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1

Museum, Arthur M. Sackler, Bavaria (Germany). Staatliche Antikensammlungen und Glyptothek, and Stiftung Archäologie (Munich Germany), eds. Gods in color: Painted sculpture of classical antiquity. Stiftung Archäologie, 2007.

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2

Hornbostel, Wilhelm, Vinzenz Brinkmann, and Raimund Wünsche. Bunte Götter: Die Farbigkeit antiker Skulptur. 4th ed. Museum für Kunst und Gewerbe, 2007.

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3

Bunte Barbaren: Orientalenstatuen aus farbigem Marmor in der römischen Repräsentationskunst. Wernersche Verlagsgesellschaft, 1986.

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4

Helms, Mary W. Creations of the rainbow serpent: Polychrome ceramic designs from ancient Panama. University of New Mexico Press, 1995.

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5

Koch-Brinkmann, Ulrike. Polychrome Bilder auf weissgrundigen Lekythen: Zeugen der klassischen griechischen Malerei. Biering & Brinkmann, 1999.

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6

La fabrique des couleurs: Histoire du paysage sensible des Grecs anciens : VIIIe-début du Ve s. av. n. è. De Boccard, 2011.

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7

Porter, John R. La sculpture ancienne au Québec: Trois siècles d'art religieux et profane. Editions de l'Homme, 1986.

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8

Tan men/pale women: Color and gender in archaic Greece and Egypt, a comparative approach. The University of Michigan Press, 2013.

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9

Legion of Honor (San Francisco, Calif.), ed. Gods in color: Polychromy in the ancient world. Prestel, 2017.

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10

Circumlitio The Polychromy Of Antique And Mediaeval Sculpture. Hirmer Publishers, 2010.

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11

Müzeleri, İstanbul Arkeoloji, ed. Renkli tanrılar: Antik heykel sanatında çokrenklilik. Ege Yayınları, 2006.

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12

Müzeleri, İstanbul Arkeoloji, ed. Renkli tanrılar: Antik heykel sanatında çokrenklilik. Ege Yayınları, 2006.

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13

Classicolor: Farven i antik skulptur : en udstilling i Ny Carlsberg Glyptotek i samarbejde med Staatliche Antikensammlungen und Glyptothek, München og Musei Vaticani, Città del Vaticano. Ny Carlsberg Glyptotek, 2004.

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14

glyptotek, Ny Carlsberg, ed. Transformations: Classical sculpture in colour. 2014.

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15

Anna, Gramiccia, D'Inzillo Carranza Giuliana, Lanari Laura, and De Luca editori d'arte, eds. I colori del bianco: Policromia nella scultura antica. De Luca editori d'arte, 2004.

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16

Sears, Erin L. Mesoamerica—Maya. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.011.

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This chapter reviews attempts to derive meaning from Late Classic Maya ceramic figurines. Early concerns with classificatory procedures have evolved beyond an often site-specific viewpoint to include more regional perspectives that incorporate technological characteristics and an awareness of manufacturing practices. Recent studies have gained inspiration from the content analysis of figural painted polychrome vessels or other relief renderings to permit interpretative forays into the meaning of the represented figurine imagery. Rather than discussing figurines as an isolated body of material
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17

Mario, Béland, Musée du Québec, and Centre de conservation du Québec., eds. Restauration en sculpture ancienne. Musée du Québec, 1994.

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