Academic literature on the topic 'Anna (n.1949)'
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Journal articles on the topic "Anna (n.1949)"
Ravindran, Gopalan. "Rhetorical Bodies and Movement-Images in the 1949 Tamil Film Velaikari (House Maid)." Deleuze and Guattari Studies 12, no. 1 (February 2018): 45–65. http://dx.doi.org/10.3366/dlgs.2018.0295.
Full textAsbury, Arthur K. "John N. Whitaker, MD: 1940-2001." Annals of Neurology 51, no. 1 (January 2002): 141. http://dx.doi.org/10.1002/ana.10097.
Full textKelly, James R. "Angus Wilson: A Bibliography, 1947-1987. J. H. Stape , Anne N. Thomas , Angus Wilson." Papers of the Bibliographical Society of America 83, no. 4 (December 1989): 556–57. http://dx.doi.org/10.1086/pbsa.83.4.24303127.
Full textRubinchik, Olga E. "«They’re not My Kind…» Anna Akhmatova and Natalia Krandievskaya." Studies in Theory of Literary Plot and Narratology 14, no. 2 (2019): 41–55. http://dx.doi.org/10.25205/2410-7883-2019-2-41-55.
Full textBrassai, László, and Bettina Pikó. "Individual and parental factors related to meaning in life in adolescence." Magyar Pszichológiai Szemle 67, no. 2 (June 1, 2012): 317–36. http://dx.doi.org/10.1556/mpszle.67.2012.2.4.
Full textKarateev, D., P. Pchelnikova, E. Luchikhina, and T. Boboshko. "POS1263 COVID-19 FROM THE PATIENTS’S PERSPECTIVE: PRELIMINARY RESULTS OF ONLINE SURVEY." Annals of the Rheumatic Diseases 80, Suppl 1 (May 19, 2021): 916.1–916. http://dx.doi.org/10.1136/annrheumdis-2021-eular.4046.
Full textBankauskaitė, Gabija. "Respectus Philologicus, 2009 Nr. 16 (21)." Respectus Philologicus, no. 20-25 (October 25, 2009): 1–240. http://dx.doi.org/10.15388/respectus.2009.21.
Full textLaffey, John. "Anne Massey. The Independent Group: Modernism and Mass Culture in Britain, 1945–59. Manchester: Manchester University Press; distributed by St. Martin's Press, New York, N. Y. 1996. Pp. viii, 160. $79.95 cloth, $24.95 paper. ISBN 0-7190-4245-3." Albion 29, no. 1 (1997): 167–69. http://dx.doi.org/10.2307/4051656.
Full textRahmat, Sujud Puji Nur. "TRANSFORMASI DOKUMEN KOMUNIKASI VISUAL SAMPUL BUKU DIGITAL DALAM METODE PENELITIAN KUALITATIF PERSPEKTIF SOSIAL BUDAYA BIDANG DESAIN KOMUNIKASI VISUAL." Gorga : Jurnal Seni Rupa 10, no. 1 (June 15, 2021): 172. http://dx.doi.org/10.24114/gr.v10i1.25272.
Full textWatson, David, V. G. Kiernan, Gary Farnell, Christopher Parker, Mark Allen, Benjamin Bertram, William Zunder, et al. "Reviews: Reading the Past, Packing and Unpacking Culture: Changing Models of British Studies, Practising New Historicism, Dust, History by Numbers: An Introduction to Quantitative Approaches, Hamlet in Purgatory, Literary Circles and Cultural Communities in Renaissance England, Putting History to the Question: Power, Politics and Society in English Renaissance Drama, et al., Anna of Denmark, Queen of England, the Royal Image: Representations of Charles I, How Milton Works, a Letter to My Love: Love Poems by Women First Published in the, the Anti-Jacobin Novel: British Conservatism and the French Revolution, Nineteenth-Century British Women Writers, Memory and History in George Eliot: Transfiguring the Past, the West-Country as a Literary Invention: Putting Fiction in its Place, ‘India's Prisoner’: A Biography of Edward John Thompson, 1886–1946, Blind Memory: Visual Representations of Slavery in England and America, 1780–1865, B. L. Coombes, Diana: A Cultural History: Gender, Race, Nation and the People's Princess, the American MysterySpargoTamsin (ed.), Reading the Past , Palgrave2000, pp. xii + 200, £14.99 pb.JarrettDavid, KowalewskiTomasz and RiddenGeoff (eds), Packing and Unpacking Culture: Changing Models of British Studies , Copernicus University, Torún, 2001, pp. 270, £4.GallagherCatherine and GreenblattStephen, Practising New Historicism , University of Chicago Press, 2000, pp. ix + 249, £16.00; ChildsPeter, Modernism , Routledge, 2000, pp. xi + 226, $8.99 pb.SteedmanCarolyn, Dust , Manchester University Press, 2001, pp. xi + 195, £9.99.HudsonPat, History by Numbers: An Introduction to Quantitative Approaches , Arnold, 2000, pp. 278, £45, £14.99 pb.; MunslowAlun, The Routledge Companion to Historical Studies , Routledge, 2000, pp. 271, £47.50, £12.99 pb.GreenblattStephen, Hamlet in Purgatory , Princeton University Press, 2001, pp. xii + 322, £19.95.SummersClaude J. and PebworthTed-Larry (eds), Literary Circles and Cultural Communities in Renaissance England , University of Missouri Press, 2000, pp. xii + 243, £33.95.NeillMichael, Putting History to the Question: Power, Politics and Society in English Renaissance Drama , Columbia University Press, 2000, pp. xii + 527, £22.00; TauntonNina, 1590s Drama and Militarism: Portrayals of War in Marlowe, Chapman and Shakespeare's Henry V, Ashgate, 2001, pp. vii + 239, £42.50.MarcusLeah S. (eds), Elizabeth I: Collected Works , University of Chicago Press, 2000, pp. 632, £25.BarrollLeeds, Anna of Denmark, Queen of England , University of Pennsylvania Press, 2001, pp. 220, £28.50.CornsThomas N. (ed.), The Royal Image: Representations of Charles I , Cambridge University Press, 1999, pp. vi + 316, £40.FishStanley, How Milton Works , Harvard University Press, 2001, pp. 616, £23.95; LaresJameela, Milton and the Preaching Arts , James Clarke & Co., 2001, pp. 368, £40.00.OvertonBill (ed.), A Letter to my Love: Love Poems by Women First Published in the Barbados Gazette, 1731–37 , Rosemont Publishing, 2001, pp. 155, £27.GrenbyM. O., The Anti-Jacobin Novel: British Conservatism and the French Revolution , Cambridge University Press, 2001, pp. xiii + 271, £40.BloomAbigail Burnham (ed.), Nineteenth-Century British Women Writers , Aldwych Press, 2000, pp. x + 466, £71.50.LiHao, Memory and History in George Eliot: Transfiguring the Past , Macmillan, 2000, pp. xiv + 227, £42.50.TreziseSimon, The West-Country as a Literary Invention: Putting Fiction in its Place , University of Exeter Press, 2000, pp. xvi + 256, £42.00, £13.99 pb.LagoMary, ‘India's Prisoner‘: A Biography of Edward John Thompson, 1886–1946 , University of Missouri Press, 2001, pp. xi + 388, £33.95.WoodMarcus, Blind Memory: Visual Representations of Slavery in England and America, 1780–1865 , Manchester University Press, 2000, pp. 341, £49.95, £17.99 pb.JonesBill and WilliamsChris, B. L. Coombes , University of Wales Press, 1999, Writers of Wales, pp. 114, £5.99; JonesBill and WilliamsChris (eds), With Dust Still in His Throat: A B. L. Coombes Anthology , University of Wales Press, 1999, pp. 208, £9.99; MurphyMichael (ed.), The Collected George Garrett , Trent Editions, 1999, pp. xxix + 270, £7.99 pb.DaviesJude, Diana: A Cultural History: Gender, Race, Nation and the People's Princess , Palgrave, 2001, pp. 250, £47.50, £16.99 pb.TannerTony, The American Mystery , Cambridge University Press, 2000, pp. xxiv + 242, £35, £13.95 pb." Literature & History 12, no. 1 (May 2003): 72–100. http://dx.doi.org/10.7227/lh.12.1.5.
Full textDissertations / Theses on the topic "Anna (n.1949)"
Seixas, Joana Filipa de Araújo Novo Térrio. "Press to impress. Vogue americana como image maker na era digital." Master's thesis, Universidade Técnica de Lisboa. Faculdade de Arquitectura, 2010. http://hdl.handle.net/10400.5/2987.
Full textO presente trabalho desenvolve-se no âmbito do Design de Moda, Produção de Moda e Imprensa de Moda (revistas) e tem como tema a influência da imprensa escrita no campo disciplinar. Pretende-se analisar, interpretar, reflectir e obter indicações sobre o modo como a Vogue americana, mais concretamente a sua directora/editora-chefe, Anna Wintour, através da publicação das revista e dos seus conteúdos, assim como pela sua orientação editorial, tem influenciado, difundido, promovido e transformado a indústria de produtos de moda, condicionando os criadores e, simultaneamente, o comportamento dos consumidores. O desenvolvimento tecnológico dos meios de captação e de difusão de imagens – nomeadamente a fotografia digital -, tornou estes recursos técnicos em instrumentos eficazes de sedução dos públicos-alvo. Com um controle quase impossível de exercer sobre as imagens produzidas, o mundo em que vivemos transformou-se num mundo dominado pelas imagens, imagens que substituíram o texto como forma dominante de cultura, mas que se constituem, também como narrativas. No intuito de ultrapassar a concorrência, a Vogue americana desenvolve estratégias centradas na sua imagem como “vitrine/montra” de moda, promovendo ou despromovendo criadores e produtos de moda, levantando questões que giram à volta do trabalho das revistas de moda e da possível interferência das suas directoras na independência dos criadores. Anna Wintour, a directora/editora-chefe da Vogue, é a papisa que decide o que deve constar na bíblia da moda? Quem dita a moda? As editoras de moda, os criadores, os fotógrafos? A colaboração dos fotógrafos Mário Testino e Patrick Demarchelier na execução da capa e da produção fotográfica colour blocking para o famoso September Issue de 2007 (840 páginas), sob a direcção de Anna Wintour, cujo processo de composição/elaboração está na origem de um documentário com o mesmo título, são analisadas como estudo exemplificativo da relação entre a moda e as estratégias de imagem - que envolve celebridades, algumas vindas da indústria cinematográfica, introduzidas de modo inovador e apelativo nas capas e nas produções fotográficas da Vogue - assim como o papel/poder de Anna Wintour nele espelhado.
This study develops around the subject of fashion design, styling and fashion press (magazines). Its central theme is on the influence of fashion magazines in the area. It aims to analyse, interpret, reflect and obtain clues about how the fashion press, more precisely the American Vogue editor-in-chief Anna Wintour, has influenced, shared out, promoted and transformed the industry of fashion products and simultaneously constrained fashion designers as well as consumers’ behaviour. The technological advance in the means of capturing and spreading images – such as the digital photography – transformed these technical resources in efficient instruments of manipulation/seduction of the target audience. With an almost unfeasible control over the images produced, the world we live in has been transformed into a world dominated by images. The former have replaced text as the dominant form of culture but they have also become narratives. So as to overcome competition, the American Vogue has developed its image centred strategies acting as a ‘shop-window’ of fashion, endorsing or not endorsing fashion designers and fashions products. This has led fashion consumers to wonder about the role of fashion magazines and the interference of editors-in-chief in the autonomy of fashion designers. Is Anna Wintour, the editorin- chief of Vogue, the “pope” who decides what is to be published in the fashion bible? Who decides what is “in”? The fashion editors, the designers, the photographers? The collaboration of both photographers Mário Testino and Patrick Demarchelier in the making of the cover and in the colour blocking photo shoot for the famous 2007 September Issue (840 pages), under the supervision of its editorin- chief Anna Wintour, whose creation process is the basis of a documentary under the same title, is analysed considering the relationship between fashion and image strategies – that includes celebrities, some of which coming from the film industry, brought in as an innovative and attractive change to the covers and photo shoots of Vogue, as well as the role/power of Anna Wintour reflected in it.
Perini, Lorenza <1967>. "Il corpo della cittadina. La costruzione del discorso pubblico sulla legge n. 194/1978 in Italia negli anni Settanta." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4027/.
Full textMaungedzo, Avhurengwi Edward. "The detective story in Venda : an analysis with special reference to Bono la mboni and Nwana wa mme anga." Thesis, 1999. http://hdl.handle.net/10500/23246.
Full textThe purpose of this research is to make a literary appreciation of the detective story in Tshivenda. Chapter 1 is the introductory chapter which discusses the aim of study, the definition of detective story, methodology, detective noels in Tshivenda, background information regarding the authors, summaries regarding selected novels and the scope of research. Chapter 2 is devoted to the plot structure of the two detective novels, and outlines the diegetic and meta-diegetic stories. The elements of mystery and dramatic irony are also discussed. Chapter 3 concentrates mainly on the setting of the two selected detective novels and its influence on the crimes committed, the lives of the characters and the tools that are used. Chapter 4 deals with the depiction of the victims, suspects and detectives in the selected detective stories. Chapter 5 concludes the study and summarises the main findings of the appraisal.
African Languages
M. A. (African Languages)
Books on the topic "Anna (n.1949)"
Quagliato, Vincenzo. L' aborto nel Veneto: Tredici anni di problematica gestione della legge n. 194. Abano Terme: Francisci, 1992.
Find full textStudi Germanici Anno 37, Fasc.2 1999, N. 108. Roma: Istituto Italiano di studi Germanici., 2000.
Find full textBook chapters on the topic "Anna (n.1949)"
Greule, Albrecht, and Sandra Reimann. "„Es geschah im Städtchen Werther anno 1909 …“ Narration in der Werbung." In Werbegeschichte(n), 95–110. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-26657-8_7.
Full textGiamil, D. Samuel. "Symbolum Nestorianum Anni P. Ch. N. 012." In Oriens Christianus (1901-1941), edited by Anton Baumstark, 61–79. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463217358-004.
Full text"scto th ara ti rsetc ic te s d ( M mo OdSe ) l . f S or m ec it ahstadnad ta are called model output 1994). The state of ENSO is only one of many factors obs terevveedn SS gi T v en a perfect SRSoTp el feow re sckais ( t 1 -9 9i7 .e ) ., shtohweu (K se r d is hn to aKfuom re acrae st t al t . h1e99I5n ) d . ian summer monsoon m to oid ts elEuNsS ed O -a r t -N t C he E P cu rrent operational atmospheric Ward et al. (1993) discuss the useful level of skill In their study e , la ftoerd ty r -a fi i need vne fa lylspastu te brsn ta snfto ia rlpa ra d c ju ti sctamleun se ts . m of a d tr eop in ic a re l al n o ti r m th e A by f ri tchaenU fo KreM ca e st tse or th ol aotgihcaavleOb ff eiecnee (h xianm dc in aesd ts ) fo bra se th d e on specif e ie a d rs ( oofbsseeravseodn ) alSS fo Trew ca esrtess re in la ctei on 1s9h8i6p . swTih th esgeloabrael ly ladrigsetlry ib ubtaesdedSSoTn , SS st Tatiin st itchaelm ea o ch d el sism imulation wapserrieopde at 1e9d50 th -i 9r4 te . enEa ti cmh es s , e w as hoenraelpSoonue th n t. A O tla vnetrict , hean la dstade re claad ti e v , eltyhesm re aalll -ti EmNeSfOo re ccoam sts u initial co unldaitt io io nnswatso st easrttiemdatwe ith th e s lig mha tl gynid tu if dfee ren otfvhaalviedah te addahisnkdic ll asstismim lar adteotwhiatthotbhtea in seadme fr osm ta t c is rto ic sasl -v av anrp ia re ti doincs ta ble and therefore random atmospheric methods. The chief limitation to further progress is a rai enrfaag ll edf or tion th ca elcm ul oad te e l. thTehebtehsitr te meondseilmeus la ti t m io antseao re flsaecaksoonf ( gJluonbeal th tr roopu ic gahlSSeSpTtefm or beecra ) s . tsAvcaclu id ra f te orfo th re ecawse ts ttgylpoibcaall ly v , a a ri l th ea ocuhghgitvheen seasonal SST pattern. Quite of ENSO would help, but would in most years be well, it sho at w io ends in sem as oodneall re ra piln ic fa altledpa th tt eeronbs se qruvietdeifn al sluffo fi rceiceanst. tsAatrmeoaslp so heu ri scedd , ynbaumtitchaely -m oondleyl -h baavseedusreaf in ul T re hgu io s ns fo rofptrheec ip w it s a ystematic or tlido , n -t rhee la tmesdpaa ti pap ll l y ic var odel pre a d ti i o ct nys in g in biases. skill with lead times of a month or less before the require some kind ions wmoaun ld y r th ai antf al hlusm ea asnoin ty ( Fhoa ll sanidncerteaals . ed1 99 th 1 e ). Istuisscaelpsto ib p il o it s y si b o le f g ki ennderoaf te bdi as byadajuM stm OS ofteacdhjnuisqtumee . n T ts h , e perhaps those tropical west Africa to drought through the pro production of operat einot places a huge bnue rd ed en foorntthhiesg co re vsesrivoevreerdu re c c ti eonntd in ecnaedaers -. coTahsitsalcw ha e n st geAfirn ic a th nefolraensdtM because each time the m na oldd el y n is a m ch ic aanlge fo d r , eacansetwmsoedteo ls f s (e u . r g fa ., ceElb ta ohuinrdaan ry dhGaosnbgee1n99s6 ho ) w to nhbayve se v th e e ra lpo au te tnhtoirasla ne O ed S e statistics must be calculated to provide the to weaken the north African monsoon. More studies nneacleys si d sa s ad ojfu ry Msm tm u e lt n id ts e . c T ad h a is l re en qu se ir m es bltehsetgoe ne orbatta io in natnhdetorfopp ic oasls ib nloer th re g A io fr n ic aalnarnatihnrfo al p l, ogaesniwce ll inafs lu efnocr es on fundamental OiSmp st rao ti vse ti m cs enatnsdtuond th eerssecom re osdtehles , nseuecdh fo as r reg W ion ar sdwe it thaml. a ( r 1 gi 9n9a3l ) seaalssoonadlisrcau in sfsaltlh , e a re sk n il eleo de odt . her tahboosvee . related to the flux adjustments, discussed m tim ad eefboy re c th a e st sff real UK orM th et eeon ro olro th g e ic aasltOBfrfaizcielsw in ectes1e9 as 8o7n . dro Kungohwt le p d re gdeico ti fonEsNS in O m is a n in ysup ff airctisenotffotrher eg w io o n rl adlT se hviesreisa relatively dry area, subject to intermittent lbeescsaium se p o in rt a th n ese regions its influence is either small or Hastenr dartohuagnhdt. c T ol hleasbeorfao to re rs c a ( set . s g , ., asHw as etlelnarsatthho1s9e95b ) y , p ea ro st foBurnad zil an t than other factors. For instance, north are mainly statistical, although real-time dynamical patterns ( lFyo ll iandf lu west A nd eentcael. d frican w 19 b9y1 , H tro ept ic saela so Ant la ra nitn ic fa ll astenrath 1995, WSaSrTeM for eetceaosrtosl og hiacvae ard based on tropi lcbaOlAfefe ic n e . mTahdee st saitn is ctei cal 19f9o4 re ca bsy ts tahreeS1S9T 97 ) i . n In th aeddtirtoipoinc , aplaIrn ts d i of the Sahel are affected by on ENSO SSTs. On tl aanv ti ecraSgSeT , t a ro npoim ca allyAp tl aatn te ti rcnsSaSnTdsF Si o m ll i a la nrd ly , eltocaall . SS 19 T9p1a , tt Bar anns to Onceaannd (P Sam lm ith er11999866 ). , h re agvieonaboofuSt ou tw th ic Aem th e e ri cian , fl aule th nocue gh ofexEtN re SmOeE fo NrStOhs is , A no urstth ra w li eas , tnooftA ab ulsyt ra ilniatih er e ns influence precipitation in such as that in 1982-3, can dominate the circulation Drosdowsky 1993, F n re d th IendA ia uns tr O al c ia enanw north and and precipitation patterns over tropical South ericksen and i B nt aelrgo ( v e. ign . d , A sis m te e n ri t c ly a . h T ig hhe le r v ea el l -t o im f e sk iflol, resc im as itlsarhtaovethhaatdobatac in oend ." In Droughts, 63. Routledge, 2016. http://dx.doi.org/10.4324/9781315830896-43.
Full text"This final Afterword brings together (at least) five characters. Firstly, there is Ben, a young man who has had a 'mental breakdown'. Secondly, there is Theo, a psychiatric nurse who is working with Ben and who reflects on their relationship. Thirdly, there is F, who does (at least) two things: she discusses the theory of reflective practice and she reflects on Theo's reflections as if she was Theo. Fourthly, there is R, who occasionally comments and theorises on F's reflections. And finally, there is the chorus, a series of voices telling a series of stories. These characters ask (but do not answer) a number of questions, largely concerned with truth and the nature of practice. Thus, if practice is seen as a text, then to what extent and in what sense can it be said to be true? And if reflection is a story that I tell to myself, then is it nothing but a branch of fiction? And if it is...? And finally, of course, we come to the question of endings... Notes 1 Derrida, J. Afterword: toward an ethic of discussion. In G. Graff (ed) Limited Inc, Evanston, Illinois: Northwestern University Press, 1988, p.146 2 Derrida, J. But, beyond... (Open letter to Anne McClintock and Rob Nixon), Critical Inquiry, 1986, 13, 1, 155-70, p.167, his emphases 3 Derrida, J. (1967) Of Grammatology, Baltimore: The Johns Hopkins University Press, 1974, p.94 Derrida, But, beyond..., op. cit., p.167 5 Lechte, J. Fifty Key Contemporary Thinkers, London: Routledge, 1994, p.106 6 Russell, B. The Problems of Philosophy, Oxford: Oxford University Press, 1973, p.40 7 Blomfield, R. & Hardy, S. Evidence-based nursing practice. In S. Reynolds & L. Trinder (eds), Evidence-Based Practice: A Critical Approach, Oxford: Blackwell Science, 2000 8 Derrida, J. (1972) Dissemination, London: The Athlone Press, 1981, p.111 9 All three statements are taken from DiCenso, A., Cullum, N. & Ciliska, D. Implementing evidence-based nursing: some misconceptions, Evidence-Based Nursing, 1, 2, 38-40, 1998 10 Ibid.,p.29." In Deconstructing Evidence-Based Practice, 198. Routledge, 2004. http://dx.doi.org/10.4324/9780203422311-48.
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