Relevant bibliographies by topics / Ansel Adams

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ansel Adams'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Ansel Adams"

1

Andrews, Lew. "Ansel Adams." History of Photography 27, no. 1 (2003): 89–90. http://dx.doi.org/10.1080/03087298.2003.10443216.

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Berman, Ronald, Andrea G. Stillman, and Mark Haworth-Booth. "Ansel Adams: California." Journal of Aesthetic Education 32, no. 2 (1998): 115. http://dx.doi.org/10.2307/3333566.

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Barrett, Terry, and James Alinder. "Ansel Adams: Classic Images." Journal of Aesthetic Education 22, no. 3 (1988): 122. http://dx.doi.org/10.2307/3333064.

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Hammond, Anne. "Ansel Adams andFiat Lux." History of Photography 16, no. 4 (1992): 388–91. http://dx.doi.org/10.1080/03087298.1992.10442574.

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Prasetyo, Martinus Eko, and Ika Resmika. "Aesthetic Composition in Ansel Adams' Photography." IMAGIONARY 2, no. 2 (2024): 48–56. http://dx.doi.org/10.51353/jim.v2i2.902.

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Photography is the art and practice of capturing images or recording pictures using camera devices to create visual beauty for its audience. One of the most beloved genres of photography is landscape photography, documenting the natural beauty of a place so that it can be retold through visual communication. Ansel Adams is a world-renowned photographer and vocal environmental activist, whose work has become iconic in the world of photography in discussing the importance of preserving the natural beauty of the world. This study aims to explore and analyze the aesthetics of visual composition in
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Hammond, Anne. "Ansel Adams and Hawaiian landscape." History of Photography 26, no. 1 (2002): 42–46. http://dx.doi.org/10.1080/03087298.2002.10443252.

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Irwandi, Irwandi. "ANSEL ADAMS EASTON (Kajian Karya, Kesenimanan, dan Aspek Sosialnya)." REKAM: Jurnal Fotografi, Televisi, dan Animasi 11, no. 1 (2016): 41. http://dx.doi.org/10.24821/rekam.v11i1.1289.

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Ketenaran seorang seniman kadang-kadang diakui sebagai refleksi dari dirinya dan fitur karyanya saja. Seniman sering dianggap memiliki peran yang sangat sentral dalam upaya untuk mencapai reputasinya di masyarakat. Sering tidak disadari bahwa di balik popularitas seorang seniman, ada sejumlah faktor sosial budaya yang juga memengaruhi hal itu. Ansel Adams adalah contoh bagaimana posisi seorang seniman dalam konstelasi sosial budaya Amerika. Selain memiliki sebuah karya yang indah, kemampuan teknis dan konsep karya yang baik, ia juga mampu menempatkan dirinya dalam peta sosial pada zamannya. Di
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Stover, Louise. "Ansel Adams, Nancy Newhall andFiat Lux." History of Photography 18, no. 3 (1994): 272–78. http://dx.doi.org/10.1080/03087298.1994.10442362.

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Salazar, Theresa. "Ansel Adams and Spanish Colonial arts." History of Photography 22, no. 2 (1998): 161–68. http://dx.doi.org/10.1080/03087298.1998.10443872.

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Bush, Elizabeth. "Antsy Ansel: Ansel Adams, a Life in Nature by Cindy Jenson-Elliott." Bulletin of the Center for Children's Books 70, no. 1 (2016): 30–31. http://dx.doi.org/10.1353/bcc.2016.0756.

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Dissertations / Theses on the topic "Ansel Adams"

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Haip, Renee Ann 1962. "The impact of the photographer on wilderness appreciation: A case study of Ansel Adams." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/278527.

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The life of Ansel Adams is presented as a case study of the photographer's impact on wilderness appreciation. Adams' impacts through his involvement with the Sierra Club, as well as his impacts as an individual, are discussed. Adams' effectiveness in promoting wilderness appreciation is assessed, and implications for contemporary landscape photographers are drawn.
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Oring, Stuart A. "A comparative investigation of the similarities and differences in the aesthetic theories of Alfred Stieglitz, Edward Weston, Ansel Adams, and Minor White /." Ann Arbor (Mich.) : University microfilms international, 1993. http://catalogue.bnf.fr/ark:/12148/cb356826702.

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O'Toole, Erin Kathleen. "No Democracy in Quality: Ansel Adams, Beaumont and Nancy Newhall, and the Founding of the Department of Photographs at the Museum of Modern Art." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/204109.

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In 1940 the Museum of Modern Art, New York, (MoMA) became the first major American art museum to establish a curatorial department dedicated exclusively to photography. From the perspective of the photographers, curators, and critics who had sought institutional legitimacy for the medium, the founding of the Department of Photographs was a watershed event, marking the moment when photography finally came to be recognized as a museum subject equal to painting and sculpture. Although the department has since had a pervasive influence on the field and the history of photography, surprisingly litt
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Hammond, Anne. "The landscape photographs of Ansell Adams." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323155.

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Chalifour, Bruno. "Le paysage de la photographie américaine de paysage : 1960-1990." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2058.

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La période 1960 – 1990 a été agitée et féconde aux États-Unis malgré l’échec du projet de Grande Société et de lutte contre la pauvreté du président L.B. Johnson. L’Amérique a profité des retombées de sa domination économique et militaire pour financer l’éducation, le logement (G.I. Bill) ainsi que les arts (N.E.A.). De 1960 à 1990 la photographie est entrée massivement à l’université, dans les musées et dans le marché de l’art. Le paysage a toujours été un genre artistique privilégié aux États-Unis, de la peinture du dix-neuvième siècle à la photographie depuis son invention qui coïncide avec
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Chandra, Michael Ajay. "Hell, coherence and authority a preliminary inquiry into the philosophical theology of Marilyn McCord Adams /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Lafuente, Catherine Mary. "Sympathy for the devil : a character analysis of Gibreel Farishta in Salman Rushdie's The satanic verses." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003095.

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Stover, Louise 1962. "A celebration without shadows: Ansel Adam's and Nancy Newhall's collaborations on "The Pageant of History in Northern California" and "Fiat Lux: The University of California"." Thesis, The University of Arizona, 1992. http://hdl.handle.net/10150/292016.

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Throughout the 1950s and '60s Ansel Adams and Nancy Newhall collaborated on eight books devoted to photography. Two of these publications stand apart as books which were distinctly commercial in character. The Pageant of History in Northern California (1954), created for the American Trust Company of San Francisco, and Fiat Lux (1967), commissioned by the University of California, are linked by a number of interesting similarities. The ultimate function was identical--to create a work that would reflect the institution's commitment to the State of California. This essay will examine the charac
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Adam, Max [Verfasser], Anselm [Gutachter] Petschelt, and Michael [Gutachter] Taschner. "Einfluss unterschiedlicher Spülvolumina und Aktivierungen auf die Entfernung von Dentinspänen aus simulierten Wurzelkanalextinktionen / Max Adam. Gutachter: Anselm Petschelt ; Michael Taschner." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2016. http://d-nb.info/1102529109/34.

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"Nancy Newhall and Environmentalism: Art, Activism, and Land Preservation." Master's thesis, 2016. http://hdl.handle.net/2286/R.I.38808.

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abstract: During the politically charged period between the 1950s and 1970s in the United States, Nancy Newhall emerged as an important advocate for open space. She began traveling to the West which encouraged her dedication to land preservation and invigorated her enthusiasm for photography. Newhall was already a respected curator and author addressing the communicative roles of photographs. After spearheading groundbreaking museum retrospectives of contemporary photographers she expanded her artistic vison to include conservation activism. The notable photographers, scholars, writers, and po
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Books on the topic "Ansel Adams"

1

Adams, Ansel. Ansel Adams. Barbican Art Gallery, 1987.

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Adams, Ansel. Ansel Adams. Crescent Books, 1991.

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James, Alinder, ed. Ansel Adams. IdeaBooks, 1986.

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Richard, Wrigley, ed. Ansel Adams. Smithmark, 1992.

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Adams, Ansel. Ansel Adams: Photographs. Wings Books, 1992.

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Adams, Ansel. Ansel Adams: Photographs. Wings Books, 1992.

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Gray, Stillman Andrea, ed. Ansel Adams California. Little, Brown, 1997.

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Alinder, Mary Street. Ansel Adams: A biography. H. Holt, 1996.

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Adams, Ansel. Ansel Adams, an autobiography. Little, Brown, 1985.

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M, Callahan Harry, Schaefer John Paul 1934-, and Stillman Andrea Gray, eds. Ansel Adams in color. Little, Brown, 1993.

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Book chapters on the topic "Ansel Adams"

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Olson, Donald W. "VJ Day Times Square Kiss and Ansel Adams in Alaska." In Further Adventures of the Celestial Sleuth. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70320-6_5.

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Belisle, Brooke. "Artifacts." In Making the Geologic Now. punctum books, 2012. https://doi.org/10.21983/p3.0014.1.23.

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The first photograph of Trevor Paglen’s 2010 diptych, Artifacts, is familiar. Picturing ancient ruins nestled in the cliffs of Arizona’s Canyon de Chelly, it echoes a 1873 photograph by Timo-thy O’Sullivan and a 1941 photograph by Ansel Adams. Paglen’s photograph, like its anteced-ents, is rendered in sharp-focus, without color, dominated by dramatic, diagonal striations of the cliff face. It frames the archeological history of the ruin within the geological history of the canyon within the cultural history of photography.Canyon de Chelly is actually the intersection of several canyons, formed
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"Ansel Adams." In As If By Design. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108774895.025.

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"Adams, Ansel." In The Visual Dictionary of Photography. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2010. http://dx.doi.org/10.5040/9781350088733.0008.

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"The Ansel Adams Zone System." In The Art and Science of HDR Imaging. John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781119951483.ch6.

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Newhall, Nancy. "Ansel Adams: The Eloquent Light." In Illuminations. Routledge, 2021. http://dx.doi.org/10.4324/9781003135630-43.

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"Ansel Adams: “Manzanar Relocation Center” Photograph." In Milestone Visual Documents in American History. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306733.book-part-085.

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This photograph is of a typical Japanese American detention center created by the U.S. government in February 1942. The order allowed the creation of an exclusion zone that effectively excluded Japanese Americans from living or working in the western half of California, Oregon, Washington, and the southern half of Arizona. This order extended to anyone with one-sixteenth Japanese ancestry. When President Franklin Roosevelt signed the order, the government had no facilities ready to house the roughly 120,000 Japanese Americans living in the exclusion zone.
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"Ansel Adams: “Manzanar Relocation Center” Photograph." In The Schlager Anthology of American Wars and Conflicts. Schlager Group Inc., 2025. https://doi.org/10.3735/9781961844179.book-part-152.

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This photograph is of a typical Japanese American detention center created by the U.S. government in February 1942. The order allowed the creation of an exclusion zone that effectively excluded Japanese Americans from living or working in the western half of California, Oregon, Washington, and the southern half of Arizona. This order extended to anyone with one-sixteenth Japanese ancestry. When President Franklin Roosevelt signed the order, the government had no facilities ready to house the roughly 120,000 Japanese Americans living in the exclusion zone. Interestingly, the approximately 150,0
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Hudson, Suzanne. "Naked Pictures: Ansel Adams and the Esalen Institute." In West of Center. University of Minnesota Press, 2012. http://dx.doi.org/10.5749/minnesota/9780816677252.003.0016.

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Brooks, Shelley Alden. "The Battle for Big Sur; or, Debating the National Environmental Ethic." In Big Sur. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520294417.003.0007.

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At the end of the 1970s, Carmel resident Ansel Adams turned his considerable influence toward securing federal protection for the Big Sur coastline. Adams endeavored to secure the designation of a Big Sur National Seashore while Democrats still controlled Congress and the White House, but he had an uphill battle during the conservative ascendancy that brought Ronald Reagan into the White House at a time when the nation’s faltering economy challenged bipartisan support for environmental protection. Adams also misread the vehemence with which locals guarded their right to steward the land and li
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Conference papers on the topic "Ansel Adams"

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Throckmorton, Jodi. "Ansel Adams: early works." In IS&T/SPIE Electronic Imaging, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2010. http://dx.doi.org/10.1117/12.850845.

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Santi, Paul M., and Tina Gianquitto. "CURATING ANSEL ADAMS – PARTNERING WITH A REGIONAL ART CENTER TO CREATE GEOLOGY LABELS." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-301383.

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McCann, John J. "The Ansel Adams zone system: HDR capture and range compression by chemical processing." In IS&T/SPIE Electronic Imaging, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2010. http://dx.doi.org/10.1117/12.844972.

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