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Books on the topic 'Anglo-American Modernism'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Consult the top 27 books for your research on the topic 'Anglo-American Modernism.'

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1

Cianci, Giovanni. Transits: The nomadic geographies of Anglo-American modernism. New York: Peter Lang, 2010.

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2

Maria Irene Ramalho Sousa Santos. Atlantic poets: Fernando Pessoa's turn in Anglo-American modernism. Hanover: Dartmouth College, 2003.

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3

Maria Irene Ramalho Sousa Santos. Atlantic poets: Fernando Pessoa's turn in Anglo-American modernism. Hanover, NH: Dartmouth College/Univ. Pr. of New England, 2003.

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4

Multimedia modernism: Literature and the Anglo-American avant-garde. New York: Cambridge University Press, 2009.

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5

The poetry of post modernity: Anglo/American encodings. New York: St. Martin's Press, 1994.

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6

The merchant of modernism: The economic Jew in Anglo-American literature, 1864-1939. New York: Routledge, 2003.

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7

Adorno and "A writing of the ruins": Essays on modern aesthetics and Anglo-American literature and culture. Albany: State University of New York Press, 1997.

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8

Les grands mouvements littéraires anglo-américains. Paris: M. Houdiard, 2009.

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9

Maria Irene Ramalho Sousa Santos. Poetas do Atlântico: Fernando Pessoa e o modernismo anglo-americano. Porto: Edições Afrontamento, 2007.

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10

Maria Irene Ramalho Sousa Santos. Poetas do Atlântico: Fernando Pessoa e o modernismo anglo-americano. Porto: Edições Afrontamento, 2007.

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11

Brooker, Peter. New York fictions: Modernity, postmodernism, the new modern. London: Longman, 1996.

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12

Tadié, Benoît. L' expérience moderniste anglo-américaine, 1908-1922: Formes, idéologie, combats / Benoît Tadié. [Paris]: Didier érudition, 1999.

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13

Giovanni, Cianci, Patey Caroline, and Sullam Sara 1979-, eds. Transits: The nomadic geographies of Anglo-American modernism. New York: Peter Lang, 2010.

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14

Brown, Dennis. The Poetry of Postmodernity: Anglo/American Encodings. Palgrave Macmillan, 1994.

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15

Bevir, Mark. Modernism and the Social Sciences: Anglo-American Exchanges, C. 1918-1980. Cambridge University Press, 2017.

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16

Bevir, Mark. Modernism and the Social Sciences: Anglo-American Exchanges, C. 1918-1980. Cambridge University Press, 2020.

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17

Levine, Gary. Merchant of Modernism: The Economic Jew in Anglo-American Literature, 1864-1939. Taylor & Francis Group, 2014.

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18

Maria Irene Ramalho Sousa Santos. Atlantic Poets: Fernando Pessoa's Turn in Anglo-American Modernism (Re-Encounters With Colonialism). Dartmouth College Press, 2002.

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19

Atlantic Poets: Fernando Pessoa's Turn in Anglo-American Modernism (Re-Encounters With Colonialism). Dartmouth College Press, 2002.

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20

Levine, Gary. The Merchant of Modernism: The Economic Jew in Anglo-American Literature, 1864-1939 (Literary Criticism and Cultural Theory). Routledge, 2002.

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21

Probstein, Ian. River of Time: Time-Space, History, and Language in Avant-Garde, Modernist, and Contemporary Russian and Anglo-American Poetry. Academic Studies Press, 2017.

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22

Probstein, Ian. River of Time: Time-Space, History, and Language in Avant-Garde, Modernist, and Contemporary Russian and Anglo-American Poetry. Academic Studies Press, 2017.

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23

Bulson, Eric. Little Magazine, World Form. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231179768.001.0001.

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Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America. In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife.
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24

1939-, Glassgold Peter, ed. Hwæt!: A little Old English anthology of American modernist poetry. Washington, D.C: Sun & Moon Press, 1985.

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25

Colesworthy, Rebecca. Marcel Mauss and the Turn to the Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778585.003.0002.

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Chapter 1 takes a cue from recent anthropologists who have stressed the influence of Mauss’s socialism on his sociological work. Returning to Mauss’s The Gift, the chapter argues that what links his essay to the experimental writing of his literary contemporaries is not their shared fascination with the primitive, as other critics have suggested, but rather their shared investment in reimagining social possibilities within market society. Mauss was, as his biographer notes, an “Anglophile.” Shedding light on his admiration of British socialism and especially the work of Beatrice and Sidney Webb—friends of Virginia and Leonard Woolf—as well as competing usages of the language of “gifts” in the social sciences and the arts, the chapter ultimately provides a new material and conceptual framework for understanding the intersection of largely French gift theory and Anglo-American modernist writing.
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26

Novitz, David. Aesthetics of Popular Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0044.

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Questions about the aesthetic value and appreciation of popular art have only recently become an area of interest to Anglo-American aesthetics. This is curious, for the distinction between high and popular art — like that between high and popular culture, and between avant-garde art and mass art — is a familiar and longstanding one frequently drawn by critics, philosophers, and cultural theorists throughout the course of the twentieth century. It was extensively discussed by Marxist thinkers like Walter Benjamin, and was the stock-in-trade of the Critical Theorists Theodor Adorno and Max Horkheimer. Not just those two, but high-modernist philosophers and critics like R. G. Collingwood, Clement Greenberg, and Dwight MacDonald also made much of the distinction between ‘high’ and ‘low’ (or popular) art. Even so, it was a distinction that did not earn the serious attention of philosophical aesthetics until the penultimate decade of the twentieth century.
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27

Hindmarsh, D. Bruce. The Spirit of Early Evangelicalism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190616694.001.0001.

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The Spirit of Early Evangelicalism sheds new light on the nature of evangelical religion by locating its rise with reference to those consequential changes in Anglo-American society we now routinely acknowledge with the terms Modernity, the Scientific Revolution, and the Enlightenment. Bringing together a wide range of sources, the book makes meaningful connections between the Protestant evangelical awakening and the history of science, law, art, and literature in the eighteenth century. There was a profound turn toward nature and the authority of natural knowledge in each of these discourses and a more democratic public sphere available for debating contemporary concerns. In this modern context, evangelicals forcefully pressed their agenda for “true religion,” believing it was still possible to experience “the life of God in the soul of man.” The results were dramatic and disruptive. This book provides a fresh perspective, and presents new research, on the religious thought of leading figures such as John Wesley and Charles Wesley, George Whitefield, and Jonathan Edwards, but it also traces the significance of evangelical spirituality for elites and non-elites across multiple genres including not only theology, but also natural and moral philosophy, poetry, painting, literature, and music. Viewing devotion, culture, and ideas together, it is possible to see the advent of evangelicalism as a significant new episode in the history of Christian spirituality.
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