Journal articles: 'Ann Radcliffe'

1

Lequenne, Michel. "Ann Radcliffe." Cahiers du féminisme 47, no. 1 (1988): 36–38. http://dx.doi.org/10.3406/cafem.1988.3817.

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DeLucia, JoEllen. "Radcliffe Incorporated: Ann Radcliffe, Mary Ann Radcliffe and the Minerva Author." Romantic Textualities: Literature and Print Culture, 1780–1840, no. 23 (August 30, 2020): 94. http://dx.doi.org/10.18573/romtext.74.

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Bobbitt, Elizabeth. "Ann Radcliffe’s Post-1797 Imagination: Edwy: A Poem, in Three Parts and the Topographical Gothic." Essays in Romanticism: Volume 29, Issue 1 29, no. 1 (April 1, 2022): 69–88. http://dx.doi.org/10.3828/eir.2022.29.1.5.

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This essay considers how Ann Radcliffe’s post-1797 texts, posthumously published in 1826 almost thirty years after The Italian (1797), marks a new and significant shift in Radcliffe’s later imagination. Through this collection of prose, narrative poetry, and lyric verse, Radcliffe re-examines the Gothic as a genre which is fascinated with Britain’s national past, both in terms of the architectural remains of the nation’s history, and the texts which commemorate or interrogate such pasts. In investigating how Radcliffe responds to a contemporary revival in interest in Britain’s early heritage, this essay focuses on Radcliffe’s little-known fairy poem, entitled Edwy: A Poem, in Three Parts, set on the grounds of Windsor Castle. Edwy represents Radcliffe’s movement towards a self-conscious examination of her own Gothic topographies, in which she shifts to a specific representation of the sites of Britain’s national past, complicated by the inherent violence of their Gothic legacies.

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Ebert, Magda. "Rozrywki „serc czułych” w „Tajemnicach zamku Udolpho” Ann Radcliffe w świetle pism Jana Jakuba Rousseau." Prace Literackie 57 (July 12, 2018): 41–47. http://dx.doi.org/10.19195/0079-4767.57.4.

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The entertainments of „tender hearts” in Ann Radcliffe’s The Mysteries of Udolpho in the light of Jean Jacques Rousseau’s worksIn the second half of the 18th century, English literature was influenced by sentimentality. One of the most talented writers of this time was Ann Radcliffe. She created the novel by combining the Gothic romance with the novel of sensibility. Radcliffe in her works formed two contrasting groups of heroes: honest and virtuous, and hypocritical and cruel people. With the diversity of character stemmed variety of preferred pastimes. In this article I discuss excerpts from novel The Mysteries of Udolpho, which describe ways of spending free time by the main characters and I show their relationship with the works of the philosopher Jean Jacques Rousseau.

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Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave." Victorian Popular Fictions Journal 3, no. 2 (December 17, 2021): 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying, classifying, and analysing the provenance of Russian corporate Radcliffe works reveals insight into the transnational circulation of texts and the role of copyright law within it, the nature of the early nineteenth-century Russian book market, the rise of popular reading and advertising in Russia, and the gendered nature of critical discourse at this time. The Russian corporate Radcliffe assures the legacy and influence of Radcliffe in later Russian literature and culture, although a Radcliffe that represents much more than just the English author. Exploring the Russian corporate Radcliffe expands our understanding of early nineteenth-century Russian literary history through specific case studies that demonstrate the significant role played by both women writers and translation, an aspect of this history that is often overlooked.

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Cointre, Annie. "Ann Radcliffe, Les Mystères de la forêt." XVII-XVIII, no. 69 (December 31, 2012): 288–90. http://dx.doi.org/10.4000/1718.655.

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Arrous, Michel. "Ann Radcliffe, Le Roman de la forêt." Studi Francesi, no. 168 (LVI | III) (December 1, 2012): 583. http://dx.doi.org/10.4000/studifrancesi.3775.

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8

Mayhew, Robert J. (Robert John). "Latitudinarianism and the Novels of Ann Radcliffe." Texas Studies in Literature and Language 44, no. 3 (2002): 273–301. http://dx.doi.org/10.1353/tsl.2002.0015.

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Ellis, Kate Ferguson. "Ann Radcliffe and the Perils of Catholicism." Women's Writing 1, no. 2 (January 1994): 161–69. http://dx.doi.org/10.1080/0969908940010203.

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10

Michasiw, Kim Ian. "Ann Radcliffe and the Terrors of Power." Eighteenth-Century Fiction 6, no. 4 (1994): 327–46. http://dx.doi.org/10.1353/ecf.1994.0006.

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Fisiak, Tomasz, Wit Pietrzak, Antoni Górny, Krzysztof Majer, Bill Gaston, Uilleam Blacker, and Joanna Kosmalska. "Reviews and Interviews." Text Matters, no. 6 (November 23, 2016): 293–319. http://dx.doi.org/10.1515/texmat-2016-0018.

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Timeless Radcliffe: A Review of Ann Radcliffe, Romanticism and the Gothic - Tomasz Fisiak Yeats’s Genres and Tensions: A Review of Charles I. Armstrong’s Reframing Yeats: Genre, Allusion and History (London and New York: Bloomsbury, 2013) - Wit Pietrzak Review of Anna Pochmara’s The Making of the New Negro: Black Authorship, Masculinity, and Sexuality in the Harlem Renaissance (Amsterdam: Amsterdam UP, 2011) - Antoni Górny “Artful Exaggeration” - Krzysztof Majer (University of Łódź) Interviews Bill Gaston Transcultural Theatre in the UK - Uilleam Blacker Talks to Joanna Kosmalska (University of Łódź)

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12

Benedict, Barbara M. "The Critical Response to Ann Radcliffe (review)." Eighteenth-Century Fiction 7, no. 3 (1995): 320–22. http://dx.doi.org/10.1353/ecf.1995.0060.

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13

De Oliveira Esteves, Lainister. "THE MYSTERIES OF UDOLPHO." Revista de Estudos de Cultura 5, no. 16 (August 4, 2020): 51–64. http://dx.doi.org/10.32748/revec.v5i16.14161.

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O objetivo deste artigo é analisar a recepção inicial de The Mysteries of Udolpho, terceiro romance de Ann Radcliffe. O artigo investiga o debate acerca do sobrenatural na obra e como este mobilizou questões centrais acerca do desenvolvimento do romance e da crítica literária no século XVIII.Palavras-chave: fantástico; romance gótico; crítica literária

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14

Andonova-Kalapsazova, Elena D. "Emotions vocabulary and the reconceptualisation of emotions in Ann Radcliffe’s “The Italian, or the Confessional of the Black Penitents”." English Studies at NBU 5, no. 1 (June 1, 2019): 40–58. http://dx.doi.org/10.33919/esnbu.19.1.2.

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The article undertakes the analysis of Ann Radcliffe’s novel The Italian, or the Confessional of the Black Penitents (1797) from a history of literary emotions perspective which, I argue, yields insights into the attitudes towards emotions embedded in Radcliffe’s works. A reading of the novel from such a perspective also complements the critical studies of the artist’s engaging with the eighteenth-century cult of sensibility. The novel is read as a text that registered but also participated in the dissemination of an epistemology of emotional experience articulated in the idiom of eighteenth-century moral philosophers – Francis Hutcheson, David Hume and Adam Smith - at the same time as it retained some of the older, theology-based conceptions of passions and affections. The dynamic in which the two frameworks for understanding the emotions exist in the novel is explored through a close reading of the vocabulary in which Radcliffe rendered the emotional experiences of her fictional characters. In this reading it is the passions which are found to have been invested with a variety of meanings and attributed a range of moral valences that most noticeably foreground the movement from a generally negative towards a more complex appreciation of powerful emotions.

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15

Rogers, Deborah D. "Ann Radcliffe in the 1980s: An Annotated Bibliography of Criticism." Extrapolation 32, no. 4 (January 1991): 343–49. http://dx.doi.org/10.3828/extr.1991.32.4.343.

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16

Perkins, Pam. "John Moore, Ann Radcliffe and the Gothic Vision of Italy." Gothic Studies 8, no. 1 (May 2006): 35–51. http://dx.doi.org/10.7227/gs.8.1.5.

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Baiesi, Serena. "Paesaggi e Misteri: Riscoprire Ann Radcliffe Petrarch in Romantic England." European Romantic Review 23, no. 4 (August 2012): 492–96. http://dx.doi.org/10.1080/10509585.2012.694654.

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18

Mayhew, Robert J. "Gothic Trajectories: Latitudinarian Theology and the Novels of Ann Radcliffe." Eighteenth-Century Fiction 15, no. 3-4 (2003): 583–613. http://dx.doi.org/10.1353/ecf.2003.0041.

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19

Chen, Shuping. "A Bakhtinian Approach to the Study of Eighteenth-Century English Gothic Novels." Studies in Linguistics and Literature 5, no. 4 (October 10, 2021): p42. http://dx.doi.org/10.22158/sll.v5n4p42.

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M. M. Bakhtin in the third essay of The Dialogic Imagination coined the term “chronotope” to denote the interaction and integration of time and space in novelistic narratives. Bakhtin’s concept of chronotope emphasizes that time and space coordinate with each other rather than insist on their individualities in narratives. The major chronotope of the novel usually determines its generic characteristics. The current study attempts to utilize Bakhtin’s notion of chronotope to anatomize the time-space structure of major Gothic novels in the eighteenth century, namely, Horace Walpole’s The Castle of Otranto (1764), Ann Radcliffe’s Athlin and Dunbayne (1789), A Sicilian Romance (1790), The Romance of the Forest (1791), and The Mysteries of Udolpho (1794), for the purpose of detecting and summarizing the common features of the Gothic genre. Manifold approaches and theories had been applied in this area, but it is the first time that Bakhtin’s chronotope was employed in the stylistic study of eighteenth-century Gothic novels written by Walpole and Radcliffe.

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20

Wright, Angela. "The History of the Unfortunate Lady Grange: Gothic Exhumations of a Concealed Scottish Fate." Gothic Studies 24, no. 1 (March 2022): 31–43. http://dx.doi.org/10.3366/gothic.2022.0119.

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Forgotten, concealed histories can return with a vengeance to haunt the imagination of a nation. This article explores the seldom-discussed history of the abduction, long-term imprisonment and falsified burial of Lady Grange, who was kidnapped from Edinburgh by allies of her estranged husband, and then slowly transported to St Kilda where she spent the following nine years. It is a tale upon which James Boswell commented when he toured Scotland with Samuel Johnson, and which, in the wake of Boswell's commentary, entered the Gothic imaginary, first through the romances of Ann Radcliffe. Although marital imprisonment was sadly all too widespread during the eighteenth century, with numerous sources to choose from, the history of Lady Grange, blocked for four decades after her death, returned to haunt the pages of romances and periodical articles in the eighteenth and nineteenth centuries. After examining what James Boswell wrote about Lady Grange, the article focuses on two romances of Ann Radcliffe, her 1789 The Castles of Athlin and Dunbayne and her 1790 A Sicilian Romance. The article then looks at William Erskine's 1798 Epistle from Lady Grange and concludes by reflecting upon the unblocking of the story in the nineteenth-century periodical press.

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21

Clery, E. J. "Ann Radcliffe and D. A. F. de Sade: thoughts on heroinism." Women's Writing 1, no. 2 (January 1994): 203–14. http://dx.doi.org/10.1080/0969908940010206.

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22

Horova, Mirka. "Dale Townshend and Angela Wright (eds.), Ann Radcliffe, Romanticism and the Gothic." Romanticism 22, no. 3 (October 2016): 358–60. http://dx.doi.org/10.3366/rom.2016.0299.

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23

Carson, James P. "Ann Radcliffe, Romanticism and the Gothic ed. by Dale Townshend, Angela Wright." Eighteenth-Century Studies 48, no. 1 (2014): 127–29. http://dx.doi.org/10.1353/ecs.2014.0047.

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Maximov, Boris A. "Rethinking Enlightenment ideas of the “horrible” in the novels of Ann Radcliffe." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 76 (April 1, 2022): 306–28. http://dx.doi.org/10.17223/19986645/76/14.

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Augusto P. Silva, Daniel, and Júlio França. "NAS ORIGENS DO ROMANCE E DO GÓTICO NO BRASIL." Revista de Estudos de Cultura 5, no. 16 (August 4, 2020): 81–96. http://dx.doi.org/10.32748/revec.v5i16.14164.

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Tomando como pontos de partida (i) as imbricações entre o nascimento do romance moderno e a literatura gótica e (ii) a extensiva recepção da obra de Ann Radcliffe (1764-1823) no Brasil, o artigo analisa as convenções góticas que se fazem presentes nos romances O filho do pescador (1843) e Tardes de um pintor ou As intrigas de um jesuíta (1847), de Antônio Gonçalves Teixeira e Sousa (1812-1861). O foco da análise recairá sobre a estratégia narrativa conhecida como “sobrenatural explicado”, tradicionalmente associado à escritora inglesa.Palavras-chave: Romance; Gótico; Teixeira e Sousa.

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26

Kopp, Nina. "Terror og horror hos de klassiske gotiske forfattere: Ann Radcliffe og Matthew Lewis." Magasin fra Det Kongelige Bibliotek 12, no. 3 (December 1, 1997): 39–51. http://dx.doi.org/10.7146/mag.v12i3.66468.

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Schaneman, Judith Clark. "Rewriting Adele et Theodore : Intertextual Connections Between Madame de Genlis and Ann Radcliffe." Comparative Literature Studies 38, no. 1 (2001): 31–45. http://dx.doi.org/10.1353/cls.2001.0006.

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Passey, Joan. "Sound and silence: The aesthetics of the auditory in the novels of Ann Radcliffe." Horror Studies 7, no. 2 (October 1, 2016): 189–204. http://dx.doi.org/10.1386/host.7.2.189_1.

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Koropeckyj, Roman. "A Dark Transfusion: The Polish Literary Response to Early Gothic; Anna Mostowska Reads Ann Radcliffe." Polish Review 66, no. 1 (April 1, 2021): 115–18. http://dx.doi.org/10.5406/polishreview.66.1.0115.

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30

Serravalle de Sá, Daniel. "Gótico brasileño: el cine de Walter Hugo Khouri y José Mojica Marins." Catedral Tomada. Revista de crítica literaria latinoamericana 9, no. 17 (January 10, 2022): 177–96. http://dx.doi.org/10.5195/ct/2021.516.

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This paper seeks to connect the concepts of “terror” and “horror” proposed by Gothic novelist Ann Radcliffe to films by Brazilian directors Walter Hugo Khouri and José Mojica Marins. It will be discussed here how such concepts manifest themselves in the national context and in which senses, trapped somewhere between repetition and difference, Khouri and Mojica’s films can be deemed expressions of a Brazilian Gothic. Stemming from elements derived from Anglo-American criticism, but, highlighting the different meanings that these elements gain in Brazil. To interpret Brazilian films in the light of the Gothic means addressing the issue of “construction of meaning” in national history, as the Gothic has the potential to revive old traumas and generate discussions about specific social contexts.

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31

Magnone, Lena. "„Moje siostrzyce po piórze”. Jane Austen wobec poprzedniczek." Przegląd Humanistyczny 63, no. 2 (465) (October 25, 2019): 11–23. http://dx.doi.org/10.5604/01.3001.0013.5504.

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The paper, starting from the analysis of Northanger Abbey, suggests reflection on the attitude of Jane Austen to her predecessors, Ann Radcliffe, Fanny Burney and Maria Edgeworth etc., but also the other both fertile and popular authors of the end of 18th and the beginning of 19th century. Using the research of Dale Spender and Brian Corman, the author presents the novelist as a conscious heiress of a significant, though successfully marginalised in the Victorian period and overlooked even today, female literary tradition. Taken from Linda Hutcheon, the definition of parody allows to compare in the end Northanger Abbey to Strach w Zameczku of the first Polish novelist, who referred in a very similar way to her foreign predecessors, Anna Mostowska.

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32

Fitzgerald, Lauren. "(In)alienable Rights: Property, Feminism, and the Female Body from Ann Radcliffe to the Alien Films." Romanticism on the Net, no. 21 (2001): 0. http://dx.doi.org/10.7202/005961ar.

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33

JoEllen DeLucia. "From the Female Gothic to a Feminist Theory of History: Ann Radcliffe and the Scottish Enlightenment." Eighteenth Century 50, no. 1 (2010): 101–15. http://dx.doi.org/10.1353/ecy.0.0029.

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34

Fowler, Kathleen L. "The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Daniel Cottom." Wordsworth Circle 17, no. 4 (September 1986): 235–37. http://dx.doi.org/10.1086/twc24040711.

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35

Johnson, Kirstin. "When ‘letter’ becomes ‘litter’ : the (de)construction of the message from Ann Radcliffe to Wilkie Collins." Anglophonia/Caliban 15, no. 1 (2004): 153–62. http://dx.doi.org/10.3406/calib.2004.1513.

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36

Zimmerman, Everett. ": The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. . Daniel Cottom ." Nineteenth-Century Literature 42, no. 1 (June 1987): 107–10. http://dx.doi.org/10.1525/ncl.1987.42.1.99p0079s.

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Girten, Kristin M. "“Sublime Luxuries” of the Gothic Edifice: Immersive Aesthetics and Kantian Freedom in the Novels of Ann Radcliffe." Eighteenth-Century Fiction 28, no. 4 (June 2016): 713–38. http://dx.doi.org/10.3138/ecf.28.4.713.

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38

D'Ezio, Marianna. "“As like As Peppermint Water is to Good French Brandy”: Ann Radcliffe and Hester Lynch Salusbury (Thrale) Piozzi." Women's Writing 22, no. 3 (July 3, 2015): 343–54. http://dx.doi.org/10.1080/09699082.2015.1037985.

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39

Wilt, Judith. "The Gothic Ideology: Religious Hysteria and Anti-Catholicism in British Popular Fiction, 1780–1880; Ann Radcliffe, Romanticism and the Gothic." European Romantic Review 26, no. 4 (July 4, 2015): 489–95. http://dx.doi.org/10.1080/10509585.2015.1050838.

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40

Błaszak, Marek. "Agnieszka Łowczanin. 2018. A Dark Transfusion: The Polish Literary Response to Early English Gothic. Anna Mostowska Reads Ann Radcliffe. Berlin: Peter Lang." Explorations: A Journal of Language and Literature 7, no. 2019 (December 15, 2019): 131–33. http://dx.doi.org/10.25167/exp13.19.7.12.

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Wall, Cynthia. "Woman's Whole Existence: The House as an Image in the Novels of Ann Radcliffe, Mary Wollstonecraft and Jane Austen (review)." Eighteenth-Century Fiction 6, no. 4 (1994): 394–96. http://dx.doi.org/10.1353/ecf.1994.0005.

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Shajirat, Anna. "“Bending her gentle head to swift decay”: Horror, Loss, and Fantasy in the Female Gothic of Ann Radcliffe and Regina Maria Roche." Studies in Romanticism 58, no. 3 (2019): 383–412. http://dx.doi.org/10.1353/srm.2019.0023.

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Punter, David. "A Review of Agnieszka Łowczanin, A Dark Transfusion: The Polish Literary Response to Early English Gothic: Anna Mostowska Reads Ann Radcliffe (Peter Lang, 2018)." Text Matters: A Journal of Literature, Theory and Culture, no. 11 (November 22, 2021): 421–24. http://dx.doi.org/10.18778/2083-2931.11.26.

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Readioff, Corinna. "Book Review - Jakub Lipski and Jacek Mydla (eds), The Enchantress of Words, Sounds and Image: Anniversary Essays on Ann Radcliffe (1764–1823) (Academica Press, 2015)." Romantic Textualities: Literature and Print Culture, 1780–1840 22 (June 1, 2017): 141. http://dx.doi.org/10.18573/j.2017.10163.

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Telles da Silveira, Pedro. "GLORIOSOS BASTARDOS E CASAMENTOS DESFEITOS: ANTIQUARIATO, PROVA E O SUBLIME EM HORACE WALPOLE, CLARA REEVE E ANN RADCLIFFE (1764-1791) * GLORIOUS BASTARDS AND BROKEN MARRIAGES: ANTIQUARIANISM, PROOF AND THE SUBLIME IN HORACE WALPOLE, CLARA REEVE AND ANN R." História e Cultura 4, no. 3 (December 16, 2015): 304. http://dx.doi.org/10.18223/hiscult.v4i3.1437.

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Resumo: O objetivo deste artigo é compreender a relação entre a prática antiquária e o romance gótico na Inglaterra do século XVIII. Procura-se demonstrar como a prática antiquária serve de enquadramento ficcional para uma expansão do conceito de verossímil. Por meio do conjunto de procedimentos metodológicos do antiquário e de sua aproximação com a prática jurídica da época, elementos fantásticos que seriam inverossímeis passam a ser aceitos na trama do romance gótico. Estes elementos, por fim, abrem espaço para a experiência do sublime, de modo que o uso de procedimentos de prova e a escrita ficcional estavam intimamente ligados. Palavras-chave: Antiquariato; Romance gótico; sublime. Abstract: This paper seeks to study the interrelation between antiquarian practices and the gothic novel in eighteenth-century England. It tries to show how antiquarianism provides a fictional framing for an expansion of the concept of verisimilitude. Because of the methodological procedures developed by the antiquarian and their rapprochement with the judicial practices of its time, fantastical elements that would be otherwise discarded as implausible are accepted in the gothic novel. Therefore those elements create the possibility of experiencing the sublime, so the procedures regarding the ascertainment of truth and proof of historical discourse are intimately entangled with fictional writing. Kewyords: Antiquarianism; Gothic novel; sublime.

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46

Aguirre, Manuel. "‘Thrilled with Chilly Horror’: A Formulaic Pattern in Gothic Fiction." Studia Anglica Posnaniensia 49, no. 2 (January 29, 2015): 105–23. http://dx.doi.org/10.2478/stap-2014-0010.

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Abstract This article is part of a body of research into the conventions which govern the composition of Gothic texts. Gothic fiction resorts to formulas or formula-like constructions, but whereas in writers such as Ann Radcliffe this practice is apt to be masked by stylistic devices, it enjoys a more naked display in the–in our modern eyes–less ‘canonical’ Gothics, and it is in these that we may profitably begin an analysis. The novel selected was Peter Teuthold’s The Necromancer (1794)–a very free translation of K. F. Kahlert’s Der Geisterbanner (1792) and one of the seven Gothic novels mentioned in Jane Austen’s Northanger Abbey. There is currently no literature on the topic of formulaic language in Gothic prose fiction. The article resorts to a modified understanding of the term ‘collocation’ as used in lexicography and corpus linguistics to identify the significant co-occurrence of two or more words in proximity. It also draws on insights from the Theory of Oral-Formulaic Composition, in particular as concerns the use of the term ‘formula’ in traditional epic poetry, though again some modifications are required by the nature of Teuthold’s text. The article differentiates between formula as a set of words which appear in invariant or near-invariant collocation more than once, and a formulaic pattern, a rather more complex, open system of collocations involving lexical and other fields. The article isolates a formulaic pattern—that gravitating around the node-word ‘horror’, a key word for the entire Gothic genre –, defines its component elements and structure within the book, and analyses its thematic importance. Key to this analysis are the concepts of overpatterning, ritualization, equivalence and visibility.

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47

Rogers, Deborah D. "Ann Radcliffe, Romanticism and the Gothic, Edited by DaleTownshend and AngelaWright. Cambridge: Cambridge University Press. 2014. xv + 257 p. £47 (hb). ISBN 978-1-107-03283-5." Journal for Eighteenth-Century Studies 39, no. 2 (May 18, 2016): 300–301. http://dx.doi.org/10.1111/1754-0208.12294.

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48

Rogers, Deborah D. "Mistress of Udolpho: The Life of Ann Radcliffe, and: Gothic Readings: The First Wave, 1764-1840, and: Unnatural Affections: Women and Fiction in the Later 18th Century (review)." Eighteenth-Century Studies 34, no. 1 (2000): 147–50. http://dx.doi.org/10.1353/ecs.2000.0066.

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49

Mackenzie, Scott R. "The Scarcities of Udolpho." Novel 55, no. 2 (August 1, 2022): 180–99. http://dx.doi.org/10.1215/00295132-9784935.

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Abstract This essay identifies symptoms of the historical emergence of generalized scarcity in Ann Radcliffe's Mysteries of Udolpho, which grants scarcity's ruthless logic a primary narrative function under the aesthetic cover of suspense. Radcliffe's novels generate occult phenomenologies of scarcity, which manifest as affect, epistemic structure, economic process, social relations, and transcendent force or metaphysic (both natural and supernatural). Suspense replicates the social operation of generalized scarcity by carrying us from one particular “conflict of choice” to the next, keeping a veil over the governing logic that conditions the whole process. If we treat crises as unpredictable and singular events rather than effects of identifiable systems, we avoid reckoning with capitalism's normalization of continual disruption and reorganization, what Marx called its “constant revolutionising of production, [and] uninterrupted disturbance of all social conditions.” The scarcity-inflected narrative apparatus privileges personal volition—individual choices that lead to specific outcomes—over collective or systemic determinations, a distinction key to the coercive social power of scarcity. It is not just Radcliffean gothic but narrative in general that comes under the sway of this logic during the last decade of the eighteenth century.

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Miller, Adam. "Ann Radcliffe’s Scientific Romance." Eighteenth-Century Fiction 28, no. 3 (March 2016): 527–45. http://dx.doi.org/10.3138/ecf.28.3.527.

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Journal articles on the topic 'Ann Radcliffe'

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