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Journal articles on the topic 'And art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Basnet, Alina, Margaret K. Formica, Poornima Ramadas, and Sam Benjamin. "Overall survival outcomes with the use of adjuvant chemotherapy, radiation therapy and hormone therapy in high-risk, very-high-risk and node-positive prostate cancer post radical prostatectomy: A NCDB analysis." Journal of Clinical Oncology 37, no. 7_suppl (March 1, 2019): 118. http://dx.doi.org/10.1200/jco.2019.37.7_suppl.118.

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118 Background: Phase III trials have not consistently demonstrated overall survival (OS) advantage of adjuvant radiation therapy (ART) in prostate cancer (PC) with high risk/very high risk features after radical prostatectomy (RP). Adjuvant hormone therapy (AHT) in PC after RP improved OS in patients with positive lymph nodes (pLNs). We report an observational study on the impact of AHT to ART in NCCN defined high-risk/very high risk (Group 1), and adjuvant chemotherapy (ACT) to AHT in pLNs (group 2) post RP on OS. Methods: We conducted a retrospective study of PC patients (group 1 and group

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2

Dankwa-Mullan, Irene, M. Christopher Roebuck, Joseph Tkacz, Oluwadamilola Motunrayo Fayanju, Yi Ren, Gretchen Purcell Jackson, and Yull Edwin Arriaga. "Disparities in receipt of and time to adjuvant therapy after lumpectomy." Journal of Clinical Oncology 38, no. 15_suppl (May 20, 2020): 534. http://dx.doi.org/10.1200/jco.2020.38.15_suppl.534.

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534 Background: Adjuvant treatment after breast conserving surgery (BCS) has been shown to improve outcomes, but the degree of uptake varies considerably. We sought to examine factors associated with post-BCS receipt of and time to treatment (TTT) for adjuvant radiation therapy (ART), cytotoxic chemotherapy (ACT) and endocrine therapy (AET) among women with breast cancer. Methods: IBM MarketScan claims data were used to select women diagnosed with non-metastatic invasive breast cancer from 01/01/2012 to 03/31/2018, who received primary BCS without any neoadjuvant therapy, and who had continuou

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3

Chang, Yongsock. "The Broadening of Art Perspectives in an Art Course of Non-Art Major Students through a Korean Art Teacher’s Asian Art Viewpoint." Asian Qualitative Inquiry Association 2, no. 1 (July 31, 2023): 51–68. http://dx.doi.org/10.56428/aqij.2023.2.1.51.

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This research explores how Multicultural and Asian art affects college students in a U.S. university. The students did not major in art, and they chose art as elective subjects. The art course consisted of art theory and practice based on DBAE(Discipline-Based Art Education). In the art class, some non-white students always enrolled in the course. The researcher found that DBAE was satisfactory but sometimes inappropriate because DBAE is rooted in Western high art. The researcher changed the art studio class with a multicultural perspective, especially Asian art because he wanted to introduce

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4

Stanley, Janet L. "AFRICAN ART AND AAT." Art Documentation: Journal of the Art Libraries Society of North America 4, no. 3 (October 1985): 103–5. http://dx.doi.org/10.1086/adx.4.3.27947450.

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5

Buisine, Valérie. "Art roman et art moderne : « affinités sentimentales »." Anastasis. Research in Medieval Culture and Art 8, no. 1 (May 29, 2021): 165–94. http://dx.doi.org/10.35218/armca.2021.1.08.

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6

Wieand, Kenneth, Jeff Donaldson, and Socorro Quintero. "Are Real Assets Priced Internationally? Evidence from the Art Market." Multinational Finance Journal 2, no. 3 (September 1, 1998): 167–87. http://dx.doi.org/10.17578/2-3-1.

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7

Muraz, Özlem. "BODY AS AN ART OBJECT IN CONTEMPORARY ART." E-journal of New World Sciences Academy 14, no. 2 (April 29, 2019): 136–44. http://dx.doi.org/10.12739/nwsa.2019.14.2.d0232.

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8

Heyd, Thomas. "UNDERSTANDING PERFORMANCE ART: ART BEYOND ART." British Journal of Aesthetics 31, no. 1 (1991): 68–73. http://dx.doi.org/10.1093/bjaesthetics/31.1.68.

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9

Carrier, David. "New York Art, Pittsburgh Art, Art." Journal of Aesthetic Education 37, no. 3 (2003): 99–104. http://dx.doi.org/10.1353/jae.2003.0020.

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10

Murphy, Gabrielle. "Mad art, Bad art, Sad art?" Lancet 351, no. 9100 (February 1998): 455. http://dx.doi.org/10.1016/s0140-6736(98)25006-9.

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11

Grossberg, Stephen. "Bring ART into the ACT." Behavioral and Brain Sciences 26, no. 5 (October 2003): 610–11. http://dx.doi.org/10.1017/s0140525x03290130.

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ACT is compared with a particular type of connectionist model that cannot handle symbols and use nonbiological operations which do not learn in real time. This focus continues an unfortunate trend of straw man debates in cognitive science. Adaptive Resonance Theory, or ART-neural models of cognition can handle both symbols and subsymbolic representations, and meet the Newell criteria at least as well as connectionist models.

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12

Moravcsik, Julius M. "Art and 'Art'." Midwest Studies in Philosophy 16 (1991): 302–13. http://dx.doi.org/10.1111/j.1475-4975.1991.tb00245.x.

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13

Yamey, G. "Art: Outsider Art." BMJ 324, no. 7347 (May 18, 2002): 1222. http://dx.doi.org/10.1136/bmj.324.7347.1222.

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14

Lopes, D. M. "Art Without 'Art'." British Journal of Aesthetics 47, no. 1 (January 1, 2007): 1–15. http://dx.doi.org/10.1093/aesthj/ayl035.

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15

Lapointe, François-Joseph. "Bio Art + Body Art = Inner-Body Art." International Journal of the Arts in Society: Annual Review 6, no. 3 (2011): 1–8. http://dx.doi.org/10.18848/1833-1866/cgp/v06i03/36047.

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16

Brighton, Andrew. "Art: Consensus art: serious art: Greenberg: Wyeth." Critical Quarterly 42, no. 2 (July 2000): 132–36. http://dx.doi.org/10.1111/1467-8705.00294.

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17

Greenfield, Gary, and Penousal Machado. "Ant- and Ant-Colony-Inspired ALife Visual Art." Artificial Life 21, no. 3 (August 2015): 293–306. http://dx.doi.org/10.1162/artl_a_00170.

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Ant- and ant-colony-inspired ALife art is characterized by the artistic exploration of the emerging collective behavior of computational agents, developed using ants as a metaphor. We present a chronology that documents the emergence and history of such visual art, contextualize ant- and ant-colony-inspired art within generative art practices, and consider how it relates to other ALife art. We survey many of the algorithms that artists have used in this genre, address some of their aims, and explore the relationships between ant- and ant-colony-inspired art and research on ant and ant colony b

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18

Antoine, Jean-Philippe. "Art, publics, art public." Multitudes 4, no. 1 (2001): 53. http://dx.doi.org/10.3917/mult.004.0053.

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19

San Choon Kim. "Fine Art? Ugly Art?" Sogang Journal of Philosophy 37, no. ll (May 2014): 9–29. http://dx.doi.org/10.17325/sgjp.2014.37..9.

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20

Aboudrar, Bruno-Nassim. "Art contemporain, art Africain ?" Médium 5, no. 4 (2005): 101. http://dx.doi.org/10.3917/mediu.005.0101.

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21

Baumann, Daniel. "Art brut ? Outsider Art ?" Ligeia N°53-56, no. 2 (2004): 57. http://dx.doi.org/10.3917/lige.053.0057.

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22

Invernizzi, Antonio. "Parthian Art – Arsacid Art." Topoi 17, no. 1 (2011): 189–207. http://dx.doi.org/10.3406/topoi.2011.2403.

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23

Kiang, Tanya. "Art Projects: Terminal Art." Circa, no. 68 (1994): 40. http://dx.doi.org/10.2307/25562663.

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24

Blocker, H. Gene. "Is Primitive Art Art?" Journal of Aesthetic Education 25, no. 4 (1991): 87. http://dx.doi.org/10.2307/3332906.

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25

Morais, Inês. "Art and Art-Attempts." Disputatio 6, no. 39 (November 1, 2014): 247–50. http://dx.doi.org/10.2478/disp-2014-0016.

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26

Court, Raymond. "Art et non-art." Archives de Philosophie 65, no. 4 (2002): 565. http://dx.doi.org/10.3917/aphi.654.0565.

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27

Wharton, Annabel Jane. "Jewish Art, Jewish art." IMAGES 1, no. 1 (2007): 29–35. http://dx.doi.org/10.1163/187180007782347584.

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AbstractAs the Jews have always produced art, the question arises, why is the notion of a Jewish Art so problematic? No effort is made in this paper to review or summarize the arguments for or against "Jewish Art." Rather, it attempts a modest shift in the terms of the debate. The essay addresses the question by considering the historiography of Jewish art in relation to both the End-of-Art debates and the Holocaust industry.This paper offers a provisional answer to the question: Why has Jewish art never managed to become Jewish Art? The End of Art debate conditions the discussion; the institu

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28

Porr, Martin. "Rock art as art." Time and Mind 12, no. 2 (April 3, 2019): 153–64. http://dx.doi.org/10.1080/1751696x.2019.1609799.

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29

GOODAY, JOHN. "Art and Art Therapy." Australian Occupational Therapy Journal 13, no. 1 (August 27, 2010): 8–12. http://dx.doi.org/10.1111/j.1440-1630.1966.tb00160.x.

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30

GOODAY, JOHN. "Art and Art Therapy." Australian Occupational Therapy Journal 13, no. 2 (August 27, 2010): 9–13. http://dx.doi.org/10.1111/j.1440-1630.1966.tb00169.x.

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31

Price, Sally. "Others art ‐our art." Third Text 3, no. 6 (March 1989): 65–72. http://dx.doi.org/10.1080/09528828908576216.

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32

Fish, Barbara J. "Response Art: The Art of the Art Therapist." Art Therapy 29, no. 3 (September 2012): 138–43. http://dx.doi.org/10.1080/07421656.2012.701594.

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33

DAUER, FRANCIS. "ART AND ART CRITICISM: A DEFINITION OF ART." Metaphilosophy 21, no. 1-2 (January 1990): 111–32. http://dx.doi.org/10.1111/j.1467-9973.1990.tb00835.x.

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34

Okore, Nnenna. "The Bioplastic Art and Fiber Art: Eco-art." Ecozon@: European Journal of Literature, Culture and Environment 14, no. 2 (October 29, 2023): 217–19. http://dx.doi.org/10.37536/ecozona.2023.14.2.5256.

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35

Y., Aria. ""Ant Communities" Art by Aria Y." Questions: Philosophy for Young People 23 (2023): 24. http://dx.doi.org/10.5840/questions20232316.

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36

Dosmann, Michael S., and Kyle Port. "The Art and Act of Acquisition." Arnoldia 73, no. 4 (2016): 2–17. http://dx.doi.org/10.5962/p.251228.

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37

Portes, Edileila Maria Leite. "Art, Indigenous art, Borum / Krenak art: the intertwined paths to understanding the art." ARS (São Paulo) 13, no. 25 (June 14, 2015): 89. http://dx.doi.org/10.11606/issn.2178-0447.ars.2015.105525.

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Objetivando compreender e interpretar os desenhos da etnia Borum Krenak2,<br />o presente artigo propõe uma discussão acerca dos conceitos dados à arte<br />orientados pela hegemonia dos códigos culturais europeus e norte-americanos brancos e das próprias mutações pelos quais estes conceitos têm passado desde a Idade Moderna. Para tanto, trago para análise, os desenhos borum colhidos por meio de uma caminhada etnográfica pelo território3 Krenak, no Vale do Rio Doce, Minas Gerais, aliado a uma reflexão teórica calcada na linha epistemológica baseada na teoria compreensiva de Weber (

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38

Wu, Colleen Suching. "Thomas Bernhard's Art of Critiquing Art in OLD MASTERS: Can Art Question Art?" Explicator 75, no. 1 (January 2, 2017): 10–12. http://dx.doi.org/10.1080/00144940.2016.1273182.

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39

Botirova, Khilola Tursunbaevna. "Performance And Art." American Journal of Social Science and Education Innovations 03, no. 05 (May 31, 2021): 465–74. http://dx.doi.org/10.37547/tajssei/volume03issue05-83.

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This article provides detailed information about the performing arts, including scientific and theoretical information about the commonality of performance and art. The scholars’ scientific approaches to music are described in detail.

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40

John, Patricia A. St. "Art Education, Therapeutic Art, and Art Therapy: Some Relationships." Art Education 39, no. 1 (January 1986): 14. http://dx.doi.org/10.2307/3192934.

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41

Giles, G. J. "Art and Religion, Art and Science, Art and Production." British Journal of Aesthetics 42, no. 1 (January 1, 2002): 99–101. http://dx.doi.org/10.1093/bjaesthetics/42.1.99.

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42

WESSELING, HENK. "Primitive art, early art or no art at all?" European Review 15, no. 03 (June 26, 2007): 271. http://dx.doi.org/10.1017/s1062798707000294.

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43

Wang, Shuyu. "Crypto Art: NFT Art Trading and the Art Market." Asian Journal of Social Science Studies 7, no. 10 (November 14, 2022): 14. http://dx.doi.org/10.20849/ajsss.v7i10.1311.

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This article introduces what NFT art is and what virtual art trading is and analyses the advantages, disadvantages, and current status of NFT art. It also discusses how NFT artworks have changed the trend and demand in the art market.

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44

STREHOVEC, Janez. "Art State, Art Activism and Expanded Concept of Art." Cultura 18, no. 2 (January 1, 2021): 55–73. http://dx.doi.org/10.3726/cul022021.0003.

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Abstract: Contemporary post-aesthetic art implies an expanded concept of the work of art that also includes political functions. Beuys’s concept of social sculpture and Marcuse’s idea of society as a work of art can be complemented by Abreu’s project of a musical orchestra as a social ideal (the Venezuelan example of the music and education project El Sistema) and the Neue Slowenische Kunst transnational state formed from the core of art. These concepts are close to the views of Hakim Bey (Temporary Autonomous Zone), with D’Annunzio also touching upon them with his State of Fiume (1919–1920),

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45

Kumar, Vinay. "Fine Art Pedagogy in India And Impact of New Media Art." Paripex - Indian Journal Of Research 3, no. 1 (January 15, 2012): 80–82. http://dx.doi.org/10.15373/22501991/jan2014/23.

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46

Venturelli, Suzete. "Computer art: software art design." ANIAV - Revista de Investigación en Artes Visuales, no. 8 (March 31, 2021): 79. http://dx.doi.org/10.4995/aniav.2021.14944.

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El artículo presenta trabajos artísticos desarrollados en el Computational Art Research Laboratorio Media Lab / UnB, realizado en equipo, bajo mi coordinación. La producción artística y teórica buscaba defender la idea de que el arte computacional es una nueva forma de arte apreciado, basado en el supuesto de que contiene muchos de los componentes de una filosofía completa de una forma de arte, que se puede resumir en cuatro referencias básicas: una definición, una ontología, características estéticas y el reconocimiento de su condición de arte. Lo que actualmente se llama arte computacional s

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47

VATIN, Nicolas. "Art juif ou art ottoman?" Turcica 28 (January 1, 1996): 361–68. http://dx.doi.org/10.2143/turc.28.0.2004351.

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48

Torgovnick, Marianna. "Making Primitive Art High Art." Poetics Today 10, no. 2 (1989): 299. http://dx.doi.org/10.2307/1773026.

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49

Darmau, Frédéric. "Art et sociologie/art sociologique." Raison présente 179, no. 1 (2011): 77–79. http://dx.doi.org/10.3406/raipr.2011.4327.

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50

Mürner, Christian, and Martin Baumgartner. "Dialog: Art brut/Outsider Art." Vierteljahresschrift für Heilpädagogik und ihre Nachbargebiete 90, no. 1 (December 18, 2020): 57–63. http://dx.doi.org/10.2378/vhn2021.art05d.

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