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Dissertations / Theses on the topic 'Anderson, Sherwood'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Consult the top 29 dissertations / theses for your research on the topic 'Anderson, Sherwood.'

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1

Sabatelli, Christiaan. "Sherwood Anderson tours the East Village." [Gainesville, Fla.] : University of Florida, 2005. http://purl.fcla.edu/fcla/etd/UFE0010283.

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2

Patton, Jamie. "A teller of tales : narratology and the works of Sherwood Anderson /." View online, 2010. http://repository.eiu.edu/theses/docs/32211131575053.pdf.

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3

Bruyère, Claire. "L'Oeuvre de Sherwood Anderson sentiment d'impuissance et création littéraire." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37593913m.

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4

DeFazio, Albert John III. "A reassessment of the influence of Sherwood Anderson and Gertrude Stein upon Ernest Hemingway." Thesis, Virginia Tech, 1985. http://hdl.handle.net/10919/45830.

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<p>This study challenges the common assumption that Hemingway's early style is indebted to the work of Sherwood Anderson and Gertrude Stein and finds the evidence less than compelling. Unlike previous examinations, this study considers Hemingway's early journalism and correspondence as well as his first published fiction; additionally, it suggests models of influence other than Anderson and Stein, such as Ring Lardner and Stephen Crane.</p> <p>Because the critical tradition most often identifies "repetition" and "colloquialisms" as bases for attributing influence to Anderson and Stei

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5

Snyder, Cary M. "Return to a Small Town: Sherwood Anderson as a Country Newspaper Editor, 1927-28." Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1201747930.

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6

Buechsel, Mark Peter Fulton Joe B. ""Sacramental Resistance" to pastoral dreams : the Midwestern land in the works of Sherwood Anderson and his contemporaries /." Waco, Tex. : Baylor University, 2006. http://hdl.handle.net/2104/4892.

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7

Goodale-Sussen, Gemma. "The town, the prison, and the collection: the case for a criminological modernism." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/6746.

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Drawing on criminological history, visual studies, modernist scholarship, sociological treatises, and theories of archives and collection, this study proposes that literary texts of the early twentieth century approached the problem of knowing and representing others through collections. Inspired by the supposed divide between the city and the small town, modernist writers depict—but also resist—a vision of the group and the individual as inscrutable. The criminological apparatus of the turn of the century attends to both urban and provincial modes of existence, promising the small circles, cl

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8

Whalan, Mark. "Sherwood Anderson and Jean Toomer : gender, racial discourse and the development of the short story cycle in American modernism." Thesis, University of Exeter, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391833.

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9

Skelly, William S. "It is a Story: The Role of the Narrator in Sherwood Anderson's "Death in the Woods"." University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1430322147.

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10

Berilla-Macdonald, Jamie M. "“`A Secret Something That is Striving to Grow’”: Sherwood Anderson's Collage of Changing American Families in Winesburg, Ohio ." Cleveland State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=csu1431456269.

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11

Atteh, Abdalkareem. "The sites of uncertainty : the politics and poetics of place in short fiction by James Joyce, Sherwood Anderson and William Faulkner." Thesis, University of Essex, 2015. http://repository.essex.ac.uk/15365/.

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This thesis is a study of the poetics and politics of place in the short stories of James Joyce, Sherwood Anderson and William Faulkner. In an introduction, three chapters, each examining the short fiction of a writer, and a conclusion this thesis explores various aspects of understanding and representing place. Focusing on these writers’ short story cycles and drawing on short story theories, I argue that the main characteristic of the modernist short story cycle is the creation of interiorly diversified chronotopes. My main argument is that these writers create uncertain fictional places tha

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12

Maroney, James. "ACROSS THE DEEP SOUTH: A LINKED STORY COLLECTION." MSSTATE, 2009. http://sun.library.msstate.edu/ETD-db/theses/available/etd-03312009-140252/.

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Across the Deep South: A Linked Story Collection focuses on the establishment and reestablishment of themes that reflect the mutability of characters over time, along with the equally mutable notion of identity found within the cultural context of the modern Southern United States. The stories follow the paradigm of Sherwood Andersons linked story collection Winesburg, Ohio in that character and geographical location combine over the course of multiple stories to recontextualize theme and character development through intertextual cohesiveness. Preceding the collection of stories is a critical

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13

西村, 智., та Satoshi NISHIMURA. "物語行為のミメーシス― Sherwood Andersonの”Death in the Woods”と”I want to Know Why"における一人称形式―". 名古屋大学文学部, 1994. http://hdl.handle.net/2237/9746.

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14

Sami, Gorgan Roodi Gholam Reza. "'A dark fairyland' : America in the American social and political drama of the 1930s : a study of plays by Maxwell Anderson, Elmer Rice, Robert E. Sherwood, Lillian Hellman, Sidney Kingsley and Clifford Odets." Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399994.

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15

Kealey, Josephene. "The Mythology of the Small Community in Eight American and Canadian Short Story Cycles." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19938.

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Scholarship has firmly established that the short story cycle is well-suited to representations of community. This study considers eight North American examples of the genre: four by Canadian authors Stephen Leacock, Duncan Campbell Scott, George Elliott, and Alice Munro; and four by American authors Sarah Orne Jewett, Sherwood Anderson, John Cheever, and Joyce Carol Oates. My original idea was to discover whether there were significant differences between the Canadian and American cycles, but ultimately I became far more interested in the way that all of the cycles address community formation

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16

Benarfi, Khmai͏̈s. "Les ambigüités du naturalisme américain et l'évolution vers l'expression subjective de la réalité." Aix-Marseille 1, 1993. http://www.theses.fr/1993AIX10026.

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Dans ce travail, nous essayons de demontrer que, contrairement a ce que pensent certains critiques, il existe une continuite entre le naturalisme americain et le "realisme subjectif". Le realisme a la maniere de l'ecole du xixe siecle ayant prouve ses limites, les naturalistes, ont progresse petit a petit, vers des methodes plus subjectives qui s'attachent a decrire l'affectivite des personnages et non plus leur vie sociale. De frank norris a sherwood anderson, ce progres a ete constant. Pourtant, dans un premier temps, les naturalistes se sont ecartes de cette voie puisqu'ils se sont preoccup

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17

Laurent, Sylvie. "Du pauvre blanc au «poor white trash» dans le roman américain et son arrière-plan depuis 1920." Paris 4, 2007. http://www.theses.fr/2007PA040229.

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Le « poor white trash » est celui que chacun connaît aux Etats-Unis mais dont il est convenu de taire le nom. Objet de stigmatisation sociale, symbolisant la dégradation physique, la vilénie morale et l’infamie historique, il est aussi un hybride racial, à la marge de la « normalité blanche ». L’extravagance de ce misérable -de sa langue, de ses manières et de son corps- doit être tenue à l’écart, à juste distance afin d’être spatialement reléguée, mais aussi de demeurer à portée de regard. Ce travail étudie la construction littéraire de ce personnage à travers les œuvres de Sherwood Anderson,

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18

Faust, Marjorie Ann Hollomon. "The Great Gatsby and its 1925 Contemporaries." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/english_diss/26.

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ABSTRACT This study focuses on twenty-one particular texts published in 1925 as contemporaries of The Great Gatsby. The manuscript is divided into four categories—The Impressionists, The Experimentalists, The Realists, and The Independents. Among The Impressionists are F. Scott Fitzgerald himself, Willa Cather (The Professor’s House), Sherwood Anderson (Dark Laughter), William Carlos Williams (In the American Grain), Elinor Wylie (The Venetian Glass Nephew), John Dos Passos (Manhattan Transfer), and William Faulkner (New Orleans Sketches). The Experimentalists are Gertrude Stein (The Making o

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19

Batista, Miguel. "Bildung and initiation : interpreting German and American narrative traditions." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14616.

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This thesis is divided into two main parts. The first, comprising the three initial chapters, looks, in chapter one, at the specifically German origins of the Bildungsroman, its distinctive features, and the difficulties surrounding its transplantation into the literary contexts of other countries. Particular attention is paid to the ethical dimension of the genre, i.e. to the relation between the individual self and the exterior world, and how it affects individual formation. The focus then shifts to American literature, and the term 'narrative of initiation' is recommended as a credible alte

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20

Lin, Jia-jing, and 林佳靜. "The Grotesque in Sherwood Anderson's Winesburg, Ohio." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/yjw45v.

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碩士<br>世新大學<br>英語學研究所(含碩專班)<br>100<br>Although it was completed nearly a century ago, Sherwood Anderson's representative work Winesburg, Ohio (published in 1919) leaves room for discussion on not only its unique literary style but also its insight into a specific aspect of human nature: the grotesque. Anderson defines each character who“took one of the truths to himself”as a grotesque, through the narrator in the prefatory tale“The Book of the Grotesque”; readers cannot see either the grotesques’contours or their inner worlds clearly. The thesis analyzes the grotesque in this literary work

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21

Raczynski, Kevin R. "Jean Toomer, Sherwood Anderson and the complexity of black modern consciousness." 2004. http://purl.galileo.usg.edu/uga%5Fetd/raczynski%5Fkevin%5Fr%5F200412%5Fma.

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22

Alves, Isabel Tavares Moreira. "Death in the Woods, de Sherwood Anderson - Tradução, Reflrxão e Compreensão." Dissertação, 2012. https://repositorio-aberto.up.pt/handle/10216/66258.

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23

Alves, Isabel Tavares Moreira. "Death in the Woods, de Sherwood Anderson - Tradução, Reflrxão e Compreensão." Master's thesis, 2012. https://repositorio-aberto.up.pt/handle/10216/66258.

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24

He, Jiao. "Historical-political spaces recreated : a comparative study of Sherwood Anderson and Su Tong." Thesis, 2002. http://hdl.handle.net/2429/12761.

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The Mid-West America and the south China are both fundamental to the national consciousness of America and China respectively. Furthermore, both of them have appealed to literary imaginations and thus played significant roles in the two national literatures. This paper looks into the political and historical significances of these two spaces and how they are recreated through the powerful imagination of Sherwood Anderson and Su Tong. In Anderson's case, I argue against the popular criticism that reads Anderson as a representative of the "Revolt from the Village" group, because Anders

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25

Shi, Yiong Huei, and 奚永慧. "Escaping the Inescapable: The Escape Motif in Sherwood Anderson's Short Stories." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/08126202913682393972.

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26

Xu, Min-Zhong, and 許民忠. "From attachment to enlightenment: a Ch'an reading of sherwood Anderson's Winesburg, Ohio." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/73998089003112196525.

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27

Lin, Ken-An, and 林耕安. "George Willard's Quest for Love: A Freudian Reading of Sherwood Anderson's Winesburg, Ohio." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/98911515660754526044.

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碩士<br>國立清華大學<br>外國語文學系<br>98<br>Winesburg, Ohio is Sherwood Anderson’s most famous work, and among the twenty-five stories, Anderson depicts various grotesques in a fictional town. Though these grotesques have different reasons, they have mental traumas in common. The characters in town harbor a grudge and can’t show their emotion through communication; the gloomy and dull life day after day stifles them and offers no way out. They are not able to resume normal mental state. When the invisible trauma grows from inside, the outward behavior are out of their control and transform them into g

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28

Chen, Flora, and 陳力方. "To See Beneath the Surface of the Text:Dialogic Discourse in Sherwood Anderson's Winesburg, Ohio." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/62609008438028910347.

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碩士<br>國立中正大學<br>外國語文學系<br>86<br>This thesis applies two metalinguistic methods--Bakhtin's dialogics and Kristeva's semiotics--to a re-reading of Winesburg, Ohio.Ultimately, dialogic discourse in Winesburg, Ohio manifests the essence ofBakhtinian dialogics--" unfinishedness" of language--which is inherent atthe end of the metaphoric dialogue between the author-writer and the narrator. This essence not merely implies George Willard's continuing job to re-writethe narrator's story but also ech

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29

Meier-Dörzenbach, Alexander [Verfasser]. ""To See Beneath the Surface of Lives " : Sherwood Andersons Winesburg, Ohio, Gertrude Stein und die Kunst der Moderne / vorgelegt von Alexander Meier-Dörzenbach." 2007. http://d-nb.info/986026417/34.

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