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Books on the topic 'Anglophone and Francophone African Writers'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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1

Almeida, Irène Assiba d'. Francophone African women writers: Destroying the emptiness of silence. University Press of Florida, 1994.

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2

Chimoun, Mosé. L' érotisme dans les romans féministes en Autriche et en Afrique noire francophone et anglophone. Heinz, 2001.

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3

Véronique, Wakerley, and Gwanzura Tava, eds. French perspectives on Anglophone African writers and writings: Notre Librairie and the Dept. of Modern Languages, University of Zimbabwe. Weaver Press, 2006.

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4

Lindfors, Bernth. Africa Talks Back: Interviews With Anglophone African Writers. Africa World Pr, 2002.

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5

Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2018.

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6

Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2018.

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7

Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2018.

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8

Krishnan, Madhu. Writing Spatiality in West Africa: Colonial Legacies in the Anglophone/Francophone Novel. Boydell & Brewer, Limited, 2022.

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9

Women Writers in Francophone Africa (French Studies Series). Berg Publishers, 2000.

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10

Women in world religions & literatures: Islam, Christianity, African traditional religion, African culture, Anglophone African literature, Francophone African literature. ImPrint, 2008.

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11

Contemporary Francophone African Writers And The Burden Of Commitment. University of Virginia Press, 2011.

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12

Cazenave, Odile M., and Patricia Célérier. Contemporary Francophone African Writers and the Burden of Commitment. University of Virginia Press, 2011.

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13

Cazenave, Odile, and Patricia Célérier. Contemporary Francophone African Writers and the Burden of Commitment. University of Virginia Press, 2011.

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14

Contemporary Francophone African Writers and the Burden of Commitment. University of Virginia Press, 2011.

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15

Francophone women writers of Africa and the Caribbean. University Press of Florida, 2000.

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16

Portrayals and Gender Palaver in Francophone African Writings. Graduke Publishers, 2015.

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17

New theatre in francophone and anglophone Africa: A selection of papers held at a conference in Mandelieu, 23-26 June, 1995. Editions Rodopi, 1999.

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18

African independence from francophone and anglophone voices: A comparative study of the post-independence novels by Ngugi and Sembène. P. Lang, 1994.

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19

Ssali, Salome Wekisa. After the colonial experience: The impossibility of "authenic" expression by West African francophone writers of literature. 1992.

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20

Jean-Charles, Régine. Gendering VIOLence: Francophone women writers, representations of violence, and the violence of representation. 2006.

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21

NEW THEATRE IN FRANCOPHONE AND ANGLOPHONE AFRICA.A Selection of Papers presented at a Conference in Mandelieu, 23-26 June, 1995.(Matatu 20). Rodopi Bv Editions, 1999.

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22

New Theatre In Francophone And Anglophone Africa.A Selection of Papers presented at a Conference in Mandelieu, 23-26 June, 1995. (Matatu 20). Rodopi Bv Editions, 1999.

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23

Two major Francophone women writers, Assia Djébar and Leila Sebbar: A thematic study of their works. P. Lang, 1999.

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24

Steemers, Vivan. Francophone African Narratives and the Anglo-American Book Market. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666990102.

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In recent years, the material circumstances governing the production of African literature have been analyzed from a variety of angles. This study goes one step further by charting the trajectories of a corpus of francophone African (sub-Saharan) narratives subsequently translated into English. It examines the role of various institutional agents and agencies—publishers, preface writers, critics, translators, and literary award committees—involved in the value-making process that accrues visibility to these texts that eventually reach the Anglo-American book market. The author evinces that ove
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25

Cazenave, Odile. Afrique sur Seine: A New Generation of African Writers in Paris (After the Empire: The Francophone World and Postcolonial France). Lexington Books, 2005.

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26

Afrique sur Seine: A New Generation of African Writers in Paris (After the Empire: The Francophone World and Postcolonial France). Lexington Books, 2006.

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27

Charles M, Fombad. Part I Overview, 1 The Evolution of Modern African Constitutions: A Retrospective Perspective. Oxford University Press, 2016. http://dx.doi.org/10.1093/law/9780198759799.003.0002.

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This chapter presents a historical overview of constitutional developments in Africa. One of the most remarkable developments has been the move away from wholly imported or imposed constitutions, towards constitutions made within Africa. Two constitutional traditions have substantially influenced current constitutional developments on the continent. One is the common law constitutional tradition, based on the Westminster constitutional system with many elements of the US constitutional system crafted onto it, which has been widely adopted in Anglophone Africa. The other is the civil law consti
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28

Burns, Jennifer. Italy. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.41.

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This chapter focuses on the development of the Italian novel identified with the Arab Diaspora. Literature in Italian by Arab writers is associated with the large-scale immigration from outside the European Union that the country began to experience in the late 1970s. As distinct from the traditions of Anglophone and Francophone literature, the notion of Italophone literature has acquired little currency, despite the focus of the definition of “migration literature in Italian” on the common language of writing. This chapter explores the reasons for this, and looks at the works of some Maghrebi
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29

Charitas, Pascal. Sport in Africa. Edited by Robert Edelman and Wayne Wilson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199858910.013.4.

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The long arc of sport in Africa is examined in this chapter through the prism of the Anglophone and Francophone colonizations, which established the two big Western empires on the continent. In addition, the chapter traces postcolonial developments throughout the twentieth century. A particular focus is the internationalization and then globalization of African sport as part of the imperial project and the role that pioneering African sportsmen and local elites played in the process. The chapter also summarizes the growing English- and French-language scholarship on African sport and emerging
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30

Moyer, Ian, Adam Lecznar, and Heidi Morse, eds. Classicisms in the Black Atlantic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198814122.001.0001.

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This volume presents a series of studies on literary, artistic, and political uses of classical antiquity in modern constructions of race, nation, and identity in the Black Atlantic. In the fraught dialogue between race and classics there emerged new classicisms, products of the diasporic chronotope defined by Paul Gilroy as originating in the violence of the Middle Passage. Contributions to the volume explore the work and thought of writers and artists circulating in the Black Atlantic, and their use of heterogeneous classicisms in representing their identities and experiences, and in critiqu
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31

Luescher, Thierry M., Manja Klemenčič, and James Otieno Jowi. Student Politics in Africa: Representation and Activism. African Minds, 2016. http://dx.doi.org/10.47622/978-1-928331-22-3.

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The second volume of the African Higher Education Dynamics Series brings together the research of an international network of higher education scholars with interest in higher education and student politics in Africa. Most authors are early career academics who teach and conduct research in universities across the continent, and who came together for a research project and related workshops and a symposium on student representation in African higher education governance. The book includes theoretical chapters on student organising, student activism and representation; chapters on historical an
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32

Beek, Jan, Mirco Göpfert, Olly Owen, and Johnny Steinberg, eds. Police in Africa. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190676636.001.0001.

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State police forces in Africa are a curiously neglected subject of study, even within the framework of security issues and African states. This book brings together criminologists, anthropologists, sociologists, historians, political scientists and others who have engaged with police forces across the continent and the publics with whom they interact to provide street-level perspectives from below and inside Africa’s police forces. The contributors consider historical trajectories and particular configurations of police power within wider political systems, then examine the ‘inside view’ of po
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33

Daddieh, Cyril, and Kidane Mengisteab. State Building and Democratization in Africa. Pracger Publishers, 1999. http://dx.doi.org/10.5040/9798216987598.

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State building and democratization in Africa rarely attract the attention they deserve. Few have grappled with the relationship between state building (nation-building) and democratic experiments in Africa. This collection consciously corrects this shortcoming in African political studies. Among the issues raised: Does democracy facilitate state building or does it exacerbate ethnic conflicts? Are certain modalities of democratization more likely to facilitate state-building than others? Has the era of democracy created the need for new state building strategies? Does the objective of state bu
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34

Napolin, Julie Beth. The Fact of Resonance. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288175.001.0001.

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The Fact of Resonance returns to the imperial and colonial contexts in which Anglophone and francophone narrative theory developed, seeking an alternative sonic premise for theorizing narrative form. The exclusion of postcolonial sound and acoustics is foundational not only to modernist studies, but to narrative theory, novel theory, and the strains of film theory they orient. The study is primarily focused on Joseph Conrad and concerns the bearing of his multilingual formation and attunement to the gender and race of sound in colonial encounter. To return to Conrad is to return to the repress
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35

McCluskey, John. Richard Wright and the Season of Manifestoes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0006.

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This chapter studies the significance of the timing of Richard Wright's “Blueprint for Writing” and its applications to his nonfiction work, specifically his early journalism and work as a journal editor. The chapter places Wright's piece among the earliest in an international flurry of black diaspora manifestoes articulating generational and language disruptions. This is especially the case for Haitian and other francophone writers whom Wright would join in Paris by 1947. In their attempt to resist American oppression and French colonialism, nearly all called upon a return to embrace folklore
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36

van der Vlies, Andrew. Present Imperfect. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793762.001.0001.

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Present Imperfect asks how South African writers have responded to the end of apartheid, to the hopes that attended the birth of the ‘new’ nation in 1994, and to the inevitable disappointments that have followed. The first full-length study of affect in South Africa’s literature, it understands ‘disappointment’ both as a description of bad feeling and as naming a missed appointment with all that was promised by the anti-colonial and anti-apartheid Struggle (a dis-appointment). Attending to contemporary writers’ treatment of temporality, genre, and form, it considers a range of negative feeling
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37

Moore, Celeste Day. Soundscapes of Liberation. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021995.

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In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio programs that broadcast jazz and gospel across the French empire. In each of these contexts, individual inter
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38

Couti, Jacqueline. Sex, Sea, and Self. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859944.001.0001.

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Sex, Sea, and Self excavates forgotten voices and their layered discourses to underscore the complexity of identity politics in the French Caribbean between 1924 and 1948. This study looks at a time of chaotic transition and renewed conflict to transform our understanding of Francophone literary canons. An emphasis on women’s experiences and feminine authorship, for instance, insists on the significance of theoretical contributions by French Antillean women intellectuals to the domain of Caribbean critical theory. However, this study also offers original approaches to works by male authors of
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