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Journal articles on the topic 'Anna Seghers'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 June 2025

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1

Niven, Bill, and Ian Wallace. "Anna Seghers in Perspective." Modern Language Review 96, no. 1 (2001): 272. http://dx.doi.org/10.2307/3735831.

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2

von Ankum, Katharina. "Ute Brandes: Anna Seghers." GDR Bulletin 20, no. 1 (1994): 32. http://dx.doi.org/10.4148/gdrb.v20i1.1122.

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3

Seydel, Ute. "Rememorar desde los afectos: exilio republicano y resistencia antifranquista en “Wiederbegegnung” de Anna Seghers." Acta poética 43, no. 2 (2022): 59–85. http://dx.doi.org/10.19130/iifl.ap.2022.2.178x270s4.

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The analysis establishes a relation between Anna Seghers’s story “Wiederbegegnung” and her aesthetic reflection on a literature written beyond the guidelines for the method of socialist realism. It is highlighted how the experiences of exile made by the couple Seghers-Radványi and the writer’s memory images regarding experiences emotionally strong undergone during the exile in France and Mexico served as point of departure for the creation of the fictional story about the Spanish republicans Celia and Alfonso Varela.

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4

Godsall-Myers, Jean E., and Helen Fehervary. "Anna Seghers: The Mythic Dimension." German Studies Review 26, no. 3 (2003): 705. http://dx.doi.org/10.2307/1432823.

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5

Smith, Colin. "CHRISTA WOLF AND ANNA SEGHERS." German Life and Letters 41, no. 3 (1988): 235–47. http://dx.doi.org/10.1111/j.1468-0483.1988.tb02090.x.

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6

Cohen, Robert, and Helen Fehervary. "Anna Seghers: The Mythic Dimension." German Quarterly 75, no. 4 (2002): 448. http://dx.doi.org/10.2307/3252217.

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7

Bangerter, Lowell A. "Anna Seghers and Christa Wolf." Germanic Review: Literature, Culture, Theory 68, no. 3 (1993): 127–32. http://dx.doi.org/10.1080/00168890.1993.9934224.

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8

Wallace, Ian, Helen Fehervary, Anna Seghers, Helen Fehervary, and Jennifer Williams. "Anna Seghers: The Mythic Dimension." Modern Language Review 99, no. 2 (2004): 542. http://dx.doi.org/10.2307/3738836.

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9

Gilson, Geneviève. "Anna Seghers. “La septième croix”." Témoigner. Entre histoire et mémoire, no. 131 (October 1, 2020): 152–54. http://dx.doi.org/10.4000/temoigner.9504.

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10

Wallace, Ian. "Briefe 1924–1952 by Anna Seghers." Modern Language Review 105, no. 1 (2010): 286–87. http://dx.doi.org/10.1353/mlr.2010.0253.

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11

Suess, Walter. "Anna Seghers. Eine Biographie in Bildern." GDR Bulletin 22, no. 1 (1995): 38–39. http://dx.doi.org/10.4148/gdrb.v22i1.1171.

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12

Meier, Robert, and Dieter Fauth. "Rezension von: Fauth, Dieter, Anna Seghers im Licht ihrer Freundinnen." Zeitschrift für Württembergische Landesgeschichte 79 (June 22, 2022): 578. http://dx.doi.org/10.53458/zwlg.v79i.2659.

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13

Slodounik, Rebekah. "‘Once Upon a Time in Marseille’: Displacement and the Fairy Tale in Anna Seghers’ Transit." Humanities 8, no. 4 (2019): 173. http://dx.doi.org/10.3390/h8040173.

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Written in 1941, while she was living in exile in Mexico, and published in 1944 in Mexico and the United States, Anna Seghers’ novel Transit replicates on a formal level an experience of displacement, statelessness, and exile. In the following analysis, I examine Transit as a text of forced migration. Several features of the novel attempt to produce an experience of displacement: the narrative situation, the incorporation of descriptions that place the events of World War II into a longer history of forced migration, and the use of references to the genre of the fairy tale. The descriptions that engage with past forced migration and displacement attempt to universalize the historical specificities of the time period, whereas the references to fairy tales generate a sense of timelessness associated with this genre. Through these strategies, Seghers’ novel itself attempts to displace time. Seghers situates Transit within a long history of forced migration and exile, in which the categories that are often used to define and divide populations—such as nationality, ethnicity, and religion—are in flux. By emphasizing the role of mistaken identity, Seghers destabilizes the concept of immutable identities in a period of upheaval and transition.

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14

Brandes, Ute, and Alexander Stephan. "Anna Seghers im Exil: Essays, Texte, Dokumente." German Quarterly 70, no. 3 (1997): 314. http://dx.doi.org/10.2307/408232.

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15

William, Jennifer Marston. "Mythos und Erzählen im Werk von Anna Seghers." Monatshefte 99, no. 3 (2007): 429–30. http://dx.doi.org/10.1353/mon.2007.0076.

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16

Stephan, Alexander. "Anna Seghers, Wieland Herzfelde. Ein Briefwechsel 1939-1946." GDR Bulletin 12, no. 2 (1986): 48–51. http://dx.doi.org/10.4148/gdrb.v12i2.779.

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17

Breyer, Till, and Philipp Weber. "Gegen-Ermittlung. Anna Seghers’ Der Kopflohn und die Lesbarkeit des Faschismus." Sprache und Literatur 48, no. 1 (2019): 91–112. http://dx.doi.org/10.30965/25890859-04801005.

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Abstract Der Kopflohn (1933), an early novel by Anna Seghers, has a unique status in the field of literary investigations: it gives a literary milieu study of its time, in which the police chases a fugitive in the province of Rhine-Hesse in Germany. The implicit protagonist of the novel, however, is the emerging movement of German National Socialism. The literary investigation thus proceeds as a counter-investigation: It illuminates the spectrum of social and psychological events that take shape in light of the police investigation, and thus depicts the beginnings of fascism. The literary counter-investigation is thus not driven by a single event, but by the emergence of a social disposition. The article then shows that Seghers’ artistic mode of representation is informed by both her dissertation on Rembrandt and contemporary discussions of ‘realism’; furthermore, it argues that the novel establishes ‘counter-investigation’ as a para-genre the history of which leads up to the present, as recent films like Michael Haneke’s The white Ribbon (2009) show.

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18

Romero, Christiane Zehl, and Kathleen J. LaBahn. "Anna Seghers' Exile Literature. The Mexican Years (1941-1947)." South Atlantic Review 52, no. 3 (1987): 134. http://dx.doi.org/10.2307/3200130.

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19

Wallace, Ian, Pierre Radvanyi, Manfred Flügge, and Maeng-Im Koh. "Jenseits des Stroms: Erinnerungen an meine Mutter Anna Seghers." Modern Language Review 102, no. 1 (2007): 280. http://dx.doi.org/10.2307/20467255.

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20

Vaßen, Florian. "O estranho e o próprio: Projeção, diferença e reminiscência em A missão de Heiner Müller." Pandaemonium Germanicum, no. 4 (November 5, 2000): 257. http://dx.doi.org/10.11606/1982-8837.pg.2000.64248.

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Vom Anfang an spielt im kolonialen Machtdiskurs der Literaturdiskurs eine entscheidende Rolle. Auch Anna Seghers als fortschrittliche, sozialistische Autorin kann sich mit ihrer Fixierung auf Aufklärung, Französische Revolution und jüdisch-christliche Tradition nicht vom europäischen Universalismus-Anspruch lösen. In einem Spannungsverhältnis von Projektion und Alterität, von Memoria und Intertextualität versteht Heiner Müller dagegen Literatur im Sinne von Emanuel Lévinas' Achtung des Anderen als Arbeit an der Differenz.

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21

Michael, Livi. "The Short Story in German in the Twenty-First Century, Lyn Marven, Andrew Plowman and Kate Roy (eds) (2020)." Short Fiction in Theory & Practice 12, no. 2 (2022): 252–59. http://dx.doi.org/10.1386/fict_00067_5.

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Review of: The Short Story in German in the Twenty-First Century, Lyn Marven, Andrew Plowman and Kate Roy (eds) (2020) Rochester and New York: Camden House, 354 pp., ISBN 978-1-64014-046-2, h/bk, £75 The Dead Girls’ Class Trip, Selected Stories, Anna Seghers (trans. M. B. Dembo) (2021) New York: New York Review Books Classics 272 pp., ISBN 978-1-68137-535-9, p/bk, £13.99

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22

Vogt, Jochen. "Mémoire et fiction : à propos d'un texte de Anna Seghers." L Homme et la société 134, no. 4 (1999): 111–24. http://dx.doi.org/10.3406/homso.1999.3229.

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23

Gries, Frauke. "Anna Seghers and Simone de Beauvoir: Literature and Leftist Politics." Simone de Beauvoir Studies 4, no. 1 (1987): 99–110. http://dx.doi.org/10.1163/25897616-00401007.

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24

Wallace, Ian. "Jenseits des Stroms: Erinnerungen an meine Mutter Anna Seghers by Pierre Radvanyi, and: Mythos und Erzählen im Werk von Anna Seghers by Maeng-Im Koh." Modern Language Review 102, no. 1 (2007): 280–81. http://dx.doi.org/10.1353/mlr.2007.0120.

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25

Felten, Georges. "Aus der Erschöpfung heraus erzählen. Anna Seghers’ Prosa aus der Exilzeit." Figurationen 16, no. 1 (2015): 70–83. http://dx.doi.org/10.7788/figurationen-2015-0107.

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26

Barker, Andrew. "Anna Seghers, Friedrich Wolf, and the Austrian Civil War of 1934." Modern Language Review 95, no. 1 (2000): 144. http://dx.doi.org/10.2307/3736377.

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27

Dubrowska, Małgorzata. "Die mythische Welt Anna Seghers' Literarische Bilder aus dem französischen Exil." Études Germaniques 269, no. 1 (2013): 133. http://dx.doi.org/10.3917/eger.269.0133.

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28

Hell, Julia. "Anna Seghers and the Problem of a National Narrative after Auschwitz." GDR Bulletin 19, no. 2 (1993): 1–7. http://dx.doi.org/10.4148/gdrb.v19i2.1097.

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29

JANZEN, M. "Messenger Writers: Anna Seghers and Alejo Carpentier in the Cold War." Comparative Literature 62, no. 3 (2010): 283–301. http://dx.doi.org/10.1215/00104124-2010-015.

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30

Thomaneck, J. K. A. "ANNA SEGHERS AND THE JANKA TRIAL: A CASE STUDY IN INTELLECTUAL OBFUSCATION." German Life and Letters 46, no. 2 (1993): 156–61. http://dx.doi.org/10.1111/j.1468-0483.1993.tb00982.x.

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31

Uerlings, Herbert. "Verschwiegene Gründungsgewalt. Anna Seghers’ Das Licht auf dem Galgen (Fragment, 1948/49)." Zeitschrift für interkulturelle Germanistik 11, no. 1 (2020): 43–64. http://dx.doi.org/10.14361/zig-2020-110105.

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32

Kearns, Gerry. "In Transit: Placelessness and the Absurd in the Writings of Anna Seghers." GeoHumanities 6, no. 1 (2019): 1–24. http://dx.doi.org/10.1080/2373566x.2019.1669478.

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33

Stephan, Alexander. "Kathleen J. LaBahn: Anna Seghers' Exile Literature. The Mexican Years (1941-1947)." GDR Bulletin 13, no. 2 (1987): 63–64. http://dx.doi.org/10.4148/gdrb.v13i2.832.

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34

Lee, Harim. "Floating Letters and Space-Time of Exile: Focusing on Anna Seghers’ Transit." Comparative Literature 88 (October 31, 2022): 187–205. http://dx.doi.org/10.21720/complit88.07.

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35

Roussel, Hélène, Bruno Meur, and Pierre Radvanyi. "Anna Seghers : Trois femmes d’Haïti. Trois portraits de femmes aux prises avec l’Histoire." Allemagne d'aujourd'hui 211, no. 1 (2015): 157. http://dx.doi.org/10.3917/all.211.0157.

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36

Pizer, John. "Negritude in East German Literature: Anna Seghers, Heiner Müller, and the Haitian Revolution." Comparatist 35, no. 1 (2011): 19–39. http://dx.doi.org/10.1353/com.2011.0014.

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37

Wallace, Ian. "‘ANDERE LÖSUNG QUATSCH: ANNA SEGHERS AND THE FILM OF DIE TOTEN BLEIBEN JUNG." German Life and Letters 47, no. 3 (1994): 313–24. http://dx.doi.org/10.1111/j.1468-0483.1994.tb01541.x.

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38

Brown, Russell E. "The problem of hunger in Anna Seghers' Aufstand der Fischer von St. Barbara." Neophilologus 72, no. 1 (1988): 157–59. http://dx.doi.org/10.1007/bf00396075.

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39

Weininger, Markus J. "Die Konstitution interkultureller Texte: eine Interpretation einiger Schriften von Anna Seghers und B. Traven." Informationen Deutsch als Fremdsprache 33, no. 2-3 (2006): 246–48. http://dx.doi.org/10.1515/infodaf-2006-2-356.

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40

Imyaminova, Shukhratkhon Salijanovna, and Sodirjon Bakievich Yakubov. "The study of the translations of a work of german writer anna seghers into uzbek." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 12 (2020): 778–82. http://dx.doi.org/10.5958/2249-7137.2020.01804.2.

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41

Seghers, Anna, and Jochen Vogt. "What Became of the Girl: A Minor Archaeology of an Occasional Text by Anna Seghers." New German Critique, no. 82 (2001): 145. http://dx.doi.org/10.2307/3137414.

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42

Haag, Ingrid. "“Aus diesem Stoff war also der Zauber des Toten gemacht”. Zu Anna Seghers Roman Transit." Cahiers d’études germaniques 42, no. 1 (2002): 281–90. http://dx.doi.org/10.3406/cetge.2002.1601.

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43

Lee, No-Eun. "Vergleichende Betrachtung von Anna Seghers’ Roman und Christian Petzolds Film Transit - Literarische Selbstreflexion und filmisches Erzählexperiment." Deutsche Sprach- und Literaturwissenschaft 95 (December 30, 2021): 141–66. http://dx.doi.org/10.24830/kgd.29.4.7.

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44

Milfull, John. "Fossils of hope Anna Seghers, Walter Benjamin and the search for the future in the Past." Debatte: Journal of Contemporary Central and Eastern Europe 6, no. 1 (1998): 71–78. http://dx.doi.org/10.1080/09651569808454577.

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45

Stephan, Alexander. "“‘Ich habe das Gefühl, ich bin in die Eiszeit geraten …’” Zur Rückkehr von Anna Seghers aus dem Exil." Germanic Review: Literature, Culture, Theory 62, no. 3 (1987): 143–52. http://dx.doi.org/10.1080/00168890.1987.9935428.

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46

Guarnaschelli, Dean J. "Writing to Change the World: Anna Seghers, Authorship, and International Solidarity in the Twentieth Century by Marike Janzen." German Studies Review 42, no. 1 (2019): 191–92. http://dx.doi.org/10.1353/gsr.2019.0002.

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47

Wallace, Ian, and Angelika Winnen. "Kafka-Rezeption in der Literatur der DDR: Produktive Lektüren von Anna Seghers, Klaus Schlesinger, Gert Neumann und Wolfgang Hilbig." Modern Language Review 102, no. 3 (2007): 912. http://dx.doi.org/10.2307/20467523.

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48

Fehervary, Helen. "Kontroverses Erbe und Innovation. Die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre." Monatshefte 99, no. 2 (2007): 250–52. http://dx.doi.org/10.1353/mon.2007.0025.

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49

William, J. M. "Mythos und Erzahlen im Werk von Anna Seghers. Von Maeng-Im Koh. Wurzburg: Konigshausen & Neumann, 2005. 155 Seiten. 24,80." Monatshefte XCIX, no. 3 (2007): 429–30. http://dx.doi.org/10.3368/m.xcix.3.429.

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50

Wallace, Ian. "Kafka-Rezeption in der Literatur der DDR: Produktive Lektüren von Anna Seghers, Klaus Schlesinger, Gert Neumann und Wolfgang Hilbig by Angelika Winnen." Modern Language Review 102, no. 3 (2007): 912–13. http://dx.doi.org/10.1353/mlr.2007.0192.

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