Relevant bibliographies by topics / Anne (mother of the virgin mary)

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Academic literature on the topic 'Anne (mother of the virgin mary)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Anne (mother of the virgin mary)"

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Ihnat, Kati. "Early Evidence for the Cult of Anne in Twelfth-Century England." Traditio 69 (2014): 1–44. http://dx.doi.org/10.1017/s0362152900001902.

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Despite scholarly attention on its later medieval popularity, the feast of Anne, the mother of the Virgin Mary, first appeared in the West in twelfth-century England. The earliest surviving liturgical texts for the feast were composed in the 1130s by Osbert of Clare, prior of Westminster, for Worcester Cathedral. They attest to the novelty of the celebration and the process by which a saintly identity was constructed for Anne, an apocryphal figure. To understand why Anne began to be celebrated at this time and how her liturgy was crafted, this article explores Osbert's texts in their devotiona
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Sheingorn, Pamela. ""The Wise Mother": The Image of St. Anne Teaching the Virgin Mary." Gesta 32, no. 1 (1993): 69–80. http://dx.doi.org/10.2307/767018.

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Chojnacki, Stanislaw. "Notes on a Lesser-known Marian Iconography in 13th and 14th century Ethiopian Painting." Aethiopica 5 (May 8, 2013): 42–66. http://dx.doi.org/10.15460/aethiopica.5.1.445.

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In this article the early evolution of iconic iconography of the Virgin Mary in Ethiopia is discussed. One particular image is postulated to exist on a painted manbar at Lālibalā. The figure of the Child Mary depicted together with her mother, St. Anne, in the wall painting at the Gannata Māryām Church can also be considered iconic. In the late 14th century and the first decades of the 15th century, three specific groupings of depictions of the Virgin Mary, all clearly having iconic characteristics, have come to light: the Orant Virgin, the seated Hodegetria and the enthroned Virgin holding th
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Salvador González, José María. "Iconography of The Birth of the Virgin Mary on the Basis of a Homily of St. John Damascene." Eikon / Imago 5, no. 2 (2016): 39–68. http://dx.doi.org/10.5209/eiko.73494.

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As a consequence of the fact that the New Testament mentions few episodes and very few details of the real life of the Virgin Mary, among the Eastern Christian communities several apocryphal legends, that tried to supply this hermetic silence around the birth, infancy, youth, adulthood and death of the Mother of Jesus, arose during the first centuries of Christianity. These apocryphal accounts were then taken up and interpreted catechetically as a useful devotional matter by many Church Fathers, theologians and ecclesiastical writers. The reflections of these prestigious thinkers formed a soli
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Sneberger, Jiri, Michal Tejček, and Veronika Lungová. "The Positive Identification of Skeletal Remains from the Church of the Assumption of the Virgin Mary in Přeštice: a Case Study." Interdisciplinaria Archaeologica Natural Sciences in Archaeology XV, no. 1 (2024): 41–49. http://dx.doi.org/10.24916/iansa.2024.1.3.

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The reconstruction and subsequent rescue archaeological excavation in the baroque chapel of St Barbara in the Church of the Assumption of the Virgin Mary in Přeštice has resulted in the discovery of one atypical burial in a small bricked vault. The vault contained skeletal remains in a very poor state of preservation. The discovery of the skeletal remains in the chapel was unexpected given the absence of any signs of a grave being present. In this article we describe the attempt to identify the person to whom the skeletal remains belong. Based on anthropological analysis, these remains were in
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Plamen, Sabev. "THE CYCLE "PASSIONS OF CHRIST" IN TWO REVIVAL ICONS FROM THE VELIKO TARNOVO HISTORICAL MUSEUM." "Logos and Image", "St. St. Cyril and Methodius" University, 2010 2 (December 15, 2010): 72–86. https://doi.org/10.5281/zenodo.4917375.

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The books in the New Testament, testifying of Christ's passions and His tortures on the Cross are fundamental for the Christian doctrine. During the years, considering the importance of this moment in the liturgy, this cycle is very carefully defined in the church visual arts, which is relevant to the variety of traditions 14 the Passion Week in the different church communities. In XIV century, the Passion Week resembles a completed church drama and the developed themes are a sequence of the achievements of the Byzantine theological thought. In XVI—XVII centuries, the West church, pr
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Ferdek, Bogdan. "Methods of Dogmatic Discourse in the Dispute over the Immaculate Conception of the Blessed Virgin Mary as Exemplified by German Dominican Theologians from the 13th to the 16th Century." Verbum Vitae 42, no. 3 (2024): 557–82. http://dx.doi.org/10.31743/vv.17404.

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The important problem of the publication is expressed by two questions: what method was used by German Dominican theologians who were supporters of the Immaculate Conception? How did the change in method change the view of the Immaculate Conception? The path to solving the problem has three stages. The first of them is a reconstruction of the views on the Immaculate Conception of German Dominican theologians. The next stage examines these views in terms of the method used. The final stage is a critical look at the methods used by Dominican supporters of the Immaculate Conception. The method us
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Walczak-Delanois, Dorota. "Poems by Polish Female Poets and the Burning Issue of Religion." Religions 12, no. 8 (2021): 618. http://dx.doi.org/10.3390/rel12080618.

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The aim of this paper is to show the presence of religion and the particular evolution of lyrical matrixes connected to religion in the Polish poems of female poets. There is a particular presence of women in the roots of the Polish literary and lyrical traditions. For centuries, the image of a woman with a pen in her hand was one of the most important imponderabilia. Until the 19th century, Polish female poets continued to be rare. Where female poets do appear in the historical record, they are linked to institutions such as monasteries, where female intellectuals were able to find relative l
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Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis
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Krawczyk, Roman. "Maryja – Matka Boża. Katolickie a jehowickie ujęcie problematyki." Teologiczne Studia Siedleckie XIII (2016) 13, no. 2016 (2021): 24–36. https://doi.org/10.5281/zenodo.5541478.

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<strong>Virgin Mary &ndash; Mather of God. Catholic and Jehovah&rsquo;s View </strong> As the Mother of Jesus, Mather of the Son of God, Virgin Mary is present in the history of salvation: starting from the Old-Testament announcements, through the Bethlehem manger, finishing with the crucifixion on Calvary Hill. The truth is undermined by Jehovah&rsquo;s Witnesses who question the fact that Virgin Mary is the Mother of the Son of God. The author of the paper provokes a substantive discussion with the Jehovah&rsquo;s Witnesses&rsquo; stand, proving that the truth about Mary as the Mother of the
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Dissertations / Theses on the topic "Anne (mother of the virgin mary)"

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Niebrzydowski, Sue. "Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/4305/.

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This interdisciplinary study of devotional literature, drama and the visual arts examines the representation of Mary and her mother, Saint Anne, as wives in England between 1200 and 1540, and women's responses to these images. The thesis addresses a lacuna in modem Marian and Anne scholarship which has, hitherto, paid little attention to the fact of both saints' representation as wives in this period, and reclaims the meaning, function and reception of these forgotten images. The thesis commences with a synopsis of Marian and Anne devotion up until the central Middle Ages in order that English
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Nachef, Antoine B. S. O. "Mary: virgin mother in the thought of the Cappadocian Fathers." IMRI - Marian Library / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430404478.

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Mills, Matthew. "Behold your mother : the Virgin Mary in English monasticism, c. 1050-c. 1200." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c72df193-cdbe-4fc1-b59f-714015846599.

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This thesis examines the place of the Virgin Mary in the intellectual culture of Benedictine and Cistercian monasticism in medieval England, between c. 1050 and c. 1200. Drawing high profile thinkers, including Anselm of Canterbury (d. 1109), into dialogue with lesser known figures, it reveals the richness of monastic contributions to Marian doctrine and devotion, in many cases for the first time. The shape of the analysis is provided by five key 'moments' from Mary's life, unfolded consecutively across six chapters. Chapters 1 and 2, on Mary's conception, reveal a confident and pioneering mon
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Bohlander, Ruth Ann. "Mother of God, Cease Sorrow!: The Significance of Movement in a Late Byzantine Icon." Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/105691.

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Art History<br>M.A.<br>The relationships between movement, emotion, and ritual communion in Byzantium have drawn the attention of art historians in recent years. While Henry Maguire has considered many facets of this subject, a monumental Late Byzantine icon, the Two-Sided Icon with the Virgin Pausolype, Feast Scenes, the Crucifixion and Prophets, suggests others. While the catalog entry by Annemarie Weyl Carr in Byzantium: Faith and Power remains the only published discussion of this particular icon, or even specifically of the Pausolype ("cease sorrow!") iconographic type, I believe that thi
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Beattie, Christina Jane. "God's mother, Eve's advocate : a gynocentric refiguration of Marian symbolism in engagement with Luce Irigaray." Thesis, University of Bristol, 1999. http://hdl.handle.net/1983/a16930db-a3b7-4f86-ba6f-df5350a54fed.

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Tsironis, Niki J. "The lament of the Virgin Mary from Romanos the Melode to George of Nicodemia." Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/the-lament-of-the-virgin-mary-from-romanos-the-melode-to-george-of-nicodemia(c652c3c6-3d01-41c8-be4a-a575ae733a05).html.

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May, Julia Stephens. "The Iconography of the Sacred Mother of Santa Maria Tonantzintla." VCU Scholars Compass, 1995. http://scholarscompass.vcu.edu/etd/815.

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This thesis entails a three-part approach to understanding the iconographic program at Santa Maria Tonantzintla. First, an historical and stylistic background of Santa Maria Tonantzintla will be presented. Included in this section is a description of the church and its many saints. The second part is a description of the various images of the Virgin and associated Marian Emblemata within the church design. The third part focuses on the European- based iconography of the Virgin and the iconography of the pre-Hispanic earth mother Tonantzin. It will illustrate how the image of the Virgin of the
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Svendsen, Eric. "Who is my mother? : the role and status of the mother of Jesus in the New Testament and in Roman Catholicism / Eric Svendsen." Thesis, Potchefstroom University for Christian Higher Education, 2001. http://hdl.handle.net/10394/10309.

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This work begins by providing an historical overview of Mariology, tracing Marian issues from the early fathers, to the Mariology of the Middle Age, to the apex of Mariology during the time of the Reformation and beyond. A contrast is then noted between pre-Vatican II Mariology and post-Vatican II Mariology. Matthew 1:18-25 is our first treatment of the biblical text. Here the work surveys the various views of issues related to Mary, including the meaning of Joseph's "righteousness," the meaning of "before they came together" (v. 18) and the meaning of "until" (v. 25). An indepth study is prov
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Curwen, Emma. "Mother, wife, temptress, virgin and tyrant defining images of feminine power in medieval queenship and modern politics /." [Denver, Colo.] : Regis University, 2009. http://165.236.235.140/lib/ECurwen2009.pdf.

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Kuhn, Maria Diane. "Mother Mary Comes to Me: The Stylistic Shift in Portrayals of Mary and her Adoration in Medieval Italy." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619455685665479.

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Books on the topic "Anne (mother of the virgin mary)"

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Niebrzydowski, Susan Anne. Verry matrymony: Representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. typescript, 1998.

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Annie, Kirkwood, ed. Mary's message to the world: As sent by Mary, the Mother of Jesus, to Her messenger, Annie Kirkwood. G. P. Putnam's Sons, 1991.

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Hansen, Steiger Sherry, ed. Mother Mary speaks to us. Dutton, 1996.

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Moloney, Francis J. Mary: Woman and mother. St. Paul Publications, 1988.

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Wat, Kathryn A., and Benjamin Shaykin. Picturing Mary: Woman, mother, idea. Edited by Katz Melissa R. essayist, Remensnyder, Amy G. (Amy Goodrich), 1960- essayist, Rubin Miri 1956 essayist, National Museum of Women in the Arts (U.S.), and Mondo Mostre. Scala Arts Publishers, 2014.

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Stanford, Frances. Mary, the mother of Jesus. Companion Press, 1995.

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Lucchetti, Bingemer Maria Clara, ed. Mary, mother of God, mother of the poor. Orbis Books, 1989.

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Lucchetti, Bingemer Maria Clara, ed. Mary, mother of God, mother of the poor. Burns & Oates, 1989.

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Rubin, Miri. Mother of God: A history of the Virgin Mary. Yale University Press, 2009.

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Rubin, Miri. Mother of God: A history of the Virgin Mary. Yale University Press, 2009.

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Book chapters on the topic "Anne (mother of the virgin mary)"

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Lisa, Isherwood. "Virgin Mary, mother of God." In Contemporary Theological Approaches to Sexuality. Routledge, 2017. http://dx.doi.org/10.4324/9781315694238-27.

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Vuola, Elina. "Jumalanäiti, the Mother of God in contemporary Finland." In The Virgin Mary across Cultures. Routledge, 2019. http://dx.doi.org/10.4324/9781315107530-5.

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Panou, Eirini. "Images of Saint Anne in the Ionian Islands (Fifteenth–Eighteenth Centuries)." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142197.

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DuBois, Thomas A. "Neitsy Maaria emonen (“Virgin Mary little mother”): Pattern and Persistence in the Nativity Songs of Arhippa Perttunen 4." In Finnish Folk Poetry and the Kalevala. Routledge, 2022. http://dx.doi.org/10.4324/9781315861531-2.

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de Andrade, Letícia Martins. "Arbor Anna fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142198.

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Paulmichl, Stefanie. "Moving with Saint Anne. Representations of Anna Selbdritt between Central Europe and the Tyrolean Region." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142196.

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Chichinadze, Nina. "The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari. Iconographic and Ideological Aspects." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142191.

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Znorovszky, Andrea-Bianka. "The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations. Between Iconographic Appropriation and Iconographic Development." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142193.

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Znorovszky, Andrea-Bianka. "Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period. Iconographic Flexibility and Permeability." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142190.

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Wise, Elliott D. "‘Worthy Vestment for the Sovereign Priest’. Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy." In Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Brepols Publishers, 2025. https://doi.org/10.1484/m.wop-eb.5.142194.

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Conference papers on the topic "Anne (mother of the virgin mary)"

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Ribichini, Luca. "Notre Dame du Haut, Ronchamp, the shape of a listening. A whole other generative hypothesis." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.719.

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Abstract: The article will examin one of Le Corbusier's more emblematic works: the Ronchamp Chapel. The aim is to discover some of the intentionalities hidden within the design of this work by the swiss architect. It will start with the following considerations of Le Corbusier about the Ronchamp chapel:“it began with the acoustics of the landscape taking the four horizons as a reference...to respond to these horizons, to accomodate them, shapes were created…” And: “ Shapes make noise and silence; some speak and others listen...”And again: “ Ear can see proportions. It's possibile to hear the m
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Глушенков, А. Н., А. С. Ергина, and Ф. В. Шкарбан. "CAPABILITIES OF NEURAL NETWORKS IN WORK ON RECONSTRUCTION OF SACRED MURAL PAINTING OF TAVRIKA (ON THE EXAMPLE OF THE COMPOSITION OF THE ASSUMPTION OF THE MOTHER OF GOD, THE CHURCH OF THE ASSUMPTION, ESKI-KERMEN)." In Проблемы сохранения объектов культурного наследия и новейшие цифровые технологии. Crossref, 2025. https://doi.org/10.54874/9785605334910.2025.1.09.

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В статье исследуются возможности применения искусственного интеллекта (ИИ) при реконструкции монументально-декоративной живописи Таврики эпохи позднего Средневековья, которая дошла до нас в фрагментарном виде. Одним из ключевых объектов исследования является композиция «Успения Богородицы» на западной стене Церкви Успения в Эски-Кермен (XIV в., Республика Крым). Актуальность использования ИИ обусловлена необходимостью восстановления утраченных элементов средневековой стенописи, создания 3D-моделей, предложений по материалам и методам реставрации, а также анализа потенциальных воздействий. Стат
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