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Journal articles on the topic 'Anderson, Sherwood'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Rideout, Walter B., and Charles E. Modlin. "Sherwood Anderson: Selected Letters." American Literature 57, no. 1 (1985): 182. http://dx.doi.org/10.2307/2926346.

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2

Anderson, David D. "Selected Letters by Sherwood Anderson, and: Letters to Bab by Sherwood Anderson." Studies in American Fiction 15, no. 2 (1987): 240–43. http://dx.doi.org/10.1353/saf.1987.0000.

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3

Stouck, David. "Sherwood Anderson (review)." MFS Modern Fiction Studies 34, no. 4 (1988): 619–20. http://dx.doi.org/10.1353/mfs.0.0974.

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4

Stouck, David. "Sherwood Anderson and the Postmodern Novel." Contemporary Literature 26, no. 3 (1985): 302. http://dx.doi.org/10.2307/1208028.

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5

LaPiana, Amber A. "Sherwood Anderson Remembered (review)." Rocky Mountain Review 65, no. 1 (2011): 115–17. http://dx.doi.org/10.1353/rmr.2011.0005.

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6

Sullivan, Nell, Sherwood Anderson, Welford Dunaway Taylor, and Charles E. Modlin. "Southern Odyssey: Selected Writings by Sherwood Anderson." Journal of Southern History 65, no. 1 (1999): 193. http://dx.doi.org/10.2307/2587775.

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7

Coates, Michelle. "Sherwood Anderson: The Fracturing of Elizabeth Willard." Explicator 70, no. 2 (2012): 137–40. http://dx.doi.org/10.1080/00144940.2012.678415.

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8

Jing, Gao, and Song Wei. "Location of Self Identity --A Freudian Psycho-Analysis of the Protagonist in I Want to Know Why." Journal of Educational Theory and Management 1, no. 1 (2017): 98. http://dx.doi.org/10.26549/jetm.v1i1.299.

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Sherwood Anderson plays a signifcant role and regards as a signpost in the transitional period contemporary American literature. Moreover, Anderson's writing style exerts a great inﬂuence on other writers like Faulkner and Hemingway. Sherwood Anderson has been called the frst of America's "psychological writers" because he frst explored the motivations and frustrations of his fictional characters in terms of Sigmund Freud's theories of psychology. I Want to Know Why is one of his famous short story from his short stories collections The Triumph of the Egg which is one of his most representativ

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9

Enniss, Stephen. "Sherwood Anderson and Paul Gauguin: A Forgotten Review." Studies in American Fiction 18, no. 1 (1990): 118–21. http://dx.doi.org/10.1353/saf.1990.0001.

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10

Segar, Ali Mohammed. "The Theme of Loneliness and Isolation in Sherwood Anderson's Fiction." Al-Adab Journal, no. 112 (June 15, 2015): 1–35. http://dx.doi.org/10.31973/aj.v0i112.1542.

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The aim of this research is to study the American writer Sherwood Anderson( 1876-1941 ) and his contribution in the American fiction in one of its most remarkable phases : that period of change and literary experimentalism that occurred after the First World War. In this period a new passion and consciousness comes into American writing .It is also thought of as a classic era of materialism, and business - ethics which the writers regularly condemned and expatriated themselves from it. The sense of loneliness and isolation is apparently depicted in Anderson's writings as a clear reflection of

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11

Henley, Joan. "Representative Man: Self-Identification in the Autobiographies of Sherwood Anderson." a/b: Auto/Biography Studies 3, no. 3 (1987): 21–28. http://dx.doi.org/10.1080/08989575.1987.10815442.

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12

Thomières, Daniel. "Peut-on déplier les pilules de papier de Sherwood Anderson?" Mosaic: a journal for the interdisciplinary study of literature 47, no. 3 (2014): 89–106. http://dx.doi.org/10.1353/mos.2014.0032.

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13

Maguire, James H., William A. Sutton, and Walter B. Rideout. "Letters to Bab: Sherwood Anderson to Marietta D. Finley, 1916-1933." American Literature 58, no. 1 (1986): 142. http://dx.doi.org/10.2307/2925965.

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14

CAMPBELL, HILBERT H. "Sherwood Anderson and His "Editor": The Case of "A Moonlight Walk"." Papers of the Bibliographical Society of America 79, no. 2 (1985): 227–32. http://dx.doi.org/10.1086/pbsa.79.2.24303606.

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15

Dean, Thomas K. "Sacred Land: Sherwood Anderson, Midwestern Modernism, and the Sacramental Vision of Nature." Annals of Iowa 75, no. 1 (2016): 89–91. http://dx.doi.org/10.17077/0003-4827.12271.

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16

Barker, Garry. "Stories from Sherwood Anderson Country: Contest Winners, 1976-1986, and: Mud River." Appalachian Heritage 16, no. 4 (1988): 67–68. http://dx.doi.org/10.1353/aph.1988.0041.

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17

Esplugas, Celia C. "Marìa Luisa Bombal and Sherwood Anderson: Early Twentieth-Century Pan-American Feminism(S)." College Literature 40, no. 2 (2013): 155–70. http://dx.doi.org/10.1353/lit.2013.0019.

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18

Huehls, Mitchum. "What’s the Matter with Ohio? Liberal Democracy and the Challenge of Irrationality." American Literary History 32, no. 2 (2020): 328–53. http://dx.doi.org/10.1093/alh/ajaa006.

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Abstract This essay mines 100 years of fiction about the irrationalities of small-town Ohio to ask whether liberal democracy can accommodate irrationality or is required, because of its double commitment to equality and liberty, to exclude it. Reading novels from Sherwood Anderson, William Gass, and Stephen Markley, I trace a trajectory from the late nineteenth century of Anderson’s Winesburg, Ohio (1919), when irrationality partially grounded liberal community, to the twenty-first century of Markley’s Ohio (2018), when the irrationalities of violence, addiction, racism, and abuse constitute w

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19

White, Ray Lewis. "Sherwood Anderson's Love Letters to Eleanor Copenhaver Anderson, and: The Modern American Novel 1914-1945 (review)." MFS Modern Fiction Studies 36, no. 4 (1990): 557–59. http://dx.doi.org/10.1353/mfs.0.0399.

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20

Kosiba, Sara. "Sacred Land: Sherwood Anderson, Midwestern Modernism, and the Sacramental Vision of Nature by Mark Buechsel." Middle West Review 1, no. 1 (2014): 114–17. http://dx.doi.org/10.1353/mwr.2014.0010.

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21

Daghlian, Carlos. "Estrutura e significado em "Uma rosa para Emily", de William Faulkner." Revista Brasileira de Linguística Aplicada 4, no. 1 (2004): 37–53. http://dx.doi.org/10.1590/s1984-63982004000100005.

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Trata-se de uma análise do consagrado conto "Uma Rosa para Emily", de William Faulkner, voltada para alguns dos principais aspectos de sua estrutura. Após considerarmos o enredo, discutimos a construção das personagens, com destaque para a protagonista, fazendo um levantamento e comentários sobre possíveis fontes de inspiração, destacando, entre outras, aspectos da biografia da poeta Emily Dickinson, a ficção e a poesia de E. A. Poe, romances de Charles Dickens e Henry James, o conto de Sherwood Anderson e a poesia de William Blake, Emily Dickinson, Robert Browning e John Crowe Ransom, acresce

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22

CLYMER, JEFFORY A. "Modeling, Diagramming, and Early Twentieth-Century Histories of Invention and Entrepreneurship: Henry Ford, Sherwood Anderson, Samuel Insull." Journal of American Studies 36, no. 3 (2002): 491–512. http://dx.doi.org/10.1017/s002187580200693x.

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The historical narrative arguing that independent artisans were increasingly transformed into mere tenders of complicated machinery during the second half of the nineteenth century, leading ultimately to Henry Ford's minute division of labor in the assembly line, is both conventional and well known. Technology became more complex, its inner workings were less self-evident or easily comprehensible, and the material conditions of production, exemplified by modern factories built around a division of labor, became too large and systematic to be understood from the viewpoint of a single worker sel

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23

Tavernier-Courbin, Jacqueline. "The Small Canvas: An Introduction to Dreiser's Short Stories, and: Sherwood Anderson: L'Impuissance Créatrice (review)." MFS Modern Fiction Studies 33, no. 2 (1987): 315. http://dx.doi.org/10.1353/mfs.0.1338.

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24

Forsyth, Neil. "The Tell-Tale Hand: Gothic Narratives and the Brain." Text Matters, no. 6 (November 23, 2016): 96–113. http://dx.doi.org/10.1515/texmat-2016-0006.

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The opening story in Winesburg, Ohio (1919) by Sherwood Anderson is called simply “Hands.” It is about a teacher’s remarkable hands that sometimes seem to move independently of his will. This essay explores some of the relevant contexts and potential links, beginning with other representations of teachers’ hands, such as Caravaggio’s St. Matthew and the Angel, early efforts to establish a sign-language for the deaf, and including the Montessori method of teaching children to read and write by tracing the shape of letters with their hands on rough emery paper. The essay then explores filmic han

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25

Neganova, Galina D., and Qin Lidong. "Review of the international scientific-practical conference "Languages and Cultures" (23rd to 24th of May, the City of Kostroma, Russia)." Vestnik of Kostroma State University, no. 3 (2019): 215–18. http://dx.doi.org/10.34216/1998-0817-2019-25-3-215-218.

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The article provides an overview of the scientific-practical conference "Languages and Cultures", which took place on the 23rd to 24th of May, 2019, on the basis of Kostroma State University. The brief review introduces the papers which present the results of investigations performed on the material of literary texts relevant to the literary issues – genre typology of ancient and old Russian texts (El'vira Akimovа), conversational style in the legal thrillers of John Ray Grisham Jr, "talking name" in the short stories by Sherwood Anderson (Svetlana Kochenova), allusions as examples of intertex

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26

Suver, Stacey. "Sacred Land: Sherwood Anderson, Midwestern Modernism, and the Sacramental Vision of Nature MarkBuechsel. Kent, OH: Kent State University Press, 2014." Journal of American Culture 39, no. 2 (2016): 264–65. http://dx.doi.org/10.1111/jacc.12562.

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27

Марьяновская, Е. Л. "Sociosemiotic Approach to Structure and Composition of a Fragmentary Novel." Иностранные языки в высшей школе, no. 4(55) (March 5, 2021): 72–82. http://dx.doi.org/10.37724/rsu.2020.55.4.008.

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В статье фрагментарный роман рассматривается с позиции социосемиотического подхода, позволяющего интерпретировать все компоненты художественного текста как знак, имеющий форму выражения и содержание. Автор статьи останавливается на голосе автора, представляющего собой лингвориторический феномен, и показывает особенности его формирования в двух фрагментарных романах — Шер-вуда Андерсона «Уайнсбург, штат Огайо» и Эрнеста Хемингуэя «В наше время», а именно в какой зависимости находится голос автора от цели и коммуникативного намерения писателя и каким образом он влияет не только на выбор лексики

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28

Brown, Judith. "A Certain Laughter: Sherwood Anderson's Experiment in Form." Modernist Cultures 2, no. 2 (2006): 138–52. http://dx.doi.org/10.3366/e2041102209000240.

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Judith Brown (Indiana University - Bloomington) reads Sherwood Anderson's 1925 novel “Dark Laughter” in the context of the explosion of theoretical treatments of laughter that emerge in the early 1920s in the traumatic wake of the Great War. Recuperating the disruptive potential of modernist laughter, Brown reads the novel through the scene of redemptive collective laughter that concludes Preston Sturges' film “Sullivan's Travels” (1941). Whereas Sturges offers the salve of a collective laughter as a fantasy of nondifferentiation from laughing others, Andersons dark laughter preserves the unce

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29

Carroll, Eugene T. "James Agee: A Life, and: Conversations with Walker Percy, and: Letters to Bab: Sherwood Anderson to Marietta D. Finley, 1916-33 (review)." MFS Modern Fiction Studies 32, no. 2 (1986): 273–76. http://dx.doi.org/10.1353/mfs.0.0518.

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30

Greasley, Philip A. "The Sherwood Anderson Diaries, 1936-1941, and: Willa Cather in Person: Interviews, Speeches, Letters, and: Prairies Within: The Tragic Trilogy of Ole Rölvaag (review)." MFS Modern Fiction Studies 34, no. 2 (1988): 237–39. http://dx.doi.org/10.1353/mfs.0.0891.

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31

Davis, Pam Manley. "Jewish Ritual in Sherwood Anderson's HANDS." Explicator 70, no. 4 (2012): 291–94. http://dx.doi.org/10.1080/00144940.2012.727895.

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32

güniz sertel, yasemin. "Sherwood Andersona okur-odaklı yaklaşım: Death in the Woods." Usak University Journal of Social Sciences 11, Haziran-2018 (2018): 68–75. http://dx.doi.org/10.29217/uujss.493.

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33

Campbell, Hilbert H., and Kenny J. Williams. "A Storyteller and a City: Sherwood Anderson's Chicago." American Literature 61, no. 2 (1989): 302. http://dx.doi.org/10.2307/2926716.

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34

Enniss, Stephen, and Kenny J. Williams. "A Storyteller and a City: Sherwood Anderson's Chicago." South Atlantic Review 55, no. 1 (1990): 164. http://dx.doi.org/10.2307/3199899.

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35

Esplugas, Celia. "Sherwood Anderson’s Beyond Desire and the Industrial South." Mississippi Quarterly 63, no. 3-4 (2010): 655–78. http://dx.doi.org/10.1353/mss.2010.0015.

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36

Martin, W. Todd. "Sex and Miscommunication in Sherwood Anderson's THE TEACHER." Explicator 70, no. 3 (2012): 205–8. http://dx.doi.org/10.1080/00144940.2012.702698.

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37

Williams, Kenny J. "A Storyteller and a City: Sherwood Anderson’s Chicago." Black Sacred Music 4, no. 2 (1990): 112–16. http://dx.doi.org/10.1215/10439455-4.2.112.

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38

Grimaud, Michel. "Reference and Preference in Narrative: Sherwood Anderson's Winesburg, Ohio." Empirical Studies of the Arts 7, no. 1 (1989): 33–43. http://dx.doi.org/10.2190/6p86-wve2-3y3v-p06l.

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In story and discourse proper names may be seen as one of five basic choices confronting the text producer: proper name (given name, surname); specific description (the tall one); classifier (the woman); pronoun (they); and zero anaphora. In Grimaud [1, 2], I studied cross-cultural (Hungarian and American) strategies in the use of those categories; in the present article, I look at some of the psychological implications of the various possible category choices by having twenty-five students comment on their preferences for one of the three versions of Sherwood Anderson's short story “The Stren

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39

Saunders, Judith P. "Male Reproductive Strategies in Sherwood Anderson's "The Untold Lie"." Philosophy and Literature 31, no. 2 (2007): 311–22. http://dx.doi.org/10.1353/phl.2007.0031.

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40

Badaracco, Claire. "The Influence of Publicity Typologies on Sherwood Anderson's News Values." Journalism Quarterly 66, no. 4 (1989): 979–86. http://dx.doi.org/10.1177/107769908906600434.

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41

Finnegan. "“The Man Who Became a Woman”: Sherwood Anderson’s Stylistic Masterpiece." Studies in the American Short Story 2, no. 1 (2021): 62. http://dx.doi.org/10.5325/studamershorstor.2.1.0062.

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42

Kojoyan, Ani. "Stylistic Peculiarities of Contextual Hyperbole in Sherwood Anderson’s “The Book of the Grotesque” and “Godliness”." Armenian Folia Anglistika 6, no. 1-2 (7) (2010): 95–101. http://dx.doi.org/10.46991/afa/2010.6.1-2.095.

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The article aims to investigate the stylistic characteristics of hyperbole in Sherwood Anderson’s short stories. The examination of the theoretical part of the given material and the analysis of the examples make it possible to distinguish three major types of contextual hyperbole in the short stories – mixed hyperbole, non-mixed hyperbole and biblical allusive hyperbole.

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43

Rasha Shaher Ahmad Al Erjan, Rasha Shaher Ahmad Al Erjan. "Women and Alienaton in Sherwood Anderson’s Winesburg Ohio; A Feminist Reading." International Journal of English and Literature 8, no. 2 (2018): 51–56. http://dx.doi.org/10.24247/ijelapr20188.

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44

Enniss, Stephen C., Sherwood Anderson, and Ray Lewis White. "Sherwood Anderson's Secret Love Letters: For Eleanor, a Letter a Day." South Atlantic Review 57, no. 3 (1992): 157. http://dx.doi.org/10.2307/3200617.

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45

Enniss, Stephen C. "Alienation and Affirmation: The Divided Self in Sherwood Anderson's "Poor White"." South Atlantic Review 55, no. 2 (1990): 85. http://dx.doi.org/10.2307/3200262.

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46

Anderson, David D. "A Storyteller and a City: Sherwood Anderson's Chicago by Kenny J. Williams." Studies in American Fiction 18, no. 1 (1990): 123–24. http://dx.doi.org/10.1353/saf.1990.0012.

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47

DENİZARSLANI, Yonca. "SPEAKING IN MEDIAS RES: MODERNISM VERSUS MODERNITY IN SHERWOOD ANDERSON’S WINESBURG, OHIO." Volume 6, Issue 2 6, no. 2 (2021): 105–15. http://dx.doi.org/10.26809/joa.6.2.02.

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Since the times of Homeric epics, speaking in medias res has been the most suitable form of storytelling, leaving the threshold of narrative ajar in the present, upholding a historical sense. This ancient historical sense of time, inherent in oral traditions revived in early twentieth century literary Modernism as T. S. Eliot stated in his 1919 essay, “Tradition and The Individual Talent:” “… And it is at the same time what makes a writer most acutely conscious of his place in time, of his own contemporaneity.” Be it a messianic revival or primitivism, calling for a coherent context for all, t

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48

Balditsyn, Pavel. "Sherwood Anderson’s “Death in the Woods”: Personal Experience in the Making of Myth." Stephanos. Peer reviewed multilanguage scientific journal 24, no. 4 (2017): 22–31. http://dx.doi.org/10.24249/2309-9917-2017-24-4-22-31.

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49

Nesmith, Christopher. "Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio (review)." American Literary Realism 43, no. 2 (2011): 184–85. http://dx.doi.org/10.1353/alr.2011.0004.

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50

Greasley, Philip A. "Sherwood Anderson: Early Writings, and: Hemingway in Love and War: The Lost Diary of Agnes von Kurowsky, Her Letters, and Correspondence to Ernest Hemingway, and: A Moving Picture Feast: The Filmgoer's Hemingway, and: The Novels of F. Scott Fitzgerald, and: Paris in American Literature (review)." MFS Modern Fiction Studies 36, no. 4 (1990): 553–57. http://dx.doi.org/10.1353/mfs.0.0267.

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