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1

Rowan, Hall, ed. Animal spirit: Spells, sorcery, and symbols from the wild. Franklin Lakes, NJ: New Page Books, 2002.

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2

Eason, Cassandra. Fabulous creatures, mythical monsters, and animal power symbols: A handbook. Westport, Conn: Greenwood Press, 2008.

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3

Gardner, Bill. LogoLounge, master library.: 3000 animal & mythology logos. Beverly, Mass: Rockport Publishers, 2010.

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4

M, Fishel Catharine, ed. LogoLounge, master library.: 3000 animal & mythology logos. Beverly, Mass: Rockport Publishers, 2010.

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5

Dogra, Vikas. Universalisation of cultural symbols: A case study of Bhunda. Shimla: Institute of Integrated Himalayan Studies, Himachal Pradesh University, 2007.

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6

Hawley, W. M. Chinese art symbols =: [Chung-kuo mei shu piao hao]. Hollywood, Calif., USA: Hawley Publications (8200 Gould Ave. Hollywood, CA 90046), 1993.

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7

Ross, Bruce. The inheritance of animal symbols in modern literature and world culture: Essays, notes, and lectures. New York: P. Lang, 1988.

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8

Tarnóczy, Tamás. Az emberi üzenetváltásról. [Budapest]: MTA Nyelvtudományi Intźete, 1992.

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9

Kiŭi pullyu ro pon Han'guk ŭi tongmul sangjing: A study of animal symbols in late Joseon period : focus on the signified classification of museum collections. Sŏul: Minsogwŏn, 2013.

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10

Lambert, Deborah. Animals. Calgary: Weigl Educational Publishers, 2010.

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11

Savage-Rumbaugh, E. Sue. Ape language: From conditionedresponse to symbol. New York: Columbia University Press, 1986.

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12

Animal symbolism in Hofmannsthal's works. New York: P. Lang, 1987.

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13

Animals as disguised symbols in Renaissance art. Boston: Brill, 2008.

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14

Ape language: From conditioned response to symbol. New York: Columbia University Press, 1986.

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15

Savage-Rumbaugh, E. Sue. Ape language: From conditioned response to symbol. Oxford: Oxford University Press, 1986.

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16

Savage-Rumbaugh, E. Sue. Ape language: From conditioned response to symbol. New York: Columbia University Press, 1986.

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17

University of Oxford. Faculty of Oriental Studies., ed. Animal symbolism in Warqa wa Gulshāh. Oxford: Oxford University Press for the Board of the Faculty of Oriental Studies, Univeristy of Oxford, 1986.

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18

Daneshvari, Abbas. Animal symbolism in Warqa wa Gulshāh. Oxford: Published by Oxford University Press for the Board of the Faculty of Oriental Studies, University of Oxford, 1986.

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19

Animal spirits. London: Macmillan London, 1995.

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20

Animal spirits. Boston: Little, Brown, 1995.

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21

Saint-Hilaire, Paul de. Le coq, mythes & symboles. Paris: Dédale, 1990.

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22

Animal symbolism in Mesopotamia: A contextual approach. Wien: Institut für Orientalistik der Universität Wien, 2002.

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23

Picturing the beast: Animals, identity, and representation. Urbana: University of Illinois Press, 2001.

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24

Picturing the beast: Animals, identity, and representation. Manchester: Manchester University Press, 1993.

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25

Publishers, Duncan Baird, ed. Dragons and fabulous beasts: A book of symbols. London: Pavilion, 1994.

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26

1947-, MacGregor Trish, ed. Animal totems: The power and prophecy of your animal guides. Gloucester, MA: Fair Winds Press, 2004.

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27

Ong, Hean-Tatt. Chinese animal symbolisms. Petaling Jaya, Selangor Darul Ehsan, Malaysia: Pelanduk Publications, 1993.

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28

The Continuum encyclopedia of animal symbolism in art. New York: Continuum, 2004.

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29

Hatte, Hélène. Paris animal: Un inventaire insolite. Paris: Berg, 2007.

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30

Caspari, Elizabeth. Animal life in nature, myth and dreams. Wilmette, Ill: Chiron Publications, 2003.

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31

Brugal, Jean-Philip, editor of compilation, Gardeisen, Armelle, editor of compilation, Zucker, Arnaud, editor of compilation, Centre d'études Préhistoire-Antiquité-Moyen Âge, and Antibes (France), eds. Prédateurs dans tous leurs états: Évolution, biodiversité, interactions, mythes, symboles : actes des rencontres, 21-23 octobre 2010. Antibes: Éditions APDCA, 2011.

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32

al-Rajul al-ḥayawān. Kūlūniyā: Manshūrāt al-Jamal, 2008.

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33

Cair-Hélion, Olivier. Les animaux de la Bible: Allégories & symboles. [Paris]: Éditions du Gerfaut, 2004.

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34

Museum, Cincinnati Art, ed. Decoded messages: The symbolic language of Chinese animal painting. New Haven, Conn: Yale University, 2009.

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35

The bald eagle. New York: Children's Press, 2003.

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36

Battaglia, Luisella, and Giuseppe Pallante. L'animale relazionale: Simbologia etica e cibo. Trento: Finestra, 2005.

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37

Michael, Heries, ed. Tiergestaltigkeit der Göttinnen und Götter zwischen Metapher und Symbol. Neukirchen-Vluyn: Neukirchener Theologie, 2012.

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38

Ferro, Xosé Ramón Mariño. Symboles animaux: Un dictionnaire des représentations et croyances en Occident. Paris: Desclée de Brouwer, 1996.

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39

James, Hillman. Dream animals. San Francisco: Chronicle Books, 1997.

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40

Conteh-Morgan, Jane. Oink-oink and other animal sounds. Chicago, IL: Cricket Books/Carus Pub. Co., 2006.

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41

Hillman, James. La cultura y el alma animal. Caracas, Venezuela: Fundación Polar, 1994.

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42

The double-crested cormorant: Symbol of ecological conflict. Ann Arbor: University of Michigan Press, 2012.

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43

Famous Animal Symbols. Books Nippan, 1993.

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44

Famous Animal Symbols. Books Nippan, 1991.

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45

Animals and animal symbols in world culture. New York, USA: Cavendish Square, 2014.

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46

Payne, Knight Richard. Animal Symbols According To Ancient Art And Mythology. Kessinger Publishing, LLC, 2006.

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47

Halstead, Paul, and Valasia Isaakidou. Sheep, sacrifices, and symbols. Edited by Umberto Albarella, Mauro Rizzetto, Hannah Russ, Kim Vickers, and Sarah Viner-Daniels. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199686476.013.8.

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Abstract:
Images, texts, and bones shed light on the place of animals in the later Bronze Age societies of southern Greece. Iconography offers an idealized vision of encounters with dangerous, exotic, and mythical beasts, of travel in elaborate horse-drawn chariots, and of ceremonial slaughter of bulls. Reality, even for the elite and as revealed by textual and faunal evidence, was more mundane: killing and consumption of sheep, goats, and pigs more than lions, deer, and bulls; and dependence, to finance a palatial lifestyle, on draught oxen for grain production and wool-sheep for exchangeable prestige textiles. Linear B texts describe aspects of animal management of interest to the Mycenaean palaces, while faunal data make clear how restricted were these interests. Faunal and ceramic data highlight the importance of commensality throughout the Neolithic and Bronze Age, and the shift from overtly egalitarian gatherings in the Neolithic to ostentatiously inegalitarian in the Bronze Age.
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48

Principles of animal communication - 2. edicion. Sinauer Associates, 2011.

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49

Handbook of Ceramic Animal Symbols in the Ancient Lesser Antilles. University Press of Florida, 2016.

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50

Fabulous Creatures, Mythical Monsters, and Animal Power Symbols: A Handbook. Greenwood Press, 2007.

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