Relevant bibliographies by topics / Animated photography

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Animated photography'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Animated photography"

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Herbert, Stephen. "Animated portrait photography." History of Photography 13, no. 1 (1989): 65–78. http://dx.doi.org/10.1080/03087298.1989.10442169.

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Kim, Ji-Hoon. "Animating the Photographic Trace, Intersecting Phantoms with Phantasms: Contemporary Media Arts, Digital Moving Pictures, and the Documentary’s ‘Expanded Field’." Animation 6, no. 3 (2011): 371–86. http://dx.doi.org/10.1177/1746847711417780.

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This article investigates the ways in which contemporary media artworks across various platforms provide a fresh look at the photographic inscription of reality by animating the still photograph with digitally produced movement. These artworks are based on what the author calls ‘digital moving pictures’, hybrid images in which photographic stillness and cinematic movement are interrelated in a single picture frame by the mediation of digital imaging systems. Examining the works of Jim Campbell, Ken Jacobs, David Claerbout, Julie Meltzer and David Thorne, the author argues that the pictures’ bl
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Clarke, David B., and Marcus A. Doel. "Shooting space, tracking time: the city from animated photography to vernacular relativity." cultural geographies 14, no. 4 (2007): 589–609. http://dx.doi.org/10.1177/1474474007082295.

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Sandi, Supriyadi. "Perancangan Animasi Stopmotion Pangeran Diponegoro Berbasis Sinematografi." Jurnal Komunikasi 10, no. 2 (2019): 145–52. http://dx.doi.org/10.31294/jkom.v10i2.6181.

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Nowadays animated films are developing rapidly in Indonesia. Animated films are in demand because they are entertaining, but rarely found educative animated films that tell about history. In general, historical documentation is only based on thick textbooks, and the placement of photos of heroes on classroom walls is generally not interesting for students to enjoy. This encourages researchers to make an animated film that has historical and educational value. With appropriate cinematography, a film can have high artistic value. In addition, the film can also convey information and implied mess
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Matthys, Mario, Laure De Cock, John Vermaut, Nico Van de Weghe, and Philippe De Maeyer. "An “Animated Spatial Time Machine” in Co-Creation: Reconstructing History Using Gamification Integrated into 3D City Modelling, 4D Web and Transmedia Storytelling." ISPRS International Journal of Geo-Information 10, no. 7 (2021): 460. http://dx.doi.org/10.3390/ijgi10070460.

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More and more digital 3D city models might evolve into spatiotemporal instruments with time as the 4th dimension. For digitizing the current situation, 3D scanning and photography are suitable tools. The spatial future could be integrated using 3D drawings by public space designers and architects. The digital spatial reconstruction of lost historical environments is more complex, expensive and rarely done. Three-dimensional co-creative digital drawing with citizens’ collaboration could be a solution. In 2016, the City of Ghent (Belgium) launched the “3D city game Ghent” project with time as on
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Панченко, Ирина Александровна. "Moscow in photographs of the 1860s – erly 1900s from the collection of the Russian Museum." Искусство Евразии, no. 2(17) (June 27, 2020): 220–35. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.014.

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В собрании Русского музея хранится уникальный изобразительный ряд, разносторонне демонстрирующий фотографический образ Москвы периода 1860-х – начала 1900-х гг. Его творцами стали многие знаменитые фотоателье и фотографы. Их интерес к запечатлению облика древней столицы был чрезвычайно широк: видовые фотографии и фиксация фрагментов зданий и интерьеров, статичная архитектурная съемка и динамичные сцены повседневной городской жизни, большеформатные «августейшие подношения» и демократичные открытые письма. Сфотографированные нередко с разных видовых точек, в разные годы, эти исторические кадры п
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Rahmi, Syarifah. "تدريس المفردات باستخدام الأفلام الكرتونية في الجامعة الهلال سجلي". 'Arabiyya: Jurnal Studi Bahasa Arab 9, № 1 (2020): 49. http://dx.doi.org/10.47498/arabiyya.v9i1.307.

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Cartoon films are fun and simple art that is accomplished in the hands of children through colorful cardboard papers that are drawn and cut into parts and affixed to each other, then revived by photography and animation, and these drawings are stories from the lives of children and their dreams or stories that narrate the weave of their own imagination to finally end Animated film.So I found the problems in Al Hilal Colledge, that the teacher is unable to attract the attention of students during education and cannot excel students in the subject that he will teach, the poor preparation of Arab
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Durden, Mark. "Light Catcher." Sophia Journal 5, no. 1 (2020): 90–95. http://dx.doi.org/10.24840/2183-8976_2019-0005_0001_09.

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Among his remarkable performance-based short films made in the garden of his family home, two films show the artist holding a mirror to both catch and reflect sunlight back to the camera and viewer. Such performances provide a fitting allegory for his relationship to the medium of photography. As a photographer Peter Finnemore is someone who catches and plays with light. Light is key to the pictures made in his home place in rural mid Wales, Gwendraeth House. The photographs relay the intimacy he has with his childhood home, which has been in his family for generations. Finnemore has been phot
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Romakina, Maria. "«Elementary units» in Multimedia: Cinemagraphy in Mass Media and Blogs in the 2010s." Theoretical and Practical Issues of Journalism 9, no. 2 (2020): 247–63. http://dx.doi.org/10.17150/2308-6203.2020.9(2).247-263.

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The article studies peculiarities of cinemagraphies - special types of images that appeared due to the development of digital technologies in the early 2010s and combine features of photography and video/cinema. Cinemagraphies are positioned as elementary multimedia units, and perception of these is technologically dependent: the viewer actively perceives not only the depicted image, but also the image-generating technology. Cinemagraphic way of seeing is not peculiar to human vision, its a «machines view». The author suggests defining the properties of these units, namely, multimediality, mul
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Novik, A. A. "Animated light painting: The public cabinets of camera obscura in St. Petersburg in the first years after the invention of photography." Shagi / Steps 3, no. 3 (2017): 108–25. http://dx.doi.org/10.22394/2412-9410-2017-3-3-108-125.

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Dissertations / Theses on the topic "Animated photography"

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Giedraitytė, Rūta. "„Epizodas. Siekis“. Stop kadrais animuota fotografija." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110803_092305-37400.

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Šiame darbe analizuojami optinio meno, stop kadro animacijos veikimo principai, žmogaus gyvenimo momento svarba bei lentikuliarinės spaudos technologija, autorės nuomone, turintys sąsają su jos kurta animuota fotografija. Žmogaus trumpos nenutrūkstamo, ištisinio gyvenimo dalelės aktualumas kūrybiniame darbe virsta meniniu objektu, turinčiu aiškią motyvaciją, priežastis bei tikslus. Kūrybinio darbo dalyje pateikiama stop kadrais animuota fotografija. Darbas atspausdintas modernia technika, vienu iš naujausių spaudos būdų Lietuvoje – lentikuliarine spauda. Šis spaudos būdas atveria platesnes ir
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CRAWFORD, AARON. "sites for sight: Another projection for the surface of contemporary architecture." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053376672.

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Dasnias, Philippe. "Successions végétales : synthèse bibliographique et dynamisme à l'ubac montagnard de la Moyenne Tarentaise (Savoie)." Grenoble 1, 1987. http://www.theses.fr/1987GRE10047.

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Etude du dynamisme vegetal resultant de l'abandon des prairies de fauche. Une analyse de photographies aeriennes de 1956 a 1982 conduit a une approche diachronique: evaluation et cartographie, extrapolation par matrices de transition et determinisme de la vitesse de recolonisation ligneuse. Une approche synchronique est realisee sur la base de 113 releves floristiques et 200 releves phanerophytiques; grace a des analyses multidimensionnelles, on definit floristiquement, ecologiquement et phytosociologiquement, 8 successions, reparties en voies "typiques" et voies "par contagion depuis les lisi
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BARKEY, ROLAND ALEXANDER. "Etudes des mangroves de l'indo-malaisie et application des techniques de la teledetection a sulawesi." Toulouse 3, 1987. http://www.theses.fr/1987TOU30228.

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L'objet de cette recherche est de tenter de caracteriser les mangroves des regions equatoriales humides sur le terrain et a partir d'enregistrements spatiaux. Dans la premiere partie, une synthese biogeographique sur les peuplements de paletuviers permet de faire apparaitre et de comprendre les variations des types de mangroves et de situer les mangroves indonesiennes dans un contexte plus general. La deuxieme partie represente une etude sur les mangroves du golfe de bone a sulawesi (indonesie)
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Books on the topic "Animated photography"

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3D and animated lenticular photography: Between Utopia and entertainment. Walter De Gruyter GmbH, 2015.

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Matuszewski, Bolesław. A n ew source of history. Animated photography, what it is, what it should be. Filmoteka Narodowa, 1999.

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al-Rusūm al-mutaḥarrikah fī mīzān al-sharīʻah. s.n., 2011.

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Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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Muybridge, Eadweard. The human figure in motion: A source book of sequential action images by a master photographer. Bonanza Books, 1989.

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Beck, Jeanine. Los animales: An introduction to commonly used Spanish words and phrases about animal friends, with more than 425 lively photographs. Southwater, 2008.

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Braun, Marta. Picturing time: The work of Etienne-Jules Marey (1830-1904). University of Chicago Press, 1992.

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Muybridge, Eadweard. Animals in motion. Dover Publications, 1994.

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Swinburne, Stephen R. Muchas, muchísimas rayas de cebra =: Lots and lots of zebra stripes. Boyds Mill Press, 2008.

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Making an Animated Movie. North Star Editions, 2020.

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Book chapters on the topic "Animated photography"

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Blos-Jáni, Melinda. "Photographic Passages to the Past in Eastern European Non-Fiction Films." In Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.003.0007.

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There is a tendency in recent nonfiction film to recontextualise archival photographs in creative ways. In films like Felvidék. Caught In-Between (Vladislava Plančíková, 2014) photographs are part of a collage work, while films like Crulic. The Path to Beyond (Anca Damian, 2011) use photographs in animated environments. At the other extreme is Radu Jude's Dead Nation (2017) presenting a series of photographs as a film that paradoxically demonstrates the lack of images of the Romanian Holocaust. These films open up new possibilities for the medium of photography, redefining through cinema the complex relationship between photography/the indexical trace and history. This chapter builds upon the phenomenological approach to images by George Didi-Hubermann and László Tarnay in order to discuss intermedial relations of nonfiction films and to present what the photographic image means in the post-media age documentary.
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"Chapter 3: A Window onto the World." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-005.

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"ACKNOWLEDGEMENTS." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-001.

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"INTRODUCTION." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-002.

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"Chapter 1: Stereoscopy without a Stereoscope." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-003.

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"Chapter 2: Cinema in a Single Photo." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-004.

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"Chapter 4: 3D Portraiture and the Integral-Image Utopia." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-006.

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"Chapter 5: Lights, Color, Action! Point-of-Sale Advertising." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-007.

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"Chapter 6: A Lenticular Image in Every Home: Promotional Premiums." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-008.

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"Chapter 7: The 3D Postcard." In 3D and Animated Lenticular Photography. De Gruyter, 2015. http://dx.doi.org/10.1515/9783110448061-009.

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Conference papers on the topic "Animated photography"

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Abe, Atsushi, Kazuyoshi Takayama, Osamu Onodera, Hidenori Ojima, and Toshihiro Ogawa. "Animated display of sequential holographic interferograms of shock-wave/vortex interaction in a confined space." In Twenty-Third International Congress on High-Speed Photography and Photonics, edited by Valentina P. Degtyareva, Mikhail A. Monastyrski, Mikhail Y. Schelev, and Alexander V. Smirnov. SPIE, 1999. http://dx.doi.org/10.1117/12.350504.

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Delplancq, Véronique, Ana Maria Costa, Cristina Amaro Costa, et al. "STORYTELLING AND DIGITAL ART AS A MEANS TO IMPROVE MULTILINGUAL SKILLS." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end073.

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The use of storytelling and digital art as tools to understand a migrant family’s life path will be in the center of an innovative methodology that will ensure the acquisition of multilingual skills and the development of plurilingual awareness, reinforcing the various dimensions of language (aesthetic and emotional, in addition to cognitive), in a creative, collaborative and interdisciplinary work environment. This is especially important among students who are not likely to receive further language training. It is not yet clear how teachers can explore multilingual experiences of learners, b
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