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Relevant bibliographies by topics / Anita desai

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Academic literature on the topic 'Anita desai'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 June 2025

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Journal articles on the topic "Anita desai"

1

Dvorak, Marta. "South Asian Fiction / Anita Desai: Foreword." Commonwealth Essays and Studies 31, no. 2 (2009): 2. http://dx.doi.org/10.4000/ces.8787.

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Gee, Maggie. "Anita Desai in conversation with Maggie Gee." Wasafiri 19, no. 42 (2004): 7–11. http://dx.doi.org/10.1080/02690050408589896.

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Dr. Sampath Kumar Chavvakula. "Feminism In The Novels Of Anita Desai." Journal of Namibian Studies : History Politics Culture 33 (May 20, 2023): 5462–70. http://dx.doi.org/10.59670/jns.v33i.4824.

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Feminism in western nations are epitomized in literature and different books, that is in composed shape however in the east, especially in nations like India, attributable to its oral tradition and more noteworthy lack of education, the effect of these investigations was limited to the urban populace. In any case, as of late, even the rural regions have been secured due to the regularly spreading wing of electronic media. Since the most recent couple of decades, women have been attempting their hands at writings and that too effectively. Anita Desai is a standout amongst other known contemporary women writers of Indian fiction in English. She has picked up qualification in investigating the human psyche and the enthusiastic sentiments of her protagonists. She has included a new dimension and great support to the contemporary Indian English fiction and has a huge place because of her creative topical concerns and arrangements in her fiction with feminine sensibility.

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Goyal, Dr Indu. "Inner Conflicts and Racial Prejudices-An Analyses of Expatriates in ‘Bye Bye Blackbird’." SMART MOVES JOURNAL IJELLH 8, no. 1 (2020): 18. http://dx.doi.org/10.24113/ijellh.v8i1.10331.

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At present many women writers like Jhumpa Lahiri, Bhabani Bhattacharya and Anita Desai have worked on the issues of expatriation and the complexities in the life of diasporas. Anita Desai dives deep into the unconscious and subconscious psyche of the expatriates and their nausea, nostalgia and longings to their native land. Expatriation appears as a recurrent motif in post-colonial literature across the world because it constitutes not only the commonly shared experience of the migrant people but also the creative sensibility of their writers. Desai highlights the physical and psychological problems of Indian immigrants and explores the adjustment difficulties that they face in England.

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Sarika, Dr. "Bharati Mukherjee and Anita Desai as psychological novelists." International Journal of Multidisciplinary Trends 4, no. 2 (2022): 195–97. http://dx.doi.org/10.22271/multi.2022.v4.i2c.235.

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Sarika, Dr. "Bharati Mukherjee and Anita Desai as psychological novelists." International Journal of Multidisciplinary Trends 4, no. 2 (2022): 195–97. http://dx.doi.org/10.22271/multi.2022.v4.i2d.235.

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7

Kumari, Monika. "An Overview of the Novels by Anita Desai." Asian Journal of Basic Science & Research 06, no. 01 (2024): 01–06. http://dx.doi.org/10.38177/ajbsr.2024.6101.

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Ullah Bhat, Sami, and Dr Tushar Nair. "Cultural Shock in Anita Desai’s Novels." SMART MOVES JOURNAL IJELLH 8, no. 12 (2020): 170–85. http://dx.doi.org/10.24113/ijellh.v8i12.10870.

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Cultural Shock is a phenomenon which is generally experienced by the migrants whether they migrate for jobs, studies or in case of women, after marriage. Anita Desai has dealt with Cultural Shock in her novels along with other major themes. Anita Desai is one of the pioneers of Indian English Literature. Her novels are replete with themes of Cultural hybridity, alienation, nostalgia cross-cultural clashes etc. These themes are studied under the gamut of theme of Cultural Shock which forms a prominent theme of Desai’s novels. The characters she potrays in her novels undergo a transition from one culture to another wherein they receive this Cultural Shock because the new culture appears to them completely alien and contradictory to their opionions. Critics have often praised her for her lucid writing style and fecundity of thought in various books, edited volumes and research articles. However, the theme of Cultural Shock explicitly expressed in her novels has not caught the attention of many critics. There seems to be a considerable dearth of critcal appraisal with regard to the experience of Cultural Shock by her characters once they migrate from homelands to abroad. The present study aims to fill this void by emphasizing and critically examining the novels of Anita Desai with respect to the theme of Cultural Shock. The Cultural Shock of individuals which Anita Desai has potrayed in her books once they migrate from subcontinent towards the western world. The characters make a conscious choice or sometimes a forced decisions to migrate in expectation of better future and life in the new found worlds. The paper analyses the experience of Cultural Shock by these migrants once they reach and confront the alien cultures. The paper will also deal with the resultant themes of alienation, depression, nostalgia and agony experienced by the characters once they migrate from eastern cultures to western culture. The research article also delves deep into the cross-cultural connections and hybridity produced once the two culture meet and mingle in an individual’s personal life.

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Dr. Tamanna. "Maya’s Materialistic Longings Resulting in Alienation and Frustration: A Feminist Reading of Anita Desai’s Cry, the Peacock." Creative Launcher 6, no. 1 (2021): 152–58. http://dx.doi.org/10.53032/tcl.2021.6.1.17.

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Anita Mazumdar Desai occupies a much privileged place in the Indian Writing in English. She is known as an acclaimed Indian woman novelist who deals with the psychological problems of her women characters. She was born in 24 June 1937 in Mussoorie. Her father D.N. Majumdar was a Bengali businessman and her mother Toni Nime was a German immigrant. Anita Desai is working as Emeritus John E. Buchard Professor of Humanities at the Massachusetts Institute of Technology. Anita Desai got a congenial environment to learn different languages in her own home and neighbourhood. She learnt Hindi from her neighbourhood. They used to speak German, Bengali, Urdu and English at their home. She learnt English at her school. She attended Queens Mary Higher Senior Secondary School in Delhi and she did her B.A. in 1957 from the Miranda House of the University of Delhi. So far is Anita Desai literary career is concerned, she wrote her first novel Cry, the Peacock in 1963. With the help of P. Lal, they founded the publishing firm Writers Workshop. Clear Light of Day (1980) is her most autobiographical work. Her novel In Custody was enlisted for the Booker Prize. She became a creative writing teacher at Massachusetts Institute of Technology in 1993. When she published her novel Fasting Feasting and it won the Booker Prize in 1999, she came to the limelight. She was shortlisted for the Booker Prize three times in 1980, 1984 and 1999 for her novels Clear Light of Day (1980), In Custody (1984) and Fasting Feasting (1999) respectively. She received Padma Bhushan in 2014 also. She has received Sahitya Akademi Award in 1937 for her well-known novel Fire on the Mountain. The present paper analyses the central female protagonist Maya’s materialistic pursuits which turn in a great catastrophe for her in the novel Cry, the Peacock.

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Alwan, Huda Kadhim. "The Perspective of Woman in Anita Desai's Novel Clear Light of Day." JOURNAL OF LANGUAGE STUDIES 4, no. 4 (2023): 463–94. http://dx.doi.org/10.25130/jls.4.4.24.

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Anita Desai is a well-known writer in India. Her writings are influenced by the Indian world as well as European literary traditions. In the majority of her works, she is primarily concerned with Indian women. Anita Desai has a feminist vision that explores women's struggles against patriarchal oppression. She is distinct from other female writers in that she stresses personal redemption and inspiration. This research discusses how women struggle secretly and seek liberation in Desai's well-known novel Clear Light of Day (1980). This research focuses on Bimla, the protagonist in Desai's novel, who strives to overcome patriarchal obstacles in her search for independence, voice, and identity. The novel explores women's plight in India for a long time before and after independence in 1947, also how India's partition from Pakistan influenced both the nation and individuals. Desai concentrates chiefly on the women of the Das household, and the choices of the different female characters have in life.

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Dissertations / Theses on the topic "Anita desai"

1

Hendrix, Jaime Pedigo. "Passage through the ocean : the female heroic journey in the novels of Anita Desai /." View online, 2008. http://repository.eiu.edu/theses/docs/32211131464723.pdf.

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Bibi, Musrat. "Voices from the gap : a study of women's experiences in three novels by Anita Desai." Thesis, Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31941047.

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Sharma, Kajali. "Symbolism in Anita Desai's novels /." Sittingsbourne (GB) : Asia publishing house, 1991. http://catalogue.bnf.fr/ark:/12148/cb374709766.

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Chhetri, Chitrabahadur. "Alienation and survival : a study of the novels of Anita Desai." Thesis, University of North Bengal, 2003. http://hdl.handle.net/123456789/1198.

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Rahaman, SK Lutfar. "The Women question in Anita Desai : a study of her novels." Thesis, University of North Bengal, 2002. http://hdl.handle.net/123456789/1202.

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6

Lolli, Raoul <1970&gt. "Memoria e short story postcoloniale femminile: Anita Desai e Alice Munro." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/4389/1/lolli_raoul_tesi.pdf.

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In ogni capitolo, l’atto del ricordare viene indagato nelle diverse valenze che lo mettono in rapporto diretto con la nostalgia e l’oblio. L’analisi dei testi letterari copre un arco di tempo di quasi un secolo, partendo dalle innovazioni tecnico-stilistiche realizzate da Katherine Mansfield fino all’eccezionale ricchezza e al meritato successo di pubblico e critica della scrittrice canadese Alice Munro. La bibliografia dei testi primari e secondari è strutturata con criteri tematici e cronologici.<br>This thesis matches theoretical issues about short story writing and memory studies. After the introductory part, it is organized in three different chapters. In the first chapter, I survey critical perspectives on the history and the evolution of short story writing, supporting my analysis with some examples from Katherine Mansfield’s stories, as a “modernist” keystone of the genre, who marks the passage from nineteenth-century tales to contemporary short stories. Then, I sketch a second step in the evolution of the short story by women writers, according to the examples of Flannery O’Connor. Finally, I link issues in the Afro-American stories by Alice Walker to some trends in postcolonial short story writing by women. In the following two chapters, I analyse the best stories by Anita Desai and Alice Munro, according to their views on recollecting, forgetting and nostalgia. My conclusions summarize thematic and theoretical perspectives and links them to the technical evolution of the genre. The bibliography of primary and secondary sources is organized on the basis of the different areas of studies I have dealt with.

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Lolli, Raoul <1970&gt. "Memoria e short story postcoloniale femminile: Anita Desai e Alice Munro." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/4389/.

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In ogni capitolo, l’atto del ricordare viene indagato nelle diverse valenze che lo mettono in rapporto diretto con la nostalgia e l’oblio. L’analisi dei testi letterari copre un arco di tempo di quasi un secolo, partendo dalle innovazioni tecnico-stilistiche realizzate da Katherine Mansfield fino all’eccezionale ricchezza e al meritato successo di pubblico e critica della scrittrice canadese Alice Munro. La bibliografia dei testi primari e secondari è strutturata con criteri tematici e cronologici.<br>This thesis matches theoretical issues about short story writing and memory studies. After the introductory part, it is organized in three different chapters. In the first chapter, I survey critical perspectives on the history and the evolution of short story writing, supporting my analysis with some examples from Katherine Mansfield’s stories, as a “modernist” keystone of the genre, who marks the passage from nineteenth-century tales to contemporary short stories. Then, I sketch a second step in the evolution of the short story by women writers, according to the examples of Flannery O’Connor. Finally, I link issues in the Afro-American stories by Alice Walker to some trends in postcolonial short story writing by women. In the following two chapters, I analyse the best stories by Anita Desai and Alice Munro, according to their views on recollecting, forgetting and nostalgia. My conclusions summarize thematic and theoretical perspectives and links them to the technical evolution of the genre. The bibliography of primary and secondary sources is organized on the basis of the different areas of studies I have dealt with.

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8

Ricci, Beatrice. "Multiculturalismo e autotraduzione in "Journey to Ithaca" di Anita Desai: Traduzione e commento." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13726/.

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Nel presente elaborato viene fornita una proposta di traduzione dall’inglese all’italiano di alcuni estratti del romanzo “Journey to Ithaca” della scrittrice indiana Anita Desai, un’autrice che non utilizza la sua madrelingua (il tedesco e il bengali) per scrivere le sue opere, bensì la sua lingua di studio (l’inglese). In questo romanzo, un esempio particolare di autotraduzione, l’autrice offre al lettore la sua concezione dell’India attraverso le vicende e i racconti dei personaggi. Prima di tradurre, per riuscire a interpretare correttamente l’opera in tutte le sue sfumature, è necessario conoscere a fondo il testo e l’autore che si stanno per analizzare, ma anche la teoria e gli studi sulla traduzione. Il fine di questa fase di studio preliminare è quello di raccogliere gli strumenti necessari per essere in grado di scegliere la strategia più adatta, sulla base degli esempi e delle analisi forniti in precedenza da altri traduttori. Pertanto, dopo aver analizzato le teorie principali legate a traduzione, autotraduzione, multiculturalismo e postcolonialismo, ho applicato quelle che ritenevo essere più adeguate al contesto culturale e linguistico sia dell'opera che dell'autrice.

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9

Thomas, Elizabeth. "An investigation of colonialism in the novels of Nadine Gordimer and Anita Desai." Thesis, University of Limpopo, 2002. http://hdl.handle.net/10386/2089.

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Thesis (PhD. (English Studies)) --University of Limpopo, 2002.<br>The purpose of this study is to investigate colonialism in the novels of Nadine Gordimer and Anita Desai. A further purpose is to introduce these two major writers to a wider audience, thereby illuminating not only their work but also the artistic, social and moral assumptions on which it rests. A comparative study of the novels of Gordimer and Desai shows how these writers, from socially and culturally different countries, reflect and explore colonialism. By locating this phenomenon of world history in Post-Colonial Literary Studies the project calls for a discussion of the various critical models of post-colonial writing. In consequence, the study moves beyond the dichotomy of east-west and centre-periphery to a reading of Gordimer's and Desai's novels at several levels, with a particular focus on India's special experience of colonialism - both at home and abroad -and Gordimer's status as a white South African. From this perspective evolves the notion that Desai and Gordimer reveal through their texts patterns of similarity and difference in their respective colonial encounters. If we were to search for a writer from Africa whose being and writing have been directly involved with issues pertaining to the historical phenomena of colonialism and race struggle over an extended period, then Gordimer must be the ideal candidate. She is a writer deeply bound up with the multiple phases and consequences of South African apartheid. Also, she is someone who tries to go beyond history to depict the conscience of the age by writing about the human condition in times of terror and fear. A contemporary analysis of the human condition is a concern that Gordimer and Desai share as writers of fiction. The agony of a post colonial India that tries to liberate itself from the dialectic of history is reflected in Desai's novels in the framework of "difference on equal terms". This places her in the "second generation" of lndo-English writers who write from the hybridised and syncretic view of the modern world that celebrates cultural cross-pollination. A special achievement of Gordimer and Desai is to succeed in powerfully portraying female characters in a rapidly changing world, though each writer explores the place of women in society from her own cultural perspective. Writers are transmitters of their cultures. A study of this kind, I hope, will help to stimulate interest and enjoyment in the reading of South African and Indian literature and thus strengthen the literary bond of understanding between the two countries.

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Jain, Bhawana. "Diasporic ethos and alienation in Anita Desai's migration fictions." Nice, 2011. http://www.theses.fr/2011NICE2021.

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Les mouvements migratoires de la seconde moitié du vingtième siècle ont fait apparaître de nouvelles diasporas et de nouvelles cultures migrantes qui ont transformé à la fois les sociétés d'accueil et les (im)migrants eux-mêmes. Cette étude introduit le concept de déplacement et vise à montrer comment ce phénomène crée de nouvelles identités qui questionnent les conceptions traditionnelles de diaspora, de relations entre les hommes et d'interactions culturelles. Nous montrerons comment le dilemme de l'appartenance de l'être partagé entre le pays d'origine et le pays d'accueil dans un environnement diasporique et dans un environnement non-diasporique à l'évolution rapide, construit une véritable "conscience de la dislocation". Les romans d’Anita Desai écrits entre les années soixante et le début du vingt- et- unième siècle retracent le développement progressif de l'écriture indienne en anglais et cartographient les thèmes du déplacement et de la diaspora en particulier parce-que l'écrivaine elle-même, véritable "migrante du monde", évoque, à travers le portrait fictionnel de personnages diasporiques et non-diasporiques ses propres expériences d'adaptation et de construction de soi en tant qu'individu déterritorialisé plongé dans une société étrangère. Dans ce but, cette étude adoptera une démarche interdisciplinaire, à la fois d’ordre sociologique, littéraire, démographique, anthropologique et linguistique. De plus, cette étude analysera comment la crise d'identité et le sentiment d'aliénation trouvent leur origine dans une dialectique de l'espace et comment l'écriture de Desai les présente et les rééquilibre. Notre propos concerne non seulement la façon dont les espaces diasporiques et non-diasporiques correspondent à différentes manières de les concevoir comme des espaces de doute, de désir et d'ouverture au futur, mais aussi la façon dont ces nouveaux territoires peuvent être vus comme des espaces mentaux autant que physiques agissant comme intermédiaires entre les espaces sociaux, politiques et culturels soumis aux processus de modernisation<br>Migratory movements in the second half of the twentieth century have led to the emergence of new diasporas and migrant cultures that have transformed both host societies as well as (im)migrants. This thesis introduces the concept of displacement to see how this phenomenon is propitious to newer identities that challenge the classical notions of diasporas, human relationships and cross-cultural encounters. We will show how the dilemma of be(long)ing - between one’s native country and one’s adopted country in a diasporic setting and rapidly changing non-diasporic settings - is challenging and fashions the ‘dislocation consciousness’. The novels of Anita Desai written from the 1960s to the beginning of the twenty-first century map the displacement and diasporic themes, especially because this writer herself - being a global migrant - reflects her own experiences of appropriation, negotiation and self-refashioning as a deterritorialized individual in an alien society. This thesis will take an interdisciplinary approach (social, literary, demographic, anthropology and linguistics) to study this. We will also analyze how the dialectics of space becomes the cause of identity crisis and a sense of alienation of the human existence and how Desai’s literary art presents and counters them. The focus will be also on how diasporic and non- diasporic spaces have become spaces of doubt, yearning, and possibility and how these new territories can be seen as 'mental as well as physical’ spaces having a capacity to transcend the boundaries of social, political and culture during ‘modernization’

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Books on the topic "Anita desai"

1

Ho, Elaine Yee Lin. Anita Desai. Northcote House [for the] British Council, 2006.

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1943-, Dhawan R. K., ed. The Fiction of Anita Desai. Bahri Publications, 1989.

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Suman, Bala, and Pabby D. K, eds. The fiction of Anita Desai. Khosla Pub. House, 2002.

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Kundu, Rama. Anita Desai, fire on the mountain. Atlantic Publishers & Distributors, 2005.

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Jena, Seema. Voice and vision of Anita Desai. Ashish Pub. House, 1989.

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Pandeya, Prabhat Kumar. Ripples and waves novels of Anita Desai. Banaras Hindu University, 2007.

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Anita Desai, vision and technique in her novels. B.R. Pub. Corp., 2001.

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Kanwar, Asha. Virginia Woolf and Anita Desai: A comparative study. Prestige Books, 1989.

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Gopal, N. R. A critical study of the novels of Anita Desai. Atlantic Publishers and Distributors, 1995.

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Form and vision in the novels of Anita Desai. Prestige, 1996.

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Book chapters on the topic "Anita desai"

1

Riemenschneider, Dieter. "Desai, Anita." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9171-1.

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Lötzke, Hannelore. "Desai, Anita." In Metzler Autorinnen Lexikon. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_86.

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Riemenschneider, Dieter. "Desai, Anita: Fire on the Mountain." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9172-1.

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Riemenschneider, Dieter. "Desai, Anita: Clear Light of Day." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9173-1.

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Randhawa, Sukhman, Jayatee Bhattacharya, and Dhananjay Singh. "A Study of Female Identity and Marital Discord in the Selected Works of Anita Desai." In Interdisciplinary Perspectives on Sustainable Development. CRC Press, 2023. http://dx.doi.org/10.1201/9781003457619-14.

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Vlitos, Paul. "‘It Was Actually Wonderful to See What Fertile Ground the Dining Table Was for Discussion and Debate’: Food, Gender, and Culture in the Novels of Anita Desai." In Eating and Identity in Postcolonial Fiction. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96442-3_3.

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"Anita Desai:." In Cultural Imperialism and the Indo-English Novel. Penn State University Press, 1993. http://dx.doi.org/10.5325/j.ctv14gphgb.6.

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"Anita Desai." In Towards a Transcultural Future: Literature and Human Rights in a ‘Post’-Colonial World. BRILL, 2004. http://dx.doi.org/10.1163/9789004488809_019.

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"Anita Desai b. 1937." In Name Me a Word. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300235654-028.

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"4. CLEAR LIGHT AND SHADOW: ANITA DESAI." In The Dictator's Dictation. Columbia University Press, 2005. http://dx.doi.org/10.7312/boye13674-004.

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Conference papers on the topic "Anita desai"

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"THE THEME OF ALIENATION IN THE SELECT NOVELS OF ANITA DESAI." In 2nd National Conference on Translation, Language & Literature. ELK Asia Pacific Journals, 2015. http://dx.doi.org/10.16962/elkapj/si.nctll-2015.13.

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