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Relevant bibliographies by topics / Andrew Marvell

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Academic literature on the topic 'Andrew Marvell'

Author: Grafiati

Published: 4 June 2021

Last updated: 21 February 2023

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Journal articles on the topic "Andrew Marvell"

1

Stocker, Margarita, and Robert Wilcher. "Andrew Marvell." Yearbook of English Studies 18 (1988): 271. http://dx.doi.org/10.2307/3508220.

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Wilcher (book author), Robert, and Joseph Messina (review author). "Andrew Marvell." Renaissance and Reformation 23, no. 2 (March 6, 2009): 189–91. http://dx.doi.org/10.33137/rr.v23i2.11985.

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Laam, Kevin. "Marvell’s Marriage Songs and Poetic Patronage in the Court of Cromwell." Explorations in Renaissance Culture 42, no. 1 (March 15, 2016): 59–86. http://dx.doi.org/10.1163/23526963-04201003.

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This paper examines the marriage songs that Andrew Marvell produced in 1657 for the wedding masque of Mary Cromwell, specifically, how they express Marvell’s long-time pursuit of patronage, and more broadly, how they showcase the increasingly courtly predilections of the Protectoral household and government. Marvell represents the politics and personalities behind the marriage in ways that suggest an acute awareness of Cromwell’s growing aristocratic and dynastic ambitions. As a newly appointed civil servant, Marvell also uses the occasion to reflect upon his experience as the beneficiary of the Protector’s largesse. Marvell is a silent but active player in the masque, using it to negotiate his position as a poet in the Cromwellian court.

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RIVAS CARMONA, María del Mar. "Richard Crashaw; Andrew Marvell." Hikma 6, no. 6 (October 1, 2007): 32. http://dx.doi.org/10.21071/hikma.v6i6.6672.

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Smith, Nigel. "Andrew Marvell and Rhyme." Explorations in Renaissance Culture 35, no. 1 (December 2, 2009): 88–102. http://dx.doi.org/10.1163/23526963-90000368.

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Explorations in Renaissance Culture, Editors. "The Andrew Marvell Society." Explorations in Renaissance Culture 35, no. 1 (December 2, 2009): 111–12. http://dx.doi.org/10.1163/23526963-90000372.

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Hennings, Jan, and Edward Holberton. "Andrew Marvell in Russia." Journal of Medieval and Early Modern Studies 50, no. 3 (September 1, 2020): 565–86. http://dx.doi.org/10.1215/10829636-8626457.

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This article examines interactions between diplomatic representation, state bureaucracy, and rhetoric in early modern diplomacy. It analyzes manuscripts in the hand of the poet Andrew Marvell, which he wrote as secretary to the Earl of Carlisle’s 1663–64 embassy to Moscow. The manuscripts show how a battle over diplomatic ceremony and honor unfolded into disputes over the forms and decorum used in a lively exchange of diplomatic letters and written complaints. These texts were edited, translated, and published for English and international audiences by another embassy secretary, Guy Miège. The article traces the afterlife of the embassy letters in print, arguing that Marvell and Miège became central agents in shaping how the embassy was perceived at home and further afield. The wider context of public diplomacy drew from the secretaries’ considerable skill in framing diplomatic letters for consumption by different audiences. Early modern ambassadors performed rituals of sovereignty, symbolizing status and rank, but the complex art of diplomatic image-making was also directed by lower-ranking embassy personnel. Examining the relationship between bureaucratic practices and the performative nature of diplomacy, this article shows how secretaries exerted significant influence on the reception of early modern diplomatic relations.

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Byung-Eun Lee. "Andrew Marvell in ＂The Garden＂." Journal of Medieval and Early Modern English Studies 18, no. 1 (May 2008): 17–29. http://dx.doi.org/10.17054/jmemes.2008.18.1.17.

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Jong-Woo Lee. "Andrew Marvell and Poetic Imagination." Journal of Medieval and Early Modern English Studies 18, no. 1 (May 2008): 95–150. http://dx.doi.org/10.17054/jmemes.2008.18.1.95.

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PATTERSON, ANNABEL, and MARTIN DZELZAINIS. "MARVELL AND THE EARL OF ANGLESEY: A CHAPTER IN THE HISTORY OF READING." Historical Journal 44, no. 3 (September 2001): 703–26. http://dx.doi.org/10.1017/s0018246x01001984.

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Andrew Marvell's famous polemical pamphlets against Samuel Parker, the two parts of The rehearsal transpros'd, are packed with references and allusions to other books, some very esoteric. We think we have discovered where Marvell did his reading – in the library of Arthur Annesley, first earl of Anglesey, who also protected Marvell and his bookseller from the licenser and the Stationers' Company. In this, he collaborated with the earl of Shaftesbury, the then Lord Chancellor. The implications of these discoveries go well beyond even the new bibliography, suggesting that Marvell wrote his responses to Parker under the patronage of Anglesey, and that his connections with Shaftesbury began earlier than supposed; but they also show us how one efficient and intelligent reader responded to the task of detailed controversy, by doing focused and rapid research. Would that our own had equally witty results!

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Dissertations / Theses on the topic "Andrew Marvell"

1

Raynaud, Claudine. "Andrew Marvell, poète protestant /." Paris : Messene, 1997. http://catalogue.bnf.fr/ark:/12148/cb36192360d.

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Jackson, Morgan Keith. "“There Goes Marvell, The Cambridge Platonist!”: On Marvell and Religion." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21512.

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My thesis seeks to offer a literary comparison of Andrew Marvell’s poems A Dialogue, between the Resolved Soul and Created Pleasure, A Dialogue Between the Soul and the Body, and On a Drop of Dew and the works of the seventeenth century English theologians the Cambridge Platonists– namely Benjamin Whichcote (1609-1683), Peter Sterry (1621-1678), Henry More (1614-1687), and John Sherman (?-1671). The question at its heart is not simply to assess the extent of their congeniality, but to determine how effectively the work of the Cambridge Platonists functions as a framework for the interpretation of Marvell’s poems. The thesis, therefore, hopes to validate two claims. The first, made by Pierre Legouis in 1928 but never fully substantiated, is that Marvell’s Platonist tendencies stem from his seven years at Cambridge, which are ascribed to the preaching of Whichcote and Sherman. The second, is Harold E. Toliver’s suggestion in 1965 that Marvell, like the Cambridge group, rejects lower links in the great chain for the autonomy of the soul. As proving that the Cambridge Platonists influenced Marvell is very difficult, this central contention is tested using both an ‘analogical’ and ‘genealogical’ method. Part I explores aspects of Marvell’s life where he may have been exposed to both Neoplatonist and Christian Neoplatonists writers, as well as direct interactions he shared with members of the Cambridge Platonists. Part I will predominantly focus on three aspects of Marvell’s life. First, the influence Marvell’s father, Reverend Marvell had on his son. Second, Marvell’s education at Hull Grammar. Third, Marvell’s sociable interactions at Cambridge and as Latin Secretary to Oliver Cromwell. Part I will use Foucault’s work What is an Author? and The Archaeology of Knowledge as a literary framework to ‘suspend typical’ questions, which are largely ignored in Marvell scholarship. Part II presents a sustained interpretation of two key theological themes in Marvell’s poetry– the function of the soul, and the structure of nature and the corporeal world– using Peter Sterry’s Sermons and Henry More’s Philosophical Poems. I will suggest that a close comparative reading of Marvell and these two members of the Cambridge Platonists reveals three similarities. First, Marvell like More, rejects nominalism, and instead seeks a doctrine of moral realism. Second, similarly to Sterry, Marvell represents the soul as functioning as a conduit of divine knowledge, which must distance itself from materiality. Third, much like Sherman, More, and Sterry, Marvell describes the soul as having to awaken from its bodily unconsciousness of the corporeal world via knowledge and reason to achieve its cycle back to God.

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3

McWilliams, John Harry. "'Who would write?' : Andrew Marvell and the act of writing." Thesis, University of Bristol, 2003. http://hdl.handle.net/1983/1ad58693-966d-4325-a819-68541af908ac.

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Le, Roux Selene. "Poetry of revolution : the poetic representation of political conflict and transition in Milton's Paradise Lost and Marvell's Cromwell poems /." Link to the online version, 2007. http://hdl.handle.net/10019/1760.

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Kavanagh, Art Naoise. "Andrew Marvell's ambivalence about justice." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/25031702-dea3-49c6-a9e6-c068852e5df4/1/.

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This thesis examines the treatment of the theme of justice in the works, both poetry and prose, of Andrew Marvell and, in a final chapter, the justice of certain aspects of his behaviour. In order to do this, it seeks to locate particular works in the context of contemporary debates or discussions as to ancient rights, the ancient constitution (and competing theories as to the king's power) and the disagreement between Hugo Grotius and John Selden on the subject of the legal status of the sea and, more generally, the laws of nature and nations. !e discussion of the justice of his behaviour offers a reinterpretation of the Chancery pleadings and other records in a cluster of cases arising after Marvell's death out of the collapse of a bank in which his friend, Edward Nelthorpe, was a partner. It is argued that these records have, up to now, been misunderstood. The thesis concludes that Marvell's work evinces an ambiguity about justice, with the poetry tending to give voice to his scepticism, while the sense that justice might be at least partly achievable is more likely to appear in the prose works. The conclusion as to his actions is also a matter of some ambivalence: while the evidence does not show that he colluded in a fraud on the bank's creditors, the suspicion that he behaved badly towards his wife is complicated by a lingering uncertainty that he had, in fact, married.

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Hackler, Neal. "From stage to page: Restoration theatre and the prose of Andrew Marvell." Thesis, University of Ottawa (Canada), 2010. http://hdl.handle.net/10393/28757.

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Andrew Marvell (1621-78), though best known today as a lyric poet, was also the author of a handful of aggressive pamphlets on religious toleration and proto-Whig political values. In comparison to earlier polemic produced by divines such as John Owen, Richard Baxter, or Samuel Parker, Marvell's books appear as a radical aesthetic departure into a witty style of dramatic pamphlet. This thesis argues that Marvell's aesthetic innovation owes to his infusion of theatre and theatricality into ecclesiastical controversy. The hybrid polemic caused a point of contact between smaller separate publics foreshadows the opening of the wider Public Sphere that Jurgen Habermas situates in the wake of the 16889 Glorious Revolution. As a new style of public writing, Marvell's hybrid polemic initiated a crossover between the ecclesiastical and theatrical publics that expanded debate to a new idiom and a wider audience.

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Henrichs, Amanda Kay. ""I shall weep though I be stone" : grief and language in Andrew Marvell /." view abstract or download text of file, 2008. http://hdl.handle.net/1794/6557.

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8

Chen, Theodore. "History, Action and Identity in "Upon Appleton House": Andrew Marvell and the New Historicism." Oberlin College Honors Theses / OhioLINK, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1396538353.

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Roy, James E. ""Baits for curious tasts" : the Gothic as a heuristic in the poetics of Andrew Marvell." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ47765.pdf.

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Bardle, Stephen. "Literature and dissent in the 1660s : the restoration careers of Ralph Wallis, George Wither and Andrew Marvell." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496186.

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Books on the topic "Andrew Marvell"

1

Marvell, Andrew. Andrew Marvell. Oxford [England]: Oxford University Press, 1990.

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2

Harold, Bloom, ed. Andrew Marvell. New York: Chelsea House Publishers, 1989.

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1621-1678, Marvell Andrew, ed. Andrew Marvell. Cambridge [Cambridgeshire]: Cambridge University Press, 1985.

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4

Marvell, Andrew. Andrew Marvell. Oxford: Oxford University Press, 1994.

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5

Council, British, ed. Andrew Marvell. Plymouth, U.K: Northcote House in association with the British Council, 1994.

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6

Wilcher, Robert. Andrew Marvell. Cambridge: Cambridge University Press, 1985.

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Augustine, Matthew C. Andrew Marvell. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59287-5.

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8

1954-, Healy Thomas, ed. Andrew Marvell. New York: Longman, 1998.

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9

2, Art Recess, ed. After Andrew Marvell. 2nd ed. Conshohocken, Pa: Art Recess 2, 2020.

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10

Thomas, Wheeler. Andrew Marvell revisited. New York: Twayne Publishers, 1996.

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Book chapters on the topic "Andrew Marvell"

1

Macura, Sergej. "Marvell, Andrew." In Encyclopedia of Renaissance Philosophy, 1–2. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-02848-4_521-1.

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Kohl, Stephan. "Marvell, Andrew." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14273-1.

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Macura, Sergej. "Marvell, Andrew." In Encyclopedia of Renaissance Philosophy, 2099–101. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_521.

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Campbell, Gordon. "Andrew Marvell." In The Renaissance (1550–1660), 363–75. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20157-0_51.

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Augustine, Matthew C. "Correction to: Andrew Marvell: A Literary Life." In Andrew Marvell, C1. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59287-5_9.

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Smith, Nigel. "Andrew Marvell." In The Cambridge Companion to English Poets, 176–93. Cambridge University Press, 2011. http://dx.doi.org/10.1017/ccol9780521874342.010.

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Friedman, Donald M. "Andrew Marvell." In The Cambridge Companion to English Poetry, Donne to Marvell, 275–303. Cambridge University Press, 1993. http://dx.doi.org/10.1017/ccol0521411475.014.

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Reid, David. "Andrew Marvell." In The Metaphysical Poets, 195–231. Routledge, 2014. http://dx.doi.org/10.4324/9781315841380-6.

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"ANDREW MARVELL." In 100 Poets, 52–57. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1z9n1r9.22.

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"ANDREW MARVELL." In English Lyric Poetry, 271–304. Routledge, 2002. http://dx.doi.org/10.4324/9780203006313-12.

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