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Relevant bibliographies by topics / Animal poetry

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Academic literature on the topic 'Animal poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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Journal articles on the topic "Animal poetry"

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Skinner, J. "Poetry Animal." boundary 2 36, no. 3 (2009): 97–103. http://dx.doi.org/10.1215/01903659-2009-022.

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Malamud, Randy. "Poetic Animals and Animal Souls." Society & Animals 6, no. 3 (1998): 263–77. http://dx.doi.org/10.1163/156853098x00195.

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AbstractMesoamericans' rich spiritual beliefs about the importance of animals and about the correlation between the well-being of animals and that of human beings contrast with a diminutive respect accorded to animals in industrialized cultures. Some vestige of a parallel sensibility, however - granting animals an aura of dignity relatively independent of anthropocentric constructions - may be detected in the animal poetry of selected Western writers including Marianne Moore, Gary Snyder, and José Emilio Pacheco. Such animal poetry, although possessing no explicit links to Mesoamerican spiritu

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Bhat, Altaf Ahmad. "The Regnum Animalia of Ted Hughes." Journal of English Language and Literature 09, no. 04 (2022): 20–28. http://dx.doi.org/10.54513/joell.2022.9404.

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Ted Hughes is a prolific and versatile poet on the 20th Century poetic scene. His poetry, particularly animal verification, is multidimensional. He employs terrestrial, aerial, and aquatic animal symbols and images with eloquence and felicity. His empathy is acclaimed one. Through these miscellaneous animals as vehicle of expression, he poetizes various aspects of existence: human nature and behaviour, Nature along with its turmoil and quietude, animal tolerance and resistance, ascendancy of some species over others, human egomania, and the mythical and legendary value of animals. Hughes shows

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Brüggemann, Tirza. "Animal Poetry and Empathy." Humanities 6, no. 2 (2017): 18. http://dx.doi.org/10.3390/h6020018.

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Epanchintsev, R. V., and E. E. Zabusova. "ANIMAL IMAGES IN GEORG TRACKL’S POETRY." Juvenis Scientia, no. 5 (2019): 30–33. http://dx.doi.org/10.32415/jscientia.2019.05.07.

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The article analyzes the images of animals in lyrical works of the famous Austrian expressionist poet Georg Trakl. Animals are the representatives of the biological kingdom of the same name. The images of mammals, as well as the images of insects, birds, and a worm are sequentially considered. There are twelve representatives. The images of animals are analyzed as elements of the artistic world of the works of the poet, which determines the novelty of the conclusions of this article. Each of the animals, according to the hypothesis, has a symbolic meaning, and the meaning is very stable, it mo

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Gasim, Aseel Abod. "Pre-Islamic Features in the Poetry of Al-Raei Al-Nawmiri." Journal of the College of Education for Women 31, no. 4 (2020): 26–38. http://dx.doi.org/10.36231/coedw.v31i4.1425.

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This research is dedicated to study Al-Ra’ee Al-Numayri, a distinctive poetic character, to find out the most important (artistic) pre-Islamic features that contributed to its formation. It is further dedicated to know the influence of these features on his literature in the literary arena. After surveying his poetic texts and reading them according to the analytical and investigative methods, the art of the researcher was limited to the field of traditionalists. He was following the footsteps of the ancients by adhering to the traditional Arabic poetry style and the traditional poetic image.

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Santana, Elana. "My Animal, My Darling." UnderCurrents: Journal of Critical Environmental Studies 19 (October 13, 2015): 48–50. http://dx.doi.org/10.25071/2292-4736/40250.

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Denisova, Nataliya, and Dinara Yusipova. "A Comparative Analysis of Temporal Structure of English Poetic Texts for Adults and Children." Journal of Language and Education 2, no. 2 (2016): 6–13. http://dx.doi.org/10.17323/2411-7390-2016-2-2-6-13.

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Poetry has always been under the focus of scholars’ attention, though the problem of performing a comparative analysis of children’s and adults’ poetry has not received enough attention yet. The study undertaken is aimed to fill in this gap and provide the analysis of English poetry for adults and children with the attempt to identify some grammatical peculiarities of the corresponding poetic texts. The scope of the texts for examination is limited to English poetry of the nineteenth – twentieth centuries focused on the animal theme. The analysis of the temporal structure of the texts selected

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Karremann, Isabel. "Human/Animal Relations in Romantic Poetry." European Journal of English Studies 19, no. 1 (2015): 94–110. http://dx.doi.org/10.1080/13825577.2015.1004920.

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T Mukhuba, Theophilus. "An Analysis of Jack Mapanje’s Poetry with Particular Reference to his use of Obscuring Devices." International Journal of Applied Linguistics and English Literature 6, no. 7 (2017): 30. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.7p.30.

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Jack Mapanje’s poetry is a true reflection of his society through the use of obscuring devices. These obscuring devices are necessary to ensure that the literary work reaches its intended audience in a totalitarian society. Overall, Jack Mapanje’s poetry exploits creatures from the world of nature—mammals, birds, amphibians, reptiles and insects—for close association with life experiences in various contexts and situations and with people he viewed with contempt and disgust and those he regarded with tenderness and compassion. He utilises them to conceptualize and construct a wide range of ide

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Dissertations / Theses on the topic "Animal poetry"

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Tricker, Tim. "The animal poetry of Ted Hughes." Thesis, University of Aberdeen, 2001. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU148149.

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The thesis concerns itself with the animal poetry of Ted Hughes. It traces, in a chronological structure, the development of how Hughes uses animals in his work, identifying four different phases in his writing. This is mainly done through close textural analysis. The introduction contextualises Hughes in relation to animal poetry and gives a broad overview of the four sections of the thesis. Section I examines the first three volumes of Hughes's career: The Hawk in the Rain, Lupercal and Wodwo. The issues of violence in his work, and how he uses animals poetically to imply a critique of the h

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Denton-Edmundson, Matthew. "The Animal Life." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/78391.

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This thesis puts forward a theory for a new basis of the rights and dignities of animals. The first chapter explains how the neurobiological output / input model can be applied to animal behavior, and suggests that animals—from fruit flies to chimpanzees—and humans are most similar in their desire to experiment with the world around them. The remaining chapters explore the practical implications of considering animals through the output / input model, using literature, the author’s personal experience, biological observations, and historical anecdotes. These chapters seek to prove that animals

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Malay, Michael. "The figure of the animal in modern and contemporary poetry." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.682680.

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This study is concerned with exploring the notion that there is a special relationship between animal life and the 'poetic'. It provides close readings of modern and contemporary poetry with the aim of testing, refining and drawing out the implications of this claim. The introductory chapter briefly examines the history of the animal in Western philosophy and literature. It charts this history in order to contextualize one of the gUiding questions of this study: how have animals been seen by philosophers and poets, and what differences exist between their different 'modes' or 'disciplines'? Th

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Morelli, Nicolo. "Aspects of animal imagery in Petrarch's 'Rerum Vulgarium Fragmenta'." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/286587.

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This thesis examines the role of animal imagery in Petrarch's 'Rerum vulgarium fragmenta' (Rvf) as a means of elucidating his poetics in conversation with his predecessors. To achieve this aim, the present study compares and contrasts Petrarch's poetry with that of the poets quoted in Rvf 70, namely Arnaut Daniel, Guido Cavalcanti, Dante Alighieri and Cino da Pistoia. My research sheds light on the way in which Petrarch draws on and diverges from his precursors as he establishes his poetic language. The comparison between Petrarch and one or more of his predecessors poses three areas of enquir

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Chochran, Milena E. "Derisive uses of animal imagery in the Iambic poetry of Archilochus and Semonides." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406709289.

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Meyer, John Clifford. "The animal themes in Horace's Epodes." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86343.

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Thesis (MA)--Stellenbosch University, 2014.<br>ENGLISH ABSTRACT: This thesis focused on the animal themes while attempting to make a comprehensive analysis of such themes as they were portrayed in the Epodes of Horace. A close analysis of each poem that contains animals was made. The aim of such an analysis was twofold, firstly to arrive at a possible interpretation of said themes in each specific poem; secondly to indicate how Horace used these animal themes to enhance the meaning of the Epodes. To support this second aim the various animal themes were arranged according to a list of five fun

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Kerwin, Chelsea E. "Bodies at Their Most Violent." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1431004825.

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MacRae, Marianne. "A Rat-Shaped Tear ; and, Beyond the other : animals in the poetry of D.H. Lawrence, Elizabeth Bishop and Marianne Moore." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33081.

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The poems in A Rat-Shaped Tear consider wide-ranging ideas of otherness using character and voice. Through misdirection, understatement and unexpected imagery I confront ideas of animal and female otherness in playful ways as a means of subverting traditional impressions of both. The othering effects of grief are also examined in poems that reflect on bereavement and mortality. Human-animal interaction is used to further explore the effects of death and disappointment, though overtones of cartoonish extravagance, dark humour and the surreal temper the more serious themes of loss, disillusionme

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Azambuja, Enaie Maire. "Human and animal in ‘the Open’: an exploration of image and worlding in the poetry of Marianne Moore and João Cabral de Melo Neto." Thesis, Stockholms universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117999.

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This thesis firstly aims at discussing the early works of American poet Marianne Moore (1887-1972) through the bio-philosophical perspectives developed since the investigations of Estonian Jacob von Uexküll (1864-1944). The study elucidates Uexküll’s research on the web-like forms of life that is the Umwelt of animals and Moore’s creation of poetic environments. Such investigations provide a basis for the analysis of Moore’s animals and environments in dialogue with Martin Heidegger’s (1889-1976) concepts of “poverty in world”, and “animal captivation”. Uexküll’s and Heidegger’s concepts are r

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Hodges, Heather Napualani. "Fig : A List Of Eight Unclean Animals." PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1854.

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This lyrical narrative charts the particularities of a childhood. A mind that is preoccupied with how to negotiate loss; the fear of a family sickness waking up. This piece is arranged with section titles that are designed to give an episodic feel. Each serves as a different method of entering into loss.

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Books on the topic "Animal poetry"

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Robert, Hull, and Spenceley Annabel, eds. Animal poetry. Wayland, 1991.

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Jill, Bennett, and Jenkin-Pearce Susie ill, eds. The animal fair: Animal verses. Viking, 1990.

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John, Hollander, ed. Animal poems. D. Campbell, 1994.

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Animal poems. Scholastic, 2007.

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ill, Rutherford Meg, and Richardson Polly, eds. Animal poems. Barron's, 1992.

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Tobias, Jerry. Imma animal. Teddy Bear Press, 1987.

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Lewin, Betsy. Animal snackers. Henry Holt, 2004.

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illustrator, Fox Woody, ed. Animal poems. Scholastic Ltd, 2015.

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Animal Poems. Young Hippo, 2004.

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ill, Nagy Krisztina, ed. Animal lullabies. Child's Play (Intenational) Ltd., 2003.

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Book chapters on the topic "Animal poetry"

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Moen, Heidi Silje. "Why Teach Poems About Animals? Animal Poetry Across Disciplines and the Life Span." In Poetry and Pedagogy across the Lifespan. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90433-7_14.

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Malay, Michael. "Rhythmic Contact: Ted Hughes and Animal Life." In The Figure of the Animal in Modern and Contemporary Poetry. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70666-5_3.

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Agnesdotter, Carina. "Listening to Animals for a Change: On Teaching Animal Poetry from a Critical Rhetorical Perspective." In Palgrave Studies in Education and the Environment. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95576-2_4.

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Webb, Laura. "Mythology, Mortality and Memorialization: Animal and Human Endurance in Hughes’ Poetry." In Ted Hughes: From Cambridge to Collected. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137276582_4.

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Bruno, Cosima. "Animal Talk. The Sentient and the Sensible in Contemporary Chinese Poetry." In TRANSPOSITIONES 2022 Vol. 1, Issue 1: Multiple Knowledges. Learning from/with Other Beings. Multiples Wissen. Lernen von/mit anderen Entitäten. V&R unipress, 2022. http://dx.doi.org/10.14220/9783737013826.149.

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Malay, Michael. "Why Look at Animals?: Poetry and the Difficulty of Reality." In The Figure of the Animal in Modern and Contemporary Poetry. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70666-5_1.

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Malay, Michael. "Poetry’s Electric Being." In The Figure of the Animal in Modern and Contemporary Poetry. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70666-5_5.

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Malay, Michael. "The Homely and the Wild in Marianne Moore and Elizabeth Bishop." In The Figure of the Animal in Modern and Contemporary Poetry. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70666-5_2.

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Malay, Michael. "Presence and the Mystery of Embodiment: Les Murray’s Translations from the Natural World." In The Figure of the Animal in Modern and Contemporary Poetry. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70666-5_4.

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Malamud, Randy. "On Knowing (and Not Knowing) Animals." In Poetic Animals and Animal Souls. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-06349-6_1.

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Conference papers on the topic "Animal poetry"

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Rodríguez Jiménez, Antonio. "Memoria de ciudades del mundo a través de los poetas en Cuadernos del sur: desde los restos arqueológicos a las reconstrucciones virtuales y reales." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8018.

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Una visión más lírica que histórica permitirá sostener diferentes miradas sobre ciudades emblemáticas del mundo en un entorno evolutivo: desde su esplendor hasta su destrucción, descubrimiento de sus restos y recuperación. El tema gira en torno a ¿cómo ven los poetas el entorno urbano de las ciudades? ¿Cómo veían los creadores de hace varios siglos una ciudad emblemática y cómo la ven en la actualidad? ¿Cómo afectan las nuevas tecnologías a esas ciudades especiales y de qué manera puede proteger un género tan débil y tan fuerte como es la poesía a las ciudad

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Rodríguez Navarro, María Victoria. "L’Amour à deux visages: el agua en Pernette du Guillet como reflejo del diálogo amoroso." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2913.

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Sumergirse en el agua, reflejo simbólico de virtudes, es volver a las fuentes de la vida para regenerarse, para saciar esa sed de conocimiento y también para recibir los rayos del sol que en ella se reflejan, como es el caso de la lionesa Pernette du Guillet quien, a diferencia de Louise Labé, ha persistido en la memoria de los hombres no sólo por su talento natural sino gracias a la irradiación de la que la inundó Maurice Scève, «son Jour», jefe incuestionable del Círculo de Lyon, en el que las mujeres poetas del Renacimiento tuvieron un papel de primer orden.La mayoría de sus «Rymes» respond

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Pons Moreno, Álvaro Máximo. "EL RETO DE LA POESÍA GRÁFICA: ANÁLISIS DE LA OBRA DE BEGOÑA GARCÍA-ALÉN." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9597.

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La poesía gráfica se ha consolidado en los últimos años como uno de los campos de experimentación del cómic más activo y fructífero. La exploración de las posibilidades del cómic alejadas de la tradicional narratividad secuencial ha permitido entroncar la narración visual con la poesía concreta y caligramática, encontrando una relación cuya naturalidad y potencialidad resulta sorprendente (McHale, 2010). Aunque las primeras experiencias de la poesía gráfica pueden ser rastreadas en la obra de George Herriman y en la fundacional Poema en viñetas de Dino Buzzatti, en la última década se ha produ

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Siso Monter, Montserrat. "Marga Clark la última Roësset. Arte a través del tiempo y de las fronteras." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5677.

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La fotógrafa Marga Clark, última descendiente de la saga familiar Roësset, donde destacan las artistas femeninas, es una poeta y fotógrafa que combina ambas disciplinas en su obra, la misma, destaca por un lirismo único, que traspasa fronteras y unifica sentimientos en un mundo globalizado. Resultando ser un claro exponente de la plástica artística actual. En la comunicación que propongo, pretendo realizar un recorrido por sus cuarenta años de trayectoria profesional y sus tres etapas más destacadas, analizando la evolución de su realización artística.Marga Clark ha publicado varios libros de

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Huerta Jiménez, Mayra. "Cuadernos deslocalizados: un cruce de conocimientos artísticos binacionales." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9572.

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La investigación artística se encuentra en movilidad de acuerdo al contexto en el que se genera. Aún continua en debate para la academia, que implica generar conocimiento desde la creación. Lo que lleva a una serie de cuestionamientos que dan forma a una postura frente a este tema. La enunciación del intercambio de conocimientos, de la colaboración entre diversos medios por mencionar algunos. Es por ello que en esta ocasión, se presenta Práctica un proyecto planteado por una curadora con la especialidad en Teatro, Beatrice Basso que se desarrollo en dos ciudades fronterizas: San Diego y Tijuan

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Sampaio, Charles Anselmo, Nathália Edwirgens Dos Santos Costa, Rita De Cassia De Amorim Lindolfo, Rodrigo Antônio Torres Matos, and Roberto Rômulo Ferreira Da Silva. "ASPECTOS TERAPÊUTICOS DA DERMATITE ATÓPICA CANINA." In I Congresso On-line Nacional de Clínica Veterinária de Pequenos Animais. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/1897.

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Introdução: A dermatite atópica canina (DAC) é uma doença com predisposição hereditária, caracterizada por uma deficiência na barreira cutânea, que favorece a penetração através da pele, de alérgenos ambientais e microrganismos presentes na superfície da pele. Objetivo: Objetivou-se com este trabalho realizar uma revisão sobre os aspectos terapêuticos da dermatite atópica canina. Material e Métodos: Foi realizado um levantamento bibliográfico utilizando as bases de dados eletrônicas Pubmed e Scielo, utilizando as palavras-chave: cães, atopia, tratamento. Resultados: Em geral, os sintomas inici

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Cordoba guardado, Soledad. "El cuaderno negro. Devastación." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5766.

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El cuaderno negro es el espacio donde organizar, las fotografías, los vídeos, instalaciones y dibujos que conforman “Devastación”. Todas estas piezas se organizan en torno a dos ejes temáticos: Hogueras frías, una serie fotográfica, un vídeo y una instalación y Ojos tatuados, dibujos, escritos y conversaciones con una poeta póstuma (Alejandra Pizarnik) y una comisaria de arte (Susana Blas). “Devastación” es un proyecto que habla del dolor. El dolor es tratado desde la asimilación y la curación donde se profundiza en los procesos de autoconocimiento y reflexión. Las imágenes actúan como pruebas

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Prado, Gilbertto. "El Cocinero de las Almas 2006/2022." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15330.

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A partir del libro “El Perfecto Cocinero de las Almas de este Mundo”*, un diario de la garçonnière mantenida por Oswald de Andrade** entre 1918 y 1919, el Grupo Poéticas Digitais (ECA-USP) desarrolló un videojuego experimental en 2005/06. En el juego el personaje principal (el visitante) se pierde en São Paulo de 1918 y visita interactivamente varios ambientes en los que va descubriendo la trama. Todo sucede en uno solo día. De esta forma, se trata de un guión de un entorno virtual doblemente laberíntico: son laberintos espaciales (los diversos entornos) y temporales (ya que las tramas dentro

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Silva Rodrigues, Valentina, Adson Kevin Cunha Negidio, Myrela Polyanna Bastos Silva Campos, Ester Almeida Carneiro Rodrigues da Silva, and Pedro Henrique Silveira de Sousa. "Influência das alterações climáticas sobre as doenças respiratórias alérgicas nas últimas décadas - Revisão de literatura." In II Congresso Online Brasileiro de Medicina. Congresse.me, 2022. http://dx.doi.org/10.54265/avib7967.

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Introdução: As doenças respiratórias alérgicas são aquelas presentes em pessoas que apresentam uma sensibilidade maior quando expostas a alérgenos, e apresentam uma resposta imunológica exacerbada, como na asma e na rinite. Sua fisiopatologia está relacionada à ativação da resposta de hipersensibilidade tipo 1, intermediada principalmente pelos anticorpos IgE e mastócitos. Esses podem, eventualmente, responder a alérgenos de naturezas diversas, tais como: animal, vegetal, ambiental, alimentar, e à mudanças climáticas. Objetivo: Analisar a influência que pessoas com doenças respiratórias podem

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Reports on the topic "Animal poetry"

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Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) len

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