Relevant bibliographies by topics / Animals Symbolism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Animals Symbolism'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Animals Symbolism"

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Ahmadi, Anas. "Symbolism of sacred and profane animals in the Quran." Masyarakat, Kebudayaan dan Politik 33, no. 1 (2020): 15. http://dx.doi.org/10.20473/mkp.v33i12020.15-25.

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The story of animal symbolism is associated with knowledge and wisdom. This is in order to be used as an example by humans as a valuable lesson. Humans can learn ethics from fables. In the modern view, the symbolism of animals in relation to the issue of eco-psychology has become a trending topic. This study aims to explore the symbolism of sacred and profane animals in the Quran through a hermeneutic-anthropological perspective. This study used a qualitative-descriptive method by describing the data narratively. The data analysis techniques used in this study are hybridization techniques. Fir
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Mehmood, Sohail Ahmad. "Experience Animalism: Animals’ Vitality and Symbolism in the Poetry of D.H. Lawrence." Human Sciences 6 (June 10, 2021): 75–100. http://dx.doi.org/10.33518/hs.6.3.

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Romero-González, Dámaris. "Animals as Main Characters in the Dreams in Plutarch." Ploutarchos 18 (December 28, 2021): 45–56. http://dx.doi.org/10.14195/0258-655x_18_3.

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Three dreams have animals as main characters in Plutarch’s works: Themistocles 26.3 (a snake that changes into an eagle), Cimon 18.2 (a barking dog) and De sera 555 B-C (wolves and vultures). In these three cases Plutarch uses animals in order to foresee the immediate future of the dreamers but also because of the mythological and literary symbolism they have. This paper will focus on these symbolisms related to the dreams.
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Sokol, Augustín, and Jozefa Pevčíková. "Animal symbolism in works of H. P. Lovecraft." Ars Aeterna 13, no. 3 (2021): 42–56. http://dx.doi.org/10.2478/aa-2021-0016.

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Abstract Howard Phillips Lovecraft is widely considered to be one of the most influential writers of modern horror fiction and one of the main pioneers of the genre in its current form. One of the less discussed attributes of his work is his use of animal symbolism, despite how common it is, and serves several important functions. We will examine the different forms of animal symbolism in Lovecraft’s writing, their use and their respective functions. Our main goal will be to examine how animal symbolism in Lovecraft’s work was influenced by cultural and mythological sources and his own opinion
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Cohen, Simona. "Ars simia naturae: The Animal as Mediator and Alter Ego of the Artist in the Renaissance." Explorations in Renaissance Culture 43, no. 2 (2017): 202–31. http://dx.doi.org/10.1163/23526963-04302004.

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Past research on animals in Renaissance art has indicated their functions as signifiers of human characteristics. This study demonstrates stages in developments of Renaissance art that illustrate transitions from anthropocentric to theriocentric approaches in animal symbolism, where animals are perceived and valued in their own right. Traditional negative animal symbolism was not relinquished, but new types of animal depictions have testified to new attitudes. Iconography of the dog and the ape, for example, represents two issues relating to human-animal relationships in the Renaissance. Chang
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Yusuf, Babangida, and Hussaini Ibrahim Kaoje. "https://www.tasambo.com/2024/08/the-menagerie-of-majesty-analysing.html." Tasambo Journal of Language, Literature, and Culture 3, no. 03 (2024): 425–30. http://dx.doi.org/10.36349/tjllc.2024.v03i03.058.

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The paper examines the animal symbolism in the Hausa Songs of Sa’idu Faru; limiting itself to two songs: Gwabron giwa uban galadima ɗan sambo ginshimi: ganshiƙan amadu na maigandi kai a uban zagi and Koma shirin yaƙi: jan damishin gidan kure shehu. The selection of the songs was due to the occurrences or use of many forms of animal symbolism in them. The analysis has been done on some instances showcasing animal symbolism derived from these songs. Different names of animals have been mentioned in the songs which carry meanings and portray different qualities attributed to human beings to show
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Fidalgo Francisco, Elvira. "«Los animales de las Cantigas de Santa María. Una lectura en clave simbólica»." Revista de Literatura Medieval 29 (December 21, 2018): 107–27. http://dx.doi.org/10.37536/rpm.2017.29.0.69396.

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Resumen: En un buen número de cantigas de Santa María aparece mencionado algún animal. Su presencia puede justificarse por la necesidad de adornar la escena o por cuestiones de rima. Sin embargo, si al nombre de esos animales se le añade la simbología que portaban en la Edad Media, el texto de la cantiga cambia completamente, se enriquece y comprendemos mejor el mensaje que, con toda seguridad, era interpretado por el público medieval. En este trabajo se expondrán algunas muestras de cómo un texto que relata una anécdota se transforma en un verdadero exemplum al descodificar de manera correcta
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Fadhilla, Indah, and Rouli Esther Pasaribu. "Animals as a medium for criticism and reflection." LITE 21, no. 1 (2025): 58–67. https://doi.org/10.33633/lite.v21i1.11825.

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This research analyzes the short story “Sesat Pikir Para Binatang” by Triyanto Triwikromo using a zoo-semiotic approach from Thomas Albert Sebeok, who studies the role of animals as signs in human symbolic communication. The animals in this short story not only function as characters in the story, but also as a reflection of human identity to convey criticism of anthropocentrism and a reflection of human morality. By using zoo-semiotic theory, this research reveals that e zoo narrative in the short story is an allegory of human life, which is full of hierarchy, contradiction, and manipulation.
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FERATAN, MUHARREM, and ERHAN SOLMAZ. "ANADOLU DANS GELENEĞİNDE TÜRK DİNÎ DANSLARI VE HAYVAN SEMBOLİZMİ." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 106 (June 20, 2023): 319–36. http://dx.doi.org/10.34189/hbv.106.015.

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Dance, which emerged as an entertainment element today, was seen as an element of worship in primitive times. The dances, which were performed to please the gods or to protect them from their wrath in the first years, aimed to reach the god and become one with him in the following years. In order to achieve this goal, people imitated nature and animals in their religious dances. People observing the behavior of animals sometimes felt fear and sometimes admiration for them. This feeling of fear and admiration has revealed the human effort to identify with the animal and acquire its virtues. The
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Husein, Wisam So'ud, and Sirwan Jabbar Khidhr. "Animal Symbolism in Ibn Muqbil's Poetry." JOURNAL OF LANGUAGE STUDIES 3, no. 4 (2023): 134–49. http://dx.doi.org/10.25130/jls.3.4.8.

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This critical study aims at showing the extent of the Arab poet'sinterest in animals and his attachment to them. It concentrates on thepoet's relation to animals in the Pre-Islamic and the early Islamicages when symbolism was a daring beginning for new poetic textscontaining consciousness, will and illumination to emply symbols inthat poetic epoch in which poet proved their existence against thechanging atmosphere. , therefore is divided into two sections: the firstdeals with the she-camel as symbol and the second is devoted to thesymbolism of other animals. The last part of the paper is theco
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Dissertations / Theses on the topic "Animals Symbolism"

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Amadio, Ayla Martine. "Ritual Use of Animals at Formative Period Tayata: A Comparative Perspective." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/theses/403.

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This thesis provides evidence for patterned and pervasive ritual symbolism through use of animals and animal imagery in early Mesoamerican villages. I look at the faunal remains excavated from Early and Middle Formative (1350-850 B.C) domestic and ceremonial contexts at the Mixteca Alta site of Tayata, Oaxaca. I focus on the presence of exotic and locally available fauna including: domesticated dog, fish, turtle, small bird and nine-banded armadillo. By investigating the variable use of these animals in purposeful domestication, seasonal celebrations, autosacrifice, as musical instruments
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Kiehlbauch, Solange Nicole. ""The Gods Have Taken Thought for Them": Syncretic Animal Symbolism in Medieval European Magic." DigitalCommons@CalPoly, 2018. https://digitalcommons.calpoly.edu/theses/1923.

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This thesis investigates syncretic animal symbolism within medieval European occult systems. The major question that this work seeks to answer is: what does the ubiquity and importance of magical animals and animal magic reveal about overarching medieval perceptions of the world? In response, I utilize the emerging subfield of Animal History as a theoretical framework to draw attention to an understudied yet highly relevant aspect of occult theory and practice. This work argues that medieval Europeans lived in a fundamentally “enchanted” world compared to our modern age, where the permeable bo
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Oliveira, Ricardo Wagner menezes de. "Feras petrificadas: o simbolismo religioso dos animais na era viking." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/8768.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2017-01-18T13:56:46Z No. of bitstreams: 1 arquivo total.pdf: 8622162 bytes, checksum: 0bcfb8b91dbbbf51331420e49b3ad1b9 (MD5)<br>Made available in DSpace on 2017-01-18T13:56:46Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 8622162 bytes, checksum: 0bcfb8b91dbbbf51331420e49b3ad1b9 (MD5) Previous issue date: 2016-09-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The Vikings, people who inhabited the Medieval Scandinavia, before the adoption of Christianity as the official religion in the eleventh century, had
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Moreau, Ronan. "Sur les chemins des terres sauvages : figures et symbolique des animaux de la forêt dans l'Inde ancienne." Paris 3, 2008. http://www.theses.fr/2008PA030123.

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Cette étude des figures et de la symbolique des animaux sauvages dans l’Inde ancienne, repose sur une lecture des Veda et des épopées que sont le Rāmāyan_a et le Mahābhārata. Elle consiste à dresser un portrait aussi complet que possible d’animaux emblématiques de la forêt : loup, chacal, hyène, ours, lion, tigre, panthère, éléphant, rhinocéros, sanglier, et buffle. À la fois animaux vrais et conceptuels, leur image apparaît complexe et en partie attachée à la définition du milieu où ils vivent, l’aran_ya ou les « terres sauvages ». Essentiellement présents au travers de leurs relations avec l
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Watanabe, Chikako Esther. "Aspects of animal symbolism in Mesopotamia." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624215.

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Anttonen, Ramona. "Animal Imagery and Religious Symbolism in Joseph Conrad's." Thesis, Växjö University, School of Humanities, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-536.

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<p>The purpose of this essay is to investigate how Joseph Conrad has used animal imagery and religious symbolism in “Heart of Darkness,” and determine if these tools are somehow linked to the theme of the story. Close reading has been applied in order to be able to go through the entire story in search of these often well-hidden tools. Considering the fact that the story in focus of the analysis is believed by some, including myself, to be a long short story rather than a short novel, this method of approach has proved to be highly useful. First a discussion about a possible theme in “Heart of
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Singh, Jyoti. "William Blake’s animal symbols: tensions and intersections between science and allegory In Eighteenth-Century attitudes towards animals." Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/4590.

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This thesis explores the tensions and intersections between science, allegory, and related eighteenth-century attitudes towards animals in William Blake’s poetry through detailed analysis of individual animal symbols and tropes. It will focus specifically on the period between 1794 and 1820, to coincide with the dates of Blake’s major works. Chapter One outlines Blake’s key philosophies, concentrating on his particular approach to symbolism. By rejecting certain Enlightenment ideals and beliefs surrounding allegory, Blake created his own form of the literary tradition, and the subjects and sym
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Sommer, Caitlin Ariel. "Animacy, Symbolism, and Feathers from Mantle's Cave, Colorado." Thesis, University of Colorado at Boulder, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1539391.

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<p> Rediscovered in the 1930s by the Mantle family, Mantle's Cave contained excellently preserved feather bundles, a feather headdress, moccasins, a deer-scalp headdress, baskets, stone tools, and other perishable goods. From the start of excavations, Mantle's Cave appeared to display influences from both Fremont and Ancestral Puebloan peoples, leading Burgh and Scoggin to determine that the cave was used by Fremont people displaying traits heavily influenced by Basketmaker peoples. Researchers have analyzed the baskets, cordage, and feather headdress in the hopes of obtaining both radiocarbon
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Lindström, Lovisa. "Människa och hund : Hur aktiva hundägare konstruerar denna relation." Thesis, Uppsala universitet, Sociologiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-175738.

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Tack till min handledare Lars Holmberg för de riktlinjer och stöd som du gav. Jag vill också tacka de snälla människorna på Uppsala Brukshundklubb för intervjuerna. Men framför allt min katt Sally, som under denna tid gick och födde tre underbara kattungar som jag kunde njuta av under pauserna.
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Eraßme, Rolf. "Der Mensch und die 'Künstliche Intelligenz': Eine Profilierung und kritische Bewertung der unterschiedlichen Grundauffassungen vom Standpunkt des gemäßigten Realismus." Diss., RWTH Aachen, 2002. http://hdl.handle.net/10919/71556.

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After a short introduction concerning the problem of "Artificial Intelligence" (AI) the work continues with a summary of the state of the art.Thereafter, it goes on to profile four different basic scientific views of human beings and AI: symbolism, connectionism, biologism and physicalism. The emphasis is on the elucidation of anthropologically relevant statements to intelligence, spirit, thinking, perception, will, consciousness, self-consciousness, feelings and life.It is demonstrated that the basic views referred to represent greatly abbreviated and distorted pictures of human beings. Theor
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Books on the topic "Animals Symbolism"

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Evans, E. P. Animal symbolism in ecclesiastical architecture. Henry Holt, 1989.

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R, Zentall Thomas, and Smeets Paul M, eds. Stimulus class formation in humans and animals. Elsevier, 1996.

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Daneshvari, Abbas. Animal symbolism in Warqa wa Gulshāh. Published by Oxford University Press for the Board of the Faculty of Oriental Studies, University of Oxford, 1986.

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Cattabiani, Alfredo. Bestiario segreto. Rusconi, 1995.

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Higgins, J. G. Irish mermaids: Sirens, temptresses and their symbolism in art, architecture and folklore. Crow's Rock Press, 1995.

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Caspari, Elizabeth. Animal life in nature, myth and dreams. Chiron Publications, 2003.

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Torres, Javier González. Emblemata Eucharistica: Símbolos animados de la iconografía cristológica y sacramental. Universidad de Málaga, 2009.

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M, Dooling D., ed. The bestiary of Christ. Parabola Books, 1991.

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Tollo, Roberto. L'impronta del leone: Simbologia del principe dei felini nell'arte d'Occidente e sue valenze nel pensiero di sant'Agostino d'Ippona. Biblioteca egidiana, 2018.

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Hannah, Barbara. The archetypal symbolism of animals: Lectures given at the C.G. Jung Institute, Zurich, 1954-1958. Chiron Publications, 2006.

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Book chapters on the topic "Animals Symbolism"

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Moffett, Mark W. "Symbols and How We Came to Be Human." In Speciesism in Biology and Culture. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99031-2_6.

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AbstractA longstanding belief commonly mentioned in support of human exceptionalism is that our species is distinct from others in using symbols (a word I use here, as it is in the social sciences, to describe anything with a socially shared meaning that isn’t obvious). Countering the assumption that symbols are a distinct category that's unique to humans, I propose that they be properly recognized as operating in concert with an impressive number and diversity of less widely meaningful, or outright meaningless, social markers. This chapter critiques the views on symbolism in our species often
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Broglio, Ron. "Beyond Symbolism: The Rights and Biopolitics of Romantic Period Animals." In Palgrave Studies in Animals and Literature. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39773-9_18.

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Obermaier, Sabine. "You Are the Animal That You Eat On the Symbolism of Food Animals in the Courtly Epic of the Middle Ages." In Impious Dogs, Haughty Foxes and Exquisite Fish, edited by Tristan Schmidt and Johannes Pahlitzsch. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110576917-007.

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Meijer, Eva, and Bernice Bovenkerk. "Taking Animal Perspectives into Account in Animal Ethics." In The International Library of Environmental, Agricultural and Food Ethics. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63523-7_3.

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AbstractRecent years have seen an explosion of interest in nonhuman animal agency in different fields. In biology and ethology, new studies about animal languages, cultures, cognition and emotion are published weekly. In the broad field of animal studies, the symbolic and ontological human-animal distinction is challenged and other animals are presented as actors. These studies challenge existing approaches to animal ethics. Animals are no longer creatures to simply think about: they have their own perspectives on life, and humans can in some instances communicate with them about that. Animal
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Räsänen, Tuomas. "Chapter 11. From Eradication Campaigns to ‘Care Protection’: Finnish Endangered Animals in the Twentieth Century." In Green Development or Greenwashing? The White Horse Press, 2023. http://dx.doi.org/10.3197/63824846758018.ch11.

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This chapter examines the human relationship with wild animals in Finland during the twentieth century. The chapter analyses three distinctive, yet somewhat overlapping, stages of human-animal relations. The first stage covers much of the first part of the century, when wild animals were perceived almost solely through the prism of their utility to humans. Game animals were considered as resources to be exploited, while predators were feared for the harm they might cause to humans and their domestic animals. As a result, many species from both categories were hunted to the brink of extinction.
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Case, Caroline. "An animal alphabet of our actual and symbolic relationship to animals." In Imagining Animals. Routledge, 2025. https://doi.org/10.4324/9781003608882-3.

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Pepperberg, Irene M. "Symbolic communication in nonhuman animals." In APA handbook of comparative psychology: Basic concepts, methods, neural substrate, and behavior. American Psychological Association, 2017. http://dx.doi.org/10.1037/0000011-032.

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Ivić, Ivan D. "Symbolic Function." In The Human as Animal Symbolicum. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49757-5_1.

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Ivić, Ivan D. "Hints of the Symbolic Function in Animals." In The Human as Animal Symbolicum. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49757-5_2.

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Scarf, Damian. "Symbolic Distance." In Encyclopedia of Animal Cognition and Behavior. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-55065-7_1515.

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Conference papers on the topic "Animals Symbolism"

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ISMATULLAYEVA, Nargiza. "PHRASEOLOGY WITH ZOONYMIC COMPONENTS OF "DRAGON" AND "TIGER" IN CHINESE AND KOREAN LANGUAGES." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-35.

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The figurative foundations of phraseology, which are the result of people's comparisons of objects and events in nature and society with the animal world, flora, and natural phenomena, often have a symbolic meaning. This article analyzes the importance of the image of the dragon and the tiger in Chinese and Korean linguistic culture, as well as the similarities and differences between their symbolism in these two languages. Linguocultural features of Chinese and Korean phraseology with the components of zoononyms "dragon" and "tiger" are studied.
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Malcoci, Vitalie. "Semantic approaches of rural architectural decor from the south of Moldova." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.10.

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Traditional artistic creation, manifested through customs, traditions, folklore, is the basic substratum of the knowledge about a civilisation and its culture. Th roughout the entire process of its constitution, the Romanian people produced a huge substratum of archaeological cultures and mythic-folkloric structures that constitute the essence of folk creation. Folk architecture is one of the most impressive material forms from the past of any civilization. Evolving over time, it shaped some of the traditions and practices in peasant constructions, in the evolution of architectural forms, and
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Chang, Liu. "SYMBOLIC VALUES OF ANIMALS IN RUSSIAN AND CHINESE PHRASEOLOGISM." In FUNCTIONAL ASPECTS OF INTERCULTURAL COMMUNICATION. TRANSLATION AND INTERPRETING ISSUES. Peoples' Friendship University of Russia, 2019. http://dx.doi.org/10.22363/2712-7974-2019-6-372-381.

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Mironova, Elena. "REFLECTION OF EURASIAN CULT SYMBOLS IN THE PERMIAN ANIMAL STYLE." In Россия и Китай: история и перспективы сотрудничества. Благовещенский государственный педагогический университет, 2020. http://dx.doi.org/10.48344/bspu.2020.39.89.023.

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MINYOUNG, Jo. "THE CHARACTERISTICS OF SIMILES IN UZBEK AND KOREAN LANGUAGES AND THE SYMBOLIC MEANING OF ANIMALS USED IN SIMILE EXPRESSIONS." In UZBEKISTAN-KOREA: CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-23.

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This thesis explains the characteristics of the simile concept and application of Uzbek and Korean, and the differences and similarities between the objects used as simile auxiliary ideas in Uzbek and Korean through simile example sentences. Humans have been vividly and efficiently expressing parts and various thoughts that are difficult to speak directly through the method of simile within a limited vocabulary for a long time. In particular, it can be seen that expressing animals, plants, and nature, which have always been together since the beginning of humanity, in relation to simile object
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Mitchener, Ludovico, David Tuckey, Matthew Crosby, and Alessandra Russo. "Detect, Understand, Act: A Neuro-Symbolic Hierarchical Reinforcement Learning Framework (Extended Abstract)." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/742.

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We introduce Detect, Understand, Act (DUA), a neuro-symbolic reinforcement learning framework. The Detect component is composed of a traditional computer vision object detector and tracker. The Act component houses a set of options, high-level actions enacted by pre-trained deep reinforcement learning (DRL) policies. The Understand component provides a novel answer set programming (ASP) paradigm for effectively learning symbolic meta-policies over options using inductive logic programming (ILP). We evaluate our framework on the Animal-AI (AAI) competition testbed, a set of physical cognitive r
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Mgallad, Ali. "Leave the Hedgehog Alone! The Problem of Privacy in Paul Muldoon's Hedgehog." In 3rd International Conference on Language and Education. Cihan University-Erbil, 2023. http://dx.doi.org/10.24086/iclangedu2023/paper.942.

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Paul Muldoon is an outstanding Irish poet. One of his poetry's characteristics can be coined as the 'intricate spontaneity,' which does the most that it does, inspires. This paper deals with the problem of privacy in his poem the Hedgehog. Privacy is an essential right that everyone must have. Its importance is huge as it relates to such areas as identity, sovereignty... etc. The paper is an attempt to follow the brush touches by which the poet draws the object of his painting, the hedgehog. It aims at observing the animal closely both externally as well as internally. In respect to the extern
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Berszán, István. "How to Translate the Speechless Other? An Eco-rhythmological Experiment." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9008.

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This paper reveals the contribution of practice-oriented physics and eco-rhythmology to the philosophy of translation with the help of a case study. This approach does not consider verbal transformations as the only relevant phenomena in translation, but it is focused on the search for any common kinetic space in contact-making. Methodologically, the investiga­tion is based on interdisciplinary research revealing affinities and resonances between the string theory of contemporary physics, the search for remote galaxies with space telescopes and the search for connections by artistic practices.
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Griffin, Alidair A., Barbara Doyle Prestwich, and Eoin P. Lettice. "UCC Open Arboretum Project: Trees as a teaching and outreach tool for environmental and plant education." In Learning Connections 2019: Spaces, People, Practice. University College Cork||National Forum for the Enhancement of Teaching and Learning in Higher Education, 2019. http://dx.doi.org/10.33178/lc2019.25.

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The University College Cork (UCC) Open Arboretum Project aims to re-imagine the original purpose of the University’s tree collection – as a teaching tool. The arboretum represents a unique on-campus learning space which has been under-utilised for teaching in recent times. The arboretum has the capacity to engage students, staff and visitors in a tangible way with important global issues (e.g. the climate emergency and biodiversity loss). It is also an opportunity to combat ‘plant blindness’, i.e. the ambivalence shown to plants in our environment compared to often charismatic animal species.
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Sareen, Harpreet, Yibo Fu, and Yasuaki Kakehi. "Ephemera: Bubble Representations as Metaphors for Endangered Species." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-26-short-sareen-et-al-ephemera.

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SHORT PAPER. The effects of a hierarchical relationship of humans with non-humans are now more pronounced than ever. Anthropogenic ecological stressors, including high levels of carbon dioxide, water scarcity, habitat fragmentation have led to disruption of climate systems, in turn endangering many local and global species. ephemera is an installation composed of glass vessels that show bubble images representing animals from all continents and ecologies currently under threat as per the IUCN Red list. These self-assembling bubble pictures, formed by nucleation of CO2 bubbles in water, are in
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Reports on the topic "Animals Symbolism"

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Bohorquez, Clara, Tamar Cooper, and Ian Tattersall. Human Evolution and Biodiversity. American Museum of Natural History, 2010. http://dx.doi.org/10.5531/cbc.ncep.0095.

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Homo sapiens, modern humans, are part of the order of Primates, which includes the diverse lemurs, lorises, monkeys and apes. Our family of primates, Hominidae, originated between 8 and 6 MYA in Africa. The evolution to modern Homo sapiens comprised both significant changes in physique/genetics (bipedalism, modern body form, increases in cognitive function) and lifestyle/culture (tool-use, symbolism, agriculture). Throughout our history, Homo sapiens has and continues to shape global biodiversity through the spread of disease and non-native species, overhunting and fire-use. In the accompanyin
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