Relevant bibliographies by topics / Annales (Ennius)

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Academic literature on the topic 'Annales (Ennius)'

Author: Grafiati
Published: 14 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Annales (Ennius)"

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Newman, J. K., and Otto Skutsch. "Ennius' Annales: Innovation and Continuity." American Journal of Philology 109, no. 3 (1988): 431. http://dx.doi.org/10.2307/294896.

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Podossinov, Alexander, and Alexander Mankov. "Ennius. Annales. Book I (translation, commentary)." St.Tikhons' University Review. Series III. Philology 54 (March 31, 2018): 123–42. http://dx.doi.org/10.15382/sturiii201854.123-142.

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Rossi, Andreola. "Ennius Revisited: New Readings of the Annales." Classical Philology 112, no. 2 (April 2017): 276–84. http://dx.doi.org/10.1086/691271.

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Moura, Fernanda Messeder. "RESENHA: GOLDSCHMIDT, NORA. "SHAGGY CROWNS: ENNIUS’ 'ANNALES' AND VIRGIL’S 'AENEID'" | REVIEW: GOLDSCHMIDT, NORA. "SHAGGY CROWNS: ENNIUS’ 'ANNALES' AND VIRGIL’S 'AENEID'"." Estudos Linguísticos e Literários, no. 55 (December 1, 2016): 423. http://dx.doi.org/10.9771/2176-4794ell.v0i55.17229.

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<p>Goldschmidt, Nora. <em>Shaggy Crowns</em>: Ennius’ <em>Annales</em> and Virgil’s <em>Aeneid</em>. Oxford; New York: Oxford University Press, 2013. 258pp. ISBN 9780199681297.</p>
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Ramsey, John T. "THE RECOVERY OF MORE ENNIUS FROM A MISINFORMED CICERONIAN SCHOLIAST." Classical Quarterly 64, no. 1 (April 16, 2014): 160–65. http://dx.doi.org/10.1017/s000983881300061x.

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The aim of this paper is to propose a new and more satisfactory context for a fragment from one of Ennius’ tragedies preserved in Cicero and discussed by a late scholiast on the Ciceronian passage. It will be shown that the scholiast, or more likely the source upon which he drew, had in front of him a bit more of the Ennian passage than the partial line preserved in Cicero and that the scholiast drew a false conclusion concerning the identity of one of the interlocutors from the way in which one speaker addressed the other. Previous scholars have sought to remove the inconsistency in the scholiast's sketch of the scene either by changing the locale of the dialogue or by correcting the scholiast's identification of the out-of-place speaker. It will be shown that a more productive line of investigation is to seek to discover the underlying cause of the scholiast's apparent error. The identification of the cause not only sheds light on the fate of Ennius’ text in Late Antiquity but permits us to restore, by means of conjecture, an additional word to the corpus of Ennius’ tragedies, a word that is a favourite of his in the Annales, but until now has not been attested in a Roman tragedy before the age of Seneca.
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Biggs, Thomas. "Ennius and the Architecture of the Annales by Jackie Elliott, and: The Annals of Quintus Ennius and the Italic Tradition by Jay Fisher, and: Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid by Nora Goldschmidt." American Journal of Philology 136, no. 4 (2015): 713–19. http://dx.doi.org/10.1353/ajp.2015.0038.

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Jolowicz, Daniel. "Ennius Annales 1 Sk. and Appendix Vergiliana Dirae 48." Hermes 149, no. 2 (2021): 233. http://dx.doi.org/10.25162/hermes-2021-0020.

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Hill, Jesse. "Ennius Noster: Lucretius and the Annales by Jason Nethercut." Phoenix 74, no. 3-4 (September 2020): 335–37. http://dx.doi.org/10.1353/phx.2020.0049.

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Gildenhard, Ingo. "Jackie Elliott: Ennius and the Architecture of the Annales." Gnomon 88, no. 6 (2016): 510–12. http://dx.doi.org/10.17104/0017-1417-2016-6-510.

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EcKerman, Chris. "Ennius Noster: Lucretius and the Annales by Jason S. Nethercut." Classical Journal 117, no. 4 (April 2022): 491–94. http://dx.doi.org/10.1353/tcj.2022.0018.

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Dissertations / Theses on the topic "Annales (Ennius)"

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Goldschmidt, Nora. "Shaggy crowns : Ennius' Annales and virgil's aeneid." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530032.

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Hartley, Vivian Alma. "Ennius and his predessors." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28058.

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The Annales of the Roman poet, Quintus Ennius, was not an isolated example of an historical epic. Other poets before Ennius' time had written epics of various types, and different sorts of poems that dealt with historical or national material, and some of these influenced Ennius. This study will consider Ennius' relationship to the Homeric epics, and show how he imitated them in form and style. The writings of other Greek poets who preceded Ennius will be examined to determine whether they might also have influenced the Roman poet. The works of the two Roman poets who wrote before Ennius will be looked at, and some observations made about other historical materials that may have been available for the poet to use in his work. Finally, the place of Quintus Ennius and his Annales in the historiography of Rome will be discussed. The Annales seems to have been unique in that it was an epic poem which encompassed the whole history of the Roman people from the earliest times right down to the period in which the poet lived. Other poets before Ennius had dealt with some aspects of their cities' backgrounds, including mythological and legendary material. Ennius was the first to combine ancient legends and more recent history into one coherent epic poem, his Annales.
Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
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Provis, Damien James. "The Authority of Ennius and the Annales in Cicero's Philosophical Works." Thesis, University of Canterbury. Humanities, 2014. http://hdl.handle.net/10092/9745.

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No author from antiquity has had more influence on modern perceptions of the ancient poet, Ennius, than the late-Republican orator, Cicero. Indeed, Cicero helped transform the image of Ennius from that of a poet to an auctor, an authoritative source. Likewise, at the hands of Cicero, Ennius’ Annales was portrayed in a variety of ways, ranging from a work with scientific credibility, to a text actively involved in the transmission of Roman culture. This thesis aims to explore the ways in which Cicero constructed the authority of Ennius and his Annales through a close analysis of the citations in his philosophical works. As a result of this examination I hope to shed light on the different authority-building techniques with which Cicero crafted Ennius into a formidable source of auctoritas, while also considering his motives and the consequent image of Ennius that arises.
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Jouanno, Sophie. "Poétique des images dans l'épopée latine de l'époque républicaine à l'époque flavienne : d'une mimesis représentative à une phantasia créatrice." Paris 4, 2007. http://www.theses.fr/2007PA040245.

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Ce travail vise à étudier la poétique de l’enargeia (la qualité d’"évidence") dans des épopées latines de l’époque républicaine à l’époque flavienne : l’Odyssée de Livius Andronicus, la Guerre punique de Naevius, les Annales d’Ennius, l’Enéide de Virgile, la Pharsale de Lucain, la Guerre punique de Silius Italicus. Après avoir défini les acceptions antiques de l’image, ses enjeux rhétoriques et ses attentes génériques dans l’épopée, nous complétons cette approche théorique, par une étude des actes fondateurs, mettant en évidence certains traits inhérents à la poétique homérique : son aspect mimétique, rationnel et "réaliste". Or, d’après le témoignage des rhéteurs impériaux, il s’avère que cette conception traditionnelle de la mimèsis se transforme au Ier s. Ap. J. -C. : Pseudo-Longin et Quintilien donnent l’impulsion d’une "subjectivation" de la représentation, en l’affranchissant de sa norme "réaliste" et en la dotant d’une plus grande liberté créatrice. En confrontant les oeuvres de notre corpus à ces données, nous tentons donc de définir les contributions respectives de chacun des auteurs au renouvellement de l’enargeia épique. En définitive, ce travail laisse apparaître que, par sa créativité, l’enargeia épique romaine ne cesse de transgresser et de se jouer des limites attendues de l’épopée et qu’elle tend de plus en plus à se désenclaver du "réel" pour offrir des visions subjectives et créatrices. A cet égard, Virgile apparaît notamment comme un précurseur
The aim of the author is to study the Poetics of enargeia (the quality of "evidence") in latin epics from republican to flavian age : Livius Andronicus’s Odyssey, Naevius’s Punic War, Ennius’s Annals, Virgil’s Aeneid, Lucan’s Pharsalia, Silius Italicus’s Punic War. After defining the antique senses of image, its rhetorical stakes and its generic rules in epic, we complete this theoretical approach, studying the founding authors, which brings to the fore some traits inherent in homeric Poetics : its mimetic, rational, "realistic" aspect. But, according to the evidence given by imperial rhetors, it is a recognized fact that this traditional conception of mimèsis transforms itself in the 1st century A. D. : Longinus and Quintilian suggest that image becomes more and more subjective, frees itself from "realistic" convention and gains a greater inventive freedom. Therefore, comparing the works of our corpus with these facts, we try to define each author’s respective contributions at the renewal of the epic enargeia. In fact, it turns out that, since it is more creative, the epic Roman enargeia still transgresses and makes light of the generic epic laws and tends to open itself up from the "real" to offer subjective and inventive visions. In this respect, Virgil seems particularly like a precursor
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Natividade, Everton da Silva. "Os Anais de Quinto Ênio: estudo, tradução e notas." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-02022010-162128/.

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Este trabalho apresenta a tradução dos fragmentos supérstites do poema épico Anais de Quinto Ênio (239 ca. 169 a. C.). Uma seção introdutória trata de discutir o que se sabe sobre o poeta, partindo das citações dos autores antigos que a ele se referiram. Faz ainda parte dessa seção inicial um estudo sobre os Anais, observando o poema segundo as visões dos antigos e também de acordo com o que é hoje, na forma fragmentária em que chegou a nós, cujo elemento unificador se centra no trabalho filológico de críticos de todo o mundo. O cerne do trabalho consiste na tradução e anotação dos 420 fragmentos tomados à edição italiana de Valmaggi (1945). Os comentários se baseiam sobretudo nas reflexões de Skutsch (1985), Steuart (1976), Warmington (1988) e Vahlen (1967), partindo da contextualização de cada fragmento, assinalando o tema a que esteja ligado e, por conseguinte, explicando por que tal fragmento foi incluído no canto de que faz parte. Em seguida, ocupamo-nos de analisar o fragmento, ressaltando motivações estilísticas e empregos lingüísticos, em busca do significado do texto-fragmento, o que se faz com o uso de recursos diversos, como o auxílio de diferentes dicionários, a comparação da mesma palavra em distintos fragmentos dos Anais ou de outras obras enianas, ou ainda o estudo do emprego de uma palavra em contextos semelhantes de outros autores, ou em diferentes contextos de autores contemporâneos de Ênio.
This thesis presents the translation of the remaining fragments of the epic poem Annals by Quintus Ennius (239ca. 169 BC). An introductory section discusses what is known about the poet, taking the ancient authors quotes that refer to him as a starting-point. In this initial section a study on the Annals is also included; it observes the poem according to the ancients point of view and to what it is today, in the fragmentary form in which it has come down to us, the philological work of critics from all over the world being its unifying element. The kernel of this text consists of the translation and commentary of the 420 fragments taken from the Italian edition of Valmaggi (1945). The comments are based primarily on the contributions of Skutsch (1985), Steuart (1876), Warmington (1988) and Vahlen (1967), and the contextualization given to each fragment, since such procedure aids and enables my search for the theme it is connected with and thus explains why each fragment was included in the book it is part of. I then analize the fragments one by one, mark its stylistic motivations and linguistic uses, and search for the meaning of each text-fragment, which is done through diverse resources, such as the help of different dictionaries, word comparison in distinct fragments either of the Annals or other Ennius works, and the study of a words usage in similar contexts found in other authors, and in different contexts of Ennius contemporary authors.
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Shev, Jonathan J. "Genre in early Latin literature: Critical interpretations of Ennius' "Annales" and Lucilius' "Satires"." Thesis, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1464535.

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Books on the topic "Annales (Ennius)"

1

Shaggy crowns: Ennius' Annales and Virgil's Aeneid. New York, NY: Oxford University Press, 2013.

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2

Otto, Skutsch, ed. The Annals of Q. Ennius. Oxford [Oxfordshire]: Clarendon Press, 1985.

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Fabrizi, Virginia. Mores veteresque novosque: Rappresentazioni del passato e del presente di Roma negli Annales di Ennio. Pisa: ETS, 2012.

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Fragmenta poetarum Latinorum epicorum et lyricorum: Praeter Enni Annales et Ciceronis Germanicique Aratea. Berlin: De Gruyter, 2011.

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Nethercut, Jason S. Ennius Noster: Lucretius and the Annales. Oxford University Press, Incorporated, 2021.

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Heslin, Peter J. Ennius Redivivus. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199541577.003.0006.

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Propertius’ second book ended with a glimpse of the Aeneid as a work-in-progress. That passage sets the stage for the strange prominence of Ennius in the third book. Propertius did not suddenly discover an interest in annalistic epic. In the first half of his third book, he uses the Annales as a proxy for the Aeneid, mischievously implying that Virgil’s next work will be a historical epic, a continuation of Ennius’. Propertius continues to define his own constancy in contrast to Virgil’s Protean shifts in genre. In retrospect, Virgil’s pastoral poetry was actually very good; his subsequent shift to natural philosophy was perhaps a nobly motivated aspiration; but the current project of writing a national epic is a contradiction of Virgil’s own principles.
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Elliott, Jackie. Ennius and the Architecture of the Annales. Cambridge University Press, 2016.

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Ennius and the Architecture of the Annales. University of Cambridge ESOL Examinations, 2013.

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Shaggy Crowns Ennius Annales And Virgils Aeneid. Oxford University Press, 2013.

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Elliott, Jackie. Ennius and the Architecture of the Annales. Cambridge University Press, 2013.

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Book chapters on the topic "Annales (Ennius)"

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Schmalzriedt, Egidius. "Ennius, Quintus: Annales." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11283-1.

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Nethercut, Jason S. "Conclusion." In Ennius Noster, 147–50. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197517697.003.0006.

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LET ME END where I began: this has not been a book about Ennius’ Annales, but about Lucretius’ reconstruction of Ennius’ Annales. I have expanded our understanding of Lucretius’ relationship to Ennius well beyond what has been argued traditionally. On my analysis, Lucretius’ engagement with Ennius is dynamic and thoroughgoing. Lucretius’ ubiquitous Ennian style serves, on the one hand, to signal to the reader that a passage should be read with Ennius in mind and, on the other, to announce a sort of stylistic reflexive annotation of actual allusions to the content of the ...
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Nethercut, Jason S. "Ennian Historiography in Lucretius." In Ennius Noster, 77–114. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197517697.003.0004.

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This chapter meets the Annales on its own narrative terms, arguing that Lucretius responds to the Annales’ conceptualization of history and time in a comprehensively revisionist way. Lucretius alludes repeatedly to historical episodes and personalities from Ennius’ Annales that would appear to valorize Roman hegemony and exemplarity, only to remove whatever value they may have had in their Ennian context. This procedure is, of course, tendentious, because Lucretius both suggests what value these elements had in the Annales and then strips them of it. Lucretius implies that the Annales presents universal history as diachronic and teleological and that individual historical episodes like the wars with Pyrrhus of Epirus and the Carthaginians all build cumulatively to Rome’s imperium sine fine over the cosmos itself. The Epicurean explanations of natural history in the DRN regularly reject this implied Ennian perspective.
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Nethercut, Jason S. "Ennius and the Tradition of Republican Epic." In Ennius Noster, 17–44. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197517697.003.0002.

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This chapter re-examines the influence of Ennius on subsequent Latin epic poetry before Lucretius, showing that this influence is far less apparent and much more nuanced than has been generally assumed. Close analysis of the fragments of post-Ennian Republican epic shows that engagement with the Annales during this period was dynamic and eristic, rather than reflexive and inevitable. In the final analysis, this chapter argues for a new conceptualization of the literary terrain into which Lucretius embarks in writing his poem, one marked by creative engagement with the Annales.
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Nethercut, Jason S. "Lucretius on the Ennian Cosmos." In Ennius Noster, 45–76. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197517697.003.0003.

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This chapter approaches Lucretius’ engagement with Ennius on Lucretius’ own terms and explores how the Annales serves Lucretius as a model (or a foil, rather) for poetry about the universe. Lucretius makes clear his identification of Ennius and Ennius’ Homer as poets who also write on “the nature of things” when he singles them out by name in the proem to the DRN (1.117–126). Obviously, the whole tradition of interpreting epic poetry from Homer onward as allegorical philosophy is behind these lines. Throughout the DRN, Lucretius recurrently figures his universe as a direct response to the Ennian cosmos in a procedure that involves philosophical polemics as much as poetic polemics. In so doing, Lucretius articulates a universe whose philosophical dynamics are anti-Ennian, precisely because they are emphatically Epicurean.
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Nethercut, Jason S. "Introduction." In Ennius Noster, 1–16. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197517697.003.0001.

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ENNIUS’ ANNALES WAS one of the most important hexameter epics written before Vergil’s Aeneid, and perhaps the most influential Latin poem of any period. Writing during the Republic, and covering Roman history from the fall of Troy through his own lifetime, Ennius was the first to write Latin hexameters. His ...
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"Fauns, Prophets, and Ennius’ Annales." In Unwritten Rome, 39–51. Liverpool University Press, 2008. http://dx.doi.org/10.2307/j.ctt5vjn65.7.

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Wiseman, T. P. "Fauns, Prophets, and Ennius' Annales." In Unwritten Rome, 39–51. Liverpool University Press, 2008. http://dx.doi.org/10.5949/liverpool/9780859898225.003.0003.

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Joseph, Timothy A. "The Pharsalia and the End of the Ennian Story." In Thunder and Lament, 95–142. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197582145.003.0004.

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This chapter builds upon the anchoring allusions to Ennius discussed in Chapters 1–2 to consider the poem’s narrative closure of Ennius’s epic on a broader thematic scale, with the argument that Lucan aims to end the Ennian project and close the book on the Roman story narrated in the Annales. In a broad polemic against the Ennian master trope of Roman spatial and temporal expansion, the Pharsalia forcefully and emphatically closes this narrative—figuring Roman movement inward, into and against itself, with Pharsalia as a space and time of collapse and self-destruction for Rome. This chapter focuses on crucial passages on the end of Rome/the Roman story in Pharsalia 7, read alongside fragments from the Annales, while also proposing that Lucan’s structuring of the Pharsalia takes on the Annales as code model and structural foil. The collapse at the end of Book 10 of the poem’s essentially annalistic framework mirrors and underscores the poem’s attention to the collapse of the Ennian master trope of Roman dominance in time and space.
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"Space and Geography in Ennius’ Annales." In Geography, Topography, Landscape, 223–64. De Gruyter, 2013. http://dx.doi.org/10.1515/9783110315318.223.

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