Relevant bibliographies by topics / Annecy International Animation Festival

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Academic literature on the topic 'Annecy International Animation Festival'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Annecy International Animation Festival"

1

Hattler, Max. "The Abstracted Real: Speculations on Experimental Animated Documentary." International Journal of Film and Media Arts 6, no. 3 (2021): 37–54. http://dx.doi.org/10.24140/ijfma.v6.n3.03.

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Max Hattler is an artist, researcher, curator and educator who works with abstract and experimental animation, video installa­tion, and audio-visual performance. After studying in London at Goldsmiths and the Royal College of Art, he completed a doc­torate in fine art at the University of East London. He is an assistant professor at the School of Creative Media, City University of Hong Kong. Hattler’s work has been shown worldwide, receiving prizes from Annecy Animation Festival, Prix Ars Electronica, Montreal Festival du Nouveau Cinéma, Punto y Raya Festival, Cannes Lions and London Internati
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Fusong, Liu. "The Localization Style Design Analysis of Domestic Animation The case study of Scissor Seven." E3S Web of Conferences 236 (2021): 04060. http://dx.doi.org/10.1051/e3sconf/202123604060.

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Scissors Seven as a GuangZhou native animation works has won a large number of fans on the Internet, network playback volume reached 260 million, and in 2018 became the only domestic animation in the Annecy international animation film festival, in 2019,in 2020 Magnolia Award for Best Animated Screenplay at the 26th Shanghai TV Festival became the only domestic animation work award in the past five years.Further more the film became Netflix online products, The Japanese and English versions can be seen in 29 countries and 190 regions .Most of the audiences love this work and gave a good commen
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Dematei, Marcelo, and María Laura Piaggio. "Cuentos de viejos: los relatos de la memoria." Con A de animación, no. 5 (May 18, 2015): 88. http://dx.doi.org/10.4995/caa.2015.3541.

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<p>Cuentos de Viejos es un documental colaborativo transmedia que incluye una serie de animación para TV, una plataforma web y proyectos escolares. Concebido por las productoras HIERROanimación (Bogotá) y Piaggiodematei (Barcelona), fue elegido Mejor Proyecto Transmedia en el MIFA-Festival de Annecy 2012. Ese mismo año comenzó a producirse, coproducido por la TV pública colombiana (RTVC-Señal Colombia). La serie fue estrenada en septiembre de 2013, y está en producción una tercera temporada. Recibió numerosas distinciones internacionales, y en 2014 estuvo presente en decenas de festivale
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Álvarez Sarrat, Sara, Beatriz Herráiz Zornoza, and Adriana Navarro. "La animación española en el escaparate internacional. Crónicas desde Stuttgart y Annecy." Con A de animación, no. 6 (May 16, 2016): 68. http://dx.doi.org/10.4995/caa.2016.4791.

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<p>La animación española ha tenido un escaparate de excepción durante el 2015: por primera vez dos de los grandes festivales de animacióna nivel internacional, el Trickfilm Festival de Stuttgart, (Alemania) y el veterano Festival International du Film d’Animation de Annecy (Francia), han coincidido en invitar a España para dar a conocer su producción en animación. Adriana Navarro, Beatriz Herráiz y Sara Álvarez nos cuentan los acontecimientos más destacados de ambos festivales.</p>
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Kim, Eun-Ju, and Chae-Hwan Seo. "Changes and New Normal of Asian International Animation Film Festival - Focusing on Bucheon International Animation Festival -." Cartoon and Animation Studies 73 (December 31, 2023): 251–75. http://dx.doi.org/10.7230/koscas.2023.73.251.

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Viñolo Locubiche, Samuel. "Entrevista a José Luis Farias, director de 3D Wire - Animación, videojuegos y new media." Con A de animación, no. 9 (March 14, 2019): 66. http://dx.doi.org/10.4995/caa.2019.11333.

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<p>José Luis Farias Gómez (Madrid, 1979) se ha convertido en poco tiempo en una figura esencial para entender la evolución de la industria de la animación española en la última década, gracias a la enorme relevancia internacional de eventos como Mercado 3D Wire, Bridging the Gap, o más recientemente los Premios Iberoamericanos Quirino. Es asesor y colabora con diversas entidades y festivales internacionales como CARTOON, Annecy, Pixelatl, Festival de Animación de Medellín, ANIMATION! Ventana Sur, o la Universidad de Athens. A su vez, mantiene su faceta como productor a través de Paramoti
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Sharman, L. F. "International Animation Festival, Cardiff, 16-22 May 1994." Screen 35, no. 4 (1994): 397–99. http://dx.doi.org/10.1093/screen/35.4.397.

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Choi, Eun-Young. "How to revitalize the domestic Animation Industry through the International Animation Film Festival." Cartoon and Animation Studies 75 (June 30, 2024): 347–73. http://dx.doi.org/10.7230/koscas.2024.75.347.

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9

van Baerle, Susan L. "Report on the ottawa international animation festival and the society for animation studies conference." Journal of Visualization and Computer Animation 2, no. 2 (1991): 42–43. http://dx.doi.org/10.1002/vis.4340020203.

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Seo, Chae-Hwan, and Eun-Ju Kim. "Official academy certified film festival case study : Focusing on Bucheon International Animation Festival(BIAF)." Cartoon and Animation Studies 56 (September 30, 2019): 287–311. http://dx.doi.org/10.7230/koscas.2019.56.287.

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Books on the topic "Annecy International Animation Festival"

1

Puthod, Dominique. Le Festival international du film d'animation: 50 ans d'une histoire animée. Université Savoie Mont Blanc, 2015.

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2

International Symposium on Non Photorealistic Animation and Rendering (1st 2000 Annecy, France). Proceedings: First International Symposium on Non Photorealistic Animation and Rendering, Annecy, France, June 5-7, 2000. Edited by Spencer Stephen N, SIGGRAPH, and European Association for Computer Graphics. Association for Computing Machinery, 2000.

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International, Symposium on Non Photorealistic Animation and Rendering (6th 2008 Annecy France). Proceedings NPAR 2008: 6th International Symposium on Non-Photorealistic Animation and Rendering : Annecy, France, June 09-11, 2008. Association for Computing Machinery, 2008.

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International Symposium on Non Photorealistic Animation and Rendering (6th 2008 Annecy, France). Proceedings NPAR 2008: 6th International Symposium on Non-Photorealistic Animation and Rendering : Annecy, France, June 09-11, 2008. Edited by Anjyo Ken, Sillion François X, Spencer Stephen N, SIGGRAPH, and Annecy International Animation Festival. Association for Computing Machinery, 2008.

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Ken, Anjyo, Sillion François X, Spencer Stephen N, SIGGRAPH, and Annecy International Animation Festival, eds. Proceedings NPAR 2008: 6th International Symposium on Non-Photorealistic Animation and Rendering : Annecy, France, June 09-11, 2008. Association for Computing Machinery, 2008.

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6

editor, Narwekar Sanjit 1952, India Films Division, and Maharashtra (India), eds. The 12th Mumbai International Film Festival for Documentary, Short & Animation Films, 3-9 February, 2012. Films Division, 2012.

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7

Moscow International Festival of Computer Graphics and Animation (2nd 1994 Moscow, Russia). Anigraf: Vtoroĭ Moskovskiĭ mezhdunarodnyĭ festivalʹ kompʹi͡u︡ternoĭ grafiki i animat͡s︡ii, 16-21 mai͡a︡ 1994 = Anigraph : The Second Moscow International Festival of Computer Graphics and Animation, 16-21 May 1994 : Joy Company. AO "Inpol", 1994.

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8

Créateurs & créatures: 50 ans de festival international du film d'animation d'Annecy = Creators & creatures : 50 years of the Annecy International Animation Film Festival. Glénat, 2010.

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5th Norwich International Animation Festival. Norwich International Animation Festival Ltd, 2006.

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10

Robinson, Chris, and Tom McSorley. Corners Are Glowing: Selected Writings from the Ottawa International Animation Festival. CRC Press LLC, 2022.

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Book chapters on the topic "Annecy International Animation Festival"

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Carnelli, Luisella. "Operaestate Festival Veneto, A socio cultural and economic analysis." In Focus On Festivals. Goodfellow Publishers, 2015. http://dx.doi.org/10.23912/978-1-910158-15-9-2622.

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Bassano Operaestate Festival Veneto has presented more than four hundred shows in castles, parks, palaces, villas, squares and museums in thirty municipalities of the region of Veneto in the North East of Italy. The festival hosts artists and productions from all over the world, ranging from contemporary theatre to the most innovative international dance, music, opera, classical, jazz and art films. The diversity, breadth and quality of its programmes are its greatest strengths. The primary objective of the festival is to enable large audiences to experience the performing arts in its many dif
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Conference papers on the topic "Annecy International Animation Festival"

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Bobrowska, Olga. "Stoptrik international film festival." In ACM SIGGRAPH 2014 Computer Animation Festival. ACM Press, 2014. http://dx.doi.org/10.1145/2633956.2634010.

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Quirk, Shawn. "Rhode Island international film festival." In ACM SIGGRAPH 2014 Computer Animation Festival. ACM Press, 2014. http://dx.doi.org/10.1145/2633956.2634007.

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Duncan, Keltie. "Ottawa international animation festival short film samplers." In ACM SIGGRAPH 2014 Computer Animation Festival. ACM Press, 2014. http://dx.doi.org/10.1145/2633956.2634003.

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CRCR. "Amnesty international break the law of silence." In SIGGRAPH Asia 2012 Computer Animation Festival. ACM Press, 2012. http://dx.doi.org/10.1145/2407603.2407616.

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"14th Annual Animation and Digital Effects Film Festival." In 2017 21st International Conference Information Visualisation (IV). IEEE, 2017. http://dx.doi.org/10.1109/iv.2017.88.

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"The 14th Annual Animation and Digital Effects Film Festival." In 2017 14th International Conference on Computer Graphics, Imaging and Visualization (CGiV). IEEE, 2017. http://dx.doi.org/10.1109/cgiv.2017.8.

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Lee, Ya-Hsueh, and Yu-Yun Zhang. "A STUDY ON THE IMAGE NARRATIVE ISSUES IN ANIMATION NARRATIVE OF NOVICE ANIMATORS’ ANIMATION - A CASE STUDY OF THE SHORTLISTED SHORT FILMS IN THE 2019 TAINAN ANIMATION AGE FESTIVAL." In SSHRA 2024 –Social Science & Humanities Research Association International Conference, 18-19 January, Tokyo. Global Research & Development Services, 2024. http://dx.doi.org/10.20319/icssh.2024.5166.

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The best animation depends on the image narrative and the use of the lens. In order to connect between the animation and the audience, both skills are significant and professional. General animation narrative requires that the story content be complete, have a beginning and an end, and pay attention to cause and effect. Through the structure of the beginning and development, the story can be advanced step by step. However, it’s important and challenging for novice animators to both deliver scientific knowledge and storytelling in a short. Whether it is the timing of the shot, the misplacement
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