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Books on the topic 'Animated film'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Český animovaný film: Czech animated film. Praha: Národní Filmový Archiv, 2012.

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2

Marianna, Forrayová, Vraštiak Štefan, Urc Rudolf, Slovenský filmový ústav, and Národné kinematografické centrum (Slovakia), eds. Slovenský animovaný film =: The Slovak animated film. Bratislava: Slovenský filmový ústav-Národné kinematografické centrum, 1996.

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3

Nagata, Daisuke, and Shintarō Matsunaga. Anime no shakaigaku: Anime fan to anime seisakushatachi no bunka sangyōron = Sociology of anime. Kyōto-shi: Nakanishiya Shuppan, 2020.

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4

Stoffman, Daniel. The Nelvana Story: Thirty Animated Years. Toronto: Nelvana Publishing, 2001.

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5

1958-, Wedge Chris, ed. Bunny: Adapted from the animated film. New York, NY: ipicturebooks, 2002.

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6

1958-, Wedge Chris, ed. Bunny: Adapted from the animated film. New York, NY: ipicturebooks, 2002.

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7

Prassel, Igor. Filmografija slovenskega animiranega filma 1952-2012: Filmography of Slovenian animated film 1952-2012. Ljubljana: Slovenska kinoteka, 2012.

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8

Giovanni, Ricci, and Vanelli Marco, eds. Animazione in cento film. Recco, Genova: Le mani, 2013.

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9

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2006: Www.futurefilmfestival.org. Bologna: Pendragon, 2006.

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10

Future, Film Festival (9th 2007 Bologna Italy). Future Film Festival, 2007: Www.futurefilmfestival.org. Bologna: Pendragon, 2007.

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11

Balkanima, Evropski festival animiranog filma. Balkanima '11: 8. evropski festival animiranog filma, Beograd 4-08.2011 : katalog festivala. Novi Beograd: Dom kulture Studentski grad, 2011.

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12

editor, Popović Milena, and Dom kulture "Studentski grad.", eds. Balkanima '10: 7. evropski festival animiranog filma, Beograd. Beograd: Dom kulturi Studentski grad, 2010.

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13

Zhong ping "Da sheng gui lai". Beijing Shi: Zhongguo shu ji chu ban she, 2018.

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14

Noake, Roger. Animation: A guide to animated film techniques. London: Macdonald Orbis, 1988.

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15

Animasophy: Theoretical writings on the animated film. [Tallinn?]: Estonian Academy of Arts, 2010.

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16

Before Mickey: The animated film, 1898-1928. Chicago: University of Chicago Press, 1993.

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17

Maksimov, Ilʹ︠i︡a. Karlik Nos. S.l: s.n., 2003.

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18

Kim, I︠U︡liĭ, I︠U︡lii︠a︡ Rutberg, and Garri Bardin. Gadkiĭ utënok: Polnometrazhnyĭ mulʹtfilʹm. [Russia]: Kinostudii︠a︡ "Staĭer", 2010.

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19

Bosustow, Nick, and Sam Weiss. The reluctant dragon: And, The furious flycycle. Racine, Wis.?]: Golden Book Video, 1990.

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20

1951-, Giżycki Marcin, and Zmudziński Bogusław, eds. Polski film animowany. Warszawa: Polskie Wydawn. Audiowizualne, 2008.

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21

ASIFA 50th anniversary book. [Burbank, Calif.?]: International Animated Film Association, 2011.

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22

Shi, Desheng. Zhongguo dong man chan ye fa zhan mo shi chuang xin yan jiu. Beijing Shi: Zhongguo she hui ke xue chu ban she, 2016.

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23

Contribution of animation techniques to India's contemporary film Industry. New Delhi: G.B. Books, 2016.

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24

Zhongguo dong man chan ye: Zheng ce, guo jia yu shi chang. Beijing Shi: Zhongguo chuan mei da xue chu ban she, 2020.

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25

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2005. [Bologna]: Pendragon, 2005.

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26

Nosov, Nikolaĭ Nikolaevich. Neznaĭka na Lune. Moskva: So︠i︡uz Video, 2003.

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27

Disney's Aladdin: The making of the animated film. New York: Hyperion, 1992.

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28

World Animated Film Festival (5th 1987 Varna, Bulgaria). Varna '87: Peti Svetoven festival na animat͡s︡ionnii͡a︡ film, 3-7 oktomvri = Varna '87 : Fifth World Animated Film Festival, October 3-7. Varna: Prest͡s︡entŭrŭt na Petii͡a︡ svetoven festival na animat͡s︡ionnii͡a︡ film, 1987.

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29

Josef, Steiff, and Tamplin Tristan D, eds. Anime and philosophy: Wide eyed wonder. Chicago, Ill: Open Court, 2010.

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30

Film cartoons: A guide to 20th century American animated features and shorts. Jefferson, N.C: McFarland & Co., 1998.

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31

Cosulich, Oscar, and Giuletta Fara. Future film festival, 2009: New technologies in animation cinema. [Bologna]: Comma 22, 2009.

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32

Sitkiewicz, Paweł. Miki i myszy: Walt Disney i film rysunkowy w przedwojennej Polsce. Gdańsk: Słowo/obraz terytoria, 2012.

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33

Xiang, Jianheng. Ying shi dong hua hou qi ji huo jiang duan pian yan xi. Beijing: Ji xie gong ye chu ban she, 2010.

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34

Ginga Tetsudō 999. Tōkyō: Shōgakkan Kurieitibu, 2014.

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35

Dong hua chuang yi chan ye. Shanghai Shi: Dong fang chu ban zhong xin, 2009.

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36

Scott, Elaine. Look alive: Behind the scenes of an animated film. New York: Morrow Junior Books, 1992.

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37

Dong hua duan pian chuang zuo: Animated short film. Taibei Shi: Shen shi shu wei ke ji gu fen you xian gong si, 2017.

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38

Company, Walt Disney, ed. Disney's Mulan: Based on Disney's full-length animated film. London: Scholastic, 1998.

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39

Alan, Cholodenko, and Australian Film Commission, eds. The Illusion of life: Essays on animation. Sydney: Power Publications in association with the Australian Film Commission, 1991.

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40

Sutajio Jiburi, Kabushiki Kaisha. Kaze no Tani no Naushika. Tōkyō: Bungei Shunjū, 2013.

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41

Clarke, James. Animated Films - Virgin Film. Ebury Publishing, 2012.

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42

Clarke, James. Animated Films (Virgin Film). Virgin Books, 2004.

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43

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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Abstract:

The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre argues that this international body of work constitutes a unique genre of mainstream cinema. It applies, for the very first time, genre theory to the landscape of contemporary digital animation, and identifies how computer-animated films can be distinguished in generic terms. This book therefore asks fundamental questions about the evolution of film genre theory within both animation and new media contexts. Informed by wider technological discourses and the status of animation as an industrial art form, The Computer-Animated Film: Industry, Style and Genre not only theorises computer-animated films through their formal properties, but connects elements of film style to animation practice and the computer-animated film’s unique production contexts.

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44

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474427906.

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45

Smith, Susan. The Animated Film Musical. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780195385946.013.0013.

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46

Making an Animated Film. Crowood Press, Limited, The, 2005.

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47

Beckman, Karen. Animating Film Theory. Duke University Press, 2014.

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48

Animating Film Theory. Duke University Press, 2014.

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49

Beckman, Karen Redrobe. Animating Film Theory. Duke University Press, 2014.

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50

Bashara, Daniel. Cartoon Vision: UPA Animation and Postwar Aesthetics. University of California Press, 2019.

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