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Books on the topic 'Animated film history'

Author: Grafiati

Published: 24 April 2022

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1

Stoffman, Daniel. The Nelvana Story: Thirty Animated Years. Nelvana Publishing, 2001.

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2

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2005. Pendragon, 2005.

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3

Before Mickey: The animated film, 1898-1928. University of Chicago Press, 1993.

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4

Future, Film Festival (9th 2007 Bologna Italy). Future Film Festival, 2007: Www.futurefilmfestival.org. Pendragon, 2007.

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5

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2006: Www.futurefilmfestival.org. Pendragon, 2006.

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6

Giovanni, Ricci, and Vanelli Marco, eds. Animazione in cento film. Le mani, 2013.

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7

Sitkiewicz, Paweł. Miki i myszy: Walt Disney i film rysunkowy w przedwojennej Polsce. Słowo/obraz terytoria, 2012.

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8

Créateurs & créatures: 50 ans de festival international du film d'animation d'Annecy = Creators & creatures : 50 years of the Annecy International Animation Film Festival. Glénat, 2010.

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9

1962-, Daly Steve, ed. Toy story: The art and making of the animated film. Hyperion, 1995.

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10

Lasseter, John. Toy story: The art and making of the animated film. Disney Editions, 2009.

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11

Cavallaro, Dani. Anime and the art of adaptation: Eight famous works from page to screen. McFarland, 2010.

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12

Spalińska-Mazur, Joanna. Inwencje i kontynuacje: Polski autorski film animowany w latach 1980-1990. Wydawn. Uniwersytetu Opolskiego, 2009.

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13

The animated film encyclopedia: A complete guide to American shorts, features, and sequences, 1900-1979. McFarland & Co., 2006.

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14

Webb, Graham. The animated film encyclopedia: A complete guide to American shorts, features and sequences 1900-1979. McFarland, 2000.

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15

Animierte Musik, beseelte Zeichen: Tonspuren anthropomorpher Tiere in Animated Cartoons. Franz Steiner Verlag, 2013.

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16

Cosandey, Roland. Langages et imaginaire dans le cinéma suisse d'animation, avec un répertoire de la production 1977-1988. Groupement suisse du film d'animation, 1988.

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17

Guido, Michelone. Bibidi bobidi bu: La musica nei cartoni animati da Betty Boop a Peter Gabriel. Castelvecchi, 1998.

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18

Manuele, Cecconello, and Michelone Guido, eds. Coloriture: Voci, rumori, musiche nel cinema d'animazione. Pendragon, 1995.

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19

John, Sundholm, and Söderbergh-Widding Astrid, eds. A history of Swedish experimental film culture: From early animation to video art. National Library of Sweden, 2010.

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20

1940-, Patten Frederick Walter, and Ranney Douglas Mackay 1954-, eds. The complete anime guide: Japanese animation film directory & resource guide. Tiger Mountain Press, 1995.

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21

The anime paradox: Patterns and practices through the lens of traditional Japanese theater. Global Oriental, 2013.

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22

Le origini dell'animazione italiana: La storia, gli autori e i film animati in Italia, 1911-1949. Tunué, 2013.

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23

Animated life: A lifetime of tips, tricks, techniques and stories from a Disney legend. Focal Press, 2012.

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24

The animated film encyclopedia: A complete guide to American shorts, features and sequences, 1900-1999. 2nd ed. McFarland & Co., 2011.

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25

Enviro-toons: Green themes in animated cinema and television. McFarland & Company, Inc., Publishers, 2012.

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26

Anime and the art of adaptation: Eight famous works from page to screen. McFarland & Company, Inc., Publishers, 2010.

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27

Museum, Walt Disney Family, ed. Snow White and the seven dwarfs: [the art and creation of Walt Disney's classic animated film]. Walt Disney Family Foundation Press, 2012.

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28

Ledoux, Trish. The complete anime guide: Japanese animation video directory & resource guide. Tiger Mountain Press, 1995.

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29

Ledoux, Trish. The complete anime guide: Japanese animation video directory & resource guide. 2nd ed. Tiger Mountain Press, 1997.

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30

Rösing, Lilian Munk. Pixar with Lacan: The hysteric's guide to animation. Bloomsbury Academic, 2015.

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31

Rick, Goldschmidt. The Enchanted World of Rankin/Bass: A Portfolio. Tiger Mountain Press, 1997.

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32

Blum, Andreas. Sprachliche Individualität: Der Idiolekt, seine Erscheinungsweise im Film und seine Behandlung bei der Synchronisation. Stauffenburg Verlag, 2013.

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33

1951-, McCarthy Helen, ed. The anime encyclopedia: A guide to Japanese animation since 1917. Stone Bridge Press, 2001.

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34

Frank, Thomas. Too funny for words: Disney's greatest sight gags. Abbeville Press, 1987.

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35

Ati, Mul, ed. "They thought it was a marvel": Arthur Melbourne-Cooper (1874-1961) : pioneer of puppet animation. Amsterdam University Press, 2009.

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36

Imagination and innovation: The story of Weston Woods. Scholastic Press, 2009.

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37

Holliss, Richard. Walt Disney's Snow White and the seven dwarfs & the making of the classic film. Hyperion, 1994.

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38

Brian, Sibley, ed. Walt Disney's Snow White and the seven dwarfs & the making of the classic film. Simon & Schuster Books for Young Readers, 1987.

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39

Brian, Sibley, ed. Walt Disney's Snow White and the Seven Dwarfs & The Making of the Classic Film. [Walt Disney Home Video], 1994.

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40

French animation history. Wiley-Blackwell, 2011.

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41

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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Abstract:

The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre argues that this international body of work constitutes a unique genre of mainstream cinema. It applies, for the very first time, genre theory to the landscape of contemporary digital animation, and identifies how computer-animated films can be distinguished in generic terms. This book therefore asks fundamental questions about the evolution of film genre theory within both animation and new media contexts. Informed by wider technological discourses and the status of animation as an industrial art form, The Computer-Animated Film: Industry, Style and Genre not only theorises computer-animated films through their formal properties, but connects elements of film style to animation practice and the computer-animated film’s unique production contexts.

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42

Neupert, Richard. French Animation History. Wiley & Sons, Incorporated, John, 2011.

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43

Neupert, Richard. French Animation History. Wiley & Sons, Incorporated, John, 2011.

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44

Neupert, Richard. French Animation History. Wiley-Blackwell, 2014.

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45

Neupert, Richard. French Animation History. Wiley & Sons, Limited, John, 2011.

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46

translator, Vidmarová Lucie, Národní filmový archív, and Akademie múzických umění v Praze, eds. The Dodals: Pioneers of Czech animated film. 2013.

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47

Pallant, Chris. Animated Landscapes: History, Form, and Function. Bloomsbury Publishing Plc, 2015.

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48

Animating Film Theory. Duke University Press, 2014.

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49

Cholodenko, Alan. The Illusion of Life: Essays on Animation. University of Sydney, Power Institute of Fine, 1991.

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50

Alan, Cholodenko, and Australian Film Commission, eds. The Illusion of life: Essays on animation. Power Publications in association with the Australian Film Commission, 1991.

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