Relevant bibliographies by topics / Andalusian poetry of the XI century

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  2. Dissertations / Theses
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Academic literature on the topic 'Andalusian poetry of the XI century'

Author: Grafiati
Published: 24 April 2022
Last updated: 30 July 2025

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Journal articles on the topic "Andalusian poetry of the XI century"

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Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic
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Guledani, Lali. "The Golden Age of Jewish Culture." Near East and Georgia 16 (December 28, 2024): 20–40. https://doi.org/10.32859/neg/16/20-40.

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In the Middle Ages, when the political center of Muslim Spain was first Seville and later Córdoba, a way of life and institutions characteristic of an Islamic state were established in Spain. The lifestyle of Muslim Spain, suitable for a highly developed country, and the successful adaptation of Jews to it led to the flourishing of Jewish culture and literature in Arabized Spain, which spans the 8th to the 12th centuries. Jewish literature of the period called the Golden Age; was greatly influenced by Arabic and was distinguished by its thematic and genre diversity. Romantic lyricism is widely
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Dye, Jill, Danni Glover, Robert Scott, and James Harriman-Smith. "XI The Eighteenth Century." Year's Work in English Studies 98, no. 1 (2019): 582–619. http://dx.doi.org/10.1093/ywes/maz009.

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Abstract This chapter has four sections: 1. General and Prose; 2. The Novel; 3. Poetry; 4. Drama. Section 1 is by Jill Dye; section 2 is by Danni Glover; section 3 is by Robert Scott; section 4 is by James Harriman-Smith.
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García, Miguel Ángel. "La copla andaluza y los poetas." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 2 (2013): 328–53. http://dx.doi.org/10.1075/rro.48.2.07ang.

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From the so-called «fin de siglo» to the thirties some of the Spanish poets relied on the folk song –and more specifically on the «cante jondo» or flamenco– to define an alleged Andalusian soul. In opposition to the cheerful, colourful and folkloric Andalusia described by poets like Reina and Rueda, there are other Modernist authors like Villaespesa, Sánchez Rodríguez, Juan Ramón Jiménez or Darío who refined the literary image of Andalusia from the distinctive notes of sadness or grief, thus initiating a thematic chain which from the twenties extended Lorca’s image of «Andalucía del llanto» un
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Vardi, Jonathan. "Music in the Dīwān of Samuel ha-Nagid." Medieval Encounters 29, no. 4 (2023): 358–90. http://dx.doi.org/10.1163/15700674-12340169.

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Abstract The dīwān (book of poems) of the eleventh-century polymath and Hebrew poet of Granada, Samuel ha-Nagid, contains unexpected musical aspects. This article reveals a formerly unknown comment by the poet’s son, which indicates that the shorter poems of the book were all set to music and performed in the poet’s court. The article discusses the implications of this discovery and its importance for understanding both ha-Nagid’s poetry and the musical practices of al-Andalus. Unique literary phenomena such as poem-cycles and “twin poems” that share similar structure are examined through thei
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Urban-Godziek, Grażyna. "Alborada iberyjska. Kobieca pieśń spotkania o świcie, XI–XVII wiek." Wielogłos, no. 3 (48) (2021): 1–30. http://dx.doi.org/10.4467/2084395xwi.21.019.15034.

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Iberian Alborada. The Woman’s Song at the Dawn, 11th-17th Century The aim of the article is to define the genre of alborada, referring to its oldest Iberian forms, Mozarabic and Portuguese, and showing its evolution in the Early Modern Castilian poetry. This study will therefore serve as a basis for delineating the genre, which was present also in other European literatures, i.a. Polish from Renaissance to Romanticism. Iberian songs discussed here display a clear structure established in a long tradition and exploit the theme of lovers meeting at dawn, originating in the folk tradition, and im
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김근태. "A study on the Aspect of Reception in Jiang-xi School of Poetry poetical circles in 19th Century of Chosun Dynasty." HANMUNHAKRONCHIP: Journal of Korean Literature in Chinese 51, no. ll (2018): 263–88. http://dx.doi.org/10.17260/jklc.2018.51..263.

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Knapp, Steven. "Stephen M. Fallon. Milton among the Philosophers: Poetry and Materialism in Seventeenth-Century England. Ithaca, NY: Cornell University Press, 1991. xi + 264 pp. $34.50." Renaissance Quarterly 46, no. 3 (1993): 617–19. http://dx.doi.org/10.2307/3039132.

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Sorensen, Joseph T. "Poetry as Image: The Visual Culture of Waka in Sixteenth-Century Japan. Tomoko Sakomura. Japanese Visual Culture 16. Leiden: Brill, 2016. xi + 260 pp. $128." Renaissance Quarterly 71, no. 1 (2018): 256–57. http://dx.doi.org/10.1086/697783.

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Kim, Ja-woon. "The process of establishing the status as Dohak-Seowon and Educational Characteristics of Jukrim-Seowon in the Late Joseon Dynasty." Institute of Korean Cultural Studies Yeungnam University 81 (August 31, 2022): 53–87. http://dx.doi.org/10.15186/ikc.2022.08.31.02.

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The purpose of this paper is to examine the history and the educational characteristics of Jukrim-Seowon in the late Joseon Dynasty.
 First, before the establishment of Jukrim-Seowon, Kim Jang-saeng's moving to Hwangsan and educational activities in Hwangsan were reviewed. In the late 16th century, he built a pavilion called ‘Hwangsanjeong (黃山亭)’ at the intersection of Hoseo and Honam and used it as a place for education. And he built a house under it and started teaching disciples who came from Hoseo and Honam. Around the beginning of the 17th century, as the number of disciples increase
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Dissertations / Theses on the topic "Andalusian poetry of the XI century"

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Chiabotti, Francesco. "Entre soufisme et savoir islamique : l'oeuvre de ῾Abd al-Karīm al-Qushayrī (376-465 / 986-1072)." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3096.

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La présente étude veut représenter un essai de synthèse des aspects les plus remarquables de la production littéraire et du rôle dans l'histoire du soufisme du maître soufi et théologien khorassanien Abū l-Qāsim ῾Abd al-Karīm b. Hawāzin al-Qushayrī (376-465/ 986-1072). Trois axes principaux sont développés : la vie de Qushayrī et la dynamique de diffusion de son oeuvre, l'analyse du corpus qushayrien (étude des manuscrits et état de l'édition), les aspects les plus remarquables de sa doctrine. L'idée principale qui guide ce travail est la saisie de la relation qu'on aperçoit, dans l'oeuvre de
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Books on the topic "Andalusian poetry of the XI century"

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Byron, Byron George Gordon. Don Juan, cantos X, XI, XII, and XVII manuscript: A facsimile of the original draft manuscripts in the University of London Library. Garland Pub., 1993.

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Nicholson. Don Juan, Cantos X, XI, XII & XVII: A Facsimile of the Original Draft Manuscripts in the University of London Library (Manuscripts of the Younger Romantics). Routledge, 1993.

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Book chapters on the topic "Andalusian poetry of the XI century"

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Kudelin, Alexander B. "Arabic and European Poetry: Towards an Understanding of Cross-Cultural Exchanges in the Middle Ages." In Beyond Borders: In Memory of Andrey Kofman. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2025. https://doi.org/10.22455/978-5-9208-0803-5-185-202.

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The article addresses the need to reassess the nature and dynamics of interactions between Arabic and European poetry in the Middle Ages, as previously asserted by proponents of the “Arabic hypothesis” — the theory of Andalusian poetry’s influence on the troubadour lyric of Provence. Formulated in the 18th century and embraced by Romantics in the 19th century, this hypothesis faced significant criticism in the late 19th and early 20th centuries and was ultimately dismissed by most scholars. However, discoveries in Andalusian strophic poetry (zajal, muwashshah) and the identification of Romanic
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"XI MUYONG / HSI MU-YUNG (1943- )." In Twentieth-century Chinese Women's Poetry: An Anthology. Routledge, 2014. http://dx.doi.org/10.4324/9781315698557-32.

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Juárez-Almendros, Encarnación. "The Artifice of Syphilitic and Damaged Female Bodies in Literature." In Disabled Bodies in Early Modern Spanish Literature. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940780.003.0003.

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This chapter examines the literary depiction of the broken and contaminated corporality of female prostitutes as illustrated in Francisco Delicado’s La Lozana andaluza [Portrait of Lozana: The Lusty Andalusian Woman] (1528), Miguel de Cervantes’s Casamiento engañoso [The Deceitful Marriage] (1613), La tía fingida [The pretended aunt], a novel attributed to Cervantes, and Francisco de Quevedo’s satiric poetry written in the first half of the seventeenth century. These works share a common representation of syphilis as a gendered metaphor of physical and moral decay that functions in opposition
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Snir, Reuven. "Challenge: The al-Andalus Experience." In Contemporary Arabic Literature. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399503259.003.0003.

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This chapter deals with the way the experience of al-Andalus, Muslim Spain, is used in modern Arabic poetry as a vehicle to face the decline of the Arabs’ self-image and to challenge Western cultural hegemony. Since the nineteenth century, Arab poets have been invoking the image of al-Andalus in a conscious effort to highlight the benefits that Western civilization has gained through its interaction with Arab civilization—the al-Andalus experience is seen as an epitome of that interaction, the Arabs’ greatest and most enduring success on European soil. But even more so, when poets recall the c
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Capogna, Frank. "Tolson, Melvin B. (1898–1966)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2034-1.

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Melvin Beaunorus Tolson was a poet, journalist, and teacher whose literary work examines the conditions for black life and art from the African diaspora through the throes of the Civil Rights Movement in his contemporary America. Although most of his major poetry volumes were published following the Second World War, Tolson thought of his work as a continuation of the modernist project in an African American idiom: he would pronounce his intentions just so, to ‘visit a land unvisited by Mr. Eliot’ (qtd in Dove 1999, xi). His poetry looks thematically, aesthetically, and critically at the insti
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Wang, David Der-wei. "Six Modernist Poets in Search of Du Fu." In Reading Du Fu. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528448.003.0010.

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Conventional wisdom has it that Chinese modernism arose as part of the May Fourth literary reform, a movement purportedly predicated on radical anti-traditionalism. The fact that Du Fu is the “author” worshiped by multiple modern Chinese poets during the past century prods us to reconsider the motivations of Chinese literary modernity. Their “search” for the ancient “sage of poetry” not only points to a unique dialogical relationship between the moderns and a premodern “author” but also offers an important clue to the genealogy of Chinese literary modernity. The way in which Chinese modernists
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