Academic literature on the topic 'Animal intelligence Orangutan. Visual perception'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Animal intelligence Orangutan. Visual perception.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Animal intelligence Orangutan. Visual perception"

1

Coppen, Emma M., Milou Jacobs, Kasper F. van der Zwaan, Huub A. M. Middelkoop, and Raymund A. C. Roos. "Visual Object Perception in Premanifest and Early Manifest Huntington’s Disease." Archives of Clinical Neuropsychology 34, no. 8 (2019): 1320–28. http://dx.doi.org/10.1093/arclin/acz002.

Full text
Abstract:
Abstract Objective In Huntington’s disease (HD), a hereditary neurodegenerative disorder, cognitive impairment in early disease stages mainly involves executive dysfunction. However, visual cognitive deficits have additionally been reported and are of clinical relevance given their influence on daily life and overall cognitive performance. This study aimed to assess visual perceptual skills in HD gene carriers. Methods Subtasks of the Visual Object and Space Perception battery and Groningen Intelligence Test were administered in 62 participants (18 healthy controls, 22 participants with a gene
APA, Harvard, Vancouver, ISO, and other styles
2

Farell, Bart, and Bela Julesz. "Globally Perceived Directional Flow in Static Images." Perception 18, no. 2 (1989): 155–72. http://dx.doi.org/10.1068/p180155.

Full text
Abstract:
Visual sensitivity to spatial direction has classically been associated with motion perception. Yet humans are adept at deriving directional information in the absence of motion, as when they read maps, or follow arrows or animal tracks. Experiments are reported on the perception of parallel arrow-like forms in which a specific visual sensitivity to static direction is demonstrated. Global processing is operationally defined in terms of the relative discriminability of sets and subsets of stimulus elements; a set of parallel elements and a set in which one element is antiparallel to the rest a
APA, Harvard, Vancouver, ISO, and other styles
3

Nagasaka, Yasuo, Koji Hori, and Yoshihisa Osada. "Perceptual Grouping in Pigeons." Perception 34, no. 5 (2005): 625–32. http://dx.doi.org/10.1068/p5402.

Full text
Abstract:
Animal studies reveal that many species perceive partially occluded objects in the same way as do humans. Pigeons have been a notable exception. We re-investigated this anomaly of pigeon perception using a different approach from previous studies. With our method, we show that pigeons perceive occluded objects in the same manner as do other species. In addition, we report that pigeons can recognize perceptually transparent surfaces when the effect is induced by the same perceptual mechanisms as occlusion. These results give behavioral evidence that the perception of both occlusion and transpar
APA, Harvard, Vancouver, ISO, and other styles
4

Halverson, John. "The First Pictures: Perceptual Foundations of Paleolithic Art." Perception 21, no. 3 (1992): 389–404. http://dx.doi.org/10.1068/p210389.

Full text
Abstract:
Paleolithic representational art has a number of consistent characteristics: the subjects are almost always animals, depicted without scenic background, usually in profile, and mostly in outline; the means of representation are extremely economical, often consisting of only a few strokes that indicate the salient features of the animal which are sufficient to suggest the whole form; and it is naturalistic to a degree, but lacks anything like photographic realism. Two elementary questions are raised in this essay: (i) why did the earliest known attempts at depiction have just these characterist
APA, Harvard, Vancouver, ISO, and other styles
5

Dill, M., and S. Edelman. "The Role of Visual Field Position in Object Recognition." Perception 26, no. 1_suppl (1997): 126. http://dx.doi.org/10.1068/v970370.

Full text
Abstract:
Visual recognition of objects is generally assumed to be independent of the location in the field of view. Experiments have shown, however, that for stimuli such as random-dot clouds recognition can be severely affected by retinal displacement (Foster and Kahn, 1985 Biological Cybernetics51 305 – 312; Nazir and O'Regan, 1990 Spatial Vision5 81 – 100; Dill and Fahle, Perception & Psychophysics in press). In a series of new experiments, we tested whether similar shortcomings of translation invariance can be obtained also with more natural-looking objects. For that purpose, we tested human su
APA, Harvard, Vancouver, ISO, and other styles
6

Dresp-Langley, Birgitta, and Adam Reeves. "Colour for Behavioural Success." i-Perception 9, no. 2 (2018): 204166951876717. http://dx.doi.org/10.1177/2041669518767171.

Full text
Abstract:
Colour information not only helps sustain the survival of animal species by guiding sexual selection and foraging behaviour but also is an important factor in the cultural and technological development of our own species. This is illustrated by examples from the visual arts and from state-of-the-art imaging technology, where the strategic use of colour has become a powerful tool for guiding the planning and execution of interventional procedures. The functional role of colour information in terms of its potential benefits to behavioural success across the species is addressed in the introducti
APA, Harvard, Vancouver, ISO, and other styles
7

Gibson, Prue. "Body of Art and Love." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.474.

Full text
Abstract:
The phenomenological experience of art is one of embodied awareness. Now more than ever, as contemporary art becomes more interactive and immersive, our perceptions of embodiment are useful tools to gauge the efficacy of visual art as a stimulus for knowledge, new experience and expression. Art has a mimetic and interactive relationship with the world. As Schopenhauer said, “The world is my representation” (3). So which takes effect first: the lungful of excited breath or the synapses, is it the miasmic smell of dust on whirring video projectors or the emotion? When we see great art (in this i
APA, Harvard, Vancouver, ISO, and other styles
8

Mills, Brett. "Those Pig-Men Things." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.277.

Full text
Abstract:
Since its return in 2005 the science fiction series Doctor Who (BBC1) has featured many alien creatures which bear a striking similarity to non-human Earth species: the Judoon in “Smith and Jones” (2007) have heads like rhinoceroses; the nurses in “New Earth” (2006) are cats in wimples; the Tritovores in “Planet of the Dead” (2009) are giant flies in boilersuits. Yet only one non-human animal has appeared twice in the series, in unrelated stories: the pig. Furthermore, alien races such as the Judoon and the Tritovores simply happen to look like human species, and the series offers no narrative
APA, Harvard, Vancouver, ISO, and other styles
9

Caudwell, Catherine Barbara. "Cute and Monstrous Furbys in Online Fan Production." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.787.

Full text
Abstract:
Image 1: Hasbro/Tiger Electronics 1998 Furby. (Photo credit: Author) Introduction Since the mid-1990s robotic and digital creatures designed to offer social interaction and companionship have been developed for commercial and research interests. Integral to encouraging positive experiences with these creatures has been the use of cute aesthetics that aim to endear companions to their human users. During this time there has also been a growth in online communities that engage in cultural production through fan fiction responses to existing cultural artefacts, including the widely recognised ele
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Animal intelligence Orangutan. Visual perception"

1

Marsh, Heidi L. "The role of perceptual features in categorization by orangutans /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29584.

Full text
Abstract:
Thesis (M.A.)--York University, 2006. Graduate Programme in Psychology.<br>Typescript. Includes bibliographical references (leaves 117-120). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR29584
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Animal intelligence Orangutan. Visual perception"

1

Blough, Donald S. "Reaction-Time Explorations of Visual Perception, Attention, and Decision in Pigeons." In Comparative CognitionExperimental Explorations of Animal Intelligence. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780195377804.003.0006.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Shimp, Charles P., Walter T. Herbranson, Thane Fremouw, and Alyson L. Froehlich. "Rule Learning, Memorization Strategies, Switching Attention Between Local and Global Levels of Perception, and Optimality in Avian Visual Categorization." In Comparative CognitionExperimental Explorations of Animal Intelligence. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780195377804.003.0021.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!