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Dissertations / Theses on the topic 'Angela'

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Published: 4 June 2021
Last updated: 30 July 2024

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1

Kubacki, Iwona Maria. "Angela Carter's feminist grotesque." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23812.pdf.

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2

Kelly, Tessa Claire. "Angela Carter's scarred texts." Thesis, Bangor University, 1999. https://research.bangor.ac.uk/portal/en/theses/angela-carters-scarred-texts(aa8bede4-844a-41c1-a22c-9642e3768a70).html.

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This thesis aims to describe a poetics of Angela Carter's fiction. It examines the way in which Carter's novels and some of her short stories mobilise the reader into speculation about possible ontologies, provoking them to think beyond the binary oppositions which sustain Western metaphysical thought. The thesis focuses upon Carter's "originary" symbol, the first motif in her first novel, which is a scar. In Chapter One, I argue that the scar is a re-presentation of the mythical wound of female castration which actually works to challenge patriarchal discourses on femininity and female sexuality, introducing feminist theories in order to fully explain the gaps in such discourses. Each of the five chapters which construct the thesis traces the way in which the scar/womb/wound image opens up different but related issues surrounding sexuality representation, signification and transgression. Shadow Dance, The Magic Toyshop, The Infernal Desire Machines of Doctor Hoffman, The Passion of New Eve, The Bloody Chamber, Nights at the Circus and Wise Children are all considered as interrogatory texts in dialogue with one another and with other literature and theories, effecting a breakdown between disciplines and generic categories, yet simultaneously creating a dynamic "new" form of textuality which can be viewed as potentially transfon-native.
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3

Frankfurth, Angela [Verfasser]. "E-Learning-Architekturmanagement / Angela Frankfurth." Kassel : Kassel University Press, 2010. http://d-nb.info/1011783223/34.

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4

Kölbl, Angela [Verfasser]. "Schiedsklauseln in Vereinssatzungen. / Angela Kölbl." Berlin : Duncker & Humblot, 2011. http://d-nb.info/1238343473/34.

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5

Müller, Anja. "Angela Carter : identity constructed / deconstructed /." Heidelberg : Universitätsverlag C. Winter, 1997. http://catalogue.bnf.fr/ark:/12148/cb37622505c.

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6

ROEVER, MARTIN [Verfasser], Angela [Akademischer Betreuer] Rizzi, and Axel [Akademischer Betreuer] Hoffmann. "GaN:Gd - Ein verdünnter magnetischer Halbleiter? / Martin Röver. Gutachter: Angela Rizzi ; Axel Hoffmann. Betreuer: Angela Rizzi." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2011. http://d-nb.info/1043609350/34.

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7

Jacobi, Angela [Verfasser], Angela [Akademischer Betreuer] Rösen-Wolff, and Gerold [Akademischer Betreuer] Barth. "Die Rolle der CXCR4/SDF-1-Achse in FLT3-ITD-positiven humanen hämatopoetischen Stammzellen / Angela Jacobi. Gutachter: Gerold Barth ; Angela Rösen-Wolff. Betreuer: Angela Rösen-Wolff." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://d-nb.info/1067729496/34.

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8

Zube, Christian [Verfasser], Angela [Akademischer Betreuer] Rizzi, and Markus [Akademischer Betreuer] Münzenberg. "Spin injection in MnGa/ GaN heterostructures / Christian Zube. Betreuer: Angela Rizzi. Gutachter: Angela Rizzi ; Markus Münzenberg." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/108124688X/34.

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9

Oppo, Carla Ivana [Verfasser], Angela [Akademischer Betreuer] [Gutachter] Rizzi, and Hans Christian [Gutachter] Hofsäss. "Development of InGaN/GaN nanostructures / Carla Ivana Oppo ; Gutachter: Angela Rizzi, Hans Christian Hofsäss ; Betreuer: Angela Rizzi." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1125105925/34.

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10

De, Flander Katleen [Verfasser], Angela [Akademischer Betreuer] Million, Ronald [Akademischer Betreuer] Rovers, Angela [Gutachter] Million, and Ronald [Gutachter] Rovers. "Re-organising the urban stratum / Katleen De Flander ; Gutachter: Angela Million, Ronald Rovers ; Angela Million, Ronald Rovers." Berlin : Technische Universität Berlin, 2017. http://d-nb.info/1156272394/34.

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11

Antoniu, Angela Vasilut. "Contributions to the study of certain electrostatic hazards in the manufacturing process of electronic devices and circuits." Poitiers, 2010. http://theses.edel.univ-poitiers.fr/theses/2010/Vasilut-Antoniu-Angela/2010-Vasilut-Antoniu-Angela-These.pdf.

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Les risques des décharges électrostatiques (DES) sur des dispositifs et systèmes électroniques dépend de l'état de charge de l'opérateur et des objets situés à proximité. Cette thèse a eu comme objectif de contribuer à la mise au point d'une méthodologie de mesure pour caractériser l'état de charge des opérateurs et des matériaux textiles, afin d'établir leur capacité de produire DES nuisibles. Des méthodes de mesure directes et indirectes ont été proposées pour l'évaluation de la charge des opérateurs dans trois situations d'intérêt pratique. D'autres techniques, telles que la mesure de potentiel de surface et de l'intensité du champ électrique ont été utilisées pour le monitoring de l'état de charge des matériaux textiles. Des modèles comportementaux ont été établis pour la charge et la décharge de ces matériaux, en faisant appel à la méthodologie des plans d'expériences. Les essais réalisés sur des échantillons de polypropylène et de polyester ont permis de valider aussi deux méthodes permettant d'accélérer la diminution de la charge des médias isolants non-tissés en utilisant des générateurs d'ions ou des décharges couronne produites par des électrodes alimentées à des hautes tensions sinusoïdales ou triangulaires, de fréquences allant jusqu’à 400 Hz. Un exemple d'accumulation d'électricité statique sur une plaquette de silicium est aussi discuté, en rapport avec une application à la fabrication des microsystèmes électromécaniques. L'amélioration de la méthodologie de mesure est un pré-requis pour l'adoption des meilleures stratégies destinées à maîtriser les risques électrostatiques dans un environnement industriel<br>The risk of electrostatic discharge (ESD) on electronic devices and systems depends on the charge state of the operator and nearby objects. This thesis aimed at contributing to the development of a measurement methodology to characterize the state of charge of the operators and textile materials, in order to determine their ability to produce harmful effects. Direct and indirect measuring methods have been proposed for assessing the charge of operators in three situations of practical interest. Other techniques, such as surface potential and electric field intensity measurements were used for monitoring the state of charge of textile materials. Behavioural models have been established for the charging and discharging of these materials, using the methodology of experimental design. Tests on samples of polypropylene and polyester have also validated two methods for accelerating the reduction of the charge of insulating nonwoven media using ion generators or corona discharge produced by electrodes energized from sinusoidal or triangular high voltage supplies, at frequencies up to 400 Hz. An example of static electricity on a silicon wafer is also discussed in relation with an application to the fabrication of mechanical and electronic micro-systems. Refinement of the measurement methodology is a prerequisite for the adoption of best strategies to control electrostatic risks in an industrial environment
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12

Audehm, Stefan [Verfasser], Angela [Akademischer Betreuer] Krackhardt, Angela [Gutachter] Krackhardt, and Aphrodite [Gutachter] Kapurniotu. "Characterization of T-cell receptors for clinical translation / Stefan Audehm ; Gutachter: Angela Krackhardt, Aphrodite Kapurniotu ; Betreuer: Angela Krackhardt." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1220320625/34.

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13

Volino, Angela [Verfasser]. "Steuerung und Kontrolle der Kammerwirtschaft / Angela Volino." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2013. http://d-nb.info/1108815022/34.

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14

Damm, Angela [Verfasser]. "Synthesen und Reaktionen hypersilylsubstituierter Amidotetranide / Angela Damm." Mainz : Universitätsbibliothek Mainz, 2018. http://d-nb.info/1150271663/34.

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15

Yeandle, Heidi. "Angela Carter's (de)philosophising of Western thought." Thesis, Swansea University, 2014. https://cronfa.swan.ac.uk/Record/cronfa42410.

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What do Plato, Jean-Jacques Rousseau, Thomas Hobbes, Rene Descartes, John Locke, David Hume, Ludwig Wittgenstein, Gilbert Ryle, Immanuel Kant, and the Marquis de Sade have in common? Spanning centuries and - when it comes to Plato - millennia, they are key figures of Western philosophy who have discussed ideas of reality, knowledge, existence, the state of nature, and morality, ideas which are central to Angela Carter's novels. In this thesis, I position Carter as a (de)philosophiser, and argue that she deconstructs the pivotal theories of Western philosophy, while also philosophising on the same concepts, contributing a female voice to this overwhelmingly androcentric discipline. In doing so, I contribute the first in- depth discussion of Carter's philosophical intertextuality to Carter criticism, going beyond Carter's explicit references that, to date, have been acknowledged by Carter scholars; although this is an original topic, the originality of my argument is boosted by my references t) the archival material that comprises the Angela Carter Papers Collection. The thesis is structured according to Carter's engagement with the range of Western thinkers aforementioned, focusing on Plato's impact on Heroes and Villains (1969), The infernal Desire Machines of Doctor Hoffman (1972) and The Passion of New Eve (1977) in Chapter One, while Chapter Two is dedicated to Carter's analysis of Hobbes and Rousseau's arguments in Heroes and Villains. In Chapter Three I discuss Descartes (in relation to Doctor Hoffman), Locke (vis-a-vis Shadow Dance, 1966, New Eve, and Nights at the Circus, 1984), and Hume, with reference to Several Perceptions (1968) and Love (written 1969, published 1971). Wittgenstein and Ryle's impact on Doctor Hoffman and Carter's time in Japan are examined in Chapter Four. The fifth and final chapter concentrates on Carter and moral philosophy, paying particular attention to Kant and Sade and discussing Shadow Dance, Several Perceptions, and Love, as well as Doctor Hoffman and The Sadeian Woman (1979).
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16

Sauvage, Julie. "Esthétiques du "roman-théâtre" chez Angela Carter." Bordeaux 3, 2006. http://www.theses.fr/2006BOR30065.

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Ce travail étudie les esthétiques de la théâtralité dans les romans d’Angela Carter à partir du « roman-théâtre » défini par Anny Sadrin. Le roman cartérien se caractérise par son oscillation entre deux grands modèles esthétiques théoriques du théâtre, présence et représentation, définis par la place du spectateur. La première partie examine la notion picturale de tableau, empruntée par le roman sous la forme de l’ekphrasis, et par le théâtre avec le tableau vivant. La coexistence problématique des arts du temps et de l’espace dans le roman assure le passage de la nature morte au tableau vivant : dans le récit, l’image manifeste un corps animé et maintient la lecture en tension entre distance et proximité. La seconde partie étudie la conception théâtrale du corps chez Carter, qui puise paradoxalement aux racines sacrificielles de cet art pour permettre au sujet d’y trouver un espace de liberté. Matériel, mortel, mais relevant du langage, le corps permet au sujet de se produire en jouant des signes, ce qui implique une vision anti-essentialiste du genre (gender). Elle repose sur un rejet de l’assimilation du féminin au corps matériel, motivant une critique du carnavalesque bakhtinien. L’étude du corps représenté dans les romans permet d’examiner, dans la troisième partie, comment le corps devient un mode de relation avec le lecteur, sous l’espèce du simulacre. Simulacres de présences corporelles, les voix elles-mêmes simulées par le texte maintiennent le lecteur en équilibre instable entre présence et absence. Critiquant les théories féministes de la voix, le « roman-théâtre » cartérien appelle pourtant une mise en voix où le lecteur se produit tel un acteur<br>This study of the aesthetics of theatricality in Angela Carter’s novels takes Anny Sadrin’s definition of the ‘theatrical’ novel as a starting-point. Resorting to this dramatic sub-genre of the novel, in which the text is performed on the reader’s ‘inner scene’, Carter maintains a tension between the main aesthetic theoretical models of presence and representation. The first part analyses the notion of tableau, borrowed from painting by both the novel and the theater, as well as the relationship between narrative and image that it creates within the novel. Carter overcomes the opposition of spatial to temporal arts by imparting the specific rhythm of images to the narrative, presenting them as manifestations of a living body and turning still lives into tableaux. The second part examines Carter’s conception of the body as represented in her novels and shows that its paradoxical theatricality rests on the main metaphors of petrification and cannibalism. The author goes back to the roots of the theater as a ritual sacrifice to define a space for the recreation of a free subject. Undeniably mortal and material, but belonging to the realm of language and discourse, the body provides the basis for the reinvention of a performing subject playing with signs to produce his/her identity – a view at odds with the assimilation of the feminine to the material that seems to underly the Bakhtinian notion of the carnivalesque. This finally allows to examine how Carter turns reading itself into a bodily process, presenting her ‘dramatic novels’ as simulacra of voices. Her texts literally call for a performing reader, thus made to produce his/her identity through reading, like an actor
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17

Stewart, Angela. "Unlacing carnal margins : portraits by Angela Stewart." Thesis, Curtin University, 2010. http://hdl.handle.net/20.500.11937/160.

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In this research I examine artistic doubt as a way to unlace the becoming of a portrait. My interest is in the personal encounter between the painter and sitter. My muse is the sixteenth-century Italian portrait painter, Sofonisba Anguissola and through both creative practice and exegetical writing, which takes an epistolary approach, I investigate the process, mistakes and interruptions of making that can impact on portrait painting. As such doubt is positioned as caches of ontological moments.
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18

Denker, Christian [Verfasser], Angela [Akademischer Betreuer] Rizzi, and Alois [Akademischer Betreuer] Krost. "InN and In-rich InGaN Nanocolumns by Molecular Beam Epitaxy / Christian Denker. Gutachter: Angela Rizzi ; Alois Krost. Betreuer: Angela Rizzi." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2012. http://d-nb.info/1043607668/34.

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Bentlin, Felix [Verfasser], Angela [Akademischer Betreuer] Million, Angela [Gutachter] Million, and Mara [Gutachter] Pinardi. "Die Berliner Stadterweiterung : Entwurf und Wandel des Bebauungsplans von 1862 / Felix Bentlin ; Gutachter: Angela Million, Mara Pinardi ; Betreuer: Angela Million." Berlin : Technische Universität Berlin, 2019. http://d-nb.info/1194059333/34.

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20

Carvalho, Fernanda Sousa. "Sexuality and gender in contemporary women's Gothic fiction - Angela Carter's and Anne Rice's Vampires: Angela Carter's and Anne Rice's Vampires." Universidade Federal de Minas Gerais, 2009. http://hdl.handle.net/1843/ECAP-7SHFJY.

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In this thesis, I provide an analysis of Angela Carter's and Anne Rice's works based on their depiction of vampires. My corpus is composed by Carter's short stories 'The Loves of Lady Purple' and 'The Lady of the House of Love' and by Rice's novels The Vampire Lestat and The Queen of the Damned. My analysis of this corpus is based on four approaches: a comparison between Carter's and Rice's works, supported by their common use of vampire characters; an investigation of how this use consists of a particular way of exploring gothic elements, related to the contemporary context; an identification of the mechanisms through which this use of vampire characters conveys discourses on the issues of sexuality and gender that take in the 1970s and 1980s; and an investigation of the possibility for the vampire characters to express such discourses, in terms of their symbolisms. I demonstrate here that Rice and Carter explore the potential of abjection of the vampire and the subversive potential of a gothic representation of life experiences to question and subvert in their works patriarchal ideologies about the issues of sexuality and gender. This strategy of questioning and subversion is informed by the debates about these two issues in late-twentieth century, a period marked by the development of theories about sexuality and gender, by political movements towards sexual and gender freedom, and by the eminence of the AIDS epidemic that influenced the direction followed by these theories and movements. My analysis of Carter's and Rice's works demonstrates that, although they are different in their focuses and concerns, both authors represent, through their vampires, discourses against the imposition of gender roles and of sexualities by patriarchal societies, reflecting the contemporary view of gender and sexuality as constructed, complex, and fluid categories. In this sense, their works can be said to characterize a contemporary gothic fiction written by women.<br>xxx
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21

Pirincci, Yildiz Sinem. "The Dilemma Of The Gaze In Angela Carter." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613850/index.pdf.

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This thesis analyzes and compares Angela Carter&rsquo<br>s Nights at the Circus and Elif Safak&rsquo<br>s Mahrem (The Gaze) from the perspective of theories of the patriarchal gaze. The study argues that the female protagonists in Nights at the Circus and Mahrem (The Gaze) have a dilemma in relation to the gaze. On the one hand, the gaze makes these characters passive spectacles in front of the audience and objectifies them. On the other hand, the gaze appears to be a necessity for a sense of identity and order. The theoretical framework used to analyze the novels from the perspective of the patriarchal gaze includes John Berger&rsquo<br>s Ways of Seeing, which is about visual representations in Western art and Laura Mulvey&rsquo<br>s article &ldquo<br>Visual Pleasure and Narrative Cinema&rdquo<br>, which analyzes women&rsquo<br>s position in Hollywood movies. In order to explore the dilemma the protagonists find themselves in, on the other hand, Sigmund Freud&rsquo<br>s theory of scopophilia, Jacques Lacan&rsquo<br>s discussion of the role of the gaze in psychosexual development and identity formation and Mich&eacute<br>l Foucault&rsquo<br>s evaluation of the gaze as a tool for discipline have been made use of. The comparative analysis of the two novels within this theoretical framework aims to demonstrate the complexity and universality of the issue and provide further food for thought for feminist thinking on this topic.
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22

Schweiker, Angela [Verfasser]. "Ortsaufloesende Analyse von Mikropartikeln mit Sekundaermassenspektrometrie / Angela Schweiker." Karlsruhe : KIT-Bibliothek, 1991. http://d-nb.info/1153058847/34.

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Ries, Angela [Verfasser]. "Thermo-mechanische Gradierung eigenverstärkter Polypropylen-Composite / Angela Ries." Kassel : Kassel University Press, 2017. http://d-nb.info/115097916X/34.

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Peng, Emma Pi-tai. "John Fowles and Angela Carter : a postmodern encounter." Thesis, University of Essex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324236.

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Birk, Angela [Verfasser]. "Langzeitarbeitslosigkeit im Wachstumsprozess. : Eine theoretische Analyse. / Angela Birk." Berlin : Duncker & Humblot, 2015. http://d-nb.info/1238314716/34.

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Broad, Angela. "In(finite) (Form)ulas for Micro(cosmic) ex(per)ience." Click here for access to the website, 2005. http://optymistica.com.

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Thesis (M.F.A.)--University of New Mexico, 2005.<br>"Angela Broad's MFA Thesis show was on display from July 4th to July 9th, 2005. This dual component show in Albuquerque, New Mexico was held in the New Mexico Museum of Natural History and Science. It consisted of a short collaborative animation projected in 'Fulldome' format; and several large multi-media paintings displayed in the upper foyer of the Lodestar Planetarium."
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Collins, Sharon. "The persistence of vision : the production of reality in three novels by Angela Carter /." Title page and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09arc713.pdf.

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Waite, John. "Exposing Bluebeard! Angela Carter gets delirious in The Magic Toyshop, Heroes and Villains, "The Bloody Chamber," and "The Fall River Axe Murders" /." View online, 1993. http://repository.eiu.edu/theses/docs/32211998881853.pdf.

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Bijon, Béatrice Paccaud-Huguet Josiane. "Le sujet à l'oeuvre écriture et lecture chez Angela Carter /." [S.l] : [s.n.], 2001. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2001/bijon_b.

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Broxtermann, Daniel [Verfasser], Angela [Akademischer Betreuer] Rizzi, and Andreas [Akademischer Betreuer] Hangleiter. "Towards high electron mobility in Gan(0001) based InGaN and AlGaN heterostructures / Daniel Broxtermann. Gutachter: Angela Rizzi ; Andreas Hangleiter. Betreuer: Angela Rizzi." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2011. http://d-nb.info/1043665374/34.

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31

Charry, Marroquin Angela Janneth. "Critical discourse analysis of news media representations of people from refugee backgrounds participating in music in Australia." Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/230264/1/Angela%20Janneth_Charry%20Marroquin_Thesis.pdf.

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This research used critical discourse analysis to explore the ways people from refugee backgrounds’ participation in music is constructed in the Australian news media. Using Fairclough’s three-dimensional framework, findings revealed that, while the media ostensibly tells stories of hopefulness derived from the joy of music, the workings of racialised power within the discourse remain deeply intertwined. Social tropes which often accompany music intersect with deficit and othering discourses surrounding people from refugee backgrounds. This research emphasises the need for a critically reflective social work practice to resist and challenge dominant discourses that disempower people seeking refuge.
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Watson, Angela L. "Piecing the puzzle together : enhancing the quality of road trauma surveillance through linkage of police and health data." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/79394/1/Angela%20Watson%20Thesis.pdf.

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This program of research linked police and health data collections to investigate the potential benefits for road safety in terms of enhancing the quality of data. This research has important implications for road safety because, although police collected data has historically underpinned efforts in the area, it is known that many road crashes are not reported to police and that these data lack specific injury severity information. This research shows that data linkage provides a more accurate quantification of the severity and prevalence of road crash injuries which is essential for: prioritising funding; targeting interventions; and estimating the burden and cost of road trauma.
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Marciniak, Angela [Verfasser]. "Politische Sicherheit : Zur Geschichte eines umstrittenen Konzepts / Angela Marciniak." Frankfurt am Main : Campus Verlag, 2015. http://www.campus.de/home/.

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Wisnewski, Colette McHale. "Finding God and self praying with Angela of Foligno /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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35

Digennaro, Angela [Verfasser]. "Proline-Quaterthiophene hybrids: Synthesis and self-assembly / Angela Digennaro." Ulm : Universität Ulm, 2017. http://d-nb.info/112490249X/34.

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Wernberger, Angela [Verfasser], and Matthias [Akademischer Betreuer] Grundmann. "Einelternfamilien im ländlichen Raum / Angela Wernberger ; Betreuer: Matthias Grundmann." Münster : Universitäts- und Landesbibliothek Münster, 2014. http://d-nb.info/1138280879/34.

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37

周貝茜 and Pui-sai Angela Chow. "Rewriting of the feminine: Angela Carter and l'Écriture féminie." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31215178.

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38

Yoshioka, Chiharu. "Contextualizing Angela Carter : fiction, Enlightenment and the revolutionary tradition." Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393307.

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39

Notaro, Anna. "Fluctuations of fantasy : postmodernist contamination in Angela Carter's fiction." Thesis, University of Sheffield, 1996. http://etheses.whiterose.ac.uk/2969/.

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What I am offering in this thesis is a kind "contaminated" reading, that is a reading deeply involved in the stylistic and ideological dissonances of Carter's fiction, to the point that they are assimilated within different and, in some cases, contrastive interpretative paths. But the contamination works also on another level: to read Carter is to tackle some very complex questions, including the possible articulations of Marxism and deconstruction/postmodernism or, more generally, the role played by ideology with reference to the tendencies and movements deriving from poststructuralism; my argument is that Carter's writing itself is heavily "contaminated" by postmodernist aesthetics despite her implicit denial and negative attitude towards it. In the thesis I have discussed three collections of short-stones (The Bloody Chamber in Chapter 1, Black Venus and Fireworks in Chapter II) and four novels (The Infernal Desire Machines of Dr. Hoffman, The Passion of New Eve. Nights at Circus and Wise Children from Chapter HI to VI). I have also quoted extensively from the numerous interviews given by Carter in different stages of her career and from her critical works, in particular from The Sadeian Woman, a sort of aesthetic manifesto for a literary corpus in which the worlds of Eros and sexuality play a crucial role in transgressing and subverting the habitual dichotomies of gender. In the final Chapter (VII) Carter's work is located in the framework of the debate between feminist and postmodernist thought.
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40

Mazzonis, Odoardo Querciolo. "Anthropology and gender in the spirituality of Angela Merici." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392072.

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41

Lewis, Susan. "The artistic and architectural patronage of Angela Burdett Coutts." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/b40b7c7b-9498-1c5b-43ee-e53936fc7b9b/7/.

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This thesis focuses on the life and artistic patronage of the Victorian philanthropist, Angela Burdett Coutts. The daughter of both an aristocrat and a member of the nouveau riche, Burdett Coutts was the product of both the new and old world of Victorian society and this thesis explores the ways in which Burdett Coutts fashioned an identity as a member of the aristocratic elite through her patronage of art and architecure. It explores the ways in which taste, gender and class are reflected in her collecting practice and examines her role as a patron through three case studies, as art collector, philanthropist and patron of architecture.
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42

Chow, Pui-sai Angela. "Rewriting of the feminine : Angela Carter and l'Écriture féminie /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19677753.

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43

Tautrim, Angela Verfasser], and Werner [Akademischer Betreuer] [Lang. "Langzeitergebnisse nach pedalem Bypass / Angela Tautrim. Betreuer: Werner Lang." Erlangen : Universitätsbibliothek der Universität Erlangen-Nürnberg, 2012. http://d-nb.info/1026527031/34.

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Scharrer, Steffen [Verfasser], Angela Akademischer Betreuer] Bruch, and Volker [Akademischer Betreuer] [Mosbrugger. "Frühpleistozäne Vegetationsentwicklung im Südlichen Kaukasus : pollenanalytische Untersuchungen an Seesedimenten im Vorotan-Becken (Armenien) / Steffen Scharrer. Gutachter: Volker Mosbrugger ; Angela Bruch. Betreuer: Angela Bruch." Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2013. http://d-nb.info/1043978127/34.

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Sisler, Aiden [Verfasser], Angela [Akademischer Betreuer] Ittel, Itziar [Gutachter] Alonso-Arbiol, Sabine [Gutachter] Hark, and Angela [Gutachter] Ittel. "Adolescents' value orientation development in light of socio-cultural influences / Aiden Sisler ; Gutachter: Itziar Alonso-Arbiol, Sabine Hark, Angela Ittel ; Betreuer: Angela Ittel." Berlin : Technische Universität Berlin, 2016. http://d-nb.info/1156017815/34.

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Wedel, Alexander [Verfasser], Angela [Akademischer Betreuer] Ittel, Jan [Akademischer Betreuer] Pfetsch, et al. "Entwicklung diagnostischer Kompetenz mit problemorientiertem Lernen und Textfällen / Alexander Wedel ; Gutachter: Angela Ittel, Jan Pfetsch, Felicitas Thiel ; Angela Ittel, Jan Pfetsch, Felicitas Thiel." Berlin : Technische Universität Berlin, 2020. http://d-nb.info/1215756054/34.

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47

Miyasaka, Natsumi Ikoma. "Re-situating the body history, myth, and the contemporary women's writings in English and Japanese /." Thesis, Online version, 2002. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.246827.

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Heese, Anke Verfasser], Angela [Akademischer Betreuer] Ittel, and Susann [Akademischer Betreuer] [Fegter. "Die Selbstwahrnehmung von Lehrerinnen und Lehrern im Verlauf einer unterrichtspraktischen Fortbildung zu sozialen Kompetenzen / Anke Heese. Gutachter: Angela Ittel ; Susann Fegter. Betreuer: Angela Ittel." Berlin : Technische Universität Berlin, 2014. http://d-nb.info/1067386785/34.

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Heese, Anke [Verfasser], Angela Akademischer Betreuer] Ittel, and Susann [Akademischer Betreuer] [Fegter. "Die Selbstwahrnehmung von Lehrerinnen und Lehrern im Verlauf einer unterrichtspraktischen Fortbildung zu sozialen Kompetenzen / Anke Heese. Gutachter: Angela Ittel ; Susann Fegter. Betreuer: Angela Ittel." Berlin : Technische Universität Berlin, 2014. http://d-nb.info/1067386785/34.

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Castillo, Ulloa Ignacio [Verfasser], Angela [Akademischer Betreuer] Million, Simon [Akademischer Betreuer] Güntner, Angela [Gutachter] Million, and Simon [Gutachter] Güntner. "Space and radical planning: Linking protest action and local community self-development / Ignacio Castillo Ulloa ; Gutachter: Angela Million, Simon Güntner ; Angela Million, Simon Güntner." Berlin : Technische Universität Berlin, 2020. http://d-nb.info/1206245751/34.

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