Academic literature on the topic 'Anna Gavalda'

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Journal articles on the topic "Anna Gavalda"

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Holmes, Diana. "The Comfortable Reader: Romantic Bestsellers and Critical Disdain." French Cultural Studies 21, no. 4 (2010): 287–96. http://dx.doi.org/10.1177/0957155810378576.

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In France ‘immersive’ storytelling in the novel has long been associated with lowbrow fiction, and critically disparaged in favour of more self-reflexive, experimental forms. Recently, however, not only have critical debates begun to question the equation of literary value with the text’s ‘intransitivity’ (Barthes), but the massive success of certain contemporary novels has suggested a sharp divergence between critical orthodoxy and readers’ literary values. Critics’ responses to the runaway success of novels by Marc Levy, Anna Gavalda and others have hesitated between bemusement and contempt,
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Karpukhina, T. P. "Genre-and-Style Characteristics of Anna Gavalda’s Novella "Petites Pratiques Germanopratines" ("Peculiarities of Saint-Germain Boulevard")." Bulletin of Kemerovo State University 22, no. 3 (2020): 821–30. http://dx.doi.org/10.21603/2078-8975-2020-22-3-821-830.

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The present research featured short stories by Anna Gavalda, a contemporary French writer. The research objective was to define the genre and style of Petites Pratiques Germanopratines (Peculiarities of Saint-Germain Boulevard) published in Gavalada’s collection of novellas entitled Je Voudrais Que Quelqu’un M’attende Quelque Part (I wish somebody were waiting for me somewhere). The novella demonstrated features common to this type of narration: small volume; few characters; focus on their everyday private life and a singular event that changes it; dramatic nature of the plot development; peri
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Dissertations / Theses on the topic "Anna Gavalda"

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Violetta, Irene. "Proposta di traduzione della novella "Un garçon" di Anna Gavalda." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018.

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Proposta di traduzione della novella "Un garçon" di Anna Gavalda. Nel primo capitolo di questo elaborato presenterò brevemente alcuni tratti caratteristici dell’oralità scritta e prenderò in considerazione i problemi che un traduttore, in particolare un traduttore che lavora con il francese e l’italiano, può incontrare, così come le soluzioni da adottare per risolverli. Poi, nel secondo capitolo parlerò dell’autrice, della sua opera e del suo stile, per poter dare al lettore una chiave per interpretare con occhio critico lo stile di Gavalda e la mia proposta di traduzione della novella. Infine
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Rajaeidoust, Samanehsadat. "L'effet-personnage chez Zoyâ Pirzâd et Anna Gavalda, étude comparée." Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2030.

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La littérature populaire est considérée comme le genre le plus lu en France et en Iran. Pirzâd et Gavalda font parties des écrivaines contemporaines les plus lues et les plus traduites. Ces deux auteures appartiennent à deux cultures et deux mondes tout à fait différents, néanmoins, elles ont réussi à satisfaire leur public étranger. Pirzâd et Gavalda, comme beaucoup d’autres écrivains contemporains, placent le personnage au cœur de leur intérêt romanesque. Par l’attribution de noms propres mimétiques, l’emploi d’un espace fictionnel familier, ainsi que la mise en scène de l’intériorité des pe
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Heraud, Abby R. "What's cooking in the androgynous kitchen : gender & performance in Anna Gavalda's Ensemble c'est tout." Thesis, Manhattan, Kan. : Kansas State University, 2009. http://hdl.handle.net/2097/2349.

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Svensson, Magdalena. "Une analyse des personnages masculins et féminins dans Ensemble, c'est tout et Je l'aimais d’Anna Gavalda." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-16004.

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Après avoir lu Ensemble, c'est tout et Je l'aimais, j'ai commencé à m'intéresser aux personnages principaux féminins dans les deux romanes. À mon avis, les deux jeunes femmes, Camille et Chloé, sont dépeintes de la même façon. Je les ai trouvées des femmes très traditionnelles dans leurs rôles. Un peu étonnant quand on sait que l'écrivaine est une jeune femme. Dans mon mémoire je voudrais analyser les personnages principaux chez Anna Gavalda dans les romans Ensemble, c'est tout et Je l'aimais. J'étudierai les femmes aussi bien que les hommes pour mieux comprendre la situation des femmes.
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Books on the topic "Anna Gavalda"

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anna, gavalda. Coffret anna gavalda 3vols novembre 2005. J'AI LU, 2005.

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Book chapters on the topic "Anna Gavalda"

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Lenz, Maja. "Gavalda, Anna." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3757-1.

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Lenz, Maja. "Anna Gavalda." In Kindler Kompakt Französische Literatur 20. Jahrhundert. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05533-0_50.

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Lenz, Maja. "Anna Gavalda." In Kindler Kompakt Französische Literatur der Gegenwart. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04498-3_29.

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Lenz, Maja. "Gavalda, Anna: Ensemble, c'est tout." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3758-1.

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Conference papers on the topic "Anna Gavalda"

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Hapsari, Lia Indri. "Cynicism toward Pregnancy in Short Story “Pregnant” by Anna Gavalda." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007169304640468.

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