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Relevant bibliographies by topics / And Rock Star Erections

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Academic literature on the topic 'And Rock Star Erections'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "And Rock Star Erections"

1

TREIMAN, ALAN. "ROCK STAR." Chemical & Engineering News 85, no. 12 (March 19, 2007): 68. http://dx.doi.org/10.1021/cen-v085n012.p068.

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Greenberg, Richard. "Rock Star." American Scientist 94, no. 4 (2006): 375. http://dx.doi.org/10.1511/2006.60.375.

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Penri-Williams, Hugh. "Guru, not rock star." Infosecurity 6, no. 3 (April 2009): 43. http://dx.doi.org/10.1016/s1754-4548(09)70064-6.

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Jacobsen, Erica K. "A Real Rock Star?" Journal of Chemical Education 86, no. 1 (January 2009): 13. http://dx.doi.org/10.1021/ed086p13.

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Grillet, Thierry. "Archéologie de la rock star." Books 101, no. 10 (October 1, 2019): 50–53. http://dx.doi.org/10.3917/books.101.0050.

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Arnold, Vicky, Phyllis McKenzie, and Steve G. Sutton. "Instructional case: Rock Star Promotions, Inc." Journal of Accounting Education 13, no. 2 (March 1995): 241–57. http://dx.doi.org/10.1016/0748-5751(95)00006-8.

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MANINDER, KAUR. "Graphene: A Rock Star Nano-Sized Material." i-manager's Journal on Material Science 3, no. 4 (2016): 1. http://dx.doi.org/10.26634/jms.3.4.4822.

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Beckman, M. "'Rock Star' of Biomedical Ethics Tackles Cancer." JNCI Journal of the National Cancer Institute 99, no. 19 (September 25, 2007): 1426–34. http://dx.doi.org/10.1093/jnci/djm183.

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Krupp, E. C. "Crab Supernova Rock Art." Journal of Skyscape Archaeology 1, no. 2 (December 3, 2015): 167–97. http://dx.doi.org/10.1558/jsa.v1i2.28255.

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“Star” and crescent combinations in rock art in the American Southwest were first interpreted in 1955 as eyewitness depictions of the 1054 AD supernova explosion that produced the Crab nebula. While the Crab nebula is visible only telescopically, the event that generated it was brilliant, and for a time, only the sun and moon were brighter. Additional Crab supernova candidates in California and Southwest rock art were suggested 20 years later, and they included Chaco Canyon’s Penasco Blanco pictograph panel, which became the poster child for Crab supernova rock art and is now called “Supernova” on signage at the site. By 1979, a list of 21 Crab supernova rock art sites was assembled, and the inventory has continued to expand more slowly since then. This critical review of the supernova interpretation of star/crescent rock art, the product of 35 years of fieldwork, required an independent re-examination of all of the primary sites in person. That enterprise has already demonstrated that the Tenabo, New Mexico panel does not illustrate the Crab supernova and that the two Arizona sites on which the entire supernova rock art premise is based (White Mesa and “Navaho Canyon”) are unlikely records of the event. This detailed evaluation of the primary proposed star/crescent images indicates none is a satisfactory portrayal of the striking 1054 AD supernova.

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Back, Les. "Heard the one about the Jewish rock star?" Ethnic and Racial Studies 25, no. 5 (January 2002): 849–53. http://dx.doi.org/10.1080/0141987022000000303.

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Dissertations / Theses on the topic "And Rock Star Erections"

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Barry, Thomas J. "The rock star as contemporary cowboy : film mythology and ideology." Diss., Manhattan, Kan. : Kansas State University, 2006. http://hdl.handle.net/2097/212.

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McMichael, Polly. "The making of the Soviet rock star, Leningrad 1972-1987." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613250.

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Willis, Margaret Mary. "Interpreting "Big Data": Rock Star Expertise, Analytical Distance, and Self-Quantification." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104932.

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Thesis advisor: Natalia Sarkisian
The recent proliferation of technologies to collect and analyze “Big Data” has changed the research landscape, making it easier for some to use unprecedented amounts of real-time data to guide decisions and build ‘knowledge.’ In the three articles of this dissertation, I examine what these changes reveal about the nature of expertise and the position of the researcher. In the first article, “Monopoly or Generosity? ‘Rock Stars’ of Big Data, Data Democrats, and the Role of Technologies in Systems of Expertise,” I challenge the claims of recent scholarship, which frames the monopoly of experts and the spread of systems of expertise as opposing forces. I analyze video recordings (N= 30) of the proceedings of two professional conferences about Big Data Analytics (BDA), and I identify distinct orientations towards BDA practice among presenters: (1) those who argue that BDA should be conducted by highly specialized “Rock Star” data experts, and (2) those who argue that access to BDA should be “democratized” to non-experts through the use of automated technology. While the “data democrats” ague that automating technology enhances the spread of the system of BDA expertise, they ignore the ways that it also enhances, and hides, the monopoly of the experts who designed the technology. In addition to its implications for practitioners of BDA, this work contributes to the sociology of expertise by demonstrating the importance of focusing on both monopoly and generosity in order to study power in systems of expertise, particularly those relying extensively on technology. Scholars have discussed several ways that the position of the researcher affects the production of knowledge. In “Distance Makes the Scholar Grow Fonder? The Relationship Between Analytical Distance and Critical Reflection on Methods in Big Data Analytics,” I pinpoint two types of researcher “distance” that have already been explored in the literature (experiential and interactional), and I identify a third type of distance—analytical distance—that has not been examined so far. Based on an empirical analysis of 113 articles that utilize Twitter data, I find that the analytical distance that authors maintain from the coding process is related to whether the authors include explicit critical reflections about their research in the article. Namely, articles in which the authors automate the coding process are significantly less likely to reflect on the reliability or validity of the study, even after controlling for factors such as article length and author’s discipline. These findings have implications for numerous research settings, from studies conducted by a team of scholars who delegate analytic tasks, to “big data” or “e-science” research that automates parts of the analytic process. Individuals who engage in self-tracking—collecting data about themselves or aspects of their lives for their own purposes—occupy a unique position as both researcher and subject. In the sociology of knowledge, previous research suggests that low experiential distance between researcher and subject can lead to more nuanced interpretations but also blind the researcher to his or her underlying assumptions. However, these prior studies of distance fail to explore what happens when the boundary between researcher and subject collapses in “N of one” studies. In “The Collapse of Experiential Distance and the Inescapable Ambiguity of Quantifying Selves,” I borrow from art and literary theories of grotesquerie—another instance of the collapse of boundaries—to examine the collapse of boundaries in self-tracking. Based on empirical analyses of video testimonies (N=102) and interviews (N=7) with members of the Quantified Self community of self-trackers, I find that ambiguity and multiplicity are integral facets of these data practices. I discuss the implications of these findings for the sociological study of researcher distance, and also the practical implications for the neoliberal turn that assigns responsibility to individuals to collect, analyze, and make the best use of personal data
Thesis (PhD) — Boston College, 2015
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Sociology

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Lima, Bruno Vasconcelos. "Então você quer brincar de ser um rock star? Considerações sobre a imersão em Guitar Hero e Rock Band." Universidade Federal de Pernambuco, 2012. https://repositorio.ufpe.br/handle/123456789/10841.

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Submitted by Milena Dias (milena.dias@ufpe.br) on 2015-03-05T18:05:51Z No. of bitstreams: 2 Bruno_Dissert_final.pdf: 733360 bytes, checksum: 750df5ff2557116f9edbc6e7434bdbe1 (MD5) license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5)
Made available in DSpace on 2015-03-05T18:05:52Z (GMT). No. of bitstreams: 2 Bruno_Dissert_final.pdf: 733360 bytes, checksum: 750df5ff2557116f9edbc6e7434bdbe1 (MD5) license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Previous issue date: 2012-05
Este trabalho consiste na análise do modo como os games Guitar Hero e Rock Band tentam proporcionar aos jogadores a sensação de incorporarem grandes estrelas do rock quando estão num palco. Esses games, através do uso de joysticks no formato de instrumentos musicais e do design de áudio, permitiram aos jogadores uma imersão no seu ambiente de jogo, a ponto de alguns se sentirem como astros do rock, independente de qualquer habilidade com guitarras, baixos ou baterias. O presente trabalho parte da hipótese de que Guitar Hero e Rock Band alcançaram o sucesso por, além de utilizarem em suas trilhas grandes sucessos da história do rock, conseguirem, através do formato diferenciado dos seus controles e pela forma como o som do jogo é emitido, diminuir a distância crítica entre a fantasia e a realidade, provocando o fascínio de seus jogadores, que sentem como se realmente estivessem tocando um instrumento musical. Dessa forma, consideramos o conceito de imersão fundamental para que se dê início a uma discussão sobre como esses games musicais atuam para que os indivíduos entrem na brincadeira de ser uma estrela do rock, já que acreditamos que agem de uma forma diferente de outros games mais tradicionais para o envolvimento emocional dos jogadores.

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Sloggy, JoAnna. "GROWING OLD AS A ROCK STAR: A FOUR-PART STUDY OF THE AGING VOICE." UKnowledge, 2019. https://uknowledge.uky.edu/rehabsci_etds/59.

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This dissertation focuses on the aging voice - specifically the aging elite vocal athlete. It is comprised of four components; a series of research studies and a viewpoint piece designed to explore the awareness, struggles, and vocal compensations of aging singers dealing with age related vocal and performance problems. The overarching goal of these studies is to inform the development of a voice care protocol for the aging rock star to guide customized intervention for these elite vocal athletes that is focused on optimizing both vocal output and performance. First, the dissertation introduces and identifies characteristics of the exceptional voice. This involves a new vocal continuum that includes the normal voice, the trained voice, and the exceptional voice. The second component is a qualitative study of older contemporary commercial music (CCM) singers adjustments and accommodations associated with their aging. From this, four overarching themes are identified: modest self-perception of their vocal prowess and its relationship to performance, acute sensitivity to changes in vocal quality, recognition of the critical association of voice quality with their identity as a performer, and an array of accommodations to aging-related vocal changes. The third component of the dissertation is a randomized control trial examining the efficacy of Vocal Function Exercises as a treatment modality for presbyphonia. Analysis revealed that the experimental group improved in select outcome measures including decreased glottic gap, increased upper range, and maximum phonation time at the 6-week post-treatment re-evaluation with no such changes in the control group. The final study investigated the vocal and performing trajectories of six CCM male singers through analysis of video performances across their career. Singers were shown to make accommodations consistent with the reported findings from component two. Such accommodations include decreased total time singing for some singers, accommodations for range changes, and changes to performance. From this study, the Exceptional Voice Protocol was created to provide a customized vocal and performance blueprint for each artist that meets their unique needs for their exceptional voices. Overall, this research indicates that aging CCM singers appear to be experiencing age and performance related vocal changes and are making detectable accommodations to their performance. Additional findings show that Vocal Function Exercises appear to be an efficacious treatment modality for aging voice. Findings from these studies confirm the need for continued research on age-related vocal and performance changes for these performers and guidelines for appropriate habilitation and rehabilitation so these rock stars can continue performing for as long as they desire.

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Cerisuelo, Marc. "L'Instauration du cinéma : Poétique des films et interprétation : L'exemple des métafilms hollywoodiens." Paris 3, 1998. http://www.theses.fr/1998PA030188.

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La presente etude se propose d'illustrer les liens entre la poetique des films, l'histoire du cinema et la necessite d'une approche interpretative d'inspiration litteraire et philosophique. Une longue introduction presente la "discipline" en justifiant le recours au terme de poetique, et s'attache a demontrer - ou a rappeler - que le cinema n'est pas l'art de l'image. Une premiere partie definit la notion de metafilm, en la distinguant des autres productions consacrees au cinema et en proposant l'idee d'un genre ouvert. La seconde partie etudie le deploiement historique du genre a hollywood. La conclusion rappelle l'importance du mepris comme fil conducteur des etudes metafilmiques
The object of this study is to establish the relationships between poetics of film, film history and the claim of an interpretation based upon a literary background and a philosophical point of view. A "metafilm" is not just one more "movie-about-themovies". This study will attempt to show how, from show people to fedora, the hollywood tradition provides a real discourse of the film

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Grozdanova, Marina Roumenova. "«From Stardust to Stones to Bad Seed» : vers une déconstruction du rock doc : le corps de la rock star au cœur de l'œuvre audiovisuelle hybride." Thèse, 2017. http://hdl.handle.net/1866/19364.

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Mémoire complété dans le cadre de la maîtrise internationale "International Master in Audiovisual and Cinema Studies" suivie à l'Université de Montréal, l'Université Sorbonne Nouvelle (Paris 3) et l'Université Paris-Nanterre (Paris-X).
Selon le musicologue Richard Leppert, la contradiction sémiotique existant entre la musique en tant qu’expérience vécue corporelle et la musique en tant que phénomène sonore et acoustique trouve une résolution par le biais de la vision humaine. Partant de cette thèse, notre recherche se propose d’étudier trois documentaires qui, portant sur la musique rock et s’attachant à mettre en images le corps de la rock star, cherchent à combler notre besoin de voir et d’écouter le corps du musicien dans sa pratique de création musicale ou durant sa performance spectaculaire. Les trois documentaires examinés – Ziggy Stardust and the Spiders from Mars : The Motion Picture, One + One et 20,000 Days on Earth – mettent à l’épreuve la fabrication musicale-sonore et subjective de l’identité de la rock star ; et, par cela, ils déconstruisent la tradition générique du rockumentary. Concentrés sur le foyer catalyseur qu’est le corps sonore de la star, ces films se constituent comme des oeuvres audiovisuelles hybrides où le son et l’image participent dans l’acte de création filmique et de la création et performance musicale.
According to the musicologist Richard Leppert, the semiotic contradiction between music as a bodily experience and music as an acoustic phenomenon finds resolution through human vision. Based on this claim, our research aims to study three documentaries that focus on rock music and the representation of the body of the rock star, which seek to fill our need to see and to listen to the body of the musician during the practice of musical creation or performance. The three documentaries examined – Ziggy Stardust and the Spiders from Mars: The Motion Picture, One + One and 20,000 Days on Earth – problematize the musical, sonorous and subjective fabrication of the rock star’s identity ; and in doing so, they deconstruct the generic tradition of the rockumentary. Concentrating on the catalytic force of the rock star’s sounding body, these films thus constitute hybrid audiovisual works in which sound and image partake in both the act of filmmaking and musical performance.

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Books on the topic "And Rock Star Erections"

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Chaplik, Robin. Rock star! Lincolnwood, Ill: Publications International, 2004.

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Collins, Jackie. Rock star. New York: Simon and Schuster, 1988.

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Collins, Jackie. Rock star. Milano: Bompiani, 1992.

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1955-, Kettle Phil, and Gordon Gus ill, eds. Rock star. New York: Mondo, 2004.

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Lyons, Kelly Starling. Rock star. New York: Penguin Group (USA), 2017.

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Rock star. Barcelona: Plaza & Janés Editores, 1993.

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Rock star. London: Simon & Schuster, 2012.

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Rock star. London: Pan, 1988.

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Rock star. London: Heinemann, 1988.

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Karpinske, Stephanie. Camp rock rock star recipes. Des Moines, IA: Meredith Books, 2009.

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Book chapters on the topic "And Rock Star Erections"

1

Cui, Jian. "Rock-Star." In 100 unter 1 Milliarde, 248–52. Wiesbaden: VS Verlag für Sozialwissenschaften, 1989. http://dx.doi.org/10.1007/978-3-322-91586-3_52.

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Simic, Zora. "Rock Star in Space." In Urban Australia and Post-Punk, 105–22. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-32-9702-9_13.

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Mercer, John. "The Tall, Dark and Handsome Star." In Rock Hudson, 45–92. London: British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-137-50626-9_3.

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Bolt, David. "End of the rock star." In Cultural Disability Studies in Education, 73–84. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge advances in disability studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315102894-7.

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Harper, Frédéric. "I’m Not a Rock Star." In Success in Programming, 9–17. Berkeley, CA: Apress, 2014. http://dx.doi.org/10.1007/978-1-4842-0001-8_2.

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Dejean, Sylvain, and Raphaël Suire. "My Dealer Is a Rock Star." In Made in France, 217–28. New York, NY : Routledge, 2018. | Series: Routledge global popular music series: Routledge, 2017. http://dx.doi.org/10.4324/9781315761619-20.

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Spreckels, Janet. "‘I wanna become a real rock star’." In The Appropriation of Media in Everyday Life, 161–94. Amsterdam: John Benjamins Publishing Company, 2012. http://dx.doi.org/10.1075/pbns.224.08spr.

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Smyth, John. "Cultivation of the ‘Rock Star’ Academic Researcher?" In The Toxic University, 99–123. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-54968-6_5.

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Phillips, Ronnie J. "So You Want to Be a Rock and Roll Star?" In Rock and Roll Fantasy?, 1–14. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5900-2_1.

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Magistrale, Tony. "The Perfect Drug: Edgar Allan Poe as Rock Star." In Adapting Poe, 179–91. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137041982_14.

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Conference papers on the topic "And Rock Star Erections"

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Fall, Doudou, and Youki Kadobayashi. "The Common Vulnerability Scoring System vs. Rock Star Vulnerabilities: Why the Discrepancy?" In 5th International Conference on Information Systems Security and Privacy. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0007387704050411.

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Lorenz, Andreas, M. Klawitter, M. Linse, S. Tepner, J. Röth, N. Wirth, R. Greutmann, et al. "The project »Rock-Star«: The evolution of rotary printing for solar cell metallization." In PROCEEDINGS OF THE 9TH WORKSHOP ON METALLIZATION AND INTERCONNECTION FOR CRYSTALLINE SILICON SOLAR CELLS. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0056060.

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Yasrina, Atsnaita, and Doni Andra. "Theoretical study of Maxwell’s solution of magnetic field dynamics around neutron star in the ZAMO (zero angular momentum observers) frame: Accreting and rapidly rotating cases." In INTERNATIONAL CONFERENCE ON ELECTROMAGNETISM, ROCK MAGNETISM AND MAGNETIC MATERIAL (ICE-R3M) 2019. AIP Publishing, 2020. http://dx.doi.org/10.1063/5.0015945.

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Engle, Thomas H. "Implementation of ECP: Benefits, Migration Path and Economics." In IEEE/ASME/ASCE 2008 Joint Rail Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/jrc2008-63004.

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I first became aware of the benefits of electrically piloted independent brake cylinder control at the beginning of my railroad career in 1956. I was working for the Rock Island Railroad, and we had Electrically controlled brakes on two of our fastest passenger trains, the Golden State and the Twin Star Rocket. The instantaneous response and the improvement in stopping smoothness and distance that the EP provided was remarkable. For those trains, a big benefit was not needing to “bail off” the locomotive brake. The stop distance from 95 MPH was reduced by about the length of the platform (as we proved on a trip where the EP failed).

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Mohais, Rosemarie, Chaoshui Xu, and Peter A. Dowd. "Fluid Flow Through Branched Channels in a Fracture Plane in an Enhanced Geothermal System." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-87153.

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Fluid flow in Enhanced Geothermal Systems (EGS) occurs primarily through fractures which are embedded in an almost impermeable granite rock matrix. Experimental and numerical studies have shown that flow in fractures exhibits channeling effects; this means that flow occurs along preferred pathways, most likely the paths of least resistance. There has been evidence to date of dendritic and star-like patterns in granite and as a result, authors have used fractal theory in order to address flow phenomena in these patterns. The application of Bejan’s Constructal theory to this problem however has never been attempted. We base our model on dendritic patterns of flow paths in heterogeneous rock fractures. Flow enters into a main channel which bifurcates into daughter channels of unique dimensions of length and height. We study these parameters for consecutive channels in the flow path and show that for minimization of resistance to flow within a plane using area and volume constraints for a T-shaped channel, a simple relationship holds for the ratios of lengths and heights which will enable maximum flow for this configuration.

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