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Dissertations / Theses on the topic 'Anselm Kiefer'

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1

Fürstenow-Khositashvili, Lily. "Anselm Kiefer – myth versus history." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2012. http://dx.doi.org/10.18452/16637.

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Eine der wichtigsten Aufgaben der Kunst ist es, unser kulturelles Gedächtnis zu aktivieren, zu errinnern was ist vergessen oder absichtlich in die Vergessenheit gezwungen wurde, selbst wenn das alte Wunde bluten lasst und traumatisch erscheint. Jedes Mal ist das Element der Kritik die ausschlaggebende Komponente der künstlerischen Arbeit, sie charakterisiert nicht nur den Künstler, und die Zeit in der er/sie lebt, sondern auch den Zuschauer, genauer: wie weit ist der Künstler bereit zu gehen und wie weit sind die Zuschauer bereit ihm zu folgen, im Rückblick manchmal mehr ersteres als letzteres
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2

Sander, Sarah-Maria. "Les médiations scripturaires d'Anselm Kiefer." Nantes, 2013. http://www.theses.fr/2013NANT3037.

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La présente thèse de doctorat en études germaniques sur l'artiste contemporain Anselm Kiefer expose les querelles des représentations entre l'écriture alphabétique et les figurations matérielles des compositions. En trois grandes parties, l' « écriture » de Kiefer est analysée de manière philologique, traductologique et herméneutique, permettant de comprendre les langages de ses matériaux et de ses créatures. La première partie montre que Kiefer, dédaigné ou mythifié, mystifié pour ses « saluts hithériens », ainsi que ses nombreuses inscriptions de textes, remet en question les traditions de l
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3

Piva, Márcia Helena Girardi. "Anselm Kiefer = paisagem, memória e ruínas nas megalópolis." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283948.

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Orientador: Maria Jose de Azevedo Marcondes<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-16T23:09:11Z (GMT). No. of bitstreams: 1 Piva_MarciaHelenaGirardi_M.pdf: 35482788 bytes, checksum: 0393304bb581c47b50ffd090dd83d342 (MD5) Previous issue date: 2010<br>Resumo: Esta pesquisa teve por objetivo analisar a série de obras do artista plástico Anselm Kiefer, produzidas a partir da visita ao Brasil no ano de 1987, na qual as vistas aéreas da paisagem urbana de São Paulo tornaram-se elemento propulsor. O registro em fotos,
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4

Lauterwein, Andréa. ""Les deux mondes" Paul Celan et Anselm Kiefer." Paris 3, 2003. http://www.theses.fr/2002PA030130.

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Recherche interdisciplinaire sur la crise de la représentation et la circulation des images mémorielles de la Shoah en RFA, ce travail s'organise autour du phénomène de transmission transgénérationnel entre Paul Celan et le peintre Anselm Kiefer. L'analyse critique de la mémoire orale, écrite et imagée, en RFA entre 1945 et 1990 questionne la complexité du silence. L'interprétation des articulations entre la poésie de Celan et l'image non verbale (surréalisme, abstraction, gravure, histoire de l'art) accorde une importance particulière à la résonance phénoménologique entre l'image et le texte.
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5

Santiago, Lilian. "Pequena história do mal: Anselm Kiefer e Walter Benjamin." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-22022010-113333/.

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A presente pesquisa procura reunir as reflexões pictóricas de Anselm Kiefer no âmbito da tradição intelectual da literatura, do mito, da história e da religião, e que se condensam na categoria da catástrofe de O Drama Barroco Alemão e do Trabalho das Passagens de Walter Benjamin. Procuraremos mostrar o estatuto da metrópole como o lugar do Mal, inscrevendo as produções artísticas de Anselm Kiefer no campo do pensamento trágico da vida, no sentido de viver sem o Bem e sob o amparo do Mal. Kiefer apresenta-se como o pintor cujas produções oscilam entre a Hybris do progresso e o terror da máxima
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6

Kline, Scott B. "Anselm Kiefer: Remembering, Repeating, and Working through the Past." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1374927331.

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7

Bauer, Christian. "Sacrificium Intellectus : das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauß und Anselm Kiefer /." München ; Paderborn Fink, 2008. http://d-nb.info/986564915/04.

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8

Salmon, Rachel. "Anselm Kiefer and W. G. Sebald: Intersecting Approaches to German History." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/522928.

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Art History<br>M.A.<br>The German artist Anselm Kiefer and German author W. G. Sebald are prominent and innovative figures in their individual fields whose works deal with many of the same themes, such as destruction, memory, and mourning. Their historical retellings are mediated by their own experiences of growing up in postwar Germany and hover between reality and fiction. Kiefer and Sebald are not the only German artist and author to address themes related to World War II and the Holocaust; however, their works share similar approaches to those themes that are not universally utilized by th
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9

Bauer, Christian. "Sacrificium intellectus : das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauss und Anselm Kiefer /." München ; Paderborn : Fink, 2008. http://d-nb.info/986564915/04.

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10

Fürstenow-Khositashvili, Lily [Verfasser], Thomas [Akademischer Betreuer] Macho, and Robert [Akademischer Betreuer] Kudielka. "Anselm Kiefer – myth versus history / Lily Fürstenow-Khositashvili. Gutachter: Thomas Macho ; Robert Kudielka." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2012. http://d-nb.info/1029294844/34.

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11

ROTH, CLARA CAVENDISH WANDERLEY. "GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da arte mundial são objetos de estudo deste trabalho. Ao reviverem suas próprias histórias de vida em sua prática artística, esses artistas transformam as reminiscências do passado em motivo (Leitmotiv) para a criação. Assimilando e explorando suas experiências vitais para transformá-las em matéria constituinte de suas poéticas, efetuam o resg
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Piva, Márcia Helena Girardi. "A paisagem e o sublime na arte contemporânea = permanências românticas e o entrelaçamento de culturas = The landscape and the sublime in contemporary art: romantic remains and the interlacing of cultures." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285301.

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Orientador: Maria José de Azevedo Marcondes<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-28T02:49:03Z (GMT). No. of bitstreams: 1 Piva_MarciaHelenaGirardi_D.pdf: 11969821 bytes, checksum: 960692ae33072b63006d86ef21662d6c (MD5) Previous issue date: 2015<br>Resumo: O objeto de estudo desta pesquisa concentra-se, inicialmente, sobre a produção do artista Anselm Kiefer, a partir de sua exposição Monumenta 2007, no Grand Palais, em Paris - evento que gerou discussões relevantes no âmbito teórico acadêmico além de novas referênc
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13

Wates, Matt. "Disorders at the borders : memories of the Gesamtkunstwerk in the paintings of Anselm Kiefer." Thesis, University of Bristol, 2018. http://hdl.handle.net/1983/e8970f84-e853-4310-beb4-fe6920db1638.

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In the winter of 2014/15, the Royal Academy in London presented a major Kiefer retrospective, and the artist himself turned 70 in 2015. Furthermore, January 2015 saw the 70th anniversary of the liberation of Auschwitz, and the Holocaust has been a recurring theme in his work. The commencement of this project therefore seemed like a propitious moment to attempt to add to the academic literature concerning this artist, which although fairly extensive nevertheless contains a notable gap, namely the extent to which his practice relates to the discourse of the Wagnerian Gesamtkunstwerk -- even thou
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14

Roth, Isabel L. "From the Attic to the Cosmos: Myth in the Art of Anselm Kiefer 1973-2007." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/122.

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Anselm Kiefer was born in Germany, 1945—the year of Adolf Hitler’s suicide, and subsequently, the end of World War II. His own beginnings were shrouded by a national “repression” of history. This repression was at odds with Kiefer’s needs to establish his own origin. For this reason, the spirituality in his earlier work is often overshadowed by its subject—Nazi Germany. This thesis will look back on Kiefer’s work through the lens of mythology in an effort to re-evaluate his earlier art within the context of his works since 1990. From the 1970s to the present, Kiefer has drawn from mythology to
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15

Capaccio, John S. "Blood and soil : an examination of the authority of tradition /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?index=0&did=1126785931&SrchMode=1&sid=3&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1166636826&clientId=11238.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 145-147). Also available for download via the World Wide Web; free to University of Oregon users.
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16

Belluigi, Dina Zoe. "Broken vessels : the im-possibility of the art of remembrance and re-collection in the work of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1002191.

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This thesis is structured around investigating the philosophical and aesthetic problematics, politics, and possibilities of representing the past for the purposes of demythifying the present as well as commemorating the losses of history, as explored in the artworks of Anselm Kiefer, Christian Boltanski, William Kentridge and Santu Mofokeng. The first chapter begins with Theodor Adorno’s philosophical understanding of myth and history: how he is influenced by and then develops Karl Marx’s critique of society, Sigmund Freud’s critique of reason and its subject, and particularly Walter Benjamin’
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17

Skien, Glen Matthew. "Of Ghosts and Atlases: Mythopoetics and Historical Perceptions." Thesis, Griffith University, 2014. http://hdl.handle.net/10072/366326.

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As a vast photographic tableau of images sourced from antiquity, the Renaissance and early-twentieth-century popular media, Aby Warburg’s Mnemosyne Atlas (1924-29) was a means to formulating a fluid archive of cultural memory. In this exegesis, I show how Warburg’s mosaic of disparate remnants from the past has resonances with the mythopoetic structures that underpin my studio practice. Specifically, I adopt mythopoetics as both a conceptual and methodological strategy, as a vehicle for exploring first-person narratives and their capacity to formulate more defined and meaningful concepts of hi
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18

Tschosch, Cornelia [Verfasser], and Thomas [Gutachter] Kirchner. "Anselm Kiefers Sternenbilder : Raum und Zeit als Normative seiner Kunst / Cornelia Tschosch ; Gutachter: Thomas Kirchner." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2020. http://d-nb.info/1224270649/34.

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19

Collett, Rachel Joan. "Turning back : continuity and difference in modernist and postmodernist reflexivity." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4256.

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Thesis (MA VA (Visual Arts))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: The primary function of paintings and novels in Western culture has historically been considered the depiction or description of reality. Over the course of the last century, however, the inherent reflexivity of both art and literature has become progressively more insistent and programmatic, in such a way as challenges the relationship between form and the world. A re-thinking of the role of representation is thus central to both modernism and postmodernism. This thesis is an investigation into the relations
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20

Rademeyer, Stefanus. "Representations of transcendence in the work of Anselm Kiefer and Anish Kapoor." Thesis, 2008. http://hdl.handle.net/10539/5896.

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In this research dissertation I argue that selected works of artists Anselm Kiefer (b.1945) and Anish Kapoor (b.1954) can best be understood as representations of transcendence. I begin by locating works selected for this research within the body of work each artist has produced. This is followed by the definition of my key terms: representation, transcendence and emptiness. An analysis of the relation between these terms forms the basis for my theoretical framework. I will then investigate the specific material and aesthetic qualities of the selected works, and work towards a metaphori
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21

Dreyer, Elfriede 1953. "A hermeneutic investigation of the parergon in artmaking, with special reference to Anselm Kiefer." Diss., 1992. http://hdl.handle.net/10500/16683.

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22

Ouellet, Maryse. "Mélancolie du livre illisible : le présentisme à l'épreuve de l'art." Mémoire, 2011. http://www.archipel.uqam.ca/4130/1/M12064.pdf.

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Ce mémoire s'interroge sur l'actualité de la mélancolie à l'ère du présentisme. Ce questionnement émerge de l'observation d'œuvres d'art singulières : un tableau du peintre catalan Antoni Tàpies (Calligraphie, 1958), une installation de Claudio Parmiggiani (Sculpture d'ombre, 2002) et une sculpture de l'artiste allemand Anselm Kiefer (La Brisure des vases, 1990). Ces œuvres ont en commun de représenter des livres illisibles, évoquant la dépossession d'un héritage culturel et la suspension de la transmission historique entre le passé, le présent et le futur, qui caractérisent très précisément l
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23

Correia, Susana dos Santos. "Was hätten sie denn gemacht? pós-memória, culpa e perdão em Der Vorleser, de Bernhard Schlink, e Liliths Töchter, de Anselm Kiefer." Master's thesis, 2014. http://hdl.handle.net/10451/12259.

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Tese de mestrado, Estudos Comparatistas, Universidade de Lisboa, Faculdade de Letras, 2014<br>À luz do romance Der Vorleser, de Bernhard Schlink (n. 1944), e da tela Liliths Töchter, de Anselm Kiefer (n. 1945), a presente dissertação analisa de que forma a questão da segunda geração, relacionada com os conceitos de pós-memória, culpa e perdão, é abordada nos dois discursos artísticos em apreço e de que forma a problemática da representação é aí equacionada. Analisando a relação intra e intergeracional que as diferentes personagens estabelecem entre si, procurar-se-á compreender que estratégia
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24

劉佳瑛. "Anselm Kiefer's Kabbalistic Theme." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/40937189439211754433.

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25

LIN, HSIU JU, and 林秀如. "The Spirituality of Material of Anselm Kiefer’s Work." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/50893472399663288627.

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碩士<br>國立臺灣藝術大學<br>美術學系<br>101<br>The language research of art materials can help us in-depth observation, using vision to think independently, fostering a more aesthetic visual imagination. It covers the art to understand history, culture, politics, folklore and other aspects of social life. This thesis is the study of German neo- expressionist painter Anselm Kiefer's series of works. First of all, it starts with artist's identity background and art materials linguistic research that formed Anselm Kiefer’s art. Then, it examines comprehensive painting using the techniques and the spiritual con
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Malheiro, Mariana de Botelho Ferreira e. Braga. "Desfiguração: a exaltação da matéria na pintura figurativa." Master's thesis, 2020. http://hdl.handle.net/10451/45996.

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Philip Guston once said that when he leaves his studio, he would like to think he left behind a world of people, not a world of relationships between elements. My question: is why not leave them both? Can it be that a world of people is thought of as a world that is part of a figurative universe, and can it be that a world of relationships between elements is thought as a part of an abstract universe? Can it be that an universe may contain both worlds, and both worlds be part of the same painting? Modernist movements set free the figurative image. Posterior to this, Abstract Expressionism abol
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Rice, Kolya Michael. "The burden of a national legacy: An examination of Anselm Kiefer's reflections on the German past." Thesis, 1994. http://hdl.handle.net/1911/13887.

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Anselm Kiefer's empathic approach to Germany's past, particularly its period of National Socialism, has provoked heated controversy among art critics and historians. The first section of this paper examines and critiques a sample of the discourse on the subject, drawing the primary conclusion that postwar Germany's peculiar cultural and political context, which has been neglected, is of fundamental importance to understanding Kiefer's mediations. The second section juxtaposes a sample of Kiefer's work against this context, drawing attention to the psychological resonances of National Socialism
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Serrano, Carolina 1994. "A dimensão espiritual da escultura através da obra de XIX artistas." Master's thesis, 2018. http://hdl.handle.net/10451/33652.

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The spiritual dimention in art, in the European context, has been, for centuries, almost exclusively related with religion. However, in the modernity, with the loss of prominence of religion, and with the divorce of art and the Church, that dimention has became accessible to be freely and autonomously explored by art, and in this specific case, by sculpture. If, in general, from the point of view of modernism, it is known that art has lost its notion of transcendence, in accordance with a destructive demand of the artistic tradition, concentrating, instead, on exploiring and evaluating its own
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