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Books on the topic 'And Visual Empowerment'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Omvig, James H. Freedom for the blind: The secret is empowerment. Region VI Rehabilitation Continuing Education Program, Univ. of Ark., 2002.

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2

Bulfer, Brian. Interplay of Identity Formation and Artistic Development in the Empowerment of Self-Worth of Three Visual Art Graduate Students With Developmental Dyslexia. [publisher not identified], 2018.

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3

Vaughan, C. Edwin. Education and rehabilitation for empowerment. Information Age Publishing, 2006.

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4

Vaughan, C. Edwin. Education and rehabilitation for empowerment. Information Age Publishing, 2005.

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5

From ower 2 Empowerment: Critical Literacy in Visual Culture. Independent Publisher, 2009.

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6

dror, yoni. Visual Secrets: Conveying Messages, Gathering Information and Empowerment in the Age of Social Media. Createspace Independent Publishing Platform, 2016.

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7

Huss, Ephrat. What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Taylor & Francis Group, 2013.

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8

Huss, Ephrat. What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Taylor & Francis Group, 2013.

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9

Huss, Ephrat. What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Taylor & Francis Group, 2017.

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10

Huss, Ephrat. What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Taylor & Francis Group, 2013.

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11

Huss, Ephrat. What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Taylor & Francis Group, 2013.

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12

Huss, Ephrat. What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Taylor & Francis Group, 2013.

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13

What we see and what we say: Using images in research, therapy, empowerment, and social change. Brunner-Routledge, 2012.

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14

What We See and What We Say: Using Images in Research, Therapy, Empowerment, and Social Change. Routledge, 2013.

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15

Henry, Frances, and Dwaine Plaza, eds. Carnival Is Woman. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825445.001.0001.

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What is most intriguing in the Carnivals today is the substantial increase in the number of women who play mas’ with some figures estimating as much as 70% of all players. This volume, probably the first of its kind to concentrate solely on women in Carnival, normalizes the contemporary Carnival especially as it is playedin Trinidad and Tobago by demonstrating not only their numerical strength but the kind of mas’that is featured. The bikini and beads or bikini and feathers or 'pretty mas' is the dominant mas’ in today’s Carnival. The players of today, mainly women, are signifying or symbolizi

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16

Omvig, James, and C. Edwin Vaughan. Education and Rehabilitation for Empowerment (Critical Concerns on Blindness) (Critical Concerns on Blindness). IAP - Information Age Publishing, 2005.

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17

omvig, James, and C. Edwin Vaughan. Education and Rehabilitation for Empowerment (Critical Concerns on Blindness) (Critical Concerns on Blindness). IAP - Information Age Publishing, 2005.

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18

Torres-Saillant, Silvio, and Ramona Hernandez. The Dominican Americans. Greenwood, 1998. http://dx.doi.org/10.5040/9798400642166.

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This profile of Dominican Americans closes a critical gap in information about the accomplishments of one of the largest immigrant groups in the United States. Beginning with a look at the historical background and the roots of native Dominicans, this book then carries the reader through the age-old romance of U.S. and Dominican relations. With great detail and clarity, the authors explain why the Dominicans left their land and came to the United States. The book includes discussions of education, health issues, drugs and violence, the visual and performing arts, popular music, faith, food, ge

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19

Kollnitz, Andrea. Becoming Leonor Fini. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350212626.

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Italian-Argentine artist Leonor Fini (1907-1996) can be seen as the original artist-celebrity; her self-mythologization was promulgated by some of the 20th century’s most prominent photographers, from Henri Cartier-Bresson to Dora Maar. Exploring her self-fashioning and dressing-up practices in light of recent theories of performativity, this book highlights how Fini’s extension of artistic creative practices, from painted artworks to her self-creation through costumes, masks and fashion, allowed her to become a living artwork to be created and recreated on daily basis. Applying a multisensory

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20

Pinder, Kymberly N. Painting the Gospel Blues. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039928.003.0002.

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This chapter examines William E. Scott's murals at Pilgrim Baptist Church in Chicago, including his 1936 Life of Christ series. Originally a synagogue designed by Louis Sullivan and Dankmar Adler in 1891, Pilgrim became the home of one the country's most politically influential black churches when sold to the congregation in 1920. In the 1930s Thomas A. Dorsey introduced blues singing into regular church services, making Baptist the birthplace of gospel music and one of the first megachurches in the United States. The chapter considers the support provided by Junius C. Austin, a prominent advo

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