Academic literature on the topic 'And then there were none (Christie, Agatha)'

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Journal articles on the topic "And then there were none (Christie, Agatha)"

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Sistiadinita, Sistiadinita. "A MAN IN THE COURT: EXPLORING THE THEME OF JUSTICE IN AND THEN THERE WERE NONE." Jurnal Ilmiah Spectral 7, no. 1 (2021): 051–62. http://dx.doi.org/10.47255/spectral.v7i1.69.

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Having to interact with crime fiction which presumably is considered as ephemeral literature, cannot be an excuse to dissolve the theme of justice inside the plots. Agatha Christie as the Mistress of Complication and Mystery, has written series of murder and mystery fiction since the beginning of twentieth century. And Then There Were None or entitled Ten Little Niggers, one of her masterpieces depicts Christie’s unique disposition of turning perception from ‘detective as criminal solver’ into ‘murderer as justice protector’. This paper seeks to analyze how justice is portrayed and challenged
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Dimishkovska, Ana. "The Mysterious Hand of (In)Justice: the Thin Line between Crime and Punishment in the Novel “And There Were None” by Agatha Christie." Годишен зборник на Филозофскиот факултет/The Annual of the Faculty of Philosophy in Skopje 70 (2017): 13–32. http://dx.doi.org/10.37510/godzbo1770013d.

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Moreno Tovar, Manuel. "(A)bridging the Gap – A study of the norms and laws in the intralingual translation of the novel And Then There Were None by Agatha Christie." Revista de Lengua para Fines Específicos 26, no. 1 (2020): 51–68. http://dx.doi.org/10.20420/rlfe.2020.313.

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Bastan, Ajda. "The Hagia Sophia and the Other Turkish Locations in Agatha Christie’s “Murder On the Orient Express”." International Journal of Social, Political and Economic Research 8, no. 1 (2021): 37–46. http://dx.doi.org/10.46291/ijospervol8iss1pp37-46.

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British author Agatha Christie, who is one of the best-selling novelists in world literature, is the pioneering figure of detective fiction. Christie, the queen of mystery, wrote about eighty novels during her life. A great number of the author’s books were also adapted into movies. Viewed as one of Agatha Christie's most noteworthy accomplishments, the novel Murder on the Orient Express was released in 1934. It is highly believed that Agatha Christie wrote this novel during her long stays in Istanbul. The story is about a Belgian detective investigating a crime that occurred on the train. In
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Ternopol, Tatiana. "The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction." English Studies at NBU 6, no. 2 (2020): 321–31. http://dx.doi.org/10.33919/esnbu.20.2.8.

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This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead
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Allmendinger, Blake. "The erasure of race in Agatha Christie’s And Then There Were None." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 32, no. 1 (2018): 60–64. http://dx.doi.org/10.1080/0895769x.2018.1469087.

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Sukovata, Viktoriya. "Detectives of Agathe Christie as a philosophy of everydayness: a postmodernist analysis." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 10, no. 19 (2020): 13–21. http://dx.doi.org/10.34079/2226-2830-2020-10-19-13-21.

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The article is devoted to the study of the detective genre as a model of philosophical cognition of the world and a system of cultural values. The goal of the article is to study how the attitude to the detective genre evolved in the academic discussions of the 20th century: transformation of status of the detective from an “entertainment genre” to the object of the philosophical reflection was the result of evolution of the philosophical paradigms from semiotics and postpositivism in the Modern epoch to postmodernism and theories of everyday thinking in the Postmodern epoch. The actuality of
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M. Ayça, VURMAY. "Detection or endless deferral/absence in detective fiction: Agatha Christie's and Then There Were None." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - DTCF Dergisi 57, no. 2 (2017): 1127–50. http://dx.doi.org/10.1501/dtcfder_0000001554.

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Korshunova, Elena Sergeevna, and Yulia Fagimovna Stepanova. "Specificity of Realia Translation in the English Fiction (by the Example of Agatha Christie’s Novel “And Then There Were None”)." Filologičeskie nauki. Voprosy teorii i praktiki, no. 4 (April 2020): 155–59. http://dx.doi.org/10.30853/filnauki.2020.4.31.

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Crutch, Sebastian J., and Elizabeth K. Warrington. "Taxonomic and Thematic Organisation of Proper Name Conceptual Knowledge." Behavioural Neurology 24, no. 4 (2011): 265–76. http://dx.doi.org/10.1155/2011/563620.

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We report the investigation of the organisation of proper names in two aphasic patients (NBC and FBI). The performance of both patients on spoken word to written word matching tasks was inconsistent, affected by presentation rate and semantic relatedness of the competing responses, all hallmarks of a refractory semantic access dysphasia. In a series of experiments we explored the semantic relatedness effects within their proper name vocabulary, including brand names and person names. First we demonstrated the interaction between very fine grain organisation and personal experience, with one pa
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Dissertations / Theses on the topic "And then there were none (Christie, Agatha)"

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Lax, Susanna. "Dödens ö : En komparativ studie av Agatha Christies And Then There Were None och John Ajvide Lindqvists Tjärven." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-191835.

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Books on the topic "And then there were none (Christie, Agatha)"

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Christie, Agatha. And Then There Were None (Agatha Christie Collection). HarperCollins Publishers Ltd, 2003.

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(Narrator), David Horovitch, ed. And Then There Were None (Agatha Christie Audio Mystery). Audio Renaissance, 2002.

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Christie, Agatha. And Then There Were None. 7th ed. William Morrow, 2021.

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Christie, Agatha. Agatha Christie: And Then There Were None/The Secret Adversary/Towards Zero/N or M? Berkley, 1992.

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Christie, Agatha. Murder on the Orient Express - And Then There Were None by Agatha Christie: Curriculum Unit (Center for Learning Curriculum Units). Center for Learning, 1992.

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1890-1976, Christie Agatha, ed. And then there were nuns. 2016.

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Logan, Kylie. And Then There Were Nuns. Cengage Gale, 2017.

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Christie, Agatha. And Then There Were None (The Christie Collection). HarperCollins Publishers, 1996.

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Larmer, C. A. And Then There Were 9: The Agatha Christie Book Club 4. Larmer Media, 2020.

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Gracheva, O. S. Textbook for Reading English-language Fiction. Based on the Material of Agatha Christie’s Novel “And Then There Were None”. Isdatelstvo Prospekt LLC, 2020. http://dx.doi.org/10.31085/9785392316922-2020-64.

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Book chapters on the topic "And then there were none (Christie, Agatha)"

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Emsley, John. "Driving you hairless." In The Elements of Murder. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780192805997.003.0023.

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William Crookes named thallium after the bright green colour it produced when its salts were put into a Bunsen burner flame. He compared the colour to that of a fresh green shoot, so he based its name on the Greek word for this, which is thallos. Thallium’s deadly nature was not at first appreciated and it became part of the treatment for ringworm of the scalp, given in relatively large doses to children because it caused their hair to fall out, the better to treat the disease. Meanwhile others were using it to kill vermin, and always thallium brought tragedy in its wake. Agatha Christie built one of her murder mysteries around thallium poisoning. In 1952 she wrote The Pale Horse, in which the murderer used it to dispose of people’s unwanted relatives and disguised his activities as black magic curses. The plot involves a murdered priest and a pub owned by three modern-day witches. Christie described the symptoms of thallium poisoning very well: lethargy, tingling, numbness of the hands and feet, blackouts, slurred speech, insomnia, and general debility, and she is sometimes blamed for bringing this poison to the attention of would-be poisoners. However, her book was responsible for saving the life of one young girl as we shall see. In any case Christie was not the first mystery writer to employ this deadly agent. In Final Curtain, written in 1947, the novelist Ngaio Marsh had her villain using it. The murder to be investigated was the death of Sir Henry Ancred who had been poisoned with thallium acetate which had been prescribed in the treatment of his granddaughter’s ringworm. Marsh clearly had no knowledge of how thallium worked in that she imagined that those poisoned with it would drop dead in minutes. Would-be murderers seeking to emulate her villain would have been very puzzled when their intended victims appeared to suffer no ill effects, although this disappointment might only have lasted a few days, and then they would have been fascinated at the many symptoms it produced.
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