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Relevant bibliographies by topics / Anne Katherina

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Academic literature on the topic 'Anne Katherina'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Anne Katherina"

1

Havener, Sandra. "Katherine Anne Porter: Conversations." Women's Studies International Forum 11, no. 1 (January 1988): 87. http://dx.doi.org/10.1016/0277-5395(88)90013-1.

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Titus, Mary, Katherine Anne Porter, Isabel Bayley, Clinton Machann, and William Bedford Clark. "Letters of Katherine Anne Porter." South Atlantic Review 56, no. 3 (September 1991): 134. http://dx.doi.org/10.2307/3200046.

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Folks, Jeffrey J., Katherine Anne Porter, and Isabel Rayley. "Letters of Katherine Anne Porter." World Literature Today 65, no. 2 (1991): 312. http://dx.doi.org/10.2307/40147211.

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Hasler-Brooks, Kerry. "Katherine Anne Porter, Magic, andtransition." Twentieth-Century Literature 61, no. 2 (January 1, 2015): 209–31. http://dx.doi.org/10.1215/0041462x-3112204.

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Taylor, Melanie Benson. "Katherine Anne Porter’s Familiar Countries." American Literary History 31, no. 2 (2019): 187–206. http://dx.doi.org/10.1093/alh/ajz011.

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AbstractIn a career that spanned nearly half a century, Katherine Anne Porter developed a transregional, transhistorical consciousness marked by the multiple, iterative contagions of modernity. Considered mainly a Southern writer—despite marginal claims to both the region’s territories and its elite genealogies—Porter habitually displaced a complex Southern imaginary onto unlikely places and times. This essay locates Porter’s most “Southern” meditations in remote contexts, including her commentaries on postrevolutionary Mexico, where she spent much of the 1920s; her lifelong work on a never-completed biography of the Puritan polymath Cotton Mather; her unpublished Bermuda poems; and her only completed novel, Ship of Fools (1962), which charts a transatlantic voyage on a second-class cruise liner. Porter protected her South fiercely but dialectically; her stake in a Southern narrative would emerge only circuitously, by way of alternative geographies and narratives where she identified variously with the elite and the dispossessed. In the end, Porter’s South poses an instructive challenge for the scholars still attempting to define and deconstruct the region: it is at once everywhere and nowhere; an agent and an inheritor of colonial-capitalist trauma; a refuge and a nightmare.

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Fox, Heather. "Representations of Truth." Janus Head 14, no. 2 (2015): 201–25. http://dx.doi.org/10.5840/jh201514227.

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Katherine Anne Porter submitted a group of stories called “Legend and Memory” to The Atlantic Monthly in 1934, but instead of the reception she hoped for, The Atlantic Monthly responded with a request for significant revisions. These recommendations, as Porter adamantly explained, would change the collective meaning of the stories. And yet, Porter ultimately chose to concede, publishing the stories separately in other magazines before finally collecting them together again in The Leaning Tower and Other Stories (1944). Over the next twenty years, Porter would publish the stories (later called The Old Order stories) in two more collections— The Leaning Tower and Other Stories, The Old Order: Stories of the South from The Leaning Tower, Pale Horse, Pale Rider, and Flowering Judas and The Collected Stories of Katherine Anne Porter. Each time she chose not to edit individual stories but rearranged the order of the stories. Individually, each story is like a sketch, or one component of the protagonist Miranda’s construct of identity from the perspective of an adult looking backward and remembering as a child. And yet collectively, these stories reveal memory’s process of reconstruction and how the perspective of time transforms event through addition, elimination, and arrangement. Using text, correspondence, manuscripts, and cognitive research to examine the progression of Porter’s work on The Old Order stories in three collections over more than thirty years, “Representations of Truth: The Significance of Order in Katherine Anne Porter’s The Old Order Stories” traces the progressive ordering of these stories from their original submission to their final collection in The Collected Stories of Katherine Anne Porter (1965). This essay argues that Porter’s rearrangements reflect a reconstructive process of memory. Over time, the reorganization of The Old Order stories demonstrate a shift in Miranda’s memories from a chronological positioning to a representational ordering, allowing Miranda to reexamine her perspective on past experiences.

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Park, Yoanna. "Symbolism in Katherine Anne Porter's Short Story Rope." NOBEL: Journal of Literature and Language Teaching 9, no. 1 (April 30, 2018): 1–8. http://dx.doi.org/10.15642/nobel.2018.9.1.1-8.

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Abstract This study aims to examine the use of a symbol and narration technique in Katherine Anne Porter’s short story Rope. The story is about a married couple who gets into an argument due to a bundle of rope. This study examines how the author describes the psychological state of the couple through their reaction over the rope. The data sources are the short story Rope and related articles. The data was collected by close reading. The collected data are analyzed by applying symbolism theory and examining the narration technique. The findings show that the argument over the rope reveals the wife’s hidden frustrations and her husband’s inability to understand her troubles. Keywords: Symbol; rope; frustration; Katherine Anne Porter; narration

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Watts, Geoff. "Anna Katherine Donald." Lancet 373, no. 9668 (March 2009): 1002. http://dx.doi.org/10.1016/s0140-6736(09)60597-3.

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Titus, Mary, Katherine Anne Porter, Ruth M. Alvarez, and Thomas F. Walsh. "Uncollected Early Prose of Katherine Anne Porter." South Atlantic Review 60, no. 1 (January 1995): 182. http://dx.doi.org/10.2307/3200736.

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Roberts, Kathryn S. "Writing “Other Spaces”: Katherine Anne Porter’s Yaddo." Modernism/modernity 22, no. 4 (2015): 735–57. http://dx.doi.org/10.1353/mod.2015.0073.

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Dissertations / Theses on the topic "Anne Katherina"

1

Neblung, Katherina Anne [Verfasser], and Markus [Akademischer Betreuer] Hoth. "Analyse von steady-state Kalziumsignalen in humanen CD4+ T-Lymphozyten unter möglichst physiologischen Bedingungen / Katherina Anne Neblung. Betreuer: Markus Hoth." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2012. http://d-nb.info/1052222609/34.

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Subramanian, Alexandra. "Katherine Anne Porter and her publishers." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623389.

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This biographical dissertation focuses upon Katherine Anne Porter's relationship with her literary agent, Cyrilly Abels, and her editors and publishers, Donald Brace and Seymour Lawrence, who were associated with Harcourt, Brace and Atlantic-Little, Brown respectively. The study is based upon the thousands of pages of correspondence between Porter and her professional associates housed in the Papers of Katherine Anne Porter at the University of Maryland. Porter's professional alliances are placed within the context of nineteenth and twentieth century publishing history and within a long tradition of idiosyncratic author editor/agent dependencies that can be traced throughout American literary history.;The heart of the dissertation includes in depth analysis of the writer's intimate and complex professional friendships with Donald Brace, Seymour Lawrence, and Cyrilly Abels. Porter became dependent upon her publishers for financial and emotional support. The writer's publishers strengthened her artistic identity and offered loyalty and continuous support. at the same time, they demanded the loyalty of their valued client, and they exerted powerful control over her creative agenda. Porter sought to please her publishers for personal as well as practical reasons. For three decades, she struggled to meet their demand that she unnaturally transform herself from a brilliant short story writer into a novelist. In trying fruitlessly to fulfill their expectation, her financial indebtedness to them grew steadily; she experienced years of frustration, anxiety, and despair, contributing to an arduous creative journey marked by prolonged silences. Gradually, Porter developed an extreme resentment, even hostility, toward her publishers, especially after she discovered that she had unknowingly relinquished all of her literary rights and controls to them. She discovered the hard way that the complete trust she had put in her publishers had been misguided. She would have been wise to employ the services of an agent early on in her career, but she mistakenly believed that agents were superfluous and would only interfere with the author-publisher bonds she wished to cultivate. By the time Porter finally chose to work with an agent she trusted implicitly, Cyrilly Abels, it was too late in her career to make a practical difference.;Katherine Anne Porter experienced the publishing world as intimate, familial, and nurturing and also as competitive, results-oriented, and mercenary. The contradictions within this world made it difficult for the writer to navigate, as her inner world of imagination and creativity were profoundly at odds with the practical aspects of profits, losses, contracts, and deadlines. Ironically, the writer's inability to distance herself from her editors and publishers encouraged her complete cooperation with them, so that she participated actively in her own artistic incarceration.

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Jaskunas, Paul Richard. "Faith and Banishment : the Artistic Credo of Katherine Anne Porter." Oberlin College Honors Theses / OhioLINK, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1406035076.

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Muller, Silvia Marianne. "O símbolo folclórico e cristão nos contos mexicanos de Katherine Anne Porter." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/22527.

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Resumo: O símbolo folclórico e cristão nos contos mexicanos de Katherine Anne Porter limita-se a: Maria Concepción, The Martyr, Virgin Violeta, Flowering Judas, Hacienda e That Tree. Katherine Anne Porter insiste em dois fatos importantes em sua obra: que o simbolismo nasce da consciência do autor, juntamente com suas experiências, e ; que a procura da verdade foi uma de suas constantes ao escrever os contos. Daí a necessidade de investigar a verdade histórica, e nela descobrir o sentido mais profundo expresso através da simbologia da autora. Sob um clima de pós-revolução, (Revolução Mexicana de 1910) encontra-se um povo à procura da identidade por meio de reações antitéticas de amor e violência, fidelidade e traição. É um povo rebelde. Sua intransigência é individual e também social. Luta entre a solidão e a transcendência, aceitando a morte, e dela fazendo uso em suas explosões de protesto, desespero e ódio. Ao mesmo tempo, apresenta-se um povo que aspira à comunhão, ao amor, à tranqüilidade, ao contentamento e ao equilíbrio; uma comunidade que reconhece o valor da mulher e o seu desempenho social. Apesar de o homem aparecer em situações antagônicas, ele tem um ideal, e com este, uma grande esperança e uma perspectiva de salvação. A grande preocupação da autora é apresentar o indivíduo dentro da família e da sociedade. Esta sociedade é primitiva e se encontra dentro de um mundo agitado, em constante mudança. Apesar das dificuldades, entretanto, encara a situação com vigor e sem medo, como um desafio. A gênese da simbologia de Katherine Anne Porter foi procurada na verdade histórica com que ela se familiarizou, a ponto de identificar-se com a consciência primitiva das personagens e interpretar-lhes o universo de sua alma sofrida. Esse estado de espírito surge tanto nos títulos como na contextura dos contos, caracterizando esse universo.

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Punzel, Andreas 1955. "Patriarchal voices and female authority in Katherine Anne Porter's Miranda stories." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/282343.

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This study offers a feminist reading of Katherine Anne Porter's Miranda stories and includes in its discussion "Old Morality," "Pale Horse, Pale Rider," and the stories of The Old Order as well as the "implicit" Miranda stories "Flowering Judas" and "Holiday." Focusing on questions of gender politics, the study traces the ways the representatives of patriarchal culture within Porter's texts attempt to circumscribe Miranda in traditional gender roles and examines the extent to which Miranda succeeds in asserting her independence. Central to the analysis is the argument that gender politics do not rely on methods of subjection and repression but instead employ strategies of subversion to effect Miranda's self-subjugation to and self-containment within the social order. The theoretical basis for this argument lies in the discourse theory of Mikhail Bakhtin and Michel Foucault's concept of power. Following Miranda's life chronologically, the study explores its main stages: her upbringing in the confining context of the family, which attempts to insert her into the prevailing sexual economy and traditional gender roles; her flight into the world and into a life of social and intellectual independence but also sexual self-abnegation; her escape from language into silence as a result of her marginalization; and her subsequent return to the world as a more assertive woman.

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Nelson, Katherine Snow. "Influenza, Heritage, and Magical Realism in Katherine Anne Porter's Miranda Stories." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/4416.

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Despite the devastating scope of the Spanish Influenza Pandemic of 1918, curiously few references to the flu exist in literature. Katherine Anne Porter offered one of modernism's only extensive fictional treatments of the pandemic in her short novel “Pale Horse, Pale Rider,” decades after her own near-death encounter with the flu. Porter was able to give voice to an experience that had traumatized others into silence by drawing on an early form of magical realism. Magical realism's ghosts—everyday presences rather than otherworldly beings to be feared—are of particular relevance to “Pale Horse, Pale Rider” since ghosts “haunt” Porter's semi-autobiographical Miranda throughout the story, acting as correctives to Miranda's (and Porter's) desire to isolate herself from the familial and regional heritage that burdens her with unwanted and often conflicting ideologies. Ultimately, in using magical realism to explore her sense of self and to articulate the alienating effects of her near-death experience, Porter is able to embrace her complicated heritage and her fractured past, reclaiming interconnectedness while maintaining her individuality.

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Matlok-Ziemann, Ellen. "Tomboys, belles, and other ladies : the female body-subject in selected works by Katherine Anne Porter and Carson McCullers /." Uppsala : Uppsala universitet, 2005. http://catalogue.bnf.fr/ark:/12148/cb40062052f.

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Waite, Rebecca S. L. "Katherine Anne Porter's "Old Mortality" and Virginia Woolf: A Study in Feminism." W&M ScholarWorks, 1998. https://scholarworks.wm.edu/etd/1539626152.

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Colwell, Jamie Rose. "Katherine Anne Porter's adaptation of Joycean paralysis in the Pale horse, pale rider collection." Connect to this title online, 2007. http://etd.lib.clemson.edu/documents/1202500288/.

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Jasensky, Anne-Katherine [Verfasser]. "Klinische, biochemische und immunologische Aspekte des C-reaktiven Proteins des Hundes / Anne-Katherine Jasensky." Berlin : Freie Universität Berlin, 2014. http://d-nb.info/105885836X/34.

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Books on the topic "Anne Katherina"

1

Emmerick, Ana Catalina. Visiones de Catalina de Dülmen. [Zaragoza]: Prames, 2000.

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Emmerich, Anna Katharina. Visiones de Catalina de Dülmen. Zaragoza: Prames, 2000.

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3

Hendrick, Willene. Katherine Anne Porter. Boston: Twayne Publishers, 1988.

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Porter, Katherine Anne. Katherine Anne Porter: Conversations. Jackson: University Press of Mississippi, 1987.

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Unrue, Darlene Harbour. Understanding Katherine Anne Porter. Columbia, S.C: University of South Carolina Press, 1988.

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Porter, Katherine Anne. Katherine Anne Porter's poetry. Columbia, S.C: University of South Carolina Press, 1996.

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Porter, Katherine Anne. Letters of Katherine Anne Porter. New York: Atlantic Monthly Press, 1990.

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Katherine Anne Porter: A life. Athens: University of Georgia Press, 1991.

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M, Alvarez Ruth, ed. Katherine Anne Porter: An annotated bibliography. New York: Garland, 1990.

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Hilt, Kathryn. Katherine Anne Porter: An annotated bibliography. New York: Garland, 1990.

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Book chapters on the topic "Anne Katherina"

1

Kelleter, Frank. "Porter, Katherine Anne." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12332-1.

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Bjornson, Gerhild, and Frank Kelleter. "Porter, Katherine Anne: Old Mortality." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12333-1.

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Keil, Hartmut, and Christiane Freudenstein. "Porter, Katherine Anne: Ship of Fools." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12335-1.

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Bjornson, Gerhild. "Porter, Katherine Anne: Pale Horse, Pale Rider." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12334-1.

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Cook, Michael. "The Body in the Library: Reading the Locked Room in Anna Katherine Green’s The Filigree Ball." In Narratives of Enclosure in Detective Fiction, 43–61. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230313736_3.

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Herber, Courtney. "En un infierno los dos: Katherine of Aragon and Anne Boleyn in Shakespeare & Fletcher’s Henry VIII and Calderón’s La cisma de Inglaterra." In The Palgrave Handbook of Shakespeare's Queens, 431–51. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74518-3_23.

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"FOR KATHERINE ANNE PORTER." In Collected Poems, 1945-1990, 75. University of Arkansas Press, 1995. http://dx.doi.org/10.2307/j.ctv1tjrvk1.73.

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"Katherine Anne Porter (1890 –1980)." In The Columbia Companion to the Twentieth-Century American Short Story, 456–62. Columbia University Press, 2004. http://dx.doi.org/10.7312/gelf11098-093.

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Powles, Nina. "Poetry." In Katherine Mansfield and Psychology. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474417532.003.0011.

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Anne Estelle Rice, Portrait of Katherine Mansfield, 1918 Te Papa Museum, WellingtonA flare of red and there you are in your bright dressthe colour of pōhutukawa flowers.Huge blooms burst out of the frameinto the air that separates us, their petals like gasps of light....

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"Katherine Anne Tuach Kendall: Reforming a Profession." In Social Work Leaders Through History. New York, NY: Springer Publishing Company, 2018. http://dx.doi.org/10.1891/9780826146458.0007.

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Conference papers on the topic "Anne Katherina"

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Wang, Ru. "Symbolism in Katherine Anne Porter’s Novelettes." In Proceedings of the 2018 4th International Conference on Social Science and Higher Education (ICSSHE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icsshe-18.2018.169.

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Li, Li, and Xiaona Sun. "Where There is Light, There is Life Light Symbol in Katherine Anne Porterrs lThe Jilting of Granny Weatherallr." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.95.

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