Relevant bibliographies by topics / Angry women in popular culture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Angry women in popular culture'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Angry women in popular culture"

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Tycer, Alicia. "Feminist Views on the English Stage: Women Playwrights, 1990–2000. By Elaine Aston. Cambridge: Cambridge University Press, 2003; pp. 238. $75 cloth." Theatre Survey 46, no. 1 (2005): 153–55. http://dx.doi.org/10.1017/s0040557405330092.

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Elaine Aston begins Feminist Views on the English Stage by pondering why, given the optimism for English feminist theatre at the close of the 1980s, the 1990s saw a diminishing interest in women's voices. She asks, “If ‘masculinity and its discontents’ culturally and theatrically moved centre stage in the 1990s, what happened to women and to feminism?”(5) In order to counteract the prevailing view of the 1990s as a decade dominated by the overarching theme of “masculinity in crisis,” she focuses her book on women playwrights. Aston detects a theatrical backlash against the partial advances mad
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Gámez Fuentes, María José. "Breaking the logic of neoliberal victimhood: Vulnerability, interdependence and memory in Captain Marvel (Anna Boden and Ryan Fleck, 2019)." European Journal of Cultural Studies 24, no. 1 (2021): 94–106. http://dx.doi.org/10.1177/1367549420985839.

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The contemporary visibility of women’s accomplishments and popular outcry in the face of injustice and/or violence might suggest that women have achieved their aim of putting long-fought feminist principles in the spotlight and have finally earned equality. However, let us not forget that, in the face of violence, the hegemonic matrix of intelligibility has also historically defined women victims by their ‘injurability’, so, intrinsically vulnerable, thus justifying the need of the system to assist them. It is not surprising, then, that, as a response to vulnerability, empowerment is celebrate
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Levine, Daniel H. "Popular Groups, Popular Culture, and Popular Religion." Comparative Studies in Society and History 32, no. 4 (1990): 718–64. http://dx.doi.org/10.1017/s0010417500016716.

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This paper examines the emergence and character of popular religious groups and considers their implications for long-term cultural change in Latin America. Particular attention is given to the link between religious change and the creation of a popular subject, a set of confident, articulate and capable men and women, from hitherto silent, unorganized, and dispirited populations. I argue here that creation of such a popular subject is nurtured by transformations in key expressions of popular religion, by the way these take form in new patterns of community organization and group solidarity, a
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Jenzen, Olu. "A Queer Tension." Film Studies 22, no. 1 (2020): 30–46. http://dx.doi.org/10.7227/fs.22.0003.

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This article concerns itself with feminist comedy that is deemed angry and difficult in an era of postfeminism. Hannah Gadsby’s live show Nanette, released as a Netflix film, can be described as difficult because it is politically challenging, emotionally demanding and disrupts the established format of stand-up comedy. Yet it has had critical and commercial success. Nanette challenges the underpinning assumption of postfeminism: that feminism is no longer needed. It is feminist and angry. To explore the phenomenon of angry feminist comedy in the postfeminist era, the article considers the com
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Crean, Liz. "Women, Race and Popular Culture in Brazil." Journal of Beliefs & Values 22, no. 2 (2001): 229–30. http://dx.doi.org/10.1080/13617670120079523.

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O’Sullivan, Jane, and Alison Sheridan. "Ms representations: women, management and popular culture." Women in Management Review 14, no. 1 (1999): 14–20. http://dx.doi.org/10.1108/09649429910255456.

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Lumby, Catharine. "Review: Mediated Women: Representations in Popular Culture." Media International Australia 95, no. 1 (2000): 275. http://dx.doi.org/10.1177/1329878x0009500134.

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Allan, Val Bernard. "Book review: Single Women in Popular Culture." European Journal of Women's Studies 20, no. 1 (2013): 109–11. http://dx.doi.org/10.1177/1350506812463662d.

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Oramus, Dominika. "Strangers in Togetherville – Women, Physics and Popular Culture." Prague Journal of English Studies 9, no. 1 (2020): 133–53. http://dx.doi.org/10.2478/pjes-2020-0007.

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AbstractBy drawing on Jean Baudrillard’s cultural theory this paper aims to show how contemporary popular culture tells the stories of scientifically talented women of the past. In the course of my argument, I refer to books and films set in the past and focus on the women-and-science motif. Firstly, the stories of individual female scientists living long ago are analysed (Mileva Einstein, Joan Clarke), then, the collective female protagonists – wives of scientists living together in “togethervilles” (Los Alamos, Atomic City), and women scientists pictured in speculative fiction – are discusse
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Gowing, Laura. "Women, Status and the Popular Culture of Dishonour." Transactions of the Royal Historical Society 6 (December 1996): 225–34. http://dx.doi.org/10.2307/3679238.

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The history of honour in early modern English society has tended of necessity to focus on dishonour. The ways in which women and men were defamed, shamed and dishonoured have seemed to offer a vivid insight into how what we call ‘honour’ worked in early modern society. And yet honour and dishonour were not exactly correspondent points on the same axis of values: what was dishonouring was not necessarily the opposite of what constituted honour. This was especially true where sex was concerned; sexual conduct could be dishonouring in all sorts of ways, but rarely if ever did it confer honour. Se
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Dissertations / Theses on the topic "Angry women in popular culture"

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Murphy, Kylie. "Bitch : the politics of angry women /." Murphy, Kylie (2002) Bitch: the politics of angry women. PhD thesis, Murdoch University, 2002. http://researchrepository.murdoch.edu.au/217/.

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'Bitch: the Politics of Angry Women' investigates the scholarly challenges and strengths in re theorising popular culture and feminism. It traces the connections and schisms between academic feminism and the feminism that punctuates popular culture. By tracing a series of specific bitch trajectories, this thesis accesses an archaeology of women?s battle to gain power. Feminism is a large and brawling paradigm that struggles to incorporate a diversity of feminist voices. This thesis joins the fight. It argues that feminism is partly constituted through popular cultural representations. The s
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Gwin, Stephanie. ""The More You Deny Me, The Stronger I Get": Exploring Female Rage in The Babadook, Gone Girl, and The Girl on the Train." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1510769718601419.

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Robinson, Penelope A. "A postfeminist generation young women, feminism and popular culture /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.

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Thesis (Ph.D) -- University of Western Sydney, 2008.<br>A thesis submitted to the University of Western Sydney, College of Arts, School of Social Sciences, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
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Maddison, Stephen. "Queer sisters : gay male culture, women and gender dissent." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362271.

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Gay male culture is suffused with indications of the importance of women and bonds with women. Indeed the Stonewall riots, mythologised moment of the birth of modern gay politics, are often said to have been catalysed by gay male grief at the death of Judy Garland. Why should a culture apparently founded on same-sex desire be so preoccupied with relationships across gender difference? The thesis attempts to map the shape and effects of bonds with women by using a materialist analytical framework in relation to texts and their critical retinue. The first chapter looks at A Streetcar Named Desir
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Tully, Meg. "Trainwreck feminism: women, comedy and postfeminist culture." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6315.

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This dissertation develops the theoretical framework of “trainwreck feminism.” Forwarded by contemporary women in comedy like Mindy Kaling, Abbi Jacobson, Ilana Glazer, and Amy Schumer, trainwreck feminists adopt the trope of the trainwreck—excessive in need, sex, and madness—to demonstrate the disastrous consequences of growing up in postfeminist culture that both insists women are finally liberated and continues to police their choices. Engaging ongoing debates about whether postfeminism is over since feminism is becoming a status symbol for celebrities and public figures, I argue that postf
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Jones, Allison. "Saints and sirens : how popular culture creates female icons /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20151044.

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Mangham, Andrew. "Violent women and sensation fiction : crime, medicine and Victorian popular culture /." Basingstoke : Palgrave Macmillan, 2007. http://catalogue.bnf.fr/ark:/12148/cb41142635d.

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Ng, Bo-sze. "Slimming culture in Hong Kong a sociological study /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31478694.

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Sullivan, Rebecca. "Revolution in the convent : women religious and American popular culture, 1950-1971." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/NQ55383.pdf.

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Hershkowitz, Robin Hershkowitz. "Popular Memoirs of Women Held Captive." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1530381667241048.

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Books on the topic "Angry women in popular culture"

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Horn, Katrin. Women, Camp, and Popular Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0.

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Taylor, Anthea. Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607.

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Sochen, June. Enduring values: Women in popular culture. Praeger, 1987.

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Postfemininities in popular culture. Palgrave Macmillan, 2009.

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Inness, Sherrie A., ed. Geek Chic: Smart Women in Popular Culture. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-08421-7.

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Women's poetry and popular culture. Palgrave Macmillan, 2011.

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1976-, Meyer Anneke, ed. Gender and popular culture. Polity, 2012.

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Tough girls: Women warriors and wonder women in popular culture. University of Pennsylvania Press, 1999.

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White, Rosie. Violent femmes: Women as spies in popular culture. Routledge, 2007.

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Contested images: Women of color in popular culture. AltaMira Press, 2012.

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Book chapters on the topic "Angry women in popular culture"

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Hsu, Wendy. "Reading and Queering Plato in Hedwig and the Angry Inch." In Queer Popular Culture. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_8.

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Hsu, Wendy. "Reading and Queering Plato in Hedwig and the Angry Inch." In Queer Popular Culture. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_8.

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Taylor, Anthea. "Blogging Solo: Women Refiguring Singleness." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_7.

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Taylor, Anthea. "Introduction." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_1.

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Taylor, Anthea. "Theorizing Women’s Singleness: Postfeminism, Neoliberalism, and the Politics of Popular Culture." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_2.

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Taylor, Anthea. "From the Second-wave to Postfeminism: Single Women in the Mediasphere." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_3.

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Taylor, Anthea. "Spinsters and Singletons: Bridget Jones’s Diary and its Cultural Reverberations." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_4.

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Taylor, Anthea. "Desperate and Dateless TV: Making Over the Single Woman." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_5.

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Taylor, Anthea. "Self-Help and the Single Girl: From Salvation to Validation." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_6.

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Horn, Katrin. "Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures." In Women, Camp, and Popular Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_1.

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Conference papers on the topic "Angry women in popular culture"

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Zhou, Ting-ting. "On the Status and Effect of Women in Popular Entertainment Culture." In 3d International Conference on Applied Social Science Research (ICASSR 2015). Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.177.

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Yulianto, Nanang, Narsen Afatara, Bani Sudardi, and Warto Warto. "Various Images of Contemporary Women in Popular-Culture Perspectives on Luna Dian Setya's Painting." In Proceedings of the Third International Conference of Arts, Language and Culture (ICALC 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icalc-18.2019.8.

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Kazan, Hüseyin. "Medical Journalism in Women’s Magazine: The Case of Cosmopolitan." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.036.

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Health is a most common topic discussed in women magazine ranking from fashion to beauty, sexuality to art and culture. Biological health, mental health, fertility and sexual health are the most common topics which are given wide coverage. Whether this news, having quantitatively audience, is qualitatively health news is the primarily problem. The most of the news deals with particular subject such as medical selling, aesthetic advertisement and prototypes imposed on popular life. A large number of news reaching the audience read for health purposes cannot go beyond triggering the consumption
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