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1

Roberts, Adam. "Coleridge's Ancient Mariner and Mrs Radcliffe's Mariner." Notes and Queries 42, no. 2 (June 1, 1995): 177–78. http://dx.doi.org/10.1093/notesj/42.2.177.

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2

KNOX-SHAW, P. H. "The Eastern Ancient Mariner." Essays in Criticism XLVI, no. 2 (April 1, 1996): 115–35. http://dx.doi.org/10.1093/eic/xlvi.2.115.

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3

Knox-Shaw, P. "The Eastern Ancient Mariner." Essays in Criticism 46, no. 2 (April 1, 1996): 115–35. http://dx.doi.org/10.1093/eic/46.2.115.

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4

Mahon, Eugene J. "Ancient Mariner, Pilot's Boy." Psychoanalytic Study of the Child 42, no. 1 (January 1987): 489–509. http://dx.doi.org/10.1080/00797308.1987.11823502.

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5

Dr.S.RADHIKA, Dr S. RADHIKA. "Psycholinguistic Analysis of Coleridge’s - Rime of the Ancient Mariner." Indian Journal of Applied Research 4, no. 3 (October 1, 2011): 219–20. http://dx.doi.org/10.15373/2249555x/mar2014/65.

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6

Kidwell, Margaret G. "Voyage of an ancient mariner." Nature 362, no. 6417 (March 1993): 202. http://dx.doi.org/10.1038/362202a0.

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7

Zhatkin, Dmitry N., and Anna A. Ryabova. "THE RIME OF THE ANCIENT MARINER." TURKISH ONLINE JOURNAL OF DESIGN, ART AND COMMUNICATION 2018 (March 1, 2018): 254–62. http://dx.doi.org/10.7456/1080mse/032.

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8

Singh, Satendra, and Abha Khetarpal. "Phobias in Poetry: Coleridge’s Ancient Mariner." Indian Journal of Psychological Medicine 34, no. 2 (April 2012): 193–96. http://dx.doi.org/10.4103/0253-7176.101791.

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9

Cohen, Barbara L. "LD Students and the Ancient Mariner." Academic Therapy 23, no. 3 (January 1988): 255–59. http://dx.doi.org/10.1177/105345128802300307.

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10

Wu, D. "The Ancient Mariner: A Wordsworthian Source." Notes and Queries 38, no. 3 (September 1, 1991): 301. http://dx.doi.org/10.1093/notesj/38.3.301.

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11

Ower, John. "Coleridge's Rime of the Ancient Mariner." Explicator 65, no. 1 (September 2006): 19–21. http://dx.doi.org/10.3200/expl.65.1.19-21.

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12

Khozooi, Fatemeh, and Razieh Eslamieh. "A Lacanian Reading of Samuel Taylor Coleridge’s The Rime of the Ancient Mariner and Christabel." International Journal of Linguistics 11, no. 5 (October 22, 2019): 213. http://dx.doi.org/10.5296/ijl.v11i5.15383.

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The present paper compares Lacanian Psychoanalytic Orders in The Rime of the Ancient Mariner and Christabel. Imaginary Order and Symbolic Order are basic notions studied as a path to a better understanding of the poems. In The Rime of the Ancient Mariner, the Ancient Mariner has not entered the realm of the Symbolic Order completely and it can be claimed he still partly lives in the Imaginary Order. Despite the fact that the two poems are different in narrative and character development, some similarities are revealed in the way the main characters pass the Orders and form their final individuality. Both Christabel and the Mariner have connections with Imaginary Order which has hindered their complete transition to the Symbolic Order. However, some events loosen their bonds with this Order and cause their complete transition to the Symbolic Order.
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13

Lee, Chung-Eun. "Coleridge's “The Rime of The Ancient Mariner”." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 64 (August 31, 2016): 233. http://dx.doi.org/10.21087/nsell.2016.08.64.233.

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14

Marchant, Jo. "Underwater archaeology: Hunt for the ancient mariner." Nature 481, no. 7382 (January 2012): 426–28. http://dx.doi.org/10.1038/481426a.

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15

Murphy, Michael. "John Thelwall, Coleridge, and The Ancient Mariner." Romanticism 8, no. 1 (April 2002): 62–74. http://dx.doi.org/10.3366/rom.2002.8.1.62.

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16

Wilkes, David M. "Coleridge's the Rime of the Ancient Mariner." Explicator 61, no. 4 (January 2003): 202–4. http://dx.doi.org/10.1080/00144940309597811.

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17

Melville, Peter. "Coleridge's THE RIME OF THE ANCIENT MARINER." Explicator 63, no. 1 (January 2004): 15–18. http://dx.doi.org/10.1080/00144940409597245.

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18

Zinovyeva, Irina Viktorovna. "Attributes Functioning in S. T. Coleridge’s Poem “The Rime of the Ancient Mariner”." Filologičeskie nauki. Voprosy teorii i praktiki, no. 8 (July 2021): 2468–74. http://dx.doi.org/10.30853/phil210367.

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19

Ulmer, William A. "AnsweringThe Borderersin “The Rime of the Ancient Mariner”." European Romantic Review 19, no. 3 (July 2008): 233–46. http://dx.doi.org/10.1080/10509580802211405.

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20

Gibbins, Ann M. Verrinder. "The chicken, the egg, and the ancient mariner." Nature Biotechnology 16, no. 11 (November 1998): 1013–14. http://dx.doi.org/10.1038/3458.

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21

Bentley, P. "The Ancient Mariner, Superstition and the Lyrical Ballads." English 56, no. 214 (March 1, 2007): 17–28. http://dx.doi.org/10.1093/english/56.214.17.

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22

Soule, George. "Coleridge's Debt to Shelvocke in ‘The Ancient Mariner’." Notes and Queries 50, no. 3 (September 1, 2003): 287–88. http://dx.doi.org/10.1093/nq/500287.

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23

Soule, G. "Coleridge's Debt to Shelvocke in 'The Ancient Mariner'." Notes and Queries 50, no. 3 (September 1, 2003): 287–88. http://dx.doi.org/10.1093/nq/50.3.287.

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24

Griffin-Short, Rita. "The Ancient Mariner and the transit of Venus." Endeavour 27, no. 4 (December 2003): 175–79. http://dx.doi.org/10.1016/j.endeavour.2003.10.002.

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25

Watkins, Daniel P., and Patrick J. Keane. "Coleridge's Submerged Politics: 'The Ancient Mariner' and 'Robinson Crusoe'." Yearbook of English Studies 27 (1997): 259. http://dx.doi.org/10.2307/3509167.

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26

Edgecombe, Rodney Stenning. "John Francis Barnett's "Ancient Mariner": From Ballad to Cantata." Wordsworth Circle 43, no. 1 (January 2012): 36–44. http://dx.doi.org/10.1086/twc24045514.

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27

Amemiya, Chris T. "An Ancient Mariner: Biological implications of the coelacanth genome." Biochemist 36, no. 1 (February 1, 2014): 23–27. http://dx.doi.org/10.1042/bio03601023.

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The coelacanth is an iconic species that has captured the public's imagination owing to its unusual appearance and its special history. The fish possesses paired fins resembling limb-like structures and other features that have placed it in an outgroup position to the terrestrial vertebrates. The recent sequencing of the coelacanth genome has enabled insights into the fin–limb transition and the origin of terrestriality. Here, I discuss some of the more salient findings and interpret them in an evolutionary context.
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28

Reed, Mary. "Weather Talk: Revisiting “The Rime of the Ancient Mariner”." Weatherwise 44, no. 4 (September 1991): 42. http://dx.doi.org/10.1080/00431672.1991.9929379.

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29

Wallen, Martin. "Return and Representation: The Revisions of "The Ancient Mariner"." Wordsworth Circle 17, no. 3 (June 1986): 148–56. http://dx.doi.org/10.1086/twc24040729.

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30

Edgecombe, R. S. "Otway, Coleridge, and 'the Rime of the Ancient Mariner'." Notes and Queries 49, no. 1 (March 1, 2002): 28–29. http://dx.doi.org/10.1093/nq/49.1.28.

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31

Edgecombe, Rodney Stenning. "Otway, Coleridge, and ‘the Rime of the Ancient Mariner’." Notes and Queries 49, no. 1 (March 1, 2002): 28–29. http://dx.doi.org/10.1093/nq/490028.

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32

Hoeveler, Diane Long. "Glossing the feminine inThe Rime of the Ancient Mariner." European Romantic Review 2, no. 2 (January 1992): 145–62. http://dx.doi.org/10.1080/10509589208569949.

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33

Shailer, Dan. "Guilt in Coleridge’s ‘The Rime of the Ancient Mariner’." Keats-Shelley Review 32, no. 1 (January 2, 2018): 72–76. http://dx.doi.org/10.1080/09524142.2018.1460956.

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34

Reichhardt, Tony. "Winged messenger set to follow ancient mariner to Mercury." Nature 430, no. 6999 (July 2004): 494. http://dx.doi.org/10.1038/430494a.

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35

Foakes, R. A. "Coleridge, Violence and ‘The Rime of the Ancient Mariner’." Romanticism 7, no. 1 (April 2001): 41–57. http://dx.doi.org/10.3366/rom.2001.7.1.41.

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36

Bunyan, David. "Compulsive repetition and “The ancient mariner”: Coleridge's romantic “uncanny”." Journal of Literary Studies 6, no. 1-2 (June 1990): 105–25. http://dx.doi.org/10.1080/02564719008529936.

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37

Jadwe, Majeed U. "Storytelling, Liminality & the Textual Fashioning of a Post-Colonial “Ancient Mariner” in Mohsin Hamid’s The Reluctant Fundamentalist." Studies in Linguistics and Literature 3, no. 3 (July 5, 2019): p241. http://dx.doi.org/10.22158/sll.v3n3p241.

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This paper examines Mohsin Hamid’s 2007 novel The Reluctant Fundamentalist as a post-colonial re-writing of S. T. Coleridge’s narrative poem “The Rime of the Ancient Mariner” (1798). A comparative analysis is carried between these two works to establish their affinities in terms of storytelling technicalities and the space of liminality where they position their narrators. The comparative analysis shall prove that Hamid’s affinities with Coleridge’s work are deliberately employed to fashion his central character Changez as a post-colonial ancient mariner, which ultimately lies to the heart of the novel as both a contemporary politico-moral fable and as an act of resistance to post 9/11 American neo-colonialist discourses.
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38

Jones, Steven E. "'Supernatural, or at Least Romantic': the Ancient Mariner and Parody." Romanticism on the Net, no. 15 (1999): 0. http://dx.doi.org/10.7202/005872ar.

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39

Khan, Shaukat, Sumaira Jehanzeb, Irfan Ulah, and Muhammad Irfan. "A STYLISTIC ANALYSIS OF “THE RIME OF THE ANCIENT MARINER”." English Review: Journal of English Education 5, no. 1 (December 12, 2016): 37. http://dx.doi.org/10.25134/erjee.v5i1.387.

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If a specimen of literary art is seen as a fine tapestry of words made by the skilled seamstress—the poet, then the lexis and structure of a language are the raw materials—the fabric and the thread—by weaving which into specific patterns the finished product is achieved. The choice of materials and their arrangement into unique patterns always bear an image of their creator, or the artist; thus, a close view of them reveals the artist’s identity and brings out the meaningful message that underlies the ornate running threads. Mostly, the students of literary studies cannot appreciate the beauty of the literary classics on their own. Consequently, they simply mimic the ideas, and sometimes even the words, of famous professional critics when asked to give their own critical judgment on the aesthetic merit or the thematic quality of a literary work in the shape of a home assignment, classroom presentation or an annual assessment test. Now, the researcher has got the inspiration for carrying out this study from an idea expounded in Widdowson (1975) that this mimicry can be replaced by genuine individual opinion if the students, or even those people who have non-academic concerns with literature, are brought to a standpoint from where they can have a closer view of the raw materials, the language resources, which are involved in the making of a literary product. And, if the product in its finished form cannot elicit a desired response from them then making them sensitive to the process of its making can be quite effective in this regard. Through the present study, an attempt has been made to show an easy access to the outlandish world of verse by means of the linguistic route which is laid with the familiar flagstones of grammar and vocabulary. Meaning thereby that in this study the elusiveness of poetry will be dealt with the precision of a social scientist, the linguist. The approach which serves as the basis of this study is not an invention of the researcher; rather, it is a well-known twentieth century approach known as stylistics (Jeffries & McIntyre, 2010, p. 30). Samuel Taylor Coleridge’s famous ballad, “The Rime of the Ancient Mariner”, being a widely read poem and bearing various stylistics features, offered itself as an ideal object for this study. The poet’s aesthetic message is explored by analyzing the finest details of his linguistic expression. And, careful considerations have been made throughout the study to prevent the overlooking of any instance of deviant linguistic units or recurring patterns for interpretation because such elements contribute largely to the meaning of any literary product. The study is descriptive in its nature therefore qualitative data has been integrated with and substantiated by the quantitative one. Keywords: stylistics, literature, lexical, semantic and graphological deviations
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40

McGavran, James Holt. "Glossing Over the Ancient Mariner: Perversion, Panic, and Collage-Texts." Wordsworth Circle 26, no. 3 (June 1995): 162–64. http://dx.doi.org/10.1086/twc24044556.

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41

Larkin, P. "Repetition, Difference and Liturgical Participation in Coleridge's 'The Ancient Mariner'." Literature and Theology 21, no. 2 (April 18, 2007): 146–59. http://dx.doi.org/10.1093/litthe/frm007.

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42

Perkins, D. "The "Ancient Mariner" and Its Interpreters: Some Versions of Coleridge." Modern Language Quarterly 57, no. 3 (January 1, 1996): 425–48. http://dx.doi.org/10.1215/00267929-57-3-425.

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43

Ryu, Jihee. "The ancient mariner speaks: examining regimes of truth in ADHD." International Journal of Disability, Development and Education 60, no. 1 (March 2013): 67–68. http://dx.doi.org/10.1080/1034912x.2013.757147.

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44

Rudolf, Matthias. "Unspeakable Discovery: Romanticism and the “Rime of the Ancient Mariner”." European Romantic Review 24, no. 2 (April 2013): 185–210. http://dx.doi.org/10.1080/10509585.2013.766401.

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45

Frost, Alan. "PRETENCE, PLAGIARISM, CREATIVITY—AND THE RIME OF THE ANCIENT MARINER." English Studies in Africa 51, no. 2 (January 2008): 93–108. http://dx.doi.org/10.1080/00138390809487858.

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46

Davies, Damian Walford. "Diagnosing “The Rime of the Ancient Mariner”: Shipwreck, Historicism, Traumatology." Studies in Romanticism 55, no. 4 (2016): 503–35. http://dx.doi.org/10.1353/srm.2016.0002.

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47

REID, NICHOLAS. "THE ANCIENT MARINER: A READING IN A HIGHER CRITICAL CONTEXT." Journal of the Australasian Universities Language and Literature Association 84, no. 1 (November 1995): 21–40. http://dx.doi.org/10.1179/aulla.1995.002.

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48

Brown, Eric C. "Boyd's Dante, Coleridge's Ancient Mariner, and the Pattern of Infernal Influence." Studies in English Literature, 1500-1900 38, no. 4 (1998): 647. http://dx.doi.org/10.2307/451091.

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49

Franklin, Derek. "Eiresponsibilities: Rhythm and Revolution in 'The Rime of the Ancient Mariner'." Irish Review (1986-), no. 11 (1991): 91. http://dx.doi.org/10.2307/29735622.

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50

Steel, D. "The Leonid meteor showers and the genesis of the Ancient Mariner." Astronomy & Geophysics 39, no. 1 (February 1, 1998): 1.20–1.23. http://dx.doi.org/10.1093/astrog/39.1.1.20.

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