Academic literature on the topic 'Anglophone and Francophone African Writers'

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Journal articles on the topic "Anglophone and Francophone African Writers"

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Mabana, Kahiudi Claver. "Léopold S. Senghor, Birago Diop et Chinua Achebe: Maîtres de la parole." Matatu 33, no. 1 (2006): 223–40. http://dx.doi.org/10.1163/18757421-033001031.

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Léopold Sédar Senghor (1906–2001), Birago Diop (1906–1989) and Chinua Achebe (1931–) were among the first African intellectuals to make their fellow Africans aware of the riches of their oral literature and proud of their cultural treasures. The two francophone writers from Senegal were major figures of the Négritude movement, while the anglophone Nigerian became famous with , the best-known African novel of the last century. The aim of this essay is to show the importance of the impact of African orature in the creative writing of African authors despite the ostensible differences in their co
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Dr., Ilham EL MAJDOUBI. "Spatial Dynamics in African Literature: Analyzing Rural and Urban Representations in Colonial and Postcolonial Contexts." International Journal of Social Science and Human Research 07, no. 08 (2024): 6670–73. https://doi.org/10.5281/zenodo.13709869.

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This paper explores the interplay between colonial and postcolonial spatial dynamics in African literature, focusing on both urban and rural landscapes. It investigates how Anglophone and Francophone African writers portray the intersection of historical and fictional settings, highlighting the influence of colonialism on African topography. By analyzing literary depictions of traditional versus dominant cultures, the study assesses the enduring colonial impact on African landscapes and its reflection in modern and contemporary sub-Saharan fiction.
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Wosu, Kalu. "The Dynamics of Underdevelopment in the African Novel: A Comparative Appraisal of Anglophone and Francophone Fiction." African Research Review 14, no. 1 (2020): 95–105. http://dx.doi.org/10.4314/afrrev.v14i1.9.

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The post-independence era in sub-Saharan Africa is characterized by progressive underdevelopment. From the 1960s till date no meaningful development has occurred, and all known development strategies that have so far been adopted have defied all logic. Accordingly, some social scientists and scholars of development theories have come to the sad conclusion that with respect to Africa, all development theories have hit the rocks (Chambua, 1994, p, 37). The implication is that in all spheres of human endeavour, Africa south of the Sahara has failed. The leadership problem is one of the plagues th
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Mudimbe-Boyi, Elisabeth. "Breaking Silence and Borders: Women Writers From Francophone and Anglophone Africa and the Caribbean." Callaloo 16, no. 1 (1993): 75. http://dx.doi.org/10.2307/2931817.

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Mark, Peter, and José da Silva Horta. "Two Early Seventeenth-Century Sephardic Communities on Senegal's Petite Cote." History in Africa 31 (2004): 231–56. http://dx.doi.org/10.1017/s0361541300003478.

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Portuguese archives contain a wealth of documents that are insufficiently utilized by, and often unknown to, historians of sixteenth- and seventeenth-century west Africa. Lusophone sources are crucial for the period of earliest contact between Europeans and West Africans. While the publications of Avelino Teixeira da Mota are widely known, the work of contemporary Portuguese scholars such as Maria Emilia Madeira Santos, Maria Manuel Torrão, and Maria João Soares does not have the same visibility except among lusophone scholars. Relatively few Africanists have recognized the potential significa
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Babana-Hampton, Safoi. "The Postcolonial Arabic Novel." American Journal of Islam and Society 21, no. 1 (2004): 107–10. http://dx.doi.org/10.35632/ajis.v21i1.1818.

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Muhsin Jassim Al-Musawi’s book offers a fresh contribution not only tostudies in Arabic literature but also to postcolonial critique, cultural criticism,comparative literature, and cross-cultural studies. Its interest lies inthe fact that it introduces a relatively less explored territory in postcolonialthought and cultural criticism: namely, Arabic literature. Theattention of many western and non-western scholars in the field has long been directed toward Anglophone literature from South Asia, Japan,Africa, and Canada, and then to Francophone literature from North Africaand the Antilles.In th
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Fadda-Conrey, Carol. "Arab Diasporic Writing." American Journal of Islam and Society 21, no. 2 (2004): 147–49. http://dx.doi.org/10.35632/ajis.v21i2.1810.

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The panel entitled “Arab Diasporic Writing: Figurations of Space andIdentity” was held on Friday, February 27, at the 2004 Twentieth CenturyLiterature conference at the University of Louisville, Kentucky. Organized by Carol Fadda-Conrey, the panel featured presentations by Professor SyrineHout and Lisa A. Weiss on two Arab diasporic writers, Rabih Alameddineand Leïla Sebbar, respectively.Syrine Hout, an associate professor of English at the AmericanUniversity of Beirut, presented a paper entitled “Lebanon ‘Revisited’:Memory, Self, and Other in Rabih Alameddine’s The Perv.” Singling outAlameddi
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Wakota, John. "Tanzanian Anglophone Fiction: A Survey." Utafiti 12, no. 1-2 (2017): 51–70. http://dx.doi.org/10.1163/26836408-0120102004.

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Tanzanian Anglophone fiction is extant and bustling. The invisibility of Tanzanian fiction in English is not due to the country’s inability to produce good- quality Anglophone novels but is related to the challenge in accessing the texts both within and outside Tanzania. Studies about East African fiction tend to ignore the contribution of Tanzanian Anglophone writers in the region. In Tanzania people know more about other canonical African novelists than their very own Anglophone writers. This article explores the emergence and development of Tanzanian Anglophone fiction, paying particular at
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NAIMO, Felicia Anikpe, Cyprian Oshiokpekai AIGBODIOH, and Ahmed Ede UWUBANMWEN. "Foreign Direct Investment in West Africa: A Case of Anglophone versus Francophone Countries." MANAGEMENT AND ECONOMICS REVIEW 9, no. 2 (2024): 225–41. http://dx.doi.org/10.24818/mer/2024.02-02.

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This research was aimed at investigating the effect of foreign direct investment (FDI) on economic growth in thirteen (13) West African Anglophone and Francophone countries in the short and long term by using annual data from 1990 to 2021. From the auto-regressive distributed lag (ARDL) results, it was deduced that FDI has a long-run positive significant relationship with economic growth in the Anglophone region, but was not found statistically significant in the Francophone region. In addition, both regions exhibited an inverse relationship between FDI and GDP growth in the short run. From th
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VIGOUROUX, CÉCILE B. "“The smuggling of La Francophonie”: Francophone Africans in Anglophone Cape Town (South Africa)." Language in Society 37, no. 3 (2008): 415–34. http://dx.doi.org/10.1017/s0047404508080561.

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ABSTRACTFocusing on Black Francophone migrants in Cape Town, it is argued that a locally based Francophone identity has emerged in South Africa that questions the institutional discourse of La Francophonie as the organization of French-speaking states. The new identity has little to do with the organization's ideology of a transnational community of people united by a common language and culture. This is shown by deconstructing the category of passeurs de Francophonie (literally ‘smugglers of la Francophonie’ as practice) to which the organization assigns migrants in non-Francophone countries
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Dissertations / Theses on the topic "Anglophone and Francophone African Writers"

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Addison, John Fox. "Examinations and the upper secondary curricula in selected anglophone and francophone West African countries." Thesis, Institute of Education (University of London), 1990. http://eprints.ioe.ac.uk/7286/.

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This research project began as a study of the content and comparability of curricula and examinations in selected Anglophone and Francophone West African countries. From this initial plan the main research question emerged. This was to assess the potential value of examinations for initiating and implementing curriculum reform. An analysis of the functions and uses of examinations, followed by an historical sketch of the establishment in Africa of Western style education systems provides a base for the study. The comparative analysis of the curricula and examinations of the two systems is carr
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Bisschoff, Lizelle. "Women in African cinema : an aesthetic and thematic analysis of filmmaking by women in Francophone West Africa and Lusophone and Anglophone Southern Africa." Thesis, University of Stirling, 2009. http://hdl.handle.net/1893/2337.

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This study focuses on the role of women in African cinema – in terms of female directors working in the African film industries as well as the representation of women in African film. My research specifically focuses on francophone West African and lusophone and anglophone Southern African cinemas (in particular post-apartheid South African cinema). This research is necessary and significant because African women are underrepresented in theoretical work as well as in the practice of African cinema. The small corpus of existing theoretical and critical studies on the work of female African film
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Strongson, Julie. "(Re)constructing a homeland reflective nostalgia in the works of contemporary Francophone North African Jewish women writers /." College Park, Md. : University of Maryland, 2007. http://hdl.handle.net/1903/6775.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2007.<br>Thesis research directed by: Comparative Literature. Title from t.p. of PDF. Includes bibliographical references. Also available in paper. Published by UMI Dissertation Services, Ann Arbor, Mich.
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Cuadrado-Femandez, Antonio. "Making 'Sense' : Reading Textual Space in the Contemporary; Anglophone Poetry of 3 South African, Palestinian and Indigenous Australian Writers." Thesis, University of East Anglia, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520421.

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Songossaye, Mathurin. "Les figures spatio-temporelles dans le roman africain subsaharien anglophone et francophone." 2006. http://catalog.hathitrust.org/api/volumes/oclc/80145548.html.

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Thesis (doctoral)--Université de Limoges, 2005.<br>Includes abstract in French and English. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 488-507) and index.
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Stern, Kristen. "Writing on stage: performative authorship and contemporary francophone African writers." Thesis, 2015. https://hdl.handle.net/2144/15723.

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The concept of the author has changed over time, along with the forms of media that have been used to circulate texts. In my dissertation, I examine assumptions about writers with roots on the African continent by looking at representations of their status and function as authors as they appear in fiction and in the public sphere. I explore the changes in both the academy's and the public's perceptions of literature in French, and examine how these perceptions are related to current understandings of migration, transnationalism, and "legitimate" cultural production. The generation of writers w
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Schleppe, Beatriz Eugenia. "Empowering new identities in postcolonial literature by Francophone women writers." Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116178.

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Mbori, Bob John Obwang'i. "The interface between language attitudes and language use in a post-conflict context: the case of Rwanda." Thesis, 2008. http://hdl.handle.net/10500/1733.

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The study investigates the interface between the variables - language attitude and language use in a development context, and attempts to determine the contribution of language to Rwanda's post-conflict development, reconstruction and reconciliation. It examines the language attitudes and language use patterns of 53 students from Rwanda's public universities focusing on how students, who are all Rwandan citizens, view the role of Kinyarwanda, French, English and Kiswahili languages in twelve core areas of post-conflict development. Although post-conflict development is socio-economic, p
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Books on the topic "Anglophone and Francophone African Writers"

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Almeida, Irène Assiba d'. Francophone African women writers: Destroying the emptiness of silence. University Press of Florida, 1994.

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Chimoun, Mosé. L' érotisme dans les romans féministes en Autriche et en Afrique noire francophone et anglophone. Heinz, 2001.

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Véronique, Wakerley, and Gwanzura Tava, eds. French perspectives on Anglophone African writers and writings: Notre Librairie and the Dept. of Modern Languages, University of Zimbabwe. Weaver Press, 2006.

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Lindfors, Bernth. Africa Talks Back: Interviews With Anglophone African Writers. Africa World Pr, 2002.

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Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2018.

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Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2018.

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Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2018.

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Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2022.

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Women Writers in Francophone Africa (French Studies Series). Berg Publishers, 2000.

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Women in world religions & literatures: Islam, Christianity, African traditional religion, African culture, Anglophone African literature, Francophone African literature. ImPrint, 2008.

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Book chapters on the topic "Anglophone and Francophone African Writers"

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Stein, Gardy. "English in the multilingual ecology of anglophone and francophone Cameroon." In Hamburg Studies on Linguistic Diversity. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/hsld.9.04ste.

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Abstract Even in comparison to the extensive multilingualism on the African continent, the linguistic ecology of Cameroon is special. In addition to a vast diversity of indigenous languages, it has two official languages, English and French, the lingua franca Cameroon Pidgin English (CPE), and the emerging urban code Camfranglais, all of which compete for domains and usage. To better understand the dynamics at work in Cameroon, this chapter presents a summary of existing literature on the unique linguistic situation of this Central African state, combining the findings of recent studies to for
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Ngum, Faith, and Johan Bastiaensen. "Intersectional Perspective of Strengthening Climate Change Adaptation of Agrarian Women in Cameroon." In African Handbook of Climate Change Adaptation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-45106-6_213.

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AbstractIt is a widely accepted notion that climate change affects men and women within agrarian populations differently; consequently, their adaptation strategies are gendered. Besides climate change, women’s vulnerability and their corresponding adaptation strategies are embedded within a complex web of social identities/status, agroecological location, gender norm/roles and power struggles within the plurality of normative orders governing land (property rights). This chapter focuses on Cameroon and seeks to analyze how the interactions between various normative orders governing access to l
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Breitinger, Eckhard. "Divergent Trends in Contemporary African Theatre." In New Theatre in Francophone and Anglophone Africa. BRILL, 1999. https://doi.org/10.1163/9789004656178_003.

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Boehmer, Elleke. "Postcolonialism." In Colonial and Postcolonial Literature. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199253715.003.0007.

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Abstract Postcolonial literatures (anglophone, francophone, lusophone, etc.) proliferate and change constantly, even as postcolonial critical studies in the academy continue to grow apace. This chapter aims to outline 1990s developments in the area, in particular with respect to the prominence of two constituencies of postcolonial writers relatively overlooked at the time of independence and into the 1970s—women and Indigenous peoples.
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Newell, Stephanie. "‘Queering’ West African Literatures: Calixthe Beyala, Werewere Liking, and Ve´ronique Tadjo." In West African Literatures. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199298877.003.0013.

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Abstract This chapter focuses on the work of Calixthe Beyala (1961– ) from Cameroon, Werewere Liking (1950– ), who was born in Cameroon and lives in the Ivory Coast, and Ve´ronique Tadjo (1955– ) from the Ivory Coast. Of all ‘third generation’ writers, these three francophone women seem to be the most forceful in their rejection of systems of classification and ‘-isms’, including feminism and Marxism, on the grounds that such discourses conceal more than they reveal.
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Jack, Belinda. "Sub-Saharan Africa." In Francophone Literatures: An Introductory Survey. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198715078.003.0015.

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Abstract It is now widely known that the assumption that African literature (as opposed to African literature in the European languages) began as a consequence of European influence is erroneous. Numerous typologies for a wide range of oral genres have been defined: panegyric and historical poems constituting the two major historical genres; proverbs and riddles making up two of the most important philosophical ones. Oral traditions undoubtedly represent the most significant source for much African literature in the European languages (most importantly francophone, anglophone, and lusophone).
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Hogarth, Christopher. "Francophone and Post-Migratory Afropeans within and beyond France Today." In Post-Migratory Cultures in Postcolonial France. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941138.003.0004.

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Alain Mabanckou, Léonora Miano, and Abdourahhman Waberi are often spoken of as forming part of an 'Afropean' generation of writers, perched between the African and European continents. However, of the six fictional works included in a 2014 volume (eds. Thomas and Hitchcott) on Francophone Afropean writers, three are penned by writers who no longer live in Africa or Europe. My chapter will investigate how such writers exist in an increasingly more cosmopolitan world which stretches beyond Europe and into North America. Then, to further mine the “Afropean” designation, I will explore the works a
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Paustian, Megan Cole. "The Emancipated African." In Humanitarian Fictions. Fordham University Press, 2024. http://dx.doi.org/10.5422/fordham/9781531505479.003.0003.

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Humanitarianism is often condemned as the new colonialism. This critique provides a much-needed counter-discourse, resisting the dominant narrative of white saviors liberating black subjects, but it is only part of the story. Chinua Achebe and Ngũgĩ wa Thiong’o upend the enthusiasm of missionary sentiment, while also suggesting that missions, as put to work by African subjects, enabled new practices of freedom and new political collectivities, making Christianity an ambiguous ally of anticolonialism itself. Chapter 2, “The Emancipated African,” draws on their early novels and recently publishe
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Foster, Christopher Ian. "“We Carry Our Home With Us”." In Conscripts of Migration. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824219.003.0004.

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This chapter expands the study of new African diasporic writing beyond Francophone and Anglophone worlds, to important works of African migrant literature in Italy written in Italian. It engages important historical moments including Italian colonialism, the Cold War, neoliberal economic globalization, and the ways in which these destructive histories create destabilization and thus African emigration. The chapter analyzes Somalia as a case study and engages with digital art and documentary film in contemporary Italy as important markers of Afro-Italian migrant cultural production. Through a c
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Deandrea, Pietro. "Chapter 3 - Non-Human, Non-Living, and Gender: Developments of African Magic Realism in Khadija Abdalla Bajaber and Sharon Dodua Otoo." In Reframing Souths. Milano University Press, 2025. https://doi.org/10.54103/milanoup.213.c406.

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The chapter deals with two recent novels from the field of African magic realism: Khadija Abdalla Bajaber’s The House of Rust (2021) and Sharon Dodua Otoo’s Adas Raum (2021), both dealing with gender issues through their young protagonists. It develops an analysis of the literary strategies that these two books employ in relation to time, space, animal beings and sentient objects. It is here argued that both writers make use of ecocritical and Afro-futurist ele- ments, even though they fall into such genres only marginally. Some reflections are devoted to their similarities and differences fro
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Conference papers on the topic "Anglophone and Francophone African Writers"

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Kabwe, B. Mwenya. "Priority Mail Process Lab: An Experiment in Migrant Dramaturgy." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35906.

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This abstract reflects on the dramaturgy of the Priority Mail Process Lab, a month-long virtual residency program called into existence during the Covid-19 pandemic. The lab aimed to facilitate an exchange of objects, ideas, and insights between Francophone and Anglophone African artists. The paper explores the artistic research practice behind the lab, focusing on the themes of migration, mobility, and the role of African women. It discusses the curatorial intentions of prioritizing process over production, the importance of care, and the political implications of rest and emancipation. The p
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