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Journal articles on the topic 'Anglophone short story'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Cohn, Ruby. "THE "F—" STORY." Samuel Beckett Today / Aujourd'hui 7, no. 1 (1998): 41–46. http://dx.doi.org/10.1163/18757405-90000083.

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A short story entitled "F–" was published in the January 15, 1949 issue of the Anglophone, Paris-based review transition. The author is listed as Suzanne Dumesnil (later Mme. Samuel Beckett), but no translator is named. Beckett told his bibliographers Federman and Fletcher that he was "certain" of having translated it. The University of Texas Beckettiana catalogue describes it as: "A short story by Beckett's wife, written at the time Beckett was writing En attendant Godot. The translation is unsigned." (74). Several Beckett scholars suspect that Beckett wrote the story, since it resembles his

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2

Hodapp, James. "The transnational anglophone African short story: From resistance literature to prize culture." Short Fiction in Theory & Practice 5, no. 1 (2015): 81–90. http://dx.doi.org/10.1386/fict.5.1-2.81_1.

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Ayad Ali Al-Fahham, Samer. "Science Fiction in the Post-occupation Iraqi Short Story in English Translation." Arab World English Journal, no. 310 (September 20, 2024): 1–185. http://dx.doi.org/10.24093/awej/th.310.

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English translations of Arabic literary works have interacted with -and possibly influenced- the Western context of science fiction literature. This thesis investigates how the English translations of post-occupation Iraqi short stories possibly contributed to the evolution of the Western science fiction genre. The study seeks to explain the relationship between post-2003 Iraqi literary works -that are a diverse range of corpus- as well as the possible influence of their translations and their counterparts in Anglophone literary systems. The research particularly focuses on Iraq +100 and The C

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4

Biswas, Debajyoti. "Contesting Homogeneity: Stereotypes and Heteronormativity in Aruni Kashyap’s His Father’s Disease." English: Journal of the English Association 70, no. 271 (2021): 359–80. http://dx.doi.org/10.1093/english/efab007.

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Abstract This article analyses Aruni Kashyap’s short story collection His Father’s Disease. Kashyap challenges hegemonic structures through an emerging writing area tentatively classified as ‘Anglophone fiction from Northeast India’. By engaging with Foucault’s reading of Power/Knowledge this article examines the disciplining of literary regionalism (Anglophone literature from Northeast India), territory and sexuality encapsulated in Kashyap’s exposition of heteronormative societies across cultures. Through the stories Kashyap weaves a dialogic space within the narrative world that challenges

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Stähler, Axel. "Between or Beyond? Jewish British Short Stories in English since the 1970s." Humanities 9, no. 3 (2020): 110. http://dx.doi.org/10.3390/h9030110.

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Looking at short stories by writers as diverse as Brian Glanville, Ruth Fainlight, Clive Sinclair, Jonathan Wilson, James Lasdun, Gabriel Josipovici, Tamar Yellin, Michelene Wandor, and Naomi Alderman, and extending from the center of Jewish British writing to its margins, this article seeks to locate the defining feature of their ‘Jewish substratum’ in conditions particular to the Jewish post-war experience, and to trace its impact across their thematic plurality which, for the most part, transcends any specifically British concerns that may also emerge, opening up an Anglophone sphere of Jew

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Thieme, John. "A Gothic Heterotopia: Four Anglophone Responses to Venice." University of Bucharest Review Literary and Cultural Studies Series 14, no. 1 (2024): 5–18. http://dx.doi.org/10.31178/ubr.14.1.1.

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Starting from the view of the cultural geographer, Doreen Massey, that it is necessary to ‘move beyond a view of place as bounded, as in various ways a site of authenticity, as singular, fixed and unproblematic in its identity’, this article argues that places change in time, because the physical environment changes, especially in the Age of the Anthropocene, and because they are the product of imaginatively conceived collective fictions. It takes the view that outsiders invariably construct heterotopian visions of places, often drawing on past imaginaries and that Venice has habitually been c

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Fossati, Marta. "Journalism and the Black Short Story in English in Twentieth-Century South Africa: From R. R. R. Dhlomo to Miriam Tlali." Cadernos de Literatura Comparada, no. 44 (2021): 255–73. http://dx.doi.org/10.21747/2183-2242/cad44a15.

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In the present article I seek to discuss, following a diachronic approach, the close-knit relationship that can be found between journalistic discourse and the genre of the short story in Anglophone South African literature over a time span of fifty years, between the late Twenties and the Eighties. In particular, I intend to explore this genre negotiation by close reading selected short stories and/or newspaper articles by four non-white South African writers: R. R. R. Dhlomo, Can Themba, Alex La Guma, and Miriam Tlali. The intersections between the two different genres and discourses in thes

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PIERINI, Francesca. "Discursive Intertextuality, Parody, and Mise en Abyme in A.S. Byatt's Short Stories." Cultural Intertexts 12, no. 1 (2022): 119–33. https://doi.org/10.5281/zenodo.7431819.

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This essay analyses three short stories from A.S. Byatt's collection <em>Elementals: Stories of Fire and Ice</em> (1998) in light of several self-reflexive strategies. The short narratives <em>Crocodile Tears</em> and <em>Baglady</em> will be discussed from the perspective of “discursive intertextuality,” a literary practice that foregrounds a discursive element established and detectable across genres. <em>Christ in the House of Martha and Mary</em> will be examined from the standpoint of intertextuality and mise en abyme. Once again, the study of this narrative will hinge on

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Afflerbach, Ian. "On the Literary History of Selling Out: Craft, Identity, and Commercial Recognition." PMLA/Publications of the Modern Language Association of America 137, no. 2 (2022): 230–45. http://dx.doi.org/10.1632/s0030812922000098.

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AbstractThis essay identifies “selling out” as an enduring yet evolving concern in anglophone literary history, from the late nineteenth century's divided literary field to the “program era” to the increasingly global circuits of contemporary literary commerce. It begins with Henry James, showing how his canonical statements on modern narrative form emerged from commercial negotiations—an economic prehistory of “craft.” Selling out becomes a salient concern as intellectuals come to see commercial success as antithetical to modern art. This cultural anxiety changes, however, once creative writi

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10

Chandler, Robert. "50 Years with Platonov." Studia Litterarum 10 (2025): 54–65. https://doi.org/10.22455/2500-4247-2025-10-1-54-65.

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The article’s main theme is the author’s personal story of how he first came to know the work of Andrei Platonov, and how he then went on, in the course of 50 years, to translate into English a large part of Platonov’s legacy, beginning with his retellings of traditional folktales (skazki) and ending with the novel Chevengur. The author talks about his own first impression of the writer’s unusual style, the people he met through translating Platonov and the perceptions of Platonov’s Anglophone readers. Above all, the author focusses on the centrality, throughout Platonov’s oeuvre, of the aspir

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11

Figuera, Renée. "Convention, Context, and Critical Discourse Analysis “Jim the Boatman” (1846) and the Early Fiction of Trinidad." New West Indian Guide / Nieuwe West-Indische Gids 84, no. 3-4 (2010): 253–68. http://dx.doi.org/10.1163/13822373-90002442.

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"Convention, Context and Critical Discourse Analysis: 'Jim The Boatman' and The Early Fiction of Trinidad" re-evaluates the claim of colored authorship which has been attributed to a short story published anonymously, in the Trinidad Spectator in 1846. This re-evaluation is significant since 'Jim the Boatman" has been cited as part of a collection of writing in the emerging literary tradition of nonwhite authors of nineteenth century Trinidad. A critical discourse approach to identifying the writer, in this essay, proposes an alternative paradigm to traditional "plantation power structures" wh

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Cavalcanti, Sofia. "Unreal Homes: Belonging and Becoming in Indian Women Narratives." Humanities 7, no. 4 (2018): 133. http://dx.doi.org/10.3390/h7040133.

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In an epoch which has to do fundamentally with space, the concept of home has entered the epistemic scene, both as a commodity and a discursive formation. Contemporary Indian women writers, who are a major facet of present Anglophone literature, have often chosen the domestic sphere as the structural framework of their stories. However, despite the traditional idea of home as a static physical site where women’s lives unfold, a more complex and fluid concept emerges from their narratives. After discussing conflicting definitions of home both as a site of belonging and becoming, I will provide

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13

Voracek, Martin. "Dr. Cinderella and the Bronze Artifact, Cardinal Napellus and the Copper Globe: Was Gustav Meyrink an Early Adopter of M.R. James’s Ghostly Fiction?" Humanities 13, no. 6 (2024): 162. http://dx.doi.org/10.3390/h13060162.

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Hitherto unnoticed similarities between two short stories by Gustav Meyrink and two of the most renowned and widely read ghost stories of M.R. James are detailed through comparative literary analysis. Specifically, one early occult horror tale of Meyrink, The Plants of Dr. Cinderella (1905), shows no less than about 15 congruences beneath the plot level (concerning specific story requisites) with M.R. James’s ‘Oh, Whistle, and I’ll Come to You, My Lad’ (1904), as does, to the same extent, a later, widely known Meyrink tale (The Cardinal Napellus, 1914) vis-à-vis M.R. James’s Mr Humphreys and H

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14

Ellis, Nina. "‘So what, I’m on the roof’: Lucia Berlin’s roots in Spanish and Chilean literatures." Short Fiction in Theory & Practice 13, no. 2 (2023): 153–69. http://dx.doi.org/10.1386/fict_00080_1.

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In 2015, the North American short story writer Lucia Berlin (1926–2004) was ‘rediscovered’ when her posthumous collection, A Manual for Cleaning Women, became a New York Times bestseller. It has since been translated into more than twenty languages, and has been received with particular enthusiasm in Spain and Latin America. Many of her stories are set in Chile or Mexico, where she lived for many years. This article proposes that Berlin’s adolescence in Santiago, her bilingual education, and her studies with Spanish novelist Ramón J. Sender at the University of New Mexico had important impacts

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15

Booth, Emily. "Love and Beauty on the Battlefield: Transcultural Influence and Transformation from Naoko Takeuchi’s <em>Sailor Moon</em> to Anglophone Young Adult Fantasy." International Journal of Young Adult Literature 5, no. 1 (2024): 1–22. https://doi.org/10.24877/ijyal.140.

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Despite the considerable popularity of the 1990s animated television series Sailor Moon around the world, English-language research has largely neglected the original manga. Naoko Takeuchi’s major success with the girls’ manga series, Pretty Soldier Sailor Moon (1991-1997), launched her into the spotlight in Japan and, to this day, its eponymous 14-year-old protagonist remains the quintessential ‘magical girl’ character. To understand the success of the series and, in particular, how Takeuchi’s innovations with the adolescent female heroine and her narrative journey resonated with young female

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16

Fadda-Conrey, Carol. "Arab Diasporic Writing." American Journal of Islam and Society 21, no. 2 (2004): 147–49. http://dx.doi.org/10.35632/ajis.v21i2.1810.

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The panel entitled “Arab Diasporic Writing: Figurations of Space andIdentity” was held on Friday, February 27, at the 2004 Twentieth CenturyLiterature conference at the University of Louisville, Kentucky. Organized by Carol Fadda-Conrey, the panel featured presentations by Professor SyrineHout and Lisa A. Weiss on two Arab diasporic writers, Rabih Alameddineand Leïla Sebbar, respectively.Syrine Hout, an associate professor of English at the AmericanUniversity of Beirut, presented a paper entitled “Lebanon ‘Revisited’:Memory, Self, and Other in Rabih Alameddine’s The Perv.” Singling outAlameddi

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17

Fraser, Erica L., and Danielle C. Kinsey. "The Strawpeople of Russian, Eastern European, and Soviet History in English-Language TV and Film." Historical Reflections/Réflexions Historiques 50, no. 2 (2024): 1–13. http://dx.doi.org/10.3167/hrrh.2024.500201.

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Abstract This special issue features historical scholars of imperial Russia and the Soviet Union analyzing representations of Russian and East European characters and history in contemporary Anglophone television and films, such as The Americans, Black Widow, The Great, For All Mankind, and Eurovision Song Contest: The Story of Fire Saga. They identify several tropes that shore up Anglosphere conceptions of progressiveness, liberalism, feminism, and even whiteness in ways that put pressure on geopolitics today, which some have characterized as a second Cold War. Gender and sexuality are domina

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18

Langlands, Rebecca. "Latin Literature." Greece and Rome 61, no. 1 (2014): 118–22. http://dx.doi.org/10.1017/s0017383513000284.

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First up for review here is a timely collection of essays edited by Joseph Farrell and Damien Nelis analysing the way the Republican past is represented and remembered in poetry from the Augustan era. Joining the current swell of scholarship on cultural and literary memory in ancient Greece and Rome, and building on work that has been done in the last decade on the relationship between poetry and historiography (such as Clio and the Poets, also co-edited by Nelis), this volume takes particular inspiration from Alain Gowing's Empire and Memory. The individual chapter discussions of Virgil, Ovid

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19

Lee, Soomin, Lynn Cockburn, and Julius T. Nganji. "Exploring the use of #MyAnglophoneCrisisStory on Twitter to understand the impacts of the Cameroon Anglophone Crisis." Media, War & Conflict, June 20, 2022, 175063522211034. http://dx.doi.org/10.1177/17506352221103487.

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Since October 2016, Cameroon has been involved in a violent conflict known as the Anglophone Crisis. This study examines the impact of the hashtag #MyAnglophoneCrisisStory on Twitter in capturing and amplifying the stories of people affected by the crisis. Using R, the authors extracted and analyzed tweets using this hashtag that were posted between 21 October 2020 and 3 November 2020. Only tweets posted in English and French languages were included. To understand the content of the tweets, the authors inductively coded and manually analyzed a total of 1064 tweets, replies, and comments. A cat

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20

Melo e Castro, Paulo. "Postcolonial Subjects in the Goan Short Stories “A Portuguese Soldier’s Story” by Lambert Mascarenhas and “Um Português em Baga” by Epitácio Pais." Journal of Lusophone Studies 11 (October 3, 2013). http://dx.doi.org/10.21471/jls.v11i0.77.

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This article analyses two postcolonial short stories from Goa: the Anglophone “A Portuguese Soldier’s Story” by Lambert Mascarenhas and the Lusophone “Um Português em Baga” by Epitácio Pais. Both narratives feature a Portuguese subject who returns to the territory after the demise of colonial rule to resolve unfinished business dating from colonial times. Adapting the ideas of Homi Bhabha and Boaventura de Sousa Santos, I look at how each story challenges essentialist ideas about the ex-coloniser in order to move past dichotomising anti-colonial discourses and, in so doing, allow the reader

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21

Ziolkowski, Saskia Elizabeth. "Who’s Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London." Modern Language Quarterly, December 8, 2023. http://dx.doi.org/10.1215/00267929-10929018.

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Abstract The Triestine author Italo Svevo spent a considerable amount of time in London and its environs between 1901 and 1926. His experiences there influenced his modernist writing, including Zeno’s Conscience, his most famous novel. Leonard and Virginia Woolf’s Hogarth Press was the first to publish Svevo’s work in English. His story “The Hoax” marked their first translation from Italian and his short story collection The Nice Old Man and the Pretty Girl and Other Stories their second, helping shape the press’s international modernist program. Despite residing in the same quickly changing c

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22

Gibson, Sarah. "Racialized Railway Mobilities: Repression and Resistance in the Anglophone South African Short Story During the Drum Decade." English Studies in Africa, July 31, 2024, 1–15. http://dx.doi.org/10.1080/00138398.2024.2377913.

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23

Oh, David C. "Counter-representations in an Australian web drama: trans-Pacific repertoire and diasporic contradictions in No Ordinary Love." Communication, Culture & Critique, November 23, 2024. http://dx.doi.org/10.1093/ccc/tcae046.

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Abstract No Ordinary Love is a web drama written by Esther Fwati, a Zambian Australian actor-writer, and her friend, Helen Kim, a Korean Australian writer-director. The five-episode web drama, which claims to be “inspired” by Korean television, positions a diasporic story of multiracial, inter-diasporic love between a Zambian Australian woman and a Korean Australian man. Despite its short length, the web drama’s counter-representational choices weave together global media flows and diasporic interpretations of race and family in multicultural Australia. I argue that the show’s explicit counter

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24

TABUR, Şemsettin. "INITIATION, RACE RELATIONS AND OTHERNESS IN TONI MORRISON’S “RECITATIF”." Uluslararası Dil Edebiyat ve Kültür Araştırmaları Dergisi, December 27, 2022. http://dx.doi.org/10.37999/udekad.1205047.

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The moments of change marking transformation from childhood to adulthood, from innocence to experience and gaining knowledge about the self and the world in general have been seen as of significance across cultures. Correspondingly, literature, art in general, has engaged closely with this ritualistic, threshold experience. Foregrounding a moment of change and centering its plot around at least one young adolescent or child, initiation stories, or more commonly known as stories of coming of age, narrativize the theme of growing up or at least one, major character’s realization of a truth about

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25

Celata, Filippo, and Francesca Governa. "Reclaiming other geographical traditions: The hidden roots of Italian radical geography." Transactions of the Institute of British Geographers, September 13, 2023. http://dx.doi.org/10.1111/tran.12634.

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AbstractThe article recalls the history of Geografia Democratica, a collective of scholars that during the second half of the 1970s sought to dismantle the old deterministic approach and promote a critical and radical turn in Italian academic geography. The aim is to contribute to the ongoing debate about ‘other geographical traditions’ beyond the Anglo‐American hegemony, to highlight the pluriversal roots of contemporary critical geographies and the influence that the transnational circulation of knowledge had in their unfolding, in light of recent quests for a more global geographical imagin

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26

Zhou, Qiyue, and Minhui Xu. "‘Novelty’ through narrative and paratextual voice: The case of John Minford’s translation of ‘the laughing girl’." Language and Literature: International Journal of Stylistics, June 2, 2024. http://dx.doi.org/10.1177/09639470241257722.

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‘The Laughing Girl’ (‘Yingning’) is a short fictional story from Liaozhai zhiyi, a collection of uncanny and surreal stories written by the Chinese writer Pu Songling between the 1660s and 1720s. The stories have been made available for anglophone readers as Strange Tales from a Chinese Studio published in 2006, canonised by Penguin Classics and the translator John Minford, whose approach rooted in ‘nouvelle Chinoiserie’ imbues the tales with a sense of novelty or strangeness, both textually and paratextually. In this study, we will investigate how Minford foregrounds the story’s novelty with

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27

Kachak, Tetiana. "Ukrainian Canadian Children’s Historical Fiction in the Interpretation of Mateusz Świetlicki." Studia Polsko-Ukraińskie 11 (2024). https://doi.org/10.31338/2451-2958spu.11.17.

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The review analyzes Mateusz Świetlicki’s monograph "Next-Generation Memory and Ukrainian Canadian Children’s Historical Fiction: The Seeds of Memory" (2023). The author’s impressive corpus of anglophone Ukrainian Canadian children’s historical fiction consists of 41 texts published between 1991 and 2021, including novels, novellas, picture books, short stories, and graphic novels. As it will be shown, the scientist describes the specifics of historical literature for young readers, considering both the combination of historical truth and fiction and the peculiarities of receptive poetics aimed

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28

Hyde, Allegra, and Catrin Gersdorf. "Where Is Utopia in a Time of Disaster and Catastrophe?" New American Studies Journal 74 (September 15, 2023). http://dx.doi.org/10.18422/74-1385.

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In search of new literary voices that might present an answer to Amitav Ghosh’s 2016 lament on the failure of contemporary literary fiction to find forms that adequately express the multiple challenges of the Anthropocene, I came across a review of Allegra Hyde’s debut novel in the Los Angeles Times. The novel’s title, Eleutheria, was suggestive enough to pique my interest: etymologically, it evokes the concepts of liberty and freedom; geographically, it calls to mind the small island of Eleuthera in the Bahamas that was colonized in the late 1640s by a group of English Puritans known as the E

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