, who visited Elisabeth in 1266/7—omits the proper names of most people surrounding Elisabeth and fails to mention many of the people with whom she must have come in contact. In addition, major documents concerning Elisabeth have, until now, escaped any collective analysis, so we have been unable to place Elisabeth in any context. Through a painstaking review of all the pertinent documents, however, I have succeeded in uncovering Elisabeth's political and spiritual alliances, allowing me to study her in her milieu and to provide a detailed analysis of her possible secular and religious influence. I argue that she was actively engaged in building and extending her own network, and in my consideration of the evidence for this “politics of mysticism,” I offer a perspective on Elisabeth that has led me to reinterpret her role in the last recorded event of her life, the French court battle between Queen Marie of Brabant and the chamberlain Pierre de la Broce.
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16

Fitzpatrick, KellyAnn. "The Anchoress: A Novel." Medieval Feminist Forum 52, no. 2 (May 26, 2017): 157–59. http://dx.doi.org/10.17077/1536-8742.2073.

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17

Lumbley, Coral. "Reading Per Artem with The Anchoress." Essays in Medieval Studies 32, no. 1 (2016): 73–81. http://dx.doi.org/10.1353/ems.2016.0005.

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18

Cadwallader, Robyn. "Learning to love the dislocation: Reflections on writing The Anchoress." postmedieval: a journal of medieval cultural studies 7, no. 2 (June 2016): 273–84. http://dx.doi.org/10.1057/pmed.2016.10.

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19

Bledsoe, Jenny C. "Materiality, Documentary Authority, and the Circulation of the Katherine Group." Early Middle English 3, no. 1 (2021): 33–50. http://dx.doi.org/10.17302/eme.3-1.3.

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Written in the decades before Ancrene Wisse, the Early Middle English hagiographies of the Katherine Group depict three virgin martyrs, Katherine, Margaret, and Juliana. Using touch and eyewitness accounts as measures of proof, the legend equates St. Margaret’s body with the textual corpus inscribed on animal hide. The manuscript’s documentary authority is verified through proximity to the holy body of the saint, and, in a similarly body-centred (and precarious) authority, the anchoress functions as the centre of an ephemeral textual community in the early thirteenth century. The Katherine Group narratives and codicological evidence indicate an anchoritic-lay literary culture operating adjacent to clerical manuscript culture, consistent with Catherine Innes-Parker’s theory about co-existing informal and formal vernacular textual cultures in the West Midlands. This “informal,” or ephemeral, textual community shaped lay literacy and manuscript use, including perceptions about the documentary authority of vernacular textual artifacts.
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20

Winstead. "Critical Fiction: Reading Seinte Margarete through Robyn Cadwallader’s The Anchoress." Journal of Medieval Religious Cultures 47, no. 2 (2021): 189. http://dx.doi.org/10.5325/jmedirelicult.47.2.0189.

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21

Temple, Liam. "‘Have we any motherJuliana’samong us?’: The multiple identities of Julian of Norwich in Restoration England." British Catholic History 33, no. 3 (March 30, 2017): 383–400. http://dx.doi.org/10.1017/bch.2017.3.

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The true identity of the fourteenth-century anchoress Julian of Norwich has been lost to history. Yet in the seventeenth century Catholic and Protestant polemicists created different ‘Julians’ to construct and contrast their own confessional positions. This article traces the different identities prescribed to Julian and argues that they allow us fresh insight into some of the most prevalent religious and political issues of Restoration England. It begins by tracing the positive reception of Julian’s theology among the Benedictine nuns of Paris and Cambrai, including the role of Augustine Baker in editing Julian’s text. It then explores how the Benedictine Serenus Cressy and the Anglican Edward Stillingfleet created different identities for Julian in their ongoing polemical battles in the Restoration period. For Cressy, Julian was proof of the strength of Catholic devotional and spiritual traditions, while Stillingfleet believed she was evidence of the religious melancholy encouraged by monasticism. By exploring these identities, this article offers new perspective on issues of Catholic loyalty, enthusiasm, sectarianism and doctrinal authority.
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22

McAvoy, Liz Herbert. "Uncovering the ‘saintly Anchoress’: myths of Medieval anchoritism and the reclusion of Katharine de Audley." Women's History Review 22, no. 5 (October 2013): 801–19. http://dx.doi.org/10.1080/09612025.2013.769380.

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23

Smith, Julie Ann. "Living Saints of the Thirteenth Century: The Lives of Yvette, Anchoress of Huy; Juliana of Cornillon, Author of the Corpus Christi Feast; and Margaret the Lame, Anchoress of Magdeburg ed. by Anneke B. Mulder-Bakker." Parergon 30, no. 2 (2013): 250–51. http://dx.doi.org/10.1353/pgn.2013.0126.

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24

MacLean, S. "Anchoress and Abbess in Ninth-Century Saxony: The Lives of Liutbirga of Wendhausen and Hathumoda of Gandersheim." English Historical Review CXXV, no. 516 (September 24, 2010): 1216–17. http://dx.doi.org/10.1093/ehr/ceq250.

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25

Burov, Aleksej, and Ignė Vrubliauskaitė. "Frau Ava’s, the first named German female writer’s, poem Jüngstes Gericht ‘The Last Judgement’ and its Lithuanian translation." Literatūra 61, no. 4 (December 20, 2019): 8–26. http://dx.doi.org/10.15388/litera.2019.4.1.

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The present article offers an overview of several poems written by Frau Ava (1060–1127), a German poetess whose literary works are virtually unknown in Lithuania. Ava, an anchoress in Melk Abbey, is the first named German female writer, who broke ‘the deep silence of German literature’ lasting over a century (Stein 1976, 5). All poems attributed to Frau Ava are of religious character: Johannes ‘John the Baptist’ (446 lines), Leben Jesu ‘Life of Jesus’ (2418 lines), Antichrist (118 lines) and Jüngstes Gericht ‘The Last Judgement’ (406 lines), which make up an impressive biblical epic of 3388 lines. Leben Jesu, Antichrist and Jüngstes Gericht are found in the Vorau Manuscript dating the first half of the 12th century (Codex 276, 115va-125ra), whereas the Görlitz Manuscript (Codex A III. 1. 10), compiled in the 14th century but lost during World War II, contains the poem Johannes as well as the other poems mentioned above, excluding the epilogue of Jüngstes Gericht (lines 393-406).The article presents an overview of Frau Ava’s life and works as well as a Lithuanian translation of her poem Jüngstes Gericht, written in Early Middle High German (Ger. Frümittelhochdeutsch). The translation is based on Maike Glaußnitzer and Kassnadra Sperl’s text, published in 2014.
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26

Herbert McAvoy, Liz. "A.B. Mulder-Bakker (Ed.), Living Saints of the Thirteenth Century. The Lives of Yvette, Anchoress of Huy; Juliana of Cornillon, Author of the Corpus Christi Feast; and Margaret the Lame, Anchoress of Magdeburg [Medieval Women: Texts and Contexts 20]. Brepols, Turnhout 2012, ix + 416 pp. ISBN 978-25-03-52077-3. €108.95." Church History and Religious Culture 93, no. 2 (January 1, 2013): 305–7. http://dx.doi.org/10.1163/18712428-13930208.

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27

Dickman, Susan. "Patricia Mary Vinje, An Understanding of Love according to the Anchoress Julian of Norwich. (Salzburg Studies in English Literature, 92/8.) Salzburg: Institut für Anglistik und Amerikanistik, 1983. Paper. Pp. vii, 238." Speculum 60, no. 02 (April 1985): 494–95. http://dx.doi.org/10.1017/s0038713400184775.

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28

Barker, Paula Datsko. "An Understanding of Love According to the Anchoress Julian of Norwich. By Patricia Mary Vinje. Salzburg: Institut für Anglistik und Amerikanistik, 1983. Elizabethan and Renaissance Studies 92:8. vii + 238 pp. $25.00." Church History 54, no. 3 (September 1985): 440–41. http://dx.doi.org/10.2307/3165730.

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29

Scheck, Helene E. "Frederick S. Paxton, trans., Anchoress and Abbess in Ninth-Century Saxony: The “Lives” of Liutbirga of Wendhausen and Hathumoda of Gandersheim. (Medieval Texts in Translation.) Washington, D.C.: Catholic University of America Press, 2009. Paper. Pp. xix, 204; tables and 1 map." Speculum 86, no. 3 (July 2011): 791–92. http://dx.doi.org/10.1017/s0038713411002028.

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30

Hamilton, Sarah. "Anchoress and abbess in ninth-century Saxony. The Lives of Liutbirga of Wendhausen and Hathumoda of Gandersheim. Translated with introduction and notes by Frederick S. Paxton. (Medieval Texts in Translation.) Pp. xix+204. Washington, DC: The Catholic University of America Press, 2009. £26.95 (paper). 978 0 8132 1569 3." Journal of Ecclesiastical History 61, no. 3 (June 11, 2010): 598–99. http://dx.doi.org/10.1017/s0022046910000795.

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31

"Lives of the anchoresses: the rise of the urban recluse in medieval Europe." Choice Reviews Online 43, no. 05 (January 1, 2006): 43–3013. http://dx.doi.org/10.5860/choice.43-3013.

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32

Delman, Rachel M. "The vowesses, the anchoresses and the aldermen's wives: Lady Margaret Beaufort and the devout society of late medieval Stamford." Urban History, February 11, 2021, 1–17. http://dx.doi.org/10.1017/s096392682100002x.

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Abstract This article investigates a devout society centring on the household of Margaret Beaufort (d. 1509) at Collyweston in Northamptonshire and St Katherine's guild in the neighbouring market town of Stamford in Lincolnshire. The discussion unveils Margaret Beaufort's place at the heart of a vibrant devotional community, whose members, among them a core group of lay and religious townswomen, were united by their geography and shared devotional interests. Ultimately, this article sheds new light on the overlapping spiritual networks of an important market town and the household of a highly influential noblewoman, whilst also demonstrating how Margaret's sponsorship of the society informed her self-fashioning as a pious matriarch of the house of Tudor.
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33

Hickey, Carolyn Ann. "Crossing Boundaries: Images of Christina of Markyate in the St. Albans Psalter." SURG Journal 11 (April 18, 2019). http://dx.doi.org/10.21083/surg.v11i0.3806.

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The St. Albans Psalter is an English illuminated manuscript dating back to the twelfth century. The psalter has been connected to Christina of Markyate, a twelfth-century anchoress, for whom the work appears to have been made. Many images in the St. Albans Psalter depict the biblical figure Mary Magdalene, who is seen interacting with the boundaries of the colourful illustration. This article will study the images of Mary Magdalene in the St. Albans Psalter and will seek to re-evaluate her spiritual relationship with the twelfth-century recluse Christina of Markyate. Although the connection between Christina and Mary Magdelene has been recognized and reassessed, this study offers a contemporary outlook on the visual iconography, suggesting that this relationship is, in fact, far closer than previously demonstrated. By analyzing images in which the hand of Mary Magdalene crosses illustrated boundaries, this study will demonstrate the connection between these instances and Christina’s isolation within the boundaries of her anchoritic hold.
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