Academic literature on the topic 'Animalistic sculptures'

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Journal articles on the topic "Animalistic sculptures"

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Portnova, Irina. "On the meaning and novelty of impressionistic thinking on the example of Russian animalistic sculpture of the late XIX – early XX centuries." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (2019): 82–107. http://dx.doi.org/10.36340/2071-6818-2019-15-4-82-107.

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This article dwells on consideration of Russian animalistic sculpture of the late XIX – early XX centuries, representing a new plastic thinking and figurative system. This important historical period, that was marked by the development of Russian impressionism in sculpture, had a fruitful effect on animalistic plastics. By this time, the animalistic sculptural genre, which had fully established itself in its stylistic figurative system, at the turn of the century had experienced something new. We are talking about fresh way o thinking and look as at the plastic itself as at the object of the i
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Михайло, Бокотей. "АНІМАЛІСТИЧНА ПЛАСТИКА У СВІТОВОМУ ДИЗАЙНІ ХУДОЖНЬОГО СКЛА ДРУГОЇ ПОЛОВИНИ ХХ СТ". ВІСНИК Львівської національної академії мистецтв, № 27 (17 листопада 2015): 137–45. https://doi.org/10.5281/zenodo.33924.

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The article provides a brief overview of a narrow area of glass art design – the animalistic sculpture. An individual style and the distinguishing features of each manufacturer of glass is analized on the basis of selected examples from the range of world famous companies. The activities of Ukrainian enterprises is also briefed in the context of world design. Special attention is paid to the work of different designers and their influence on the formation of glass art design national identity.
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Krivtsov, S. L., and D. V. Fomicheva. "On Animalistic Art and the Spirit of Life (Analysis of a Sculptural Composition by Pierre-Jules Mêne)." Secreta Artis 6, no. 2 (2023): 66–75. http://dx.doi.org/10.51236/2618-7140-2023-6-2-66-75.

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The article outlines the key principles of teaching animalistic sculpture based on methodology developed by Sergey Lvovich Krivtsov (Honored Artist of Russia, senior teacher at the Academy of Watercolor and Fine Arts of Sergey Andriaka). Training in this technique is carried out within the framework of higher, pre-professional and supplementary art education programs at the Academy, as well as a part of the program of additional art education at the Educational Center “Sirius” (Sochi). The article addresses the problem of composition in animalistic sculpture. The work of the 19th century Frenc
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Marian, Ana. "The importance of anatomical constructions in the creative activity of the sculptors animalists naum epelbaum, Nikolai Gabzulin and Vladislav Shevchenko." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(44) (February 2024): 59–65. http://dx.doi.org/10.55383/amtap.2023.1.11.

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Anatomical constructions are essential for the sculptural animalistic genre. Three-dimensional art objects are rendered through the movements of the animals’ bodies, which presuppose the presence of anatomical knowledge of the skeleton, as the frame on which the muscles are located. In the implementation of the Moldovan animalistic genre of ronde-bosse, two approaches are identified: both realistic and stylized. In general, these two approaches characterized the animalistic genre in the USSR; its best representatives were Ivan Efimov and Vasily Vataghin. In the works of Naum Epelbaum, we find
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Ruvituso, Federico. "Animal escondido. Obras de Maldonado en el Museo de La Plata." Revista del Museo de La Plata 9, Especial (2024): 129–39. https://doi.org/10.24215/25456377e230.

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This work delves into the works that the animal sculptor Máximo Maldonado made for the Museo de la Plata in the 1940s. These are sculptural heads of animals native to Argentina made from reconstituted stone, located in the entrance hall of the Museum. These pieces summarize the characteristics that made Maldonado a renowned animalist due to the “humanizing” features that he knew how to sculpt in the eyes, brow and, above all, in the mouth of each of his creatures. The animals made by this artist are neither cold nor static scientific representations, but rather friendly, even humorous figures.
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Сангаджиева, Д. В. "Animal Images in Sculpture and Graphics by Vladimir Vaskin: From Realism to Parable." Nasledie Vekov, no. 4(32) (December 31, 2022): 90–103. http://dx.doi.org/10.36343/sb.2022.32.4.008.

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Исследование призвано выявить художественно-композиционные особенности, характер формообразования и стилизации анималистических образов из наследия заслуженного художника России Владимира Савельевича Васькина (1941–2022). Впервые введены в научный оборот его неопубликованные произведения из собрания Национального музея Республики Калмыкия и частных коллекций, использованы результаты искусствоведческих исследований. Проанализировано решение художником анималистических композиций и образов, определены истоки его интереса к изображениям животных, значение анималистических сюжетов, иллюстрирующих
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Portnova, Irina V. "Russian Animalistic Art of the 20th Century as a Special Kind of Fine Art." Observatory of Culture 18, no. 5 (2021): 486–95. http://dx.doi.org/10.25281/2072-3156-2021-18-5-486-495.

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This article aims at analyzing the genre features of the 20th century animalistic art as a special, original phenomenon of Russian artistic culture. There are highlighted the aspects that make up its content basis. The author considers the issues of human perception of an animal, attitude to it, the system of views on the world of flora and fauna, the methods of interpretation of animals and birds. Together, they form the specific characteristics of animalistic art, which appeared in their organized and integral form in the 20th century. The article is relevant because the relationship between
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Portnova, Irina V. "MODEL OF “WILD NATURE” IN THE PATRIOTIC ANIMALISTIC SCULPTURE OF THE 20th CENTURY." Historical and social-educational ideas 9, no. 5/1 (2017): 173–79. http://dx.doi.org/10.17748/2075-9908-2017-9-5/1-173-179.

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Гольденберг, О. А., И. П. Кузьмина, and И. Б. Толкачев. "Plastic features of the animalistic genre in the decorative composition of students of the faculty of art education." Bulletin of Pedagogical Sciences, no. 4 (May 13, 2024): 220–27. http://dx.doi.org/10.62257/2687-1661-2024-4-220-227.

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в статье раскрыты особенности создания декоративных композиций студентами факультета художественного образования. Современная система подготовки дизайнеров и педагогов изобразительного искусства должна ориентировать все обучение на формирование у студентов творческих способностей. Метод творческой стилизации, авторской интерпретации образа животного нацеливает деятельность обучающихся на самостоятельное исследование в области теории и практики декоративно-прикладного искусства и на создание «художественного изобретения». В статье рассматриваются технологии работы с различными материалами, таки
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Portnova, Irina V. "Russian Animalism in Relation to Other Genres of Fine Art in the History of Russian Culture of the 18th—19th Centuries." Observatory of Culture 17, no. 6 (2021): 606–15. http://dx.doi.org/10.25281/2072-3156-2020-17-6-606-615.

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The article deals with the historical-cultural topic of relations of the Russian animalism with other genres of fine art of the 18th and 19th centuries. When the features of animalistic art were identified as a peculiar and characteristic phenomenon open to interaction, animalism became an original page of Russian culture. The author refers to this topic in connection with the small number of complex studies in the field of animalism. The purpose of the article is to consider the specific features of animalism, as a characteristic original phenomenon of Russian artistic culture, in the context
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Books on the topic "Animalistic sculptures"

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Queirós, João Paulo. João da Silva (1880-1960): O escultor animalista. Édiçoes Lisboa capital verde europeia 2020, 2021.

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1885-1963, Brozzi Renato, and Museo di Traversetolo, eds. Renato Brozzi e la scultura animalista italiana tra Otto e Novecento. Edifir edizioni Firenze, 2020.

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Conference papers on the topic "Animalistic sculptures"

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MARIAN, Ana. "Lion statues – the manifestation of the animalistic sculptural genre during the interwar period." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p184-187.

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The lion’s appearance as an animal-king was attested in the sculpture of ancient civilizations in Ancient Egypt and Anatolia, in Ancient Greece. The image of lions is also certified in the field of heraldry and occasionally appeared in the creativity of artists of the Renaissance and Classicism. Many figures of sculptural lions are in the modern St. Petersburg. In the art of interwar Bessarabia, the most significant lion sculptures are located at the entrance to the Organ Hall of Chisinau. These lions amaze with calmness and elegance. The sculptures of these animals are also on the facade of t
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Ни, Ш., and М. А. Сорокина. "ANIMAL SCULPTURE IN RUSSIAN ACADEMIC ART OF THE XIX — FIRST QUARTER OF THE XXI CENTURIES." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.44.

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Анималистическая скульптура в русском искусстве отражает изменения в обществе, сочетает реализм с модернизмом. Мастера XIX в. создавали реалистичные образы животных, показывая их эмоциональную выразительность. В XX в. советские художники продолжили традицию анималистической скульптуры, применяя новаторские методы и материалы. Современные скульпторы продолжают развивать этот жанр, выражая уникальный взгляд на мир природы. В статье рассмотрены работы авторов, связанных с петербургской школой. The animalistic sculpture of Russian art reflects changes in society, combines realism with modernism. T
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MARIAN, Ana. "Modeling and plastic techniques in the creation of the Moldovan sculptural animal genre." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p268-271.

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Modeling techniques, together with plastic ones, play a decisive role in the creation of a sculptural work. The sculptural animalistic genre uses the same materials as the sculptural portrait and nude: ceramics, wood, chamotte, bronze, to which are added the techniques of coloring and toning. Thus, modeling and plastic techniques are a single whole, tightly connected, which contributes to the manifestation of the idea of work, which is intuitively foreseen by the author from the very beginning and takes on contours more clearly in the modeling process in the material.
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