Academic literature on the topic 'Anselm Kiefer'

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Journal articles on the topic "Anselm Kiefer"

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Martin, Tim. "Anselm Kiefer." Third Text 11, no. 38 (1997): 104–7. http://dx.doi.org/10.1080/09528829708576665.

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Gordon, Peter Eli. "Painting History: Two Recent Books on Anselm Kiefer." German Politics and Society 20, no. 4 (2002): 119–26. http://dx.doi.org/10.3167/104503002782385318.

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CALLAN, GUY. "ANSELM KIEFER FUR CHLEBNIKOV." Art Book 13, no. 2 (2006): 18. http://dx.doi.org/10.1111/j.1467-8357.2006.00659_3.x.

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Temkin, Ann. ""Nigredo," 1984, by Anselm Kiefer." Philadelphia Museum of Art Bulletin 86, no. 365/366 (1990): 25. http://dx.doi.org/10.2307/3795412.

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Cohn, Danièle. "Anselm Kiefer, un parcours en perspectives." Communications 85, no. 1 (2009): 117–25. http://dx.doi.org/10.3406/comm.2009.2525.

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Peterson, Abby. "Wounds That Never Heal: On Anselm Kiefer and the Moral Innocence of the West German Student Movements and the West German New Left." Cultural Sociology 6, no. 3 (2012): 367–85. http://dx.doi.org/10.1177/1749975512445427.

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The West German student movements, the student generation of Anselm Kiefer, were a part of the West German awakening as to their collective guilt for the atrocities committed in the Second World War – the Germans-as-perpetrators debate. They entered this debate with a proclamation of innocence, which Anselm Kiefer did not share. In this article I use the empirical lens of biography and the artistic performances of moral self-incrimination in order to understand the collective moral dilemmas posited by the West German students’ proclamation of innocence, their position to maintain a moral high
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Minssieux-Chamonard, Marie. "Anselm Kiefer, la fabrique de la mémoire." Revue de la BNF 51, no. 3 (2015): 14. http://dx.doi.org/10.3917/rbnf.051.0014.

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Debecque-Michel, Laurence. "Anselm Kiefer ou l’art face à l’histoire." Ligeia N° 145-148, no. 1 (2016): 15. http://dx.doi.org/10.3917/lige.145.0015.

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Morris, Daniel. "Anselm Kiefer and Art after Auschwitz (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 19, no. 3 (2001): 163–65. http://dx.doi.org/10.1353/sho.2001.0033.

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Sonolet, Daglind. "Reflections on the work of Anselm Kiefer." Cultural Values 3, no. 1 (1999): 28–53. http://dx.doi.org/10.1080/14797589909367151.

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Dissertations / Theses on the topic "Anselm Kiefer"

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Fürstenow-Khositashvili, Lily. "Anselm Kiefer – myth versus history." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2012. http://dx.doi.org/10.18452/16637.

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Eine der wichtigsten Aufgaben der Kunst ist es, unser kulturelles Gedächtnis zu aktivieren, zu errinnern was ist vergessen oder absichtlich in die Vergessenheit gezwungen wurde, selbst wenn das alte Wunde bluten lasst und traumatisch erscheint. Jedes Mal ist das Element der Kritik die ausschlaggebende Komponente der künstlerischen Arbeit, sie charakterisiert nicht nur den Künstler, und die Zeit in der er/sie lebt, sondern auch den Zuschauer, genauer: wie weit ist der Künstler bereit zu gehen und wie weit sind die Zuschauer bereit ihm zu folgen, im Rückblick manchmal mehr ersteres als letzteres
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Sander, Sarah-Maria. "Les médiations scripturaires d'Anselm Kiefer." Nantes, 2013. http://www.theses.fr/2013NANT3037.

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La présente thèse de doctorat en études germaniques sur l'artiste contemporain Anselm Kiefer expose les querelles des représentations entre l'écriture alphabétique et les figurations matérielles des compositions. En trois grandes parties, l' « écriture » de Kiefer est analysée de manière philologique, traductologique et herméneutique, permettant de comprendre les langages de ses matériaux et de ses créatures. La première partie montre que Kiefer, dédaigné ou mythifié, mystifié pour ses « saluts hithériens », ainsi que ses nombreuses inscriptions de textes, remet en question les traditions de l
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Piva, Márcia Helena Girardi. "Anselm Kiefer = paisagem, memória e ruínas nas megalópolis." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283948.

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Orientador: Maria Jose de Azevedo Marcondes<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:09:11Z (GMT). No. of bitstreams: 1 Piva_MarciaHelenaGirardi_M.pdf: 35482788 bytes, checksum: 0393304bb581c47b50ffd090dd83d342 (MD5) Previous issue date: 2010<br>Resumo: Esta pesquisa teve por objetivo analisar a série de obras do artista plástico Anselm Kiefer, produzidas a partir da visita ao Brasil no ano de 1987, na qual as vistas aéreas da paisagem urbana de São Paulo tornaram-se elemento propulsor. O registro em fotos,
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Lauterwein, Andréa. ""Les deux mondes" Paul Celan et Anselm Kiefer." Paris 3, 2003. http://www.theses.fr/2002PA030130.

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Recherche interdisciplinaire sur la crise de la représentation et la circulation des images mémorielles de la Shoah en RFA, ce travail s'organise autour du phénomène de transmission transgénérationnel entre Paul Celan et le peintre Anselm Kiefer. L'analyse critique de la mémoire orale, écrite et imagée, en RFA entre 1945 et 1990 questionne la complexité du silence. L'interprétation des articulations entre la poésie de Celan et l'image non verbale (surréalisme, abstraction, gravure, histoire de l'art) accorde une importance particulière à la résonance phénoménologique entre l'image et le texte.
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Santiago, Lilian. "Pequena história do mal: Anselm Kiefer e Walter Benjamin." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-22022010-113333/.

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A presente pesquisa procura reunir as reflexões pictóricas de Anselm Kiefer no âmbito da tradição intelectual da literatura, do mito, da história e da religião, e que se condensam na categoria da catástrofe de O Drama Barroco Alemão e do Trabalho das Passagens de Walter Benjamin. Procuraremos mostrar o estatuto da metrópole como o lugar do Mal, inscrevendo as produções artísticas de Anselm Kiefer no campo do pensamento trágico da vida, no sentido de viver sem o Bem e sob o amparo do Mal. Kiefer apresenta-se como o pintor cujas produções oscilam entre a Hybris do progresso e o terror da máxima
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Kline, Scott B. "Anselm Kiefer: Remembering, Repeating, and Working through the Past." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1374927331.

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Bauer, Christian. "Sacrificium Intellectus : das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauß und Anselm Kiefer /." München ; Paderborn Fink, 2008. http://d-nb.info/986564915/04.

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Salmon, Rachel. "Anselm Kiefer and W. G. Sebald: Intersecting Approaches to German History." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/522928.

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Art History<br>M.A.<br>The German artist Anselm Kiefer and German author W. G. Sebald are prominent and innovative figures in their individual fields whose works deal with many of the same themes, such as destruction, memory, and mourning. Their historical retellings are mediated by their own experiences of growing up in postwar Germany and hover between reality and fiction. Kiefer and Sebald are not the only German artist and author to address themes related to World War II and the Holocaust; however, their works share similar approaches to those themes that are not universally utilized by th
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Bauer, Christian. "Sacrificium intellectus : das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauss und Anselm Kiefer /." München ; Paderborn : Fink, 2008. http://d-nb.info/986564915/04.

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Fürstenow-Khositashvili, Lily [Verfasser], Thomas [Akademischer Betreuer] Macho, and Robert [Akademischer Betreuer] Kudielka. "Anselm Kiefer – myth versus history / Lily Fürstenow-Khositashvili. Gutachter: Thomas Macho ; Robert Kudielka." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2012. http://d-nb.info/1029294844/34.

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Books on the topic "Anselm Kiefer"

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Kiefer, Anselm. Anselm Kiefer. Nationalgalerie, 1991.

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Anselm Kiefer. Louisiana Museum of Modern Art, 2010.

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Arasse, Daniel. Anselm Kiefer. Ed. du Regard, 2001.

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Arasse, Daniel. Anselm Kiefer. Regard, 2007.

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Chicago, Art Institute of, ed. Anselm Kiefer. Art Institute of Chicago, 1987.

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1945-, Kiefer Anselm, and Kunsthalle Würth, eds. Anselm Kiefer. Swiridoff, 2004.

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Kiefer, Anselm. Anselm Kiefer. Charta, 1997.

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Paul, Maenz, Vries Gerd de, and Galerie Paul Maenz (Cologne, Germany), eds. Anselm Kiefer. Galerie P. Maenz, 1986.

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Arasse, Daniel. Anselm Kiefer. Schirmer Mosel, 2007.

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Germano, Celant, and Museo Guggenheim Bilbao, eds. Anselm Kiefer. Skira, 2007.

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Book chapters on the topic "Anselm Kiefer"

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Klingsöhr-Leroy, Cathrin. "IX. Anselm Kiefer." In Buch und Bild - Schrift und Zeichnung. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839461235-010.

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Naqvi, Fatima. "Apocalyptic Cosmologies: Christoph Ransmayr and Anselm Kiefer." In The Literary and Cultural Rhetoric of Victimhood. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230603479_4.

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Schilling, Erik. "Intermedialität im Dialog: Anselm Kiefer und Paul Celan." In Celan-Referenzen. V&R Unipress, 2016. http://dx.doi.org/10.14220/9783737004657.253.

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Lack, Anthony. "The Art of Anselm Kiefer through the Lens of Martin Heidegger on Technology, Art, and Truth." In Martin Heidegger on Technology, Ecology, and the Arts. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137487452_3.

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Leahy, Caitríona. "Anselm Kiefer’s Signature: Or—Adapting God." In Adaptation Considered as a Collaborative Art. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-25161-1_12.

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"Gespräch mit Anselm Kiefer." In Klaus Michael Grüber – Homo Viator. V&R unipress, 2021. http://dx.doi.org/10.14220/9783737013000.335.

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Földényi, László F. "Die Melancholie von Anselm Kiefer." In Sind alle Denker traurig? Wilhelm Fink Verlag, 2015. http://dx.doi.org/10.30965/9783846757246_005.

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Vercellone, Federico. "Anselm Kiefer e le figure dell’immemoriale." In L'archetipo cieco. Rosenberg & Sellier, 2021. http://dx.doi.org/10.4000/books.res.7365.

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Pamuk, Orhan. "When Orhan Pamuk Met Anselm Kiefer." In Art Essays. University of Iowa Press, 2021. http://dx.doi.org/10.2307/j.ctv20pxzg2.16.

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"Anselm Kiefer: Hoffmann von Fallersleben. Die Etsch (1977)." In Politische Denkbilder. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412213916.233.

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Conference papers on the topic "Anselm Kiefer"

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Dias, Sarah. "Contemporary utopias in art and architecture: Searching for spiritual significance in the work of John Pawson and Anselm Kiefer." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-42.

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