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1

Newman, J. K., and Otto Skutsch. "Ennius' Annales: Innovation and Continuity." American Journal of Philology 109, no. 3 (1988): 431. http://dx.doi.org/10.2307/294896.

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2

Podossinov, Alexander, and Alexander Mankov. "Ennius. Annales. Book I (translation, commentary)." St.Tikhons' University Review. Series III. Philology 54 (March 31, 2018): 123–42. http://dx.doi.org/10.15382/sturiii201854.123-142.

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3

Rossi, Andreola. "Ennius Revisited: New Readings of the Annales." Classical Philology 112, no. 2 (April 2017): 276–84. http://dx.doi.org/10.1086/691271.

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4

Moura, Fernanda Messeder. "RESENHA: GOLDSCHMIDT, NORA. "SHAGGY CROWNS: ENNIUS’ 'ANNALES' AND VIRGIL’S 'AENEID'" | REVIEW: GOLDSCHMIDT, NORA. "SHAGGY CROWNS: ENNIUS’ 'ANNALES' AND VIRGIL’S 'AENEID'"." Estudos Linguísticos e Literários, no. 55 (December 1, 2016): 423. http://dx.doi.org/10.9771/2176-4794ell.v0i55.17229.

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<p>Goldschmidt, Nora. <em>Shaggy Crowns</em>: Ennius’ <em>Annales</em> and Virgil’s <em>Aeneid</em>. Oxford; New York: Oxford University Press, 2013. 258pp. ISBN 9780199681297.</p>
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5

Ramsey, John T. "THE RECOVERY OF MORE ENNIUS FROM A MISINFORMED CICERONIAN SCHOLIAST." Classical Quarterly 64, no. 1 (April 16, 2014): 160–65. http://dx.doi.org/10.1017/s000983881300061x.

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The aim of this paper is to propose a new and more satisfactory context for a fragment from one of Ennius’ tragedies preserved in Cicero and discussed by a late scholiast on the Ciceronian passage. It will be shown that the scholiast, or more likely the source upon which he drew, had in front of him a bit more of the Ennian passage than the partial line preserved in Cicero and that the scholiast drew a false conclusion concerning the identity of one of the interlocutors from the way in which one speaker addressed the other. Previous scholars have sought to remove the inconsistency in the scholiast's sketch of the scene either by changing the locale of the dialogue or by correcting the scholiast's identification of the out-of-place speaker. It will be shown that a more productive line of investigation is to seek to discover the underlying cause of the scholiast's apparent error. The identification of the cause not only sheds light on the fate of Ennius’ text in Late Antiquity but permits us to restore, by means of conjecture, an additional word to the corpus of Ennius’ tragedies, a word that is a favourite of his in the Annales, but until now has not been attested in a Roman tragedy before the age of Seneca.
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Biggs, Thomas. "Ennius and the Architecture of the Annales by Jackie Elliott, and: The Annals of Quintus Ennius and the Italic Tradition by Jay Fisher, and: Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid by Nora Goldschmidt." American Journal of Philology 136, no. 4 (2015): 713–19. http://dx.doi.org/10.1353/ajp.2015.0038.

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7

Jolowicz, Daniel. "Ennius Annales 1 Sk. and Appendix Vergiliana Dirae 48." Hermes 149, no. 2 (2021): 233. http://dx.doi.org/10.25162/hermes-2021-0020.

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8

Hill, Jesse. "Ennius Noster: Lucretius and the Annales by Jason Nethercut." Phoenix 74, no. 3-4 (September 2020): 335–37. http://dx.doi.org/10.1353/phx.2020.0049.

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9

Gildenhard, Ingo. "Jackie Elliott: Ennius and the Architecture of the Annales." Gnomon 88, no. 6 (2016): 510–12. http://dx.doi.org/10.17104/0017-1417-2016-6-510.

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10

EcKerman, Chris. "Ennius Noster: Lucretius and the Annales by Jason S. Nethercut." Classical Journal 117, no. 4 (April 2022): 491–94. http://dx.doi.org/10.1353/tcj.2022.0018.

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11

Zair, Nicholas. "Word-final -s in Ennius’ Annales: a sociolinguistic approach." Journal of Latin Linguistics 20, no. 2 (October 1, 2021): 265–84. http://dx.doi.org/10.1515/joll-2021-2004.

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Abstract In Ennius’ Annales, as in other Roman poetry of the third, second, and to some extent first centuries BC, a word-final syllable consisting of a short vowel followed by -s can scan as light even when followed by a word beginning with a consonant. In the Annales, light scansion is the norm in the second part of the foot (thesis), but heavy scansion is found four times. I argue that attempts to emend away these instances of heavy scansion are not founded on strong arguments. Rather, the infrequency of final -s making position in thesis can be put down to the sociolinguistic situation of the time, in which deletion or weakening of final -s co-existed with its presence, with the latter being characteristic of more formal speech.
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12

Zabłocki, Jan. "Ennius o ‘manum conserere’ według ‘Noctes Atticae’ Aulusa Gelliusa." Zeszyty Prawnicze 20, no. 4 (December 15, 2020): 165–74. http://dx.doi.org/10.21697/zp.2020.20.4.08.

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Pewne wyrażenia prawne, znane niegdyś ogólnie, z czasem stają się niezrozumiałe. Ciekawym przykładem tego jest sformułowanie ex iure manum consertum omawiane przez antykwarystę. Aulus Gellius zapytał Sulpiciusa Apollinarisa słynnego wówczas znawcę literatury co oznaczają słowa ex iure manum consertum. Ten w odrzekł mu, że jest znawcą literatury a nie prawa, a tego sformułowania nie ma na kartach Annales. Kiedy jednak Gellius wyrecytował tę frazę z dzieła Enniusa, Supicius Apollinaris skonstatował, że Ennnius zaczerpnął je od jakiegoś jurysty i odesłał Gelliusa do jurystów i ich dzieł. Gellius po zbadaniu sprawy doszedł do wniosku, że, jeśli toczył się spór (in iure) o jakąś rzecz (de re) znajdującą się (in re praesenti) przed pretorem, czy to o grunt, czy o coś innego, trzymając tę rzecz w ręku (in iure manum consererent), dokonywano jej windykacji w uroczystych słowach. Z czasem, po rozszerzeniu granic państwa, pretorzy nadmiernie zajęci w sprawach dotyczących windykacji udawali się niechętnie daleko położonych spornych rzeczy. Zatem, za milczącym przyzwoleniem (tacito consensu), wbrew Ustawie XII Tablic zezwolili, aby toczący spór udawali się na grunt, o który toczył się spór, i przynosili grudkę jakąś z niego, jakby całą ziemię przed pretora na sąd (in ius) i przy pomocy tej grudki (ex iure manum consertum), tak jakby na całym gruncie dokonywali windykacji.
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13

Giammona, Claudio. "Remo e il colle degli auspici (Ennius Annales 74 Sk. = 79 Vahl. 2)." Rivista di Filologia e di Istruzione Classica 147, no. 2 (July 2019): 331–44. http://dx.doi.org/10.1484/j.rfic.5.123625.

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14

Sciarrino, Enrica. "THE DESIGN OF ENNIUS' ANNALES - J. Elliott Ennius and the Architecture of the Annales. Pp. xiv + 590. Cambridge: Cambridge University Press, 2013. Cased, £75, US$110. ISBN: 978-1-107-02748-0." Classical Review 65, no. 2 (August 14, 2015): 423–25. http://dx.doi.org/10.1017/s0009840x15000748.

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15

Fisher, Jay. "ENNIUS AND VIRGIL - N. Goldschmidt Shaggy Crowns. Ennius' Annales and Virgil's Aeneid. Pp. x + 258, ill. Oxford: Oxford University Press, 2013. Cased, £55, US$125. ISBN: 978-0-19-968129-7." Classical Review 65, no. 2 (August 19, 2015): 426–27. http://dx.doi.org/10.1017/s0009840x15000967.

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16

Ash, Rhiannon. "Waving the White Flag: Surrender Scenes at Livy 9.5–6 and Tacitus, Histories 3.31 and 4.62." Greece and Rome 45, no. 1 (April 1998): 27–44. http://dx.doi.org/10.1093/gr/45.1.27.

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Intertextuality in Classical Literature can operate on different scales. Even a single distinctive word or string of words may briefly conjure up an isolated phrase from another author. For example, when Tacitus says at Histories 2.12.2 that the Othonians approached northern Italy and ‘tamquam externa litora et urbes hostium urere vastare rapere’, ‘burned, devastated, and plundered as if they were attacking foreign shores and enemy cities’, the text may momentarily recall a fragment from Naevius’ epic, the Bellum Punicum: ‘transit Melitam exercitus Romanus. insulam integram urit populatur vastat’ ‘The Roman army crossed to Malta. It burned, ravaged, and devastated the whole island.’ If the Bellum Punicum had not been reduced to such a fragmentary state, then it doubtless would have been possible to detect further evocative Naevian phrasing in Tacitus and other authors. Alternatively, intertextuality can be more cohesive and sustained, as when Tacitus at Histories 3.84 invests his description of the capture of Rome by the Flavians with echoes from Virgil's account of the fall of Troy in Aeneid 2. Of course this was not the end of the chain: Virgil himself probably describes the fall of Troy in terms which evoked Ennius’ account of the fall of Alba Longa in the Annales.
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Goldschmidt, Nora. "J. ELLIOTT, ENNIUS AND THE ARCHITECTURE OF THE ANNALES. Cambridge: Cambridge University Press, 2013. Pp. xiv + 590. isbn9781107027480. £75.00/US$110.00." Journal of Roman Studies 105 (May 7, 2015): 424–25. http://dx.doi.org/10.1017/s0075435815000556.

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18

Fisher, Jay. "ENNIUS AND LUCRETIUS - (J.S.) Nethercut Ennius Noster: Lucretius and the Annales. Pp. x + 260. New York: Oxford University Press, 2021. Cased, £64, US$99. ISBN: 978-0-19-751769-7." Classical Review 72, no. 1 (October 13, 2021): 136–38. http://dx.doi.org/10.1017/s0009840x21002250.

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19

Morgan, Llewelyn. "‘TO HEAVEN ON A HOOK’ (DIO CASS. 60.35.4): ENNIUS, LUCILIUS AND AN INEFFECTUAL COUNCIL OF THE GODS IN AENEID 10." Classical Quarterly 69, no. 2 (December 2019): 636–53. http://dx.doi.org/10.1017/s0009838820000129.

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‘The last stanza of Horace's poem’, writes Denis Feeney of Hor. Carm. 3.3, ‘declares virtually outright that he has just been “quoting” epic matter: “desine peruicax | referre sermones deorum et | magna modis tenuare paruis” (70–2)’. A poem that recounts the doings of gods automatically demands comparison with epic, but if the speeches of gods are presented, all the more so. Horace's poem in fact evokes an episode within a specific epic poem, the Council of the Gods that occurred during the first book of Ennius’ Annales. But such divine councils are a ‘stock epic scene’, and rather more than that: they are moments when epic is at its most quintessentially epic. In simple terms, an epic poet ‘may underline the significance and increase the dramatic effect’ of a critical point in the narrative ‘by showing us that it exercised the gods’, and that analysis applies to any divine presence in a poem: if a key impulse of epic is to amplify the significance of human activity, those occasions when higher forces overtly assert their control of human destiny satisfy a number of fundamental preoccupations of the genre. But in the Council of the Gods we have the most developed and impressive realization of this divine concern for mortal existence, as well as a topos that in Rome at least achieved special status within the broader field of divine machinery in epic. That status is perhaps reflected in a tendency discernible in the Roman section of the tradition for such councils to fall early in the epic narrative, as if initiating the epic plot. If so, however, Virgil's Council at Aen. 10.1–117 defies expectation by failing to be convened until the plot of the epic is very far advanced indeed, and even then, as this article will consider, achieving strikingly less than one might expect of a plenary gathering of supernatural powers at an advanced stage in an epic narrative.
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20

Whitton, Christopher. "Latin Literature." Greece and Rome 68, no. 2 (September 8, 2021): 300–312. http://dx.doi.org/10.1017/s0017383521000097.

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These have been good years for Ennius perennis. A couple of years on from his Loeb renewal, two superb books keep the lifeblood pulsing. Ennius’ Annals. Poetry and History, edited by Cynthia Damon and Joseph Farrell, is a masterclass of a conference volume. The lucid introduction, a sort of ‘Whither Ennius?’, powerfully situates it in the receding wake of Otto Skutsch's monumental edition and the fresher waves of Ennius and the Architecture of the Annals, Jackie Elliott's powerful challenge to ‘Virgiliocentric’ reconstructions of this fragmentary text. As those studies made plain enough in their different ways, reception and interpretation of the Annals are interlocked to a special degree, and the fourteen chapters in this book (plus afterword by Mary Jaeger) roam nicely around and between both.
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21

Harrison, S. J. "Discordia Taetra: The History of a Hexameter-Ending." Classical Quarterly 41, no. 1 (May 1991): 138–49. http://dx.doi.org/10.1017/s0009838800003621.

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In Latin Hexameter Verse, his 1903 manual for composers of Latin hexameters which is still useful as a guide to Vergil's metrical and prosodic practices, S. E. Winbolt states that a hexameter ‘must not end with an adjective preceded by a noun with a similar short ending, e.g.…flumina nota’ unless the adjective is emphatic, ‘i.e. strongly distinctive, predicative or antithetical’. Whether or not his distinction between emphatic and non-emphatic adjectives in this position is wholly workable (predicative adjectives are clearly distinguishable, but it is not clear that the other types are), Winbolt here rightly detects a strong tendency in Vergil and other Latin poets towards avoiding endings of this general kind, which we can conveniently call the ‘Discordia taetra’ type after one of its earliest and best-known instances in the Annales of Ennius (225–6 Skutsch ‘postquam Discordia taetra/Belli ferratos postes portasque refregit’). The rarity of this type of line-ending is clear in Vergil; there are only 16 examples, regardless of whether the adjective is emphatic or not, in the 9890 lines of the Aeneid. Such a select and easily-defined phenomenon might prove a yardstick of some interest in the history of the Latin hexameter, for it seems to raise a number of questions to which the answers would be significant and useful. Is this type of ending avoided equally by all poets? Is there an increasing tendency to avoid it as time goes on? Is it associated with any particular genres of hexameter poetry? Do poets tend to use in it the same words or phrases as their predecessors? To discover the answers, this article will look at the ‘Discordia taetra’ phenomenon in Latin hexameter poetry, defining it as the instance where a noun ending in a short vowel (in practice, in ‘-a’) is immediately succeeded by an adjective of similar ending and in agreement at the end of the hexameter, and where such a noun is not a substantivised adjective and such an adjective is neither predicative nor a participle.
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22

Skutsch, O. "Book Vi Of Ennius′ Annals." Classical Quarterly 37, no. 2 (December 1987): 512–14. http://dx.doi.org/10.1017/s0009838800030731.

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The contents of the sixth book of Ennius' Annals have recently become a matter of dispute. Ever since Columna's edition (1585) it had been assumed that the book was entirely given over to the story of the war against king Pyrrhus (followed perhaps by mention of some events of the next few years; so my commentary, Oxford, 1985, p. 329). That view was based on the anecdote told by Quintilian 6.3.6, that Cicero, asked to say something de Sexto Annali, a witness in a law case, replied: ‘Quis potis ingentis oras euoluere belli’. It seems as good as certain that this was the first line of Book VI, and belli was taken by all as referring to the Pyrrhus war. According to Dr T. Cornell, however, ‘unrolling the mighty scroll of war’ means that the poet is now going to describe warfare on the grand scale, thus setting the sequence of the third Samnite War, the Pyrrhus War, and (the first and) the second Punic War against the minor wars described in the first five books. I doubt if Ennius would have felt that the early Latin war with the story of Lake Regillus, the capture of Veii, the Allia, the fall of Rome to the Gauls, and the second Samnite war (the Caudine forks!) were minor wars; but I am certain that bellum in the singular, except in contrast to the notion of pax, cannot refer to war in a general sense, covering a plurality of wars.
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23

Cornell, T. J. "The Annals of Quintus Ennius." Journal of Roman Studies 76 (November 1986): 244–50. http://dx.doi.org/10.2307/300372.

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24

Anderson, William S., and Otto Skutsch. "The Annals of Quintus Ennius." Classical World 80, no. 1 (1986): 63. http://dx.doi.org/10.2307/4349994.

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25

Cornell, T. J. "Ennius, Annals Vi: A Reply." Classical Quarterly 37, no. 2 (December 1987): 514–16. http://dx.doi.org/10.1017/s0009838800030743.

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Together with the majority of modern commentators, Professor Skutsch believes that the ‘devotio’ prayer in lines 191–4 of Ennius' Annals was spoken by the consul P. Decius Mus before the battle of Ausculum in 279 B.c. This seems to me unlikely for several reasons, and I am still not persuaded after reading his note (above).
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26

Whitton, Christopher. "Latin Literature." Greece and Rome 66, no. 1 (March 11, 2019): 118–26. http://dx.doi.org/10.1017/s0017383518000359.

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Nos ausi reserare… (‘We dare unbolt…’): a small but weighty beginning, with the new Loeb Ennius. It's nearly eighty years since E. H. Warmington finished his four-volume Remains of Old Latin (1935–40), combining the fragments of Ennius, Lucilius, Accius, and other pre-Sullan poetry in cheerful farrago with the Twelve Tables and a book of ‘archaic inscriptions’. The dry title notwithstanding, this was a flagship collection from a long-serving general editor of the Loeb Classical Library (1937–74): the scholarship was valiant, despite the slips so fully catalogued by unkinder reviewers, and the product has exerted wide influence as the go-to ‘accessible’ edition of so much important material – even if l'Année Philologique insists on calling its editor ‘Brian’ (his son: talk about tuer le père). Still, eighty years are a long time even in Classics, and an update could fairly be called overdue; happy news, then, that Harvard have commissioned Gesine Manuwald, another London professor, to oversee it. The new title is Fragmentary Republican Latin, more of a mouthful but a touch less downbeat; the remit is extended to include oratory and historiography; and the first instalment is a chunky Ennian diptych (one book for the Annals, one for the rest), jointly curated by Manuwald and Sander M. Goldberg.
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Farrell, Joseph. "V. FABRIZI, MORES VETERESQUE NOVOSQUE. RAPPRESENTAZIONI DEL PASSATO E DEL PRESENTE DI ROMA NEGLI ANNALES DI ENNIO (Pubblicazioni della Facoltà di lettere e di filosofia dell'Università di Pavia 125). Pisa: Edizioni ETS, 2012. Pp. 252. isbn9788846734549. €22.00. - N. GOLDSCHMIDT, SHAGGY CROWNS: ENNIUS' ANNALES AND VIRGIL'S AENEID. Oxford: Oxford University Press, 2013. Pp. x + 258. isbn9780199681297. £55.00." Journal of Roman Studies 105 (May 13, 2015): 421–24. http://dx.doi.org/10.1017/s0075435815000520.

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28

Ross,, David O. "The "Annals" of Quintus Ennius. Otto Skutsch." Classical Philology 83, no. 3 (July 1988): 251–60. http://dx.doi.org/10.1086/367115.

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Natividade, Everton. "A 'mise en abyme' como recurso eniano nos anais." Aletria: Revista de Estudos de Literatura 19, no. 3 (December 31, 2009): 47–56. http://dx.doi.org/10.17851/2317-2096.19.3.47-56.

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Resumo: No fragmento 22 do primeiro canto dos Anais (ed. Valmaggi), Quinto Ênio (239—ca. 169 a.C.) apresenta a sua versão da concepção dos gêmeos Rômulo e Remo, numa cena em que a narrativa do poeta contém o discurso de Ília, mãe dos gêmeos, recém-acordada de um sonho bastante agitado. Na fala de Ília, insere-se a fala do seu pai, um discurso dentro de outro discurso. O procedimento do récit enchâssé cria um efeito de mise en abyme que tem especial relevância para a leitura interpretativa do fragmento, por sua vez criador de uma segunda mise en abyme nos Anais. Outro sonho narrado no primeiro canto, o de Ênio com Homero (fr.2-8), liga-se ao de Ília também pela mise em abyme, gerando novas leituras intratextuais.Palavras-chave: Ênio; Anais; mise en abyme.Abstract: In fragment 22 from the first book of the Annals (ed. Valmaggi), Quintus Ennius (239–ca. 169 BC) provides us with his version of the twins’ Romulus and Remus conception, in a scene in which the poet’s narrative contains the twins’ mother’s speech, Ilia’s, the description of the dream she’s just had. In Ilia’s line, we hear her father speak–a speech within a speech. This récit enchâssé produces the effect of a mise en abyme that bears special relevance to the interpretative reading of the fragment, which in its turn creates a second mise en abyme through its insertion in the Annals. Narrated in the first book, another dream, in which Ennius sees Homer (fragments 2-8), is also connected to Ilia’s through the mise en abyme’s effect, thus generating new intratextual reading possibilities.Keywords: Ennius, Annals, Mise en abyme.
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30

Wiseman, T. P. (Timothy Peter). "Fauns, Prophets, and Ennius's Annales." Arethusa 39, no. 3 (2006): 513–29. http://dx.doi.org/10.1353/are.2006.0031.

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31

Hill, Jesse. "Ennius' Annals: Poetry and History by Cynthia Damon Joseph Farrell." Phoenix 74, no. 1-2 (2020): 160–63. http://dx.doi.org/10.1353/phx.2020.0029.

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32

Cole, Thomas J. B. "Propertius 3.3’s Summary of Ennius’s Annales." New England Classical Journal 46, no. 2 (2019): 19–27. http://dx.doi.org/10.52284/necj.46.2.article.cole.

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33

Fortson, Benjamin W. "The Annals of Quintus Ennius and the Italic Tradition by Jay Fisher." Classical World 108, no. 3 (2015): 434–36. http://dx.doi.org/10.1353/clw.2015.0033.

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34

Glauthier, Patrick. "Homer Redivivus? Rethinking the Transmigration of the Soul in Ennius's Annals." Arethusa 54, no. 2 (2021): 185–220. http://dx.doi.org/10.1353/are.2021.0006.

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35

Fisher, Jay. "Visus Homerus Adesse Poeta: The Annals of Quintus Ennius and the Odyssey of Homer." Classical World 106, no. 1 (2012): 29–50. http://dx.doi.org/10.1353/clw.2013.0009.

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36

Farrell, Joseph. "ENNIUS AND HIS CULTURAL CONTEXT - (J.) Fisher The Annals of Quintus Ennius and the Italic Tradition. Pp. xii + 206. Baltimore: Johns Hopkins University Press, 2014. Cased, £45, US$69.95. ISBN: 978-1-4214-1129-3." Classical Review 67, no. 2 (March 27, 2017): 385–87. http://dx.doi.org/10.1017/s0009840x17000142.

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37

Barchiesi, Alessandro. "Ennius - (W.) Fitzgerald, (E.) Gowers (edd.) Ennius Perennis. The Annals and Beyond. (Proceedings of the Cambridge Philological Society, Supplementary Volume 31.) Pp. xiv + 172. Cambridge: The Cambridge Philological Society, 2007. Cased. ISBN: 978-0-906014-30-1." Classical Review 59, no. 2 (September 15, 2009): 450–53. http://dx.doi.org/10.1017/s0009840x09000572.

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Flores, Enrico. "Fabrizi, Virginia: Mores veteresque novosque: rappresentazioni del passato e del presente di Roma negli Annales di Ennio." Gnomon 86, no. 3 (2014): 210–14. http://dx.doi.org/10.17104/0017-1417_2014_3_210.

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39

Arce, F., E. Zamora, G. Hernández, and H. Sossa. "EFFICIENT LANE DETECTION BASED ON ARTIFICIAL NEURAL NETWORKS." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-4/W3 (September 25, 2017): 13–19. http://dx.doi.org/10.5194/isprs-annals-iv-4-w3-13-2017.

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Lane detection is a problem that has attracted in the last years the attention of the computer vision community. Most of approaches used until now to face this problem combine conventional image processing, image analysis and pattern classification techniques. In this paper, we propose a methodology based on so-called Ellipsoidal Neural Networks with Dendritic Processing (ENNDPs) as a new approach to provide a solution to this important problem. The functioning and performance of the proposed methodology is validated with a real video taken by a camera mounted on a car circulating on urban highway of Mexico City.
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Goldberg, Sander M. "(V.) Fabrizi Mores veteresque novosque. Rappresentazioni del passato e del presente di Roma negli Annales di Ennio. (Pubblicazioni della Facoltà di Lettere e Filosofia dell'Università di Pavia 125.) Pp. 252. Pisa: Edizioni ETS, 2012. Paper, €22. ISBN: 978-88-467-3454-9." Classical Review 64, no. 2 (June 16, 2014): 626–27. http://dx.doi.org/10.1017/s0009840x1400095x.

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Feddern, Stefan. "Ennius-Zitat (F 142 TrRF) oder -Imitation?" Mnemosyne, November 26, 2021, 1–26. http://dx.doi.org/10.1163/1568525x-12347315.

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Abstract As the late antique Terence commentator Aelius Donatus notes, by using the term parodia, which is misleading from a modern point of view, Terence imitates Ennius in a passage in the Eunuchus (Eu. 590). Researchers have used this comment as well as Donatus’ use of the adverb tragice as an opportunity to extract a fragment from an unknown tragedy by Ennius (F 142 TrRF). This fragment remains somewhat of a mystery, because there is uncertainty about where the corresponding quotation begins and where it ends. According to the analysis presented here, we are not dealing with a parody in our sense, and at most partially with an Ennius fragment, since parodia denotes the modified quotation in ancient usage. In a new solution, a fragment from Ennius’ Annales (fr. 555f. Skutsch) is proposed as the pretext for the parodia.
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Nethercut, Jason S. "A NOTE ON THE ASCRIPTION OF ENNIUS, ANNALES 5 SKUTSCH." Classical Quarterly, September 9, 2021, 1–4. http://dx.doi.org/10.1017/s0009838821000677.

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Abstract This note adduces corroborating evidence for Skutsch's ascription of Enn. Ann. 5 to a description of the water cycle in the speech of Homer in the proem to the Annales. Despite the flawed argumentation in Skutsch's presentation and despite a general reluctance among scholars to endorse his ascription, this note argues that his solution should remain part of the scholarly discussion, not least because there are aspects of Skutsch's argument that remain uncontested and because Lucretius seems to endorse this location of the fragment in the original Annales.
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"Erratum: The "Annals" of Quintus Ennius." Classical Philology 84, no. 1 (January 1989): 89–258. http://dx.doi.org/10.1086/367144.

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44

Zgoll, Christian. "A.4. Ilia und Anio bei Ovid, Amores 3.6: eine amphibolische Vermählung." Studia Humaniora Tartuensia 10 (December 23, 2010). http://dx.doi.org/10.12697/sht.2009.10.a.4.

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In Amores 3.6 greift Ovid den römischen Gründungsmythos auf, die Vermählung der von Mars unfreiwillig geschwängerten und später verstoßenen Vestalin Ilia mit dem Flußgott Anio. Eine Rekonstruktion von Ovids "Arbeit am Mythos" zeigt, wie der Dichter durch erzählerische Abwandlung, durch Psychologisierung, Erotisierung und Ironisierung dieser "Vermählung" durchaus amphibolische Züge verleiht. Der Blick auf die antike Bildersprache metapoetischer Reflexion und auf entsprechende Intertexte eröffnet ein tieferes Verständnis für den merkwürdigen Umstand, daß Ovid ein so breit ausgeführtes und ernstes mythisches exemplum zum Kernstück einer Liebeselegie macht, indem er eine weitere, hinter der narrativen Oberfläche liegende Aussageintention erkennen läßt: Die Flüsse im "Flüssekatalog" verweisen durchweg auf große epische Stoffe und Werke, der Anio selbst auf die Annalen des Ennius; Ilia aber trägt Züge der personifizierten Elegie. Die Vermählung von Ilia und Anio ist daher auch insofern "amphibolisch", als sie nicht nur auf der Erzählebene die Verbindung zweier mythischer Personen etwas schillernd darstellt, sondern sich zugleich als poetologische Chiffre für das Zusammenfließen zweier verschiedener poetischer Stile, des elegischen und des epischen Dichtens, erweist. Der namenlose, von mehreren Zuflüssen gespeiste "Sturzbach" der Rahmenhandlung aber entpuppt sich als vorausgreifendes Bild für die neuartige Vermischung verschiedenster Gattungen in Ovids Metamorphosen.
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Piergiacomi, Enrico. "ENNIUS ‘THE HYBRID’ - (C.) Damon, (J.) Farrell (edd.) Ennius’ Annals. Poetry and History. Pp. xiv + 351. Cambridge: Cambridge University Press, 2020. Cased, £90, US$120. ISBN: 978-1-108-48172-4." Classical Review, December 11, 2020, 1–3. http://dx.doi.org/10.1017/s0009840x20001869.

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46

Elliott, Jackie. "Jay Fisher, The ‘Annals’ of Quintus Ennius and the Italic Tradition, Baltimore: Johns Hopkins University Press, 2014, 200 pp. ISBN 978-1- 4214-1129-3. $69.95." Exemplaria Classica 20 (December 27, 2016). http://dx.doi.org/10.33776/ec.v20i0.2932.

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Casali, Sergio. "CYNTHIA DAMON and JOSEPH FARRELL, ENNIUS’ ANNALS: POETRY AND HISTORY. Cambridge and New York: Cambridge University Press, 2020. Pp. xiii + 351. isbn 9781108481724. £90.00/US$120.00." Journal of Roman Studies, April 22, 2022, 1–2. http://dx.doi.org/10.1017/s007543582200003x.

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48

Possanza, Mark. "Jürgen Blänsdorf, Fragmenta Poetarum Latinorum Epicorum et Lyricorum Praeter Enni Annales et Ciceronis Germanicique Aratea post W. Morel et K. Büchner editionem quartam auctam curavit J. B. Bibliotheca Teubneriana, Berlin - New York: Walter de Gruyter." Exemplaria Classica 16 (December 1, 2012). http://dx.doi.org/10.33776/ec.v16i0.2001.

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Possanza, D. Mark. "Jürgen Blänsdorf, Fragmenta Poetarum Latinorum Epicorum et Lyricorum Praeter Enni Annales et Ciceronis Germanicique Aratea post W. Morel et K. Büchner editionem quartam auctam curavit J. B. Bibliotheca Teubneriana, Berlin-New York:Walter de Gruyter, 2011." Exemplaria Classica 16 (December 1, 2012). http://dx.doi.org/10.33776/ec.v16i0.2031.

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