Relevant bibliographies by topics / André Philippus

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'André Philippus'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "André Philippus"

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Stachura, Natalia. "In memoriam André Philippus Brink (1935-2015)." Werkwinkel 10, no. 1 (June 1, 2015): 7–9. http://dx.doi.org/10.1515/werk-2015-0001.

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Rosa, Dafne Di Sevo. "O álbum de fotografia em O filme da minha vida." Significação: Revista de Cultura Audiovisual 48, no. 55 (January 30, 2021): 118–33. http://dx.doi.org/10.11606/issn.2316-7114.sig.2021.166519.

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A partir das reflexões filosóficas e metafísicas sobre fotografia desenvolvidas por Susan Sontag, Roland Barthes, Philippe Dubois e André Bazin, pretende-se apresentar uma interpretação de O filme da minha vida por meio do uso da linguagem fotográfica como recurso narrativo e estético.
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Barlow, Jill. "London, Royal Academy of Music: Philippe Hersant." Tempo 58, no. 228 (April 2004): 76. http://dx.doi.org/10.1017/s0040298204350151.

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Philippe Hersant (b. 1948 in Rome, graduated Paris Conservatoire, studied with André Jolivet), has been working with the French national radio station France-Musique since 1973 and has received many honours as composer in France. In February 2004 Radio France presented a ‘retrospective’ of his prolific output as well as the première of his Violin Concerto, a Radio France commission. His new opera, Le Maine Noir, based on Anton Chekov's story, will be premièred in May 2005.
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Digard, Jean-Pierre. "Philippe Soulier, André Leroi-Gourhan (1911-1986). Une vie." L'Homme, no. 231-232 (November 21, 2019): 293–97. http://dx.doi.org/10.4000/lhomme.35712.

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Cohen, Emmanuel. "S’il vous plaît : le théâtre de boulevard au filtre de l’image dialectique." L’Annuaire théâtral, no. 59 (July 11, 2017): 15–30. http://dx.doi.org/10.7202/1040486ar.

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En 1920, André Breton et Philippe Soupault composent ensemble S’il vous plaît, une comédie calquée sur les codes du théâtre de boulevard. Cette pièce offre l’occasion de comprendre les mécanismes et les enjeux à l’oeuvre dans la réécriture d’un genre théâtral associé au goût bourgeois, et ce pendant la première phase d’application au théâtre des procédés surréalistes alors en élaboration. À travers l’analyse de la pièce et de ses variantes, cet article tâche de mettre en lumière les liens qui unissent théâtre et surréalisme, et les limites de ces liens.
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CARDINAL, R. "Review. Andre Breton et le mythe. Lavergne, Philippe." French Studies 42, no. 1 (January 1, 1988): 108. http://dx.doi.org/10.1093/fs/42.1.108.

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Fort, Jeff. "André Bazin's Eternal Returns: An Ontological Revision." Film-Philosophy 25, no. 1 (February 2021): 42–61. http://dx.doi.org/10.3366/film.2021.0156.

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The recent publication of André Bazin's Écrits complets (2018), an enormous two-volume edition of 3000 pages which increases ten-fold Bazin's available corpus, provides opportunities for renewed reflection on, and possibly for substantial revisions of, this key figure in film theory. On the basis of several essays, I propose a drastic rereading of Bazin's most explicitly philosophical notion of “ontology.” This all too familiar notion, long settled into a rather dust-laden couple (“Bazin and ontology”) nonetheless retains its fascination. Rather than attempting to provide a systematic reworking of this couple along well established lines, particularly those defined by realism and indexicality, this article proposes to shift the notion of ontology in Bazin from its determination as actual existence toward a more radical concept of ontology based on the notion of mimesis, particularly as articulated, in a Heideggerian mode, by Philippe Lacoue-Labarthe. This more properly ontological concept, also paradoxically and radically improper, is shown to be at work already in Bazin's texts, and it allows us to see that far from simplistically naturalizing photographic technology, Bazin does the contrary: he technicizes nature. If Bazin says that the photograph is a flower or a snowflake, he also implies that, like photographs, these are likewise a kind of technical artifact, an auto-mimetic reproduction of nature. Bazin likewise refers to film as a kind of skin falling away from the body of History, an accumulating pellicule in which nature and history disturbingly merge. This shifted perspective on Bazin's thinking is extended further in reference to Georges Didi-Huberman on the highly mimetic creatures known as phasmids, insects that mimic their environement. I extend this into the dynamic notion of eternal return, an implicit dimension of Bazin's thinking, clarified here in reference to Giorgio Agamben and the “immemorial image” which, like Bazin's “Death Every Afternoon,” presents an eminently repeatable deathly image, an animated corpse-world that can be likened to hell.
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Bédard, Pascale, and Andrée Fortin. "Un esprit libre : entretien avec la sociologue Andrée Fortin." Note critique 57, no. 2-3 (December 14, 2016): 583–97. http://dx.doi.org/10.7202/1038441ar.

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Par un après-midi de juillet 2016, la sociologue Andrée Fortin a accepté de me recevoir chez elle, dans le Vieux-Québec, pour m’accorder une entrevue. Professeure émérite du Département de sociologie de l’Université Laval, elle y a enseigné durant plus de 30 ans, sans jamais abandonner un parcours de recherche riche et diversifié, comme en témoigne la bibliographie de ses publications. Depuis sa retraite de l’enseignement, elle a poursuivi son travail de sociologue, publiant L’imaginaire de l’espace dans le cinéma québécois et, tout dernièrement, Pratiques et discours de la contre-culture au Québec, coécrit avec le sociologue Jean-Philippe Warren. Andrée Fortin a également dirigé la revue Recherches sociographiques pendant de nombreuses années. L’entretien qui suit est porté par l’intention d’offrir à cet esprit libre l’occasion de retracer les cohérences et les lignes de force de son parcours sociologique.
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Wishart, James. "Vers une « nuit rougeâtre et non pas bleue »: Olivier Larronde et la résurgence de l’œuvre de Maurice Scève dans les années de l'après-guerre." Nottingham French Studies 57, no. 1 (March 2018): 1–17. http://dx.doi.org/10.3366/nfs.2018.0200.

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(English): Essays by Jean Tortel and Philippe Jaccottet, along with the recent publication of a text by André du Bouchet, “Les dizains concrastés”, reveal a post-war fascination for the Renaissance poet Maurice Scève and his collection Délie (1544). The collection is rediscovered as a « travail du voir » (Tortel) and valorized for the tension it creates between construction and erasing of poetic form, generating a complex relation to the image. Taking these essays as a starting point, this article presents the first two collections of Olivier Larronde Les Barricades mystérieuses (1945) et Rien, voilà l'ordre (1956), in which Scève's influence is manifest. Exploring the relation of the semantic and the visual, it shows that the figural space of pre-classical poetry informs Larronde's poetry and broader poetic polemics in the 1940–60s.
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Foucault, Anne. "Le projet ACTUAL (1982-1993), un impossible « Palais idéal » pour le surréalisme." Revue française d'histoire du livre 141 (November 30, 2020): 325–50. http://dx.doi.org/10.47421/rfhl141_325-350.

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Durant les années 1980, l’association ACTUAL, créée par plusieurs membres du dernier groupe surréaliste réuni autour d’ André Breton (Jean Schuster, Gérard Legrand, Philippe Audoin), tenta d’ouvrir à Paris le « Palais idéal du surréalisme », un centre de documentation qui aurait inventorié les archives surréalistes disséminées autour du monde. Tout d’abord lié à la Bibliothèque littéraire Jacques Doucet, le projet entendait promouvoir auprès d’un large public une vision collective du mouvement. En s’appuyant sur les archives de l’association, cet article montre en quoi ce projet se distinguait de l’approche académique du surréalisme à une époque où la spéculation autour de l’art et des archives surréalistes devint de plus en plus importante. Au-delà de son échec, l’étude des débats suscités par ACTUAL expose les principales contradictions de la patrimonialisation d’un mouvement subversif comme le surréalisme.
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Dissertations / Theses on the topic "André Philippus"

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Vermeulen, Liezel. "Aspekte van die prosa van André P Brink met spesifieke verwysing na Sandkastele (1995)." Thesis, Rhodes University, 2003. http://hdl.handle.net/10962/d1003809.

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Hierdie studie ondersoek aspekte van die prosa-oeuvre van die Suid-Afrikaanse outeur André P. Brink, met spesifieke verwysing na sy eerste post-apartheid roman Sandkastele (1995). Hierdie teks se feministiese hersiening van en alternatief tot die manlikgedomineerde en -gedokumenteerde amptelike geskiedenis van Suider-Afrika staan sentraal in die postmodernistiese, postkoloniale fase waarin die Brink prosa-oeuvre die verlede heroorweeg. Die pre-koloniale en koloniale verlede van die landstreek word herkaart deur die vertelling van stories van vroue van die verlede in 'n unieke vertelsituasie wat 'n her-verbeelde, tekstuele vrouegeskiedenis registreer. Die konsep "reimagination" wat ontwikkel in Brink se kritiese en literêr-teoretiese werke vanaf die publikasie van die essay "Imagining the real" in Mapmakers (1983) en Elleke Boehmer se konseptualisering van die tekstuele gevolge van dekolonisasie (1995) word ontgin. Spore van die magiese realisme, die postkolonialisme, die poststrukturalistiese postmodernisme en leeswyses en denkrigtings wat in die feminisme en genderstudies aandag geniet, word in Sandkastele se vertelling, narratiewe figure en ruimte ondersoek. Hierdie leesstrategie akkommodeer die Brink-oeuvre se voortdurende heroorweging en ontdekking van nuwe tekstuele moontlikhede, 'n proses wat gekenmerk word deur 'n reeks tematiese of konseptuele ontwikkelinge en die uit-en deurwerk van belangstellings van vorige Brinktekste. ABSTRACT: This study investigates aspects of the prose oeuvre of the South African author André P. Brink, with specific reference to his first post-apartheid novel Imaginings of Sand (1995). The feminist revisioning of the text as an alternative to the male-dominated and -documented official history of Southern Africa is central to the postmodernist, postcolonial phase of the Brink oeuvre in which the past is reconsidered. The pre-colonial and colonial past of the country is remapped through the stories of women of the past in a narrative construction which registers a re-imagined textual women's history. The concept "reimagination" which develops in Brink's critical and literary theoretical works from the publication of the essay "Imagining the real" in Mapmakers (1983) and Elleke Boehmer's conceptualisation of the textual effects of decolonisation (1995) is utilised. Traces of the magical realism, postcolonialism, poststructuralist postmodernism and approaches which are explored in feminism and gender studies are explored in Sandkastele's narrative construction, characters and space. This reading strategy accommodates the Brink oeuvre's continual re-evaluation and uncovering of new textual possibilities, a process that is characterised by a series of thematic or conceptual developments and the deployment of themes from previous Brink prose texts.
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Milton, Laura. "Aspekte van die erotiek in enkele romans van André P Brink." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1002094.

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Die doel van hierdie studie is om ondersoek in te stel na aspekte van die erotiek in enkele romans van André P. Brink. Die studie bestaan uit twee afsonderlike dele: genoem 'teorie' en 'praktyk'. In die teoretiese deel sal daar eerstens kortliks gekyk word na 'n definiering van enkele kernbegrippe - onder andere 'seksualiteit', 'erotiek' en 'pornografie'. Daar word nie gepoog om algemeen-geldende definisies te formuleer nie, maar eerder definisies wat nuttig is vir die doel van hierdie studie. Daarna sal ondersoek ingestel word na Brink self se teoretiese formulerings met betrekking tot die erotiek. In die tweede deel sal gekonsentreer word op die erotiek in die praktyk van Brink se romans. Eerstens sal die keuse van romans verduidelik word en dan sal daar oorgegaan word tot 'n bespreking van drie romans: Die ambassadeur (1963), Kennis van die Aand (1973) en 'n Oomblik in die wind (1975). Ten slotte sal die gevolgtrekkings van die studie kortliks saamgevat word (Introduction, p. 1)
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Potgieter, Maretha. "Narratiewe strategieë by die ondersoek van die verlede in twee romans, naamlik Lijken op liefde (1997) deur Astrid H. Roemer en Duiwelskloof (1998) deur André P. Brink." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1002151.

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This study investigates some of the narrative strategies used by two novels, namely Lijken op Liefde (1997) by the Surinam born author Astrid H. Roemer and Duiwelskloof (1998) by the South African André P. Brink, in their exploration of and dialogue with traumatic pasts. Both texts are written within so-called postcolonial time frames, delve into the personal and collective past and attempt to provide a corrective on knowledges that used to be deemed not useful, unimportant or have been forgotten by official historiography. The theoretical base of the study is an eclectic mixture of both postcolonial and postmodern theories, throwing light on the strategies employed by these novels in order to understand, problematise and creatively exploit the past.
Hierdie studie kyk na sommige van die narratiewe strategieë binne twee romans, naamlik Lijken op Liefde (1997) deur die Surinaams-gebore outeur Astrid H. Roemer en Duiwelskloof (1998) deur die Suid-Afrikaner André P. Brink, in hulle ondersoek na en dialoog met die traumatiese verlede. Beide tekste is geskryf binne sogenaamde postkoloniale tydvakke, delf in die persoonlike en kollektiewe verlede, en verskaf ’n korrektief op die dinge wat as onbruikbaar of onbelangrik beskou is, of vergete geraak het binne die offisiële historiografie. Die teoretiese basis van die studie is ’n eklektiese mengsel van beide postkoloniale en postmoderne teorieë wat lig werp op die strategieë wat hierdie tekste gebruik om die verlede te verstaan, te problematiseer en kreatief te ontgin.
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Nagel, Amilinda. "Van dagboek tot reisjoernaal : 'n literêre ondersoek na intertekstualiteit in Bidsprinkaan (2005) van André P. Brink." Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/1050.

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The dissertation offers a reception study followed by a critical analysis of Bidsprinkaan by André P. Brink [Praying Mantis, 2005], as well as a careful study of the relevant historical and anthropological intertexts pertaining to the text. This research adds to a fuller understanding of the history of Cupido Kakkerlak and the missionaries. Brink encoded the novel with certain historical and anthropological codes, well-hidden beneath the surface of his fictional writing, thus achieving a finely balanced interaction between fact and fiction in his novelistic construct. This novelistic amalgam of the imaginative world with the historical and anthropological material, gives multidimensionality to the text which is not visible at a first superficial reading. Failing to recognize the traces to these intertexts, would result in a lesser understanding of the conflicting fields in which the main character is positioned, specifically between indigenous belief and Christianity, as well as between indigenous culture and mythology on the one hand, and western culture on the other hand. The author ‘encodes’ the novel (to use the terminology of Jakobson’s communication model) with these historical and anthropological intertexts, which the reader has to ‘decode’ in order to unlock the novel. One central technique therefore, is that of interwoven fact and fiction. This is a technique employed in most of Brink’s novels, such as ‘n Oomblik in die wind, 1975 [An Instant in the Wind], Houd-den-Bek, 1982 [A chain of voices,], Die eerste lewe van Adamastor, 1986 [The First Life of Adamastor, 1993], Inteendeel, 1993 [On the Contrary, 1993] and Duiwelskloof, 1998 [Devil’s Valley, 1998]. Khoi and San history, culture and identity also figure centrally in these novels. A further aspect of my hypothesis is suggested by the politically correct Afrikaans title, Bidsprinkaan (the common nomenclature for the praying mantis is “hotnotsgot”, which roughly translates as “hottentots’ god”, with obvious racial pejorative suggestion). Brink’s use of “bidsprinkaan” for his title, alerts the reader to contemporary political sensitivity, thus contrasting the society of two centuries ago with the present. The more sophisticated reading process followed here compares colonial and postcolonial South African societies, and attempts to tease out the implied ideological facet embedded in the novel.
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Mundt, André Philipp [Verfasser]. "Dynamic risk management with Markov decision processes / von André Philipp Mundt." Karlsruhe : Univ.-Verl. Karlsruhe, 2008. http://d-nb.info/987534416/34.

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Kindermann, Philipp [Verfasser], Alexander [Gutachter] Wolff, and André [Gutachter] Schulz. "Angular Schematization in Graph Drawing / Philipp Kindermann. Gutachter: Alexander Wolff ; André Schulz." Würzburg : Würzburg University Press, 2015. http://d-nb.info/1111783756/34.

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Boucharenc, Myriam. "L'échec et son double : Philippe Soupault romancier." Paris 10, 1994. http://www.theses.fr/1994PA100148.

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Auteur avec André Breton des champs magnétiques, Philippe Soupault est un nom célèbre mais un écrivain, et notamment un romancier, encore mal connu. Apres de brillants débuts comme poète, romancier et essayiste, il néglige son œuvre, abandonnant le roman au début des années trente. Fascine par la destinée de Rimbaud et de Lautréamont, Soupault rêvait d'une rupture idéale qui l'aurait métamorphosé en un autre. Mais ce mythe de l'échec grandiose, qui a guidé son écriture, l'a peu à peu conduit à sacrifier son œuvre. Cette problématique originale de l'échec donne lien a une étude psychanalytique des romans : les figures du destin, de la mélancolie, du deuil, de l'imaginaire parental et leurs conséquences sur la poétique des récits
Author with Andre Breton of les champs magnetiques, Philippe Soupault is a famous name whose works, in particular novels, are still unknown. After a brilliant career as a novelist, a poet and an essayist, he moves away from literature at the beginning of the thirties. Fascinated by the destiny of Rimbaud and Lautreamout, the novelist expresses the desire of an ideal rupture that could transform himself into another. But the myth of such a magnificent failure which has guided his writing has steadily turned into sacrifice of the works. This singular problematic of failure leads to a psychoanalytic study of the novels: the figures of destiny, melancholia, mourning imaginary of parents. . . And their ellects on the poetic of the writter
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Ponelis, Karlien. "Die invloed van die Plautiniese klug op die moderne klug." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52206.

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Thesis (MPhil)--Stellenbosch University, 2001.
ENGLISH ABSTRACT: The present thesis deals with the impact of the ancient Greek farce on modem literature with specific reference to the play Kinkels innie Kabel (1971) by the contemporary Afrikaans author André P. Brink. This play is loosely based on Shakespeare's The Comedy of Errors, which in tum derives from Plautus' Menaechmi. Brink's play thus resonates with an entire European tradition. The relationship between the modem and the ancient farce is studied with reference to the concept of comedy. Comic effects, the difference between comedy and tragedy in respect of the handling of vital issues and the comic vision of the playwright are all taken into account. The analysis of the development of Athenian Old Comedy to the Roman Comedy refers to the contribution of Plautus and Terence to the continuation and revitalisation of Greek New Comedy. A comparison of these two playwrights reveals the characteristics of the farce and the difference between farce and comedy. The modem relevance of the farce is studied on the basis of Brink's text. For this purpose Plautus' original plot, the Shakespearian version and Brink's rendition are discussed and compared. On the basis of the similarities and differences in plot, caricaturisation, misidentifications, politics, fantasy, coincidence, irony, farcical violence, mechanical structure, temporal structure and linguistic register, the influence of the ancient farce on its modem counterpart is demonstrated. In addition to farce, Brink employs the classical devices of satire and parody to drive home his (political) message. Finally it is shown that the farcical in Plautus, Shakespeare and Brink serves a significant and serious thematic purpose.
AFRIKAANSE OPSOMMING: Hierdie verhandeling handel oor die impak van 'n antieke Griekse komedievorm, die klug, op moderne werke en denke. A.P. Brink se verhoogstuk Kinkels innie Kabel (1971) is 'n vrye verwerking van William Shakespeare se The Comedy of Errors. Laasgenoemde werk is weer op sy beurt gebaseer op Plautus se Menaechmi. In sy verwerking van Plautus en Shakespeare laat A.P. Brink die hele Europese tradisie deurklink. Die verhouding tussen die moderne klug en die antieke klug word bestudeer deur te fokus op die term komedie: die verhouding daarvan met lag en hoe die komedie van die tragedie verskil ten opsigte van die hantering van lewensproblematiek en komiese visie van die komedieskrywer, maak deel uit van hierdie bespreking. Die komedie se herkoms en ontwikkeling vanaf die Ou Komedie tot die Romeinse Komedie, val ook onder die soeklig. In aansluiting hiermee word Plautus en Terentius bespreek as twee komedieskrywers wat 'n rol gespeel het in die oorlewering en verlewendiging van die Griekse Nuwe Komedie. Hierdie twee skrywers word ook met mekaar vergelyk sodat die eienskappe van die klug geïllustreer word, en hoe dit in wese verskil van komedie. Die relevansie van die klug in moderne denke word bestudeer aan die hand van Brink se teks. In hierdie verband word daar 'n uiteensetting gegee van die oorspronklike Plautiniese verhaal, die Shakespeariaanse weergawe en die Brinkiaanse teks. Aan die hand van die ooreenkomste en verskille in intrige, karikaturisering, identiteitsvergissings, politiek, die fantasie-element, toeval, ironie, klugtige geweld, die meganiese struktuur, die tydstruktuur en taalregister word die invloed van die antieke klug op die moderne klug geïllustreer. Benewens die klug word Brink se werk ook verder beïnvloed deur twee klassieke middele, met name satire en parodie. Hiermee bring Brink sy (politieke) boodskap tuis. Ten slotte word die dieperliggende temas in Plautus, Shakespeare en Brink se werk bespreek deur aan te toon dat die werk nie net om die klugtige gaan nie, maar ook die meer ernstige.
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Bartsch, Philipp [Verfasser], and André [Akademischer Betreuer] Thess. "Entwicklung neuer Modelle zur Beschreibung von Schüttgutströmungen in Wanderbettwärmeübertragern / Philipp Bartsch ; Betreuer: André Thess." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2020. http://d-nb.info/1221132539/34.

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Couturier, Jean-Philippe [Verfasser], and André [Akademischer Betreuer] Laschewsky. "New inverse opal hydrogels as platform for detecting macromolecules / Jean-Philippe Couturier ; Betreuer: André Laschewsky." Potsdam : Universität Potsdam, 2016. http://d-nb.info/1218401001/34.

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Books on the topic "André Philippus"

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Araguas, Philippe. Cléry-Saint-André, la Collégiale Notre-Dame, Loiret / textes, Philippe Araguas ; photographies, Robert Malnoury, Mariusz Hermanowicz. [Orléans]: Association images du patrimoine du Loiret, 1992.

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ill, Béha Philippe, ed. The best time / $c text by Andrée Poulin ; illustrations by Philippe Béha. New York: Alphabet Soup, 2009.

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Bratschi, Isabelle. Poissons des chefs: Pierre-André Ayer, Edgard Bovier, Carlo Crisci, Didier de Courten, Claude Frôté, Dominique Gauthier, Philippe Guignard, Étienne Krebs, Régis et Jacques Marcon, Denis Martin, Gérard Rabaey, Philippe Rochat, Guillaume Trouillot. Lausanne: Favre, 2009.

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Cornette, Jean-Luc. Philippe-André. L'Ecole des loisirs, 1998.

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Krämer, Benjamin, and Christina Holtz-Bacha, eds. Perspectives on Populism and the Media. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845297392.

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This volume assembles a wide range of perspectives on populism and the media, bringing together various disciplinary and theoretical approaches, authors and examples from different continents and a wide range of topical issues. The chapters discuss the contexts of populist communication, communication by populist actors, different types of populist messages (populist communication in traditional and new media, populist criticism of the media, populist discourses related to different topics, etc.), the effects and consequences of populist communication, populist media policy and anti-populist discourses. The contributions synthesise existing research on this subject, propose new approaches to it or present new findings on the relationship between populism and the media. With contibutions by Caroline Avila, Eleonora Benecchi, Florin Büchel, Donatella Campus, María Esperanza Casullo, Nicoleta Corbu, Ann Crigler, Benjamin De Cleen, Sven Engesser, Nicole Ernst, Frank Esser, Nayla Fawzi, Jana Goyvaerts, André Haller, Kristoffer Holt, Christina Holtz-Bacha, Marion Just, Philip Kitzberger, Magdalena Klingler, Benjamin Krämer, Katharina Lobinger, Philipp Müller, Elena Negrea-Busuioc, Carsten Reinemann, Christian Schemer, Anne Schulz, Christian Schwarzenegger, Torgeir Uberg Nærland, Rebecca Venema, Anna Wagner, Martin Wettstein, Werner Wirth, Dominique Stefanie Wirz
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André, Brochu, and Major André, eds. L' écriture en question: Entretiens radiophoniques avec André Brochu, Mavis Gallant, Philippe Jaccottet, Gilles Marcotte, Pierre Mertens, Gaston Miron, Jacques Poulin, Yvon Rivard, Claude Roy, Nathalie Sarraute, Philippe Sollers. Montréal: Leméac, 1997.

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Lindner, Ralf, Michael Decker, Elisabeth Ehrensperger, Nils B. Heyen, Stephan Lingner, Constanze Scherz, and Mahshid Sotoudeh, eds. Gesellschaftliche Transformationen. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748901556.

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The intensively discussed term transformation refers to the comprehensive restructuring of processes and behaviour in order to address societal challenges posed by far-reaching changes in energy, transport, production and agricultural systems. Since such complex transformations are always accompanied by uncertainties about their effects and consequences, the contributions in this volume critically examine the opportunities and risks involved in these processes and discuss the possibilities and limits of technology assessment in the context of societal transformations. The volume brings together the academic contributions to the 8th international conference of the Technology Assessment Network, which took place in Karlsruhe from 7th to 8th November 2018. With contributions by Fabian Adelt, Marius Albiez, Annika Arnold, Walaa Bashary, Anja Bauer, Richard Beecroft, Alexander Bogner, Stefan Böschen, Tanja Bratan, Simone Colombo, Michael Decker, Rico Defila, Antonietta Di Giulio, Marion Dreyer, Elisabeth Ehrensperger, Philipp Ellett, Lorenz Erdmann, Ali Abdelshafy Ezzat, Erik Fisher, Michael Friedewald, Livia Fritz, Daniela Fuchs, Maryegli Fuss, Armin Grunwald, Niklas Gudowsky, Kristin Hagen, Simeon Hassemer, Alexandra Hausstein, Nils B. Heyen, Diego Iván Hidalgo Rodriguez, Peter Hocke, Florian Hoffmann, Sebastian Hoffmann, Michael Jonas, Dorothee Keppler, Jeanette Klink-Lehmann, Hannah Kosow, Cordula Kropp, Sophie Kuppler, Bastian Lange, Wolfgang Liebert, Ralf Lindner, Stephan Lingner, Andreas Lösch, Maria Maia, Martin Nicholas, Melanie Mbah, Franziska Meinherz, Rolf Meyer, Johanna Myrzik, Lisa Nabitz, Linda Nierling, Oliver Parodi, Witold-Roger Poganietz, Carmen Priefer, Filippo Reale, Ernst Dieter Rossmann, André Schaffrin, Dirk Scheer, Constanze Scherz, Jan Cornelius Schmidt, Maike Schmidt, Flurina Schneider, Andreas Seebacher, Astrid Segert, Mahshid Sotoudeh, Helge Torgersen, Ulrich Ufer, Karsten Weber, Matthias Weber and Johannes Weyer.
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Book chapters on the topic "André Philippus"

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"André Breton and Philippe Soupault." In Surrealist Painters and Poets. The MIT Press, 2001. http://dx.doi.org/10.7551/mitpress/6565.003.0088.

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Roust, Colin. "Post-War and Post-Apollinaire." In Georges Auric, 43–62. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190607777.003.0003.

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After World War I, Auric’s many friendships placed him in a unique position in the Parisian avant-garde. On the one hand, he was alongside Louis Aragon, André Breton, Philippe Soupault, and Tristan Tzara for the rise and fall of Paris dada. On the other, he was a member of Les Six, the group of composers led by Jean Cocteau who came to represent Parisian art music in the 1920s. Throughout the feuds between the dadaists and Cocteau, Auric preserved his friendships and functioned as an ambassador of sorts between rival avant-garde groups. In the meantime, his scores for Cocteau’s Les mariés de la Tour Eiffel (with the rest of Les Six) and Molière’s Les fâcheux would lead to bigger and better opportunities in the mid-1920s.
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Knowles, Kim, and Marion Schmid. "Introduction." In Cinematic Intermediality, 1–8. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0001.

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Since at least the turn of the millennium, notions of film as a medium and cinema as an institution have undergone significant transformation. The shift from film to digital media, now a familiar historical narrative, has given rise to a moving image culture no longer bound to traditional sites of encounter and modes of address but taking on fluid identities in new contexts. Circulating widely in the wake of the digital revolution, the ‘death of cinema’ discourse describes the latest in a series of ‘deaths’, that, as André Gaudreault and Philippe Marion argue, have come to define a modern medium in a continual state of flux and transformation. Nonetheless, ‘[w]hat has incontestably changed today’, in their view, ‘is that cinema no longer has exclusive claim on our heart and is having a lot of trouble getting over the fact.’...
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Clout, Hugh. "The first five professors of geography at Clermont-Ferrand: Philippe Arbos (1882–1956), Lucien Gachon (1894–1984), Max Derruau (1920–2004), Pierre Estienne (1923–96) and André Fel (1926–2009)." In Geographers: Biobibliographical Studies. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781350051010.ch-007.

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