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1

Shaggy crowns: Ennius' Annales and Virgil's Aeneid. New York, NY: Oxford University Press, 2013.

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2

Otto, Skutsch, ed. The Annals of Q. Ennius. Oxford [Oxfordshire]: Clarendon Press, 1985.

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3

Fabrizi, Virginia. Mores veteresque novosque: Rappresentazioni del passato e del presente di Roma negli Annales di Ennio. Pisa: ETS, 2012.

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4

Fragmenta poetarum Latinorum epicorum et lyricorum: Praeter Enni Annales et Ciceronis Germanicique Aratea. Berlin: De Gruyter, 2011.

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5

Nethercut, Jason S. Ennius Noster: Lucretius and the Annales. Oxford University Press, Incorporated, 2021.

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6

Heslin, Peter J. Ennius Redivivus. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199541577.003.0006.

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Propertius’ second book ended with a glimpse of the Aeneid as a work-in-progress. That passage sets the stage for the strange prominence of Ennius in the third book. Propertius did not suddenly discover an interest in annalistic epic. In the first half of his third book, he uses the Annales as a proxy for the Aeneid, mischievously implying that Virgil’s next work will be a historical epic, a continuation of Ennius’. Propertius continues to define his own constancy in contrast to Virgil’s Protean shifts in genre. In retrospect, Virgil’s pastoral poetry was actually very good; his subsequent shift to natural philosophy was perhaps a nobly motivated aspiration; but the current project of writing a national epic is a contradiction of Virgil’s own principles.
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7

Elliott, Jackie. Ennius and the Architecture of the Annales. Cambridge University Press, 2016.

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8

Ennius and the Architecture of the Annales. University of Cambridge ESOL Examinations, 2013.

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9

Shaggy Crowns Ennius Annales And Virgils Aeneid. Oxford University Press, 2013.

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10

Elliott, Jackie. Ennius and the Architecture of the Annales. Cambridge University Press, 2013.

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11

Elliott, Jackie. Ennius and the Architecture of the Annales. Cambridge University Press, 2013.

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12

Steuart, Ethel Mary. Annals of Quintus Ennius. University of Cambridge ESOL Examinations, 2014.

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13

Damon, Cynthia, and Joseph Farrell, eds. Ennius' Annals. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108650908.

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14

Farrell, Joseph, and Cynthia Damon. Ennius' Annals: Poetry and History. Cambridge University Press, 2020.

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15

Ennius], Ennius [Quintus. The Annals of Quintus Ennius. Edited by Otto Skutsch. Oxford University Press, 1985. http://dx.doi.org/10.1093/actrade/9780198144489.book.1.

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16

Ennius' Annals: Poetry and History. University of Cambridge ESOL Examinations, 2020.

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17

Farrell, Joseph, and Cynthia Damon. Ennius' Annals: Poetry and History. Cambridge University Press, 2020.

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18

1952-, Fitzgerald William, Gowers Emily, and Cambridge Philological Society, eds. Ennius perennis: The Annals and beyond. [Cambridge]: Cambridge Philological Society, 2007.

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19

Fisher, Jay. Annals of Quintus Ennius and the Italic Tradition. Johns Hopkins University Press, 2014.

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20

The Annals of Quintus Ennius and the Italic Tradition. Johns Hopkins University Press, 2014.

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21

The Annals of Quintus Ennius and the Italic Tradition. Johns Hopkins University Press, 2013. http://dx.doi.org/10.1353/book.31447.

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22

Allen, William. 2. Epic. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0002.

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Epic was a prestigious but also malleable and enduring ancient literary form. ‘Epic’ shows that in societies where warfare was endemic, a genre which both celebrated and explored such concepts as military heroism, loyalty, and masculinity would never lose its relevance or popularity. From Homer's Iliad and Odyssey— tales of the Trojan War and Odysseus' return to Ithaca — to Appollonius' Argonautica, Ennius' Annals, and Virgil's Aeneid, the classical epic settings of the mythical world of gods and heroes are described. The didactic epic, whose aim was to instruct the reader in subjects as varied as farming, hunting, philosophy, and science, is also considered.
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