Relevant bibliographies by topics / Antecedent genre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Antecedent genre'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Antecedent genre"

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Artemeva, Natasha, and Janna Fox. "Awareness Versus Production: Probing Students’ Antecedent Genre Knowledge." Journal of Business and Technical Communication 24, no. 4 (2010): 476–515. http://dx.doi.org/10.1177/1050651910371302.

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Yrjönsuuri, Mikko. "Obligations and Conditionals." Vivarium 53, no. 2-4 (2015): 322–35. http://dx.doi.org/10.1163/15685349-12341302.

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The paper considers two kinds of medieval obligational disputations (positio, rei veritas) and the medieval genre of sophismata in relation to the kinds of inferences accepted in them. The main texts discussed are the anonymous Obligationes parisienses from the early 13th century and Richard Kilvington’s Sophismata from the early 14th century. Four different kinds of warranted transition from an antecedent to a consequent become apparent in the medieval discussions: (1) the strong logical validity of basic propositional logic, (2) analytic validity based on conceptual containment, (3) merely s
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Harrison, Stephen. "Altering Attis: Ethnicity, Gender and Genre in Catullus 63." Mnemosyne 57, no. 5 (2004): 520–33. http://dx.doi.org/10.1163/1568525043057946.

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AbstractCatullus 63 is one of the most unusual of Latin poems, and also one of the most difficult for literary interpreters. In this paper I would like to discuss it from three angles, connected by the common factor of change or alteration: ethnicity, the poem's alteration of Attis' previous ethnic identity to make him Greek and to stress the contrast with the poem's Asiatic setting; gender, its transsexual use of previous female literary characters as models for Attis' two speeches;2) and genre, the literary form of the poem and its alteration and mixture of various types of generic anteceden
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Rachul, Christen. "Digesting Data: Tracing the Chromosomal Imprint of Scientific Evidence Through the Development and Use of Canadian Dietary Guidelines." Journal of Business and Technical Communication 33, no. 1 (2018): 26–59. http://dx.doi.org/10.1177/1050651918798683.

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The Eating Well With Canada’s Food Guide (CFG), which represents Canada’s official dietary guidelines, is designed to address high rates of obesity and diet-related chronic disease in Canada. This article presents a qualitative study of the social and ideological actions that the CFG performs. The study draws on the concepts of antecedent genres and uptake from rhetorical genre studies, applying them in a multimodal analysis of the CFG and interviews with the CFG’s producers and registered dietitians (RDs) who work with vulnerable populations. Findings reveal that scientific representations pl
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Dimock, Wai Chee. "The Survival of the Unfit." Daedalus 150, no. 01 (2020): 134–46. http://dx.doi.org/10.1162/daed_a_01838.

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Is there room for weaklings in Darwin's theory of evolution? The “survival of the fittest”–that muscular phrase taken from Herbert Spencer–would seem to suggest not. A more nuanced and counterintuitive picture emerges, however, when fitness is remapped: as a form of mutuality between the human and the nonhuman, rather than an exclusively human attribute vested in a single individual. I explore that possibility in the contemporary novel, a genre evolving steadily away from its Victorian antecedent, and circling back to the epic to reclaim an elemental realism, alert to the reparative as well as
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Fisher, Richard, Chris J. van Staden, and Glenn Richards. "Watch that tone." Accounting, Auditing & Accountability Journal 33, no. 1 (2019): 77–105. http://dx.doi.org/10.1108/aaaj-10-2016-2745.

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Purpose The purpose of this paper is to investigate: how dimensions of tone vary across different forms of corporate accountability narrative; the impact of tone on readability; and the determinants of tone, including consideration of its use in impression management. Design/methodology/approach Using a multi-year sample of listed companies, the authors measure dimensions of tone across multiple narrative types within the annual report and standalone corporate social responsibility report. Statistical analysis is used to investigate variations of tone across narrative type, each dimension’s in
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Melnyk, A. O. "Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation." Aspects of Historical Musicology 17, no. 17 (2019): 102–15. http://dx.doi.org/10.34064/khnum2-17.07.

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Background. Rapidness of information flows of contemporary life enforces to concentrate a significant amount of information in small formats. This fact meaningfully increases social and practical significance, cultural and aesthetic value of miniature genres, in particularly, in the musical art. The violin miniature is a historically developed, typologically settled genre of professional musical creativity designed to solo music-making in the conditions of chamber or concert performance. Relevance of the genre is also due to its active inclusion in the programs of competitions and festivals. T
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Groeben, Norbert. "Biographische Real-Fiktion als Paradigma narrativer Erklärung." Journal of Literary Theory 14, no. 2 (2020): 287–310. http://dx.doi.org/10.1515/jlt-2020-2008.

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AbstractThe two categories of »fiction« and »non-fiction« are most often conceived of – and treated as – disjointed and separate, not only in common sense but also in literary studies. This does not adequately reflect, however, the developmental trajectory of the non-fiction genre over the course of the twentieth century. After all, the popularization of expert knowledge has increasingly been effected with the help of narrative strategies which raise one crucial question: Just how much fiction can the factual nature – the dependence on facts – of non-fiction tolerate? However, as the more prec
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Zárate, Arthur Shiwa. "The American Sufis: Self-Help, Sufism, and Metaphysical Religion in Postcolonial Egypt." Comparative Studies in Society and History 61, no. 04 (2019): 864–93. http://dx.doi.org/10.1017/s001041751900029x.

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AbstractThis article examines an Arabic commentary on the American self-help pioneer Dale Carnegie's How to Stop Worrying and Start Living, written by a one-time leading intellectual of the Egyptian Muslim Brotherhood, Muḥammad al-Ghazālī. Ghazālī’s 1956 commentary was perhaps the earliest manifestation of an influential genre of literature within the Islamic world today: “Islamic self-help.” Although scholars treat Islamic self-help as an effect of neoliberalism, this article reorients the study of Islamic self-help beyond neoliberalism by showing first, that Ghazālī’s early version of it em
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Mokranjac, Aleksandra. "The architect Milan Lojanica’s Belgrade realm and visions - from a graduation project to Julino brdo and Gocław, 1962-1972." Spatium, no. 36 (2016): 34–45. http://dx.doi.org/10.2298/spat1636034m.

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Attempting to highlight the specificity of the architect Milan Lojanica?s design approach, clearly distinct in his first professional decennary 1962-1972, the focus of this paper is on his firstly designed and developed, and afterwards awarded architectural masterpiece, which he realized with his associates, architects Cagic and Jovanovic - i.e. the urban suprastructure of Julino brdo/Jula?s hill (1967-1970). As fifty years has passed from its first drawings, and the project documentation consists of exceptionally rare fragments only, one of the main goals of the research was the attempt to re
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Dissertations / Theses on the topic "Antecedent genre"

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Dunn, Samuel James. "Reconceiving a Necessary Evil: Teaching a Transferable FYC Research Paper." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3633.

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The place of the research paper in first-year composition (FYC) courses is often debated in composition forums. Many argue that the a-disciplinary nature of FYC doesn't allow instructors to teach the research paper in a way that will be transferable to disciplinary writing tasks, while others say that it is possible, as long as we have a thorough understanding of the kinds of writing tasks students will face in the disciplines and specifically teach writing skills that will be transferable. To identify these more generalizable writing skills to be emphasized, I interviewed 14 professors at Bri
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Reese, Laura Marie Schwab. "The role of static, distal, and proximal antecedents in intimate partner violence: an application of the catalyst model of aggression and the IPV contextual framework." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/5829.

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Intimate partner violence (IPV), defined as psychological, physical, or sexual abuse within a current or former romantic relationship, has significant consequences for the health and well-being of men and women. Although there has been substantial research on IPV, much of the research has focused on risk and protective factors, and intervention activities for victims. A small body of research on perpetrators suggests the etiology of IPV perpetration is complex and multifactorial, but the dearth of research on perpetrators has resulted in a limited number of effective interventions for perpetra
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Gonçalves, Rozana Oliveira. "Alterações genéticas em casais com antecedentes de aborto recorrente no primeiro trimestre da gestação." Centro de Pesquisas Gonçalo Moniz, 2013. https://www.arca.fiocruz.br/handle/icict/7640.

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Submitted by Ana Maria Fiscina Sampaio (fiscina@bahia.fiocruz.br) on 2014-05-22T16:14:32Z No. of bitstreams: 1 Rozana Oliveira Gonçalves. Alterações... 2013.pdf: 539056 bytes, checksum: be74d5c934d4d2098ccee4e146563b3b (MD5)<br>Made available in DSpace on 2014-05-22T16:14:32Z (GMT). No. of bitstreams: 1 Rozana Oliveira Gonçalves. Alterações... 2013.pdf: 539056 bytes, checksum: be74d5c934d4d2098ccee4e146563b3b (MD5) Previous issue date: 2013<br>Fundação Oswaldo Cruz. Centro de Pesquisa Gonçalo Moniz. Salvador, BA, Brasil<br>O abortamento é considerado um problema multifatorial, cujas princip
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England, Nancy Faye Rosenberg. "Establishing a Dracula film genre Key texts, antecedents, and offspring /." 2009. http://hdl.handle.net/10106/2057.

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Chi-Ming, Liu, and 劉啟民. "The Effects of Antecedents, Product Involvement, and Movie Genres on Experential Quality, Emotion, and Experiential Satisfaction - A Case Study of Movie Industry." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/19759207004333563156.

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碩士<br>輔仁大學<br>管理學研究所<br>96<br>Since the emergence of experiential economy and cultural creativity industry in the recent years, many governments have begun to focus on cultural creativity industry, and so did the academia. Cultural creativity industry included wide ranges of industries. Among them, Motion picture was the one which highly fitted into the society around whole world. However, motion picture’s influence to customers’ experience is still lack of detailed research from academia. Therefore, present study will adopt experiential perspective to investigate antecedent’s influence to exp
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Books on the topic "Antecedent genre"

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Diamond, James A. Unbinding Jewish Philosophical Theology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805694.003.0002.

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The voluminous corpus of the rabbinic genre known as midrash and aggadah involves not just law (halakhah), but also a prolific repository of unrefined philosophical theology. The aggadic and midrashic style encompasses narrative, allegory, and a deeply intimate exegetical engagement with every syllable of the biblical text. It may not correspond neatly to the kinds of systematic treatises, largely identified with the Christian tradition, through which theology is traditionally delivered. The philosophy and theology that inhere in the midrashic genre are, at the very least, of equal profundity
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Keymer, Thomas. The Subjective Turn. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.20.

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Central to Charles Taylor’s account of secular modernity, in which divinely guaranteed truth gives way to the personal and human, is ‘the massive subjective turn … in which we come to think of ourselves as beings with inner depths’. This chapter approaches the ‘subjective turn’ of Romantic literature by way of its philosophical and literary antecedents in the eighteenth century, emphasizing the instability or inscrutability of personal identity as conceived in Hume, Sterne, and the emergent genre of autobiography. The most powerful autobiographies of the Romantic era—if we include such generic
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Stoia, Nicholas. Sweet Thing. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190881979.001.0001.

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Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form is a historical and analytical study of one of the most productive and enduring shared musical resources in North American vernacular music. Many of us learn the form as children, when we sing “If you’re happy and you know it clap your hands,” and we hear it frequently in popular music, but usually without realizing that this poetic and rhythmic pattern has been penetrating the minds of musicians and listeners for centuries. The antecedents of the form date back to sixteenth-century Scotland and England, and ap
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Book chapters on the topic "Antecedent genre"

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Moss-Wellington, Wyatt. "An Introduction to the Millennial Suburban Ensemble Film." In Narrative Humanism. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474454315.003.0008.

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Part III uses the hermeneutics and narrative theory established in the first half of the book to investigate a film genre that emerged at the end of the millennium: the suburban ensemble dramedy. The first chapter makes the case that suburban ensemble cinema comparatively amalgamates a number of conventions from a range of antecedent genres: infidelity dramas, family trauma dramas, the midlife crisis film and the coming-of-age film, along with works from other media, including socially conscious domestic TV sitcoms. It compares the history of suburban media depiction in American cinema with the lived realities of residentially dispersed contexts as they developed over the second half of the 20th century.
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Zava, Alberto. "San Pietroburgo andata e ritorno." In «Un viaggio realmente avvenuto». Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-344-1/006.

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As a result of a travel experience in Russia in 1739, Viaggi di Russia by Francesco Algarotti, published in its final version in 1764, represents a text of certain interest in the panorama of studies related to travel literature and its dynamics. The genre of travel reportage, much frequented by twentieth-century Italian writers after the encounter between literature and journalism on the Third page of Italian newspapers, finds in Algarotti a sure antecedent: despite the clear literary intent of the writing back from St. Petersburg, in the reportage we can find elements of interest also in relation to the travel reports of twentieth-century writers-journalists.
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Blowers, Paul M. "Excavating Tragical Perspectives in Early Christianity." In Visions and Faces of the Tragic. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198854104.003.0001.

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This introductory chapter lays the groundwork for the monograph by establishing the paucity of actual works of early Christian tragedy, but also the growing Christian recognition of the power of tragedy to convey the vulnerability of the human condition and the subjection of all creation to what the Apostle Paul himself called an existential “vanity” or “futility” (Romans 8:19–23). The Christian reception and reworking of tragedy, however, stood at the end of a long evolution of tragedy and of its role in Greco-Roman civilization, which included strong philosophical criticism of the genre (Plato) and vigorous defense of its cultural utility (Aristotle). Christian polemicists against pagan theatrical art seized on the antecedent philosophical criticism but also developed their own, and included tragedy in their condemnation of the immorality, seductiveness, and irreligion of all pagan entertainment and “spectacle.” Yet Christian thinkers began their own rehabilitation of salvageable elements of tragedy as a literary, rhetorical, and dramatic artform. Some found noble and even theologically enriching passages in the ancient tragedians. Others looked, however, to free the genre to Christian appropriation, and to develop uniquely Christian forms of “tragical mimesis” for the edification of their audiences.
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"Locating Genre Studies: Antecedents and Prospects." In Genre In The New Rhetoric. Routledge, 2003. http://dx.doi.org/10.4324/9780203393277-9.

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Fulkerson, Laurel. "The mythical antecedents of the Ciris." In Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864417.003.0003.

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The pseudo-Vergilian Ciris is often treated as an epyllion, and so compared to other epyllia (by Catullus, Calvus, Cinna, and Valerius Cato). This chapter focuses on what is at stake in comparisons between the Ciris and these (mostly imaginary) poems. Scholarship has for many decades sought to pick the Ciris apart scene by scene, suggesting that over two-thirds of it was adapted, incompetently, from other poems that we can no longer read; likewise, it has been compared to a cento. This chapter suggests that such comparisons are worse than useless: they introduce questions of originality to a genre in which it is inappropriate. By way of contrast, a typology of allusions (direct quotation, fairly-certain quotation, reuse of motif) is offered, followed by discussions of particular passages within the nurse scene of the Ciris that can be interpreted more generously than scholars have usually interpreted them.
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Golden, Catherine J. "Introduction." In Serials to Graphic Novels. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813062297.003.0001.

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This introduction presents Golden’s methodological approach to connect illustrative styles across decades, genres, and national borders to offer a new framework for viewing the arc of a vibrant genre. Across this chronological sweep from the serial to the graphic novel, illustrative styles of caricature and realism are applauded, scorned, refashioned, revaluated, maintained, and revised. This introduction lays out how this study differs from, builds upon, and complements previous examinations of the Victorian illustrated book by providing a single-authored, sustained record of the illustrated book from the vantage point of the genre’s evolving aesthetics, paying particular attention to material culture. The introduction provides summaries of the book’s four body chapters and conclusion. The introduction concludes with an examination of important antecedents of the Victorian illustrated book—including the classical concept of ut pictura poesis, medieval manuscripts, and eighteenth-century graphic satire and caricature—all of which created an audience for the Victorian illustrated book, which, in turn reimagines techniques that resurface from these earlier dual art forms.
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Hunter, Russ. "Preferisco l’inferno: Early Italian Horror Cinema." In Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.003.0002.

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The precise generic beginnings of horror cinema have the odd status of being both simultaneously clear and opaque. The general trend in studies of horror cinema has been to date the genre’s beginnings around the release of the series of Universal’s ‘monster movies’ beginning with Frankenstein (James Whale, 1931) and Dracula (Tod Browning, 1931). The desire to search for the antecedents, roots and origins of any genre leads film scholars to identify certain texts as key turning points that effectively lay the ground for what follows. While this view of genre can be overly deterministic, it is nonetheless true that some texts rather than others are given the status of key reference points based upon their perceived historical importance.
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White, Harry. "“A Darkness Which Might be Felt”." In The Musical Discourse of Servitude. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190903879.003.0005.

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This chapter considers Handel’s invention of the English oratorio in relation to its Italian antecedents and seeks to demonstrate how Samson (1743) in particular reimagines the Italian oratorio as an English genre. Samson’s engagement with and emancipation from the ordinances of Italian opera and oratorio connect Handel to Fux, whose biblical oratorio La fede sacrilega nella morte del Precursore, San Giovanni Battista (1714) is examined in detail in order to define the axis that lies between generic servitude (in this work) and imaginative autonomy (in Samson). The comparative analysis of both works is contextualized by an appraisal of Handel’s reputation as an “entertainer,” a reputation which has eclipsed his radical transformation of genre and his liberation of English dramatic music from the servitude of Italian opera, an enslavement of which his contemporaries had long complained.
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Makinen, Merja. "Contradicting the Golden Age Reading Agatha Christie in the Twenty-First Century." In Criminal Moves. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620580.003.0005.

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This chapter argues that it is precisely because Agatha Christie is synonymous with the Golden Age of detective fiction that her novels have long been neglected by literary criticism. A critical shift, in the form of “millennial criticism”, is described, which is now breaking down this monolithic view of Christie’s work and challenging the limitations of “genre criticism”, whose focus was typically on antecedents, influences and developments. Crime fiction is in turn opened up to a multiplicity of readings. Christie’s work is shown to be far more than the sum of its plots, however ingenious; instead, it offers the literary range and textual pleasures of Modernism and genuine social interventionism, including a surprising focus on world politics.
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Horsfall, Nicholas. "Virgil and the poetry of explanations." In Fifty Years at the Sibyl's Heels. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863861.003.0026.

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The whole Aeneid is a meditation on Roman history in which Aeneas’ sufferings lead directly to the altae moenia Romae. The paper summarizes the principal ways in which Virgil sets historical reference within epic narrative. Part of the reason why research hitherto has not come up with any answers to the questions that this paper tries to pose is that Virgil specialists tend to look too closely and exclusively at epic (and sometimes tragic) antecedents. We should perhaps look at two less obvious poetic genres: the literature of prophecy, and aetiological poetry. The Aeneid works, intellectually, as a new kind of epic, formally mythological, but often, in its implications, historical, because it has taken on (and this is the ‘mixing of genres’, never practised so radically or brilliantly elsewhere) a powerful, inspiring element from aetiological poetry
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Conference papers on the topic "Antecedent genre"

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Chung, D. W., R. Asakai, and E. W. Davie. "THE ORGANIZATION OF THE HUMAN FACTOR XI GENE: CORRELATION OF INTRON AND EXON LOCATIONS WITH STRUCTURAL DOMAINS." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1642802.

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Factor XI (plasma thromboplastin antecedent) is a plasma glycoprotein that participates in the contact activation of blood coagulation. In the present study, the organization of the gene for human factor XI has been elucidated. The gene for human factor XI has been isolated from two independent human genomic λ phage libraries using a full length cDNA for human factor XI as a hybridization probe. Four overlapping recombinant λ phage containing the human factor XI gene have been isolated and characterized. Restriction mapping, Southern blotting and hybridization studies indicate that the entire
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