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Books on the topic 'Animated image'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

3D and animated lenticular photography: Between Utopia and entertainment. Walter De Gruyter GmbH, 2015.

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2

Obraz, czas, myśl: O widzeniu w animacji filmowej. Uniwersytet Opolski, 2007.

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3

Art, agency and living presence: From the animated image to the excessive object. De Gruyter, 2015.

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4

Glassman, Marc. Paul Driessen: Beelden en bespiegelingen = images et réflexions = images and reflexions. Holland Animation Film Festival, 2002.

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5

Bilder animierter Bewegung: Images of animate movement. Wilhelm Fink, 2013.

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6

Sampson, Henry T. That's enough, folks: Black images in animated cartoons, 1900-1960. Scarecrow Press, 1998.

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7

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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8

Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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9

Christian, Balkenius, Hallam John, and SpringerLink (Online service), eds. From Animals to Animats 12: 12th International Conference on Simulation of Adaptive Behavior, SAB 2012, Odense, Denmark, August 27-30, 2012. Proceedings. Springer Berlin Heidelberg, 2012.

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10

Ethier, Stephen J. Autodesk VIZ 2008 fundamentals. Pearson/Prentice Hall, 2008.

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11

A, Ethier Christine, ed. Autodesk VIZ 2008 fundamentals. Pearson/Prentice Hall, 2008.

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12

Canemaker, John. The Art of the Animated Image. Samuel French Trade, 1988.

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13

(Editor), Charles Solomon, and John Canemaker (Contributor), eds. Art of the Animated Image: An Anthology. Amer Film Inst Educ Ser Pubn, 1987.

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14

The Animated Image (Studien Aus Dem Warburg-Haus). Akademie Verlag, 2012.

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15

Canemaker, John. Storytelling in Animation: The Art of the Animated Image, Volume 2. Samuel French, 1988.

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16

Hu, Tze-yue G. Frames of Anime: Culture and Image-Building. Hong Kong University Press, 2010.

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17

Eck, Caroline van. Art, Agency and Living Presence: From the Animated Image to the Excessive Object. De Gruyter, Inc., 2015.

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18

Moving Image Workshop: Introducing Animation, Motion Graphics and Visual Effects in 45 Practical Projects. Bloomsbury Publishing Plc, 2015.

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19

Murray, Jonathan, and Nea Ehrlich, eds. Drawn from Life. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9780748694112.001.0001.

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Documentary cinema has always drawn from real life. However, an increasing number of contemporary filmmakers go further still, drawing onscreen images of reality through a range of animated filmmaking techniques and aesthetics. This book is the first of its kind, exploring the field of animated documentary film from a diverse range of scholarly and practice-based perspectives. The book’s chapters explore and propose answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: What are the historical roots of animated documentary? What kinds of reasons i

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20

Magic Moving Images: Animated optical illusions (Animated Optical Illusions). Tarquin Publications, 2007.

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21

Altman, Michael J. Heathen, Hindoo, Hindu. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190654924.001.0001.

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In the eighteenth and nineteenth centuries, Americans did not write about Hinduism. They did write a lot about India, however. In their representations of India, American writers described “heathens,” “Hindoos,” and, eventually, “Hindus.” Before Americans wrote about “Hinduism,” they wrote about “heathenism,” “the religion of the Hindoos,” and “Brahmanism.” This book argues that Americans debated the nature of religion, sought alternatives to American Protestantism, and hailed the supremacy of white Protestant American identity through their representations of religion in India. Representation

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22

Batchelor, Joy. Moving Image: Artist, Writer and Animator. Southbank Publishing, 2014.

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23

Haldemann, Matthias, Daniela Hahn, Robin Curtis, et al. Bilder animierter Bewegung/Images of Animate Movement. Edited by Pirkko Rathgeber and Sigrid Leyssen. Wilhelm Fink Verlag, 2013. http://dx.doi.org/10.30965/9783846756249.

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24

Beattie, Tina. The Theological Study of Gender. Edited by Adrian Thatcher. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199664153.013.33.

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This chapter traces the academic development of postmodern theology and gender studies, from the feminist theologies of the 1960s–1980s through the ‘linguistic turn’ to the emergence of the concept of ‘intersectionality’. Beattie argues that gender theory restores to theology the forgotten wisdom of its own tradition with regard to language and the interpretation of scripture. However, she cautions against the Manichaean seductions of postmodernism, arguing that the theology of gender must be rooted in the goodness of creation, including the human created male and female in the image of God. A

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25

Rogers, Holly, and Jeremy Barham, eds. The Music and Sound of Experimental Film. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190469894.001.0001.

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This book explores music- and sound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisua

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26

Lee. Bsava Manual Diagnostico Imagen Pequenos Animales: Manual Diagnostico Imagen P.A. Elsevier Health Sciences, 1999.

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27

Los animales: Colección imagen descubierta del mundo. Fleurus, 2001.

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28

The animatic apparatus: Animation, vitality, and the futures of the image. Zero Books, 2018.

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29

Manual de diagnostico por imagen del torax en pequeños animales. Ediciones S, 2013.

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30

Cambournac, Laure. Dinosaurios y animales desaparecidos/ Dinosaurs and Extinct Animals (Imagen Descubierta Del Mundo). Fleurus, 2007.

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31

Rohman, Carrie. Strange Prosthetics: Rachel Rosenthal’s Rats and Rings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190604400.003.0005.

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Rosenthal’s book, Tatti Wattles: A Love Story, reveals her aesthetic practice itself to be animated by the discourse of species. The drawings in this text, especially, suggest that Rosenthal’s self-identification as an artist is mediated by animality. The images also efface the human yet “en-face” the rat, de-emphasizing human power and privilege. These images are also marked by Rosenthal’s “auto-graphy” as a mover or dancer, by an alimentary tropology highlighting the body, by the concept of mediation, and by the taming of human exceptionalism. The argument follows that all of these elements

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32

Morgan, David. To Believe and Make-Believe. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190272111.003.0002.

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This chapter contends that believing and making-believe are not strongly isolated from one another—indeed, often they intermingle. The magic of images often consists in their ability to make belief from the fiction of make-believe. A close analysis of a famous painting of Pygmalion and Galatea, drawn from Ovid’s ancient verse, forms the central discussion about the power of images to make belief from make-believe. In making this comparison, the author establishes that enchantment is an instrument for representation of interior dynamics that lead to healthy psychological development; the imagin

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33

HaCohen, Ruth. Between Generation and Suspension. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.13.

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The chapter discusses two modes of combining music and moving images that developed in modernism. The first mode, which the author termsgeneration, relates to a type of animated narrative film in which the music precedes the visual sequence which generates the will or thought (modality) that gives rise to the narrative action. “The Sorcerer’s Apprentice,” from the Disney filmFantasia, is examined as an example. In the second mode,suspension, the picture appears as if preceding the music, even if the creative order was different, or the work does not have an actual visual manifestation. The vis

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34

Luttrell, Wendy. Children Framing Childhoods. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447352853.001.0001.

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Urban educational research, practice, and policy is preoccupied with problems, brokenness, stigma, and blame. As a result, too many people are unable to recognize the capacities and desires of children and youth growing up in working-class communities. This book offers an alternative angle of vision—animated by young people's own photographs, videos, and perspectives over time. It shows how a racially, ethnically, and linguistically diverse community of young people in Worcester, Massachusetts, used cameras at different ages to capture and value the centrality of care in their lives, homes, an

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35

United States. National Aeronautics and Space Administration., ed. Venus in motion: An animated video catalog of Pioneer Venus Orbiter Cloud Photopolarimeter images for the period June 15, 1991 -December 31, 1991. National Aeronautics and Space Administration, 1992.

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36

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

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This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Ci

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37

Telotte, J. P. Flights of Fantasy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190695262.003.0002.

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This chapter focuses on pre-war animation’s fascination with space travel and the various vehicles used in flights to the moon, Mars, and elsewhere. It offers background on several of the highly publicized developments in this area: in rocketry, ballon ascents, and airplane flight, as exemplified by the work of Robert Goddard, the ascents of Auguste Piccard, and the flights of Charles Lindbergh. These scientific developments provided the inspiration for a number of cartoons that sought both to capitalize on the excitement that attended such events and to satirize their accomplishments. The cha

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38

Waters, Rosa. Pinterest(tm): How Ben Silbermann & Evan Sharp changed the way we share what we love. 2015.

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39

Albaugh, Ericka A., and Kathryn M. de Luna, eds. Tracing Language Movement in Africa. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190657543.001.0001.

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For both scholars and the informed layman, the great diversity of ethnicities and languages in Africa invites notions of Africa as a fragmented place. Our language maps perpetuate the image by drawing discrete language groups. In fact, most people can communicate with most others within and across their state boundaries. Many disciplines look carefully at language movement and change on the continent, but seldom do they engage with each other. This book gathers eighteen scholars to do just that, offering insights from history, archaeology, anthropology, linguistics, political science, and phil

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40

Radner, Hilary, and Alistair Fox. An Elegy for Cinema1. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0005.

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This chapter describes how Raymond Bellour in the twenty-first century enters into the on-going debates about the end of cinema that commenced in France in the late 1980s. The chapter underlines how he focuses largely on the changing shape and nature of the dispositif (or viewing situation, including the assumptions that a spectator brings to the viewing experience) in response to new technologies, with an emphasis on moving-image installation art shown in the museum or gallery. Whereas some scholars, such as Francesco Casetti, among others, have claimed that digital technologies and the proli

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41

Brück, Joanna. Personifying Prehistory. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198768012.001.0001.

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The Bronze Age is frequently framed in social evolutionary terms. Viewed as the period which saw the emergence of social differentiation, the development of long-distance trade, and the intensification of agricultural production, it is seen as the precursor and origin-point for significant aspects of the modern world. This book presents a very different image of Bronze Age Britain and Ireland. Drawing on the wealth of material from recent excavations, as well as a long history of research, it explores the impact of the post-Enlightenment 'othering' of the non-human on our understanding of Bron

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42

Hentschell, Roze. St Paul's Cathedral Precinct in Early Modern Literature and Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198848813.001.0001.

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St Paul’s Cathedral Precinct in Early Modern Literature and Culture: Spatial Practices is a study of London’s cathedral, its immediate surroundings, and its everyday users in early modern literary and historical documents and images, with a special emphasis on the late sixteenth and early seventeenth centuries. Hentschell discusses representations of several of the seemingly discrete spaces of the precinct to reveal how these spaces overlap with and inform one another spatially. She argues that specific locations—including the Paul’s nave (also known as Paul’s Walk), Paul’s Cross pulpit, the b

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43

Hallam, John, Christian Balkenius, and Tom Ziemke. From Animals to Animats 12: 12th International Conference on Simulation of Adaptive Behavior, SAB 2012, Odense, Denmark, August 27-30, 2012, Proceedings. Springer, 2012.

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44

Hallam, John, Christian Balkenius, and Tom Ziemke. From Animals to Animats 12: 12th International Conference on Simulation of Adaptive Behavior, SAB 2012, Odense, Denmark, August 27-30, 2012, Proceedings. Springer, 2012.

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45

Ethier, Christine, Autodesk, and Stephen Ethier. Autodesk VIZ 2008 Fundamentals (Autodesk Design Institute Press). Prentice Hall, 2007.

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