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1

Film cartoons: A guide to 20th century American animated features and shorts. McFarland & Co., 1998.

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2

Flash cinematic techniques: Enhancing animated shorts and interactive storytelling. Focal, 2010.

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3

Webb, Graham. The animated film encyclopedia: A complete guide to American shorts, features, and sequences, 1900-1979. McFarland & Co., 2000.

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4

The animated film encyclopedia: A complete guide to American shorts, features, and sequences, 1900-1979. McFarland & Co., 2006.

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5

Webb, Graham. The animated film encyclopedia: A complete guide to American shorts, features and sequences 1900-1979. McFarland, 2000.

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6

Prepare to board!: Creating story and characters for animated features and shorts. Focal Press, 2012.

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7

The animated film encyclopedia: A complete guide to American shorts, features and sequences, 1900-1999. 2nd ed. McFarland & Co., 2011.

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8

Animated short films: A critical index to theatrical cartoons. Scarecrow Press, 1998.

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9

Sullivan, Karen. Ideas for the animated short: Finding and building stories. Focal Press, 2008.

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10

Sullivan, Karen. Ideas for the animated short: Finding and building stories. Focal Press, 2008.

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11

Dong hua duan pian chuang zuo: Animated short film. Shen shi shu wei ke ji gu fen you xian gong si, 2017.

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12

Sansthan, Rashtriya Sanskrit. Kathādaśakam: Kathadashakam : animated books for learning Sanskrit. Rashtriya Sanskrit Sansthan, 2009.

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13

1955-, Wilt David E., ed. Doing their bit: Wartime American animated short films, 1939-1945. 2nd ed. McFarland, 2004.

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14

1955-, Wilt David E., ed. Doing their bit: Wartime American animated short films, 1939-1945. McFarland, 1987.

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15

Scaramozzino, Michael. Creating a 3D animated CGI short: The making of The audition. Jones and Bartlett, 2011.

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16

Amidi, Amid. The art of Pixar short films. Chronicle Books, 2009.

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17

Lehman, Christopher P. The Colored cartoon: Black representation in American animated short films, 1907-1954. University of Massachusetts Press, 2007.

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18

Murray, Joe. Creating animated cartoons with character: A guide to developing and producing your own series for tv, the web, or short film. Watson-Guptill Publications, 2010.

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19

Murray, Joe. Creating animated cartoons with character: A guide to developing and producing your own series for TV, the web, and short film. Watson-Guptill Publications, 2010.

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20

", Tvorcheskoe obʺedinenie "Ėkran. Po shchuch'emu velenii︠u︡: Sbornik mul'tfil'mov. Kinovideoobʺedinenie "Krupnyĭ plan", 2008.

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21

Scaramozzino, Michael. Creating a 3D animated CGI short: The making of The Autiton Archives- fault effect. Jones and Bartlett, 2011.

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22

Mosley, Walter. The gift of fire: On the head of a pin : two short novels from crosstown to oblivion. Tor, 2012.

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23

Poslanie k cheloveku: XV Mezhdunarodnyĭ kinofestivalʹ dokumentalʹnykh korotkometrazhnykh igrovykh i animat︠s︡ionnykh filʹmov, 15-22 ii︠u︡ni︠a︡ 2005 = Message to Man : XV International Documentary, Short, and Animated Films Festival, St. Petersburg, June 15-22, 2005. [s.n.], 2005.

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24

Creating a 3D animated CGI short: The making of The Autiton Archives- fault effect - pilot webisode. Jones and Bartlett, 2011.

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25

Perros, gatos y lémures: Los escritores y sus animales. Errata Naturae, 2011.

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26

Lotte, Reiniger, Städtisches Museum Schloss Rheydt, and Stadtmuseum im Kornhaus (Tübingen, Germany), eds. Lotte Reiniger: "Mit zaubernden Händen geboren" : drei Scherenschnittfolgen = "Born with enchanting hands" : three silhouette sequels. Wasmuth, 2010.

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27

", Kinostudii︠a︡ "Kievnauchfilʹm. Doktor Aĭbolit: Sbornik mulʹtfilʹmov. Gosteleradiofond, 1995.

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28

Olson, Nathan. Chicos y altos: Un libro de animales opuestos = Short and tall : an animal opposites book. Capstone Press, 2009.

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29

Barrier, J. Michael. Hollywood Cartoons: American Animation In Its Golden Age. Oxford University Press, 1999.

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30

Largos, cortos y pequeños: Un libro de animales opuestos = Long and short : an animal opposites book. Capstone Press, 2009.

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31

El reino animal. Alfaguara, 2006.

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32

Ramírez, Sergio. El reino animal. Alfaguara, 2006.

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33

Hobby animacja: Kino Daniela Szczechury. Wydawnictwo "Studio EMKA", 2009.

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34

Natalia, Rosales-Yeomans, ed. Animal jamboree: Latino folktales = La fiesta de los animales : leyendas latinas. Piñata Books, 2012.

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35

Rudyard, Kipling. Cómo el leopardo obtuvo sus manchas: Y otros cuentos de animales. Panamericana Editorial, 1997.

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36

Potter, Beatrix. Las travesuras de Perico el conejo y sus amigos: Cuentos de diabluras y trastadas. Ediciones Beascoa, 2010.

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37

Propagandes animées: Le dessin animé politique entre 1933 et 1945. Bazaar & Co, 2010.

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38

Kvikmyndasjóður, ed. Icelandic documentaries: Shorts and animated films, 1966-1991. Kvikmyndasjóður Íslands, 1991.

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39

McGowan, David. Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. University of Texas Press, 2019.

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40

McGowan, David. Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts. University of Texas Press, 2019.

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41

Webb, Graham. Animated Film Encyclopedia: A Complete Guide to American Shorts, Features, And Sequences, 1900-1979. McFarland & Company, 2006.

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42

Webb, Graham. The Animated Film Encyclopedia: A Complete Guide to American Shorts, Features, And Sequences, 1900-1979. McFarland & Company, 2006.

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43

Webb, Graham. The Animated Film Encyclopedia: A Complete Guide to American Shorts, Features, and Sequences, 1900-1979. McFarland & Company, 2006.

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44

Whittington, William. The Sonic Playpen: Sound Design and Technology in Pixar’s Animated Shorts. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780195388947.013.0087.

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45

Film Cartoons: A Guide to 20th Century American Animated Features And Shorts. McFarland & Company, 2005.

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46

Prepare to Board! Creating Story and Characters for Animated Features and Shorts, Third Edition. Taylor & Francis Group, 2017.

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47

Prepare to Board!: Creating Story and Characters for Animated Films and Shorts. Taylor & Francis Group, 2017.

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48

Prepare to Board! Creating Story and Characters for Animation Features and Shorts. Focal Press, 2007.

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49

Goldmark, Daniel. Pixar and the Animated Soundtrack. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.022.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. Of the many ways in which the animation production company Pixar differentiated itself from the classic animated shorts and films produced by Disney, the complete shunning of the Disney musical archetype may be the most pronounced. Pixar replaced the musical numbers and dance sequences with montages and flashbacks, scored with either original music or preexisting songs, furthering Pixar’s near-obsession with nostalgia and resurrection of the distant past. Combining unusually nuanced attention to the soundtrack with a longing for bygone popular culture, the Pixar films show a new stage of development for animated films, taking on the stereotype that Hollywood cartoons are for kids. This chapter explores Pixar’s approach to music and the soundtrack to show how advances in sound design, as well as an evolving approach to film scoring taken by veteran Hollywood composers, have brought a new level of complexity and even respectability to the long-maligned animated feature.
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50

Prepare to Board! Creating Story and Characters for Animated Features and Shorts: 2nd Edition. Taylor & Francis Group, 2015.

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