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Journal articles on the topic 'Anthological'

Author: Grafiati

Published: 7 July 2024

Last updated: 31 July 2025

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1

Roskies, David. "The Jewish Anthological Imagination in the Holocaust, 1940−1945." Prace Filologiczne. Literaturoznawstwo, no. 12 (15) (June 12, 2022): 179–95. http://dx.doi.org/10.32798/pflit.796.

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In this paper the author analyzes five anthologies published in Yiddish, Hebrew and English. They represent individual and collective Jewish responses to the Holocaust both inside and outside the occupied war zone. When we read synoptically, each of them can be perceived as different national, transnational or communal Jewish response to the catastrophe. When we read dialogically, however, each anthology betrays a dissonant or discordant voice, and it is precisely the anomalous utterance that calls out the Holocaust’s screaming contradictions. By “listening anthologically,” combining a synopti

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2

Lee, Tong King. "Translating multilingual Singapore: An anthological perspective." Babel. Revue internationale de la traduction / International Journal of Translation 56, no. 1 (2010): 64–89. http://dx.doi.org/10.1075/babel.56.1.05lee.

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This paper explores the ideological function of translation in negotiating power relations among languages in multilingual Singapore. Based on an analysis of the discursive roles of translation in multilingual literary anthologies published between 1985 and 2008, the paper argues that the power relation between English and the mother tongue languages has shifted over the past two decades. Central to this ideological shift is translation, the underlying discursive mechanism in all multilingual publications in Singapore. It has been found that the potential of a language to be translated into, a

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3

Matan, Cela. "Design elements in anthological Zagreb buildings." E-Zbornik, elektronički zbornik radova Građevinskog fakulteta 12, no. 24 (2022): 63–72. http://dx.doi.org/10.47960/2232-9080.2022.24.12.63.

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Virolainen, Maria N. "Pushkin anthological epigram: Poetics of self-referentiality." Vestnik of Saint Petersburg University. Language and Literature 21, no. 2 (2024): 320–31. http://dx.doi.org/10.21638/spbu09.2024.203.

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“Beauty in front of the mirror”, “Statue in Tsarskoye Selo”, “Who grew the tender roses of Theocritus in the snow?” by Pushkin, as well as some anthological epigrams of his contemporaries). The ancient Greek epigram, distinguished by clear formal features and a wide variety of content, recorded, as a rule, only something static or instantaneous. This quality ensured, in the eyes of Pushkin’s contemporaries, the authenticity of the transmission and perception of the object depicted in the epigram. In anthological epigrams of the first third of the 19th century, deviations from such primordial f

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Robert, Jörg. "Anthologische Autorschaft und Kollektionspoetik in Martin Opitz’ Florilegium variorum epigrammatum (1639)." Daphnis 52, no. 3-4 (2024): 558–91. https://doi.org/10.1163/18796583-05203012.

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Abstract This article examines the role of collections and anthologies in the work of Martin Opitz (1597–1639). In order to distinguish between different functions of anthological authorship and ‘collection poetics’, it introduces three categories auctor – collector – editor and discusses them using examples from Opitz’s works: In the case of the Teutsche Poemata (Collection A), Julius W. Zincgref exploits the role of auctor, which Opitz regains with his Breslau Collection B. Bernhard Nüßler presents himself in the Silvae as the legitimate editor of Opitz’ Latin poems. In the two volumes of th

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Borić, Aras. "Anthological Canonizations of the Recent Bosnian-Herzegovinian Poetry." Društvene i humanističke studije (Online) 7, no. 2(19) (2022): 45–62. http://dx.doi.org/10.51558/2490-3647.2022.7.2.45.

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This work considers the question of canon as a „place of power“ and the position of literature in relation to the ideological dictates of the so-called „social reality“. In this sense, it discusses the general social, cultural, and poetic patterns on which the canon is based, that is, the canons in the most representative anthologies of recent Bosnian-Herzegovinian poetry in the last thirty years. Understanding canonization as a model of ideological impact in the production of „literary facts“, the paper explores the attitude of anthologists towards the composite integrity of Bosnian-Herzegovi

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SCHBLEY, AYLA. "Defining Religious Terrorism: A Causal and Anthological Profile." Studies in Conflict & Terrorism 26, no. 2 (2003): 105–34. http://dx.doi.org/10.1080/10576100390145198.

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Grigely, Joseph. "Blindness and Deafness as Metaphors: An Anthological Essay." Journal of Visual Culture 5, no. 2 (2006): 227–41. http://dx.doi.org/10.1177/1470412906066908.

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Mastnjak, Nathan. "The Book of Isaiah and the Anthological Genre." Hebrew Studies 61, no. 1 (2020): 49–72. http://dx.doi.org/10.1353/hbr.2020.0012.

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Tolmatchoff, Vassily M. "To the Symbolism of T.S. Eliot's Anthological Poem." Literature of the Americas, no. 13 (2022): 61–108. http://dx.doi.org/10.22455/2541-7894-2022-13-61-108.

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The paper examines in detail the history of the creation of “The Love Song of J. Alfred Prufrock”, as well as the methods of its research in Western and Russian literary studies. The author proposes to combine a careful reading of this text with the notion of this poem as a spiritual autobiography of Eliot, which has various dimensions: from personal, proper poetic to esoteric. Based on the analysis of the biography of the young Eliot, the poet's relationship with J. Verdenal, the history of the poem, the drafts, the final text, the title of the poem, the epigraph, the poem's place in the poet

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Busquet, Jordi. "La democratització cultural a l'època de la reproductibilitat tècnica." Tripodos, no. 5 (April 20, 1998): 9–15. https://doi.org/10.51698/tripodos.1998.5.9-15.

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Walter Benjamin is, without a doubt, one of the most important and influential personalities in the analysis of cultural production and reception in the twentieth century. The intention of this article is to point alit some of the most important contributions that Benjamin makes in his anthological article, "The work of art in the era of its technical reproducibility".

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CHARINA, A., D. RYBKA, and Yu BOKHNO. "INNOVATIVE MANAGEMENT AS A SOCIAL PHENOMENON: THE ATTEMPT OF THEORETICAL METHODOLOGICAL INSECTION." Экономическая наука сегодня, no. 8 (December 22, 2018): 94–99. http://dx.doi.org/10.21122/2309-6667-2018-8-94-99.

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The article presents a systematic analysis of approaches to the definition of the concept of "innovation management", social innovations and social entrepreneurship are considered. The general objectives of innovation management and the goals of managing social innovations are singled out. This allowed us to refine the theoretical and methodological approaches to innovative management as an anthological and phenomenological object of research.

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Shere, Jeremy. "Collective Portraits: The Anthological Imagination of Leo W. Schwarz." Shofar: An Interdisciplinary Journal of Jewish Studies 23, no. 3 (2005): 25–47. http://dx.doi.org/10.1353/sho.2005.0123.

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Сесорова, Анастасия Дмитриевна. "THE TRADITIONS OF ANTIQUE KALOCAGATIA IN THE POETRY OF A. POLEZHAEV." Tomsk state pedagogical university bulletin, no. 3(221) (May 16, 2022): 126–33. http://dx.doi.org/10.23951/1609-624x-2022-3-126-133.

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Введение. Через Византию Древняя Русь оказалась прямой наследницей Древней Греции. Изучение взаимодействия этих культур способствует пониманию и сохранению ценностей, пришедших на русскую почву и переосмысленных русской культурой. В фокусе нашего внимания находится феномен калокагатии.Цель – анализ традиций античной калокагатии в поэзии А. Полежаева. Материал и методы. Материалом исследования послужили стихотворения А. Полежаева с антологической поэтикой, это позволило не только проследить общую эволюцию антологической поэтики в русской лирике, но и отметить особенности ее использования в твор

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Berciano, José. "Livedo racemosa generalisata: an anthological vision through Vladímir Lébedev painting." Journal of Neurology 266, no. 7 (2019): 1801–2. http://dx.doi.org/10.1007/s00415-019-09303-2.

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Schneeweis, Adina, and Katherine A. Foss. "“Gypsies, Tramps & Thieves”: Examining Representations of Roma Culture in 70 Years of American Television." Journalism & Mass Communication Quarterly 94, no. 4 (2017): 1146–71. http://dx.doi.org/10.1177/1077699016682723.

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Most Americans know little about the “Gypsies,” or Roma, other than what they learn in the media. Although research shows that media have perpetuated stereotypes, there is thin anthological attention to the representation of Gypsies in American media. This study examines portrayals of Gypsies in fictional and reality television programs 1953-2014, and reveals that American television has reinforced stereotypes, suggesting that Gypsies are consistently different, a closed ethnic community resistant to change. More recent representations convey that Gypsies may be misunderstood due to their cult

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Kay, Miriam. "La metempsicosi del viandante: percorsi lessicali e topica sepolcrale, dagli epigrammi greci alla lirica italiana." Caietele Echinox 44 (June 1, 2023): 97–112. http://dx.doi.org/10.24193/cechinox.2023.44.06.

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In ancient times, the theme of the wanderer was prominent among the topoi of sepulchral poetry. The literary shift from ancient epigraphs to sepulchral epigrams contained in Alexandrian syllogies caused a progressive change in the use of such themes, which eventually morphed into sepulchral motifs which are recognizable in lyric poetry even centuries later. Through an anthological selection of Italian poems, the aim is to investigate the presence of the wanderer in Italian lyric poetry, as well as the transformations which progressively redefined this figure’s memorial function and its ambiguo

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Ortega Martín, Diana. "<p>Re-enacting Britishness: Nationhood and Identity Strategies in Steve Pemberton and Reece Shearsmith's <em>Inside Number 9</em></p>." ODISEA, no. 23 (December 29, 2022): 61–75. http://dx.doi.org/10.25115/odisea.vi23.8334.

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Inside Number 9 has become one of Britain’s most famous anthological series nowadays. Inspired by Hitchcock and with an undeniable touch of gothic horror, its episodes have embraced a variety of characteristically British genres and some other influences beyond. This article intends to analyse three of those episodes that depart from Gothic undertones (“Zanzibar,” “The Bill” and “Last Night of the Proms”) to study the strategies through which its creators use intertextuality and other resources to vindicate a sense of national identity and union. With an awareness of the heterogeneity and pola

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Dr. Iffat Batool and Dr. Taimia Sabiha. "An Overview of Qur’ānic Studies in the West: Themes, Approaches and Methodologies." Al-Qamar 4, no. 04 (2021): 71–88. https://doi.org/10.53762/96bwse62.

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The Quran, being foremost religious and sacred book of the Muslims, gained a significant place in the western religious studies since long. From medieval polemical refutation to the contemporary academic studies a significant number of anthological works have been produced by the western scholarship in the Qur’anic studies. A variety of approaches and methodologies have been applied to expound multiple Qur’ānic themes which intermittently resonate among western scholars of Islam. This paper mentions a brief overview of western contribution from medieval to contemporary times and highlights the

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Han, Jae Hee. ""Once Again He Speaks": Performance and the Anthological Habit in the Manichaean Kephalaia." Journal of Late Antiquity 14, no. 2 (2021): 435–70. http://dx.doi.org/10.1353/jla.2021.0024.

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21

West, Adam Paul. "Reading Multiculturalism in the United States and Canada: The Anthological vs the Cognitive." University of Toronto Quarterly 69, no. 3 (2000): 689–715. http://dx.doi.org/10.3138/utq.69.3.689.

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Fuentefría Rodríguez, David. "Fealdad y belleza en las representaciones del villano en el cine mudo europeo y estadounidense." Latente Revista de Historia y Estética audiovisual 20 (2022): 113–34. http://dx.doi.org/10.25145/j.latente.2022.20.05.

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This paper proposes a brief anthological review of the main representations of the villain in European and American silent films, from 1910, covering their most characteristic faces, scenes and keys, under the aesthetic notions of beauty and ugliness. The text addresses evil from different perspectives as a construction element of antagonistic images, differentiating when it proceeds between representations based on reality, or totally fictional, teratological or non-teratological, in addition to abounding in the aspects of the characterization and aesthetic construction of the evil one, with

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Raźny, Anna. "Drogi i manowce kulturoznawstwa." Intercultural Relations 2, no. 1(3) (2018): 31–40. http://dx.doi.org/10.12797/rm.02.2018.03.02.

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PATHS AND MISCONCEPTIONS OF CULTURAL STUDIESThe problem raised in the article concerns the essence of cultural studies: What should it be in its diversity? What is the purpose of cultural studies in general? What anthological and axiological notions should construct its basis? These and similar questions form the leading idea of the text, presenting in an essential form the most important dilemmas faced by scientists involved in the study of culture, broadly understood. Truth, realism, instrumentalism or pragmatism are just some of the phenomena that set the path, or rather paths for cultural

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Tulegenova, Dina. "PHYTHONYMS AS A CONCEPTUAL OBJECT OF LINGUISTICS." Alatoo Academic Studies 2022, no. 1 (2022): 264–69. http://dx.doi.org/10.17015/aas.2022.221.31.

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In this article, the author analyzes the scientific and anthological significance of the name of the plant world and comprehensively investigates the linguo-conceptual content of phytoonyms as the basis of the carrier's understanding of the world as such. At the same time, specific examples show the relationship between the historical development of the national linguistic consciousness and the formation of a linguistic picture of the landscape, i.e., a phytonymic area. At the same time, the opinions of linguists regarding the cognitive and categorical foundations of phytonyms as such are bein

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Jurdana, Vjekoslava. "Djetinjstvo, igra i zavičaj kao motivi čakavske poezije Drage Gervaisa." Magistra Iadertina 14, no. 2 (2020): 103–18. http://dx.doi.org/10.15291/magistra.3149.

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Chakavian poetry by Drago Gervais abounds with motifs of childhood, homeland and children’s games. The aim of this paper is to answer the question whether Gervais is a poet of childhood or a children’s poet. Starting from the question of how much his poetry corresponds to the poetic criteria of the children’s literature, the paper presents answers to the question: is Drago Gervais a children’s poet or a poet close to children’s literature because he wrote about (his) childhood? In conclusion it is proven that the poetry of Drago Gervais in general was not written as children’s literature, but

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Gamalova, Natalia. "Osip Mandelstam in the French Anthologies of Russian Poetry (1925–1970)." Literatūra 62, no. 2 (2020): 92–111. http://dx.doi.org/10.15388/litera.2020.2.5.

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The fates and fortunes of any national literature in a foreign culture is a multifaceted subject. And this is where the perception of Russian culture in France belongs. In France, the general public became aware of the life and works of Osip Mandelstam in the early seventies, when Nadezhda Mandelstam’s memoirs were published. Before 1970, only some translations of Mandelstam’s poems, the first one made by Chuzeville back in 1925, found their way to periodicals and anthologies. Information about the poet was spread to a great degree thanks to anthologies, as befits this genre of reading matter.

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Sligh, Charles. "“Making Ready for Death”: Walter Pater and the Anthological Moment of “Dante Gabriel Rossetti”." Victorians Institute Journal 42, no. 1 (2014): 70–98. http://dx.doi.org/10.5325/victinstj.42.1.0070.

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Kotevska, Ana. "Serbian musicological society at the beginning of its second decade (2006-2017)." New Sound, no. 50-2 (2017): 285–99. http://dx.doi.org/10.5937/newso1750285k.

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The purpose of the text is to present, on the occasion of the 10th anniversary of the establishment of the Serbian Musicological Society (SMS), the circumstances of its founding on 5 July 2006 and offer a panoramic survey of its accomplishments in research and publishing so far, which re-examine our stance toward our musical heritage and/or illuminate previously neglected chapters from the history of music in Serbia. The many and diverse contributions of the Serbian Musicological Society to the achievements of Serbian musicology, in general, are reflected in its conception and organization of

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Sousa, Rui. "Surrealismo Português e Surrealismo Internacional a partir da correspondência de Mário Cesariny com Sérgio Lima, Laurens Vancrevel e Frida Vancrevel." Cadernos de Literatura Comparada, no. 49 (2023): 11–31. http://dx.doi.org/10.21747/21832242/litcomp49a1.

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From the end of the 1960s onwards, Mário Cesariny established a prolific dialogue with the international surrealist movement, with repercussions on the way in which the Portuguese Surrealism came to be considered. In this paper, I propose a perspective on Cesariny's critical intervention in a moment of transition in the panorama of the international surrealist movement, represented, on the one hand, by a certain decentralization in relation to the Parisian paradigm and, on the other hand, by the pluralization of surrealist groups. Cesariny's correspondence with the Brazilian Sergio Lima and wi

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Laura, Heidi. "Collected traditions and scattered secrets. Eclecticism and esotericism in the works of the 14th century ashkenazi kabbalist Menahem Ziyyoni of Cologne." Nordisk Judaistik/Scandinavian Jewish Studies 20, no. 1-2 (1999): 19–44. http://dx.doi.org/10.30752/nj.69556.

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There are many examples of authors of mystical works who consciously chose to retreat the role of copyists and collectors of already existing traditions. The emphasis in Kabbalistic works is on recording mystical tradition, while personal reports of mystical experiences or clearly individual expositions of mystical themes are rarely found in the large corpus of Kabbalistic works. This article attempts to illuminate the special place of mosaic works and collectanea in Kabbalistic literature and its specific character, using the works of an unjustly neglected 14th century kabbalist as a focus. T

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Pascual Battista, Rosario. "José Emilio Pacheco: lector y antólogo del modernismo." Literatura Mexicana 32, no. 1 (2021): 163–90. http://dx.doi.org/10.19130/iifl.litmex.2021.1.26857.

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José Emilio Pacheco (1939-2014) devoted part of his essay production to reconstruct the past of letters and, in particular, was interested in the Modernist movement. From two anthological texts: Anthology of Modernism [1884-1921] (1970) and Modernist Poetry. A General Anthology (1982), and a selection of journalistic notes that he published in the Mexican magazine Proceso, Pacheco aimed at broadening the spectrum of Modernist figures and avoiding to keep to a single figure, such as that of the Nicaraguan Rubén Darío. This article reconstructs the dialogues and reciprocities that José Emilio Pa

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Tulegenova, D. "Historical Formation of the Kyrgyz Phythonymy." Bulletin of Science and Practice 7, no. 5 (2021): 600–604. http://dx.doi.org/10.33619/2414-2948/66/68.

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In the article, the author analyzes the opinions of famous scientists regarding the names of the plant world and studies in detail the meaning of specific phytonyms in the Kyrgyz language. At the same time, the scientific-anthological, historical significance of the names of the plant world in the development of the linguistic structure as such is considered. Consequently, the names of the plant world clearly reflect the interaction of human society with nature in general. As we know, the Kyrgyz language, in turn, being a part of the Turkic language family, is one of the most ancient languages

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Leuchter, Mark. "Another Look at the Hosea/Malachi Framework in The Twelve." Vetus Testamentum 64, no. 2 (2014): 249–65. http://dx.doi.org/10.1163/15685330-12341149.

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Abstract Though most scholars agree that the prophetic books identified as “The Twelve” (or “The Book of The Twelve”) have gone through extensive stages of redaction, debate ensues as to whether they should be read as a literary unity or as a collection of independent prophetic works. A closer look at the framework surrounding this material—the book of Hosea and the book of Malachi—suggests that the primary purpose of the redaction of The Twelve was not to be read as a literary unity or as an anthological collection, but to establish a model of how priestly scribes were to countenance and teac

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Efendiev, F., and G. Rustambekov. "COGNITIVE APPROACH IN THE LIGHT OF ECONOMIC RESEACH." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 34 (June 21, 2022): 49–51. https://doi.org/10.5281/zenodo.6675227.

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Cognitive research is a certain interdisciplinary complex of scientific systems interconnected by common problems of consciousness and human life. The emergence of interdisciplinary research, on the one hand, is due to changes taking place in society, and on the other hand, the relevance of choosing priority areas for the development of science in general. As a result of this, there is a transition from the science of branch specialization to a general problem, the identification of both internal and integrative development trends. This article attempts to show the methodological significance

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M, Chitra Manogari. "Inna Narpathu Affirmations on Impediments and Retributions." International Research Journal of Tamil 4, no. 3 (2022): 145–51. http://dx.doi.org/10.34256/irjt22321.

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Inna Narpathu (inna forty) is a sanga tamil poetic contributions in a didactic from which belongs to one of the tamil literature Anthology patinenkilkanakku (the eighteen lesser text) written by the great poet kapilar way back in 4th century. Inna Narpathu is the collective form of forty one venpas (metric prosody). Inna Narpathu poem concludes wish the tamil word inna (act brings Disgrace and Sadness). Which describing the undesirable acts individuals must refrain themselves in day today life. As these poems spells out the moral codes for all spheres. So the poem collection was entitled as ‘I

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Evans, David. "Myths of Authenticity and Cultural Performance: Breton Identity in the Poetry Anthology, 1830–2000." Nottingham French Studies 60, no. 2 (2021): 159–74. http://dx.doi.org/10.3366/nfs.2021.0314.

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This article examines the various constructions of Breton identity in twelve anthologies of poetry revealing three broad conceptual phases: celebration of an essential ethno-cultural otherness which nonetheless belongs within the French Republic (1830–1918), calls for independence which harness pan-Celtic or postcolonial discourses (1919–71), and a playful, performative notion of identity based on cultural affinity, inclusive of incomers (1976–2000). I focus on strategies of editorial framing which, in each phase, insist on the apartness, and the authenticity, of Breton expression. These antho

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Apetri, Dumitru. "The Reception of Romanian Literature from the Republic of Moldova in Ukraine: Plurigenural Anthologies." Philologia, no. 2(317) (September 2022): 90–98. http://dx.doi.org/10.52505/1857-4300.2022.2(317).07.

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In the present article, the author highlights an important aspect of the RomanianUkrainian literary dialogue: the editing by Ukrainians in the years from 1953 to 1977 of four plurigenural anthological collections from the literary creation and partly from the folklore of the Republic of Moldova. These editions are seen by the researcher as a significant contribution to the above mentioned dialogue. But the dominance of the ideological dictatorship in that period left its negative mark on several works included in anthologies – a fact that determined a value discernment of the material in each

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Giorgi, Emanuele, Angelo Bugatti, and Andrea Bosio. "Social and Spatial Experiences in the Cities of Tomorrow." Societies 10, no. 1 (2020): 9. http://dx.doi.org/10.3390/soc10010009.

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As described by the strong academic literature, (Vattimo, Bauman, Mumford, Simon, Haraway, Meschiari, Florida) the contemporary society is going through new challenges, such as the friction between youth, technology, and productivity. These challenges affect the way people live and experience the cities, but also the way cities need to evolve. An anthological analysis and a study of secondary sources is used to analyze the new spatial and social experiences, while the analysis of Milan (Italy) as a case study of a creative city is used to understand the rapid shift towards the virtualization o

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Hirshman, Marc. "Rabbinic Universalism in the Second and Third Centuries." Harvard Theological Review 93, no. 2 (2000): 101–15. http://dx.doi.org/10.1017/s0017816000016722.

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In the eye of a protracted political storm, the rabbinic sages of the first centuries of the common era preserved and nurtured their Jewish heritage. This was not a univocal heritage, but one of significant diversity. Although these rabbis were fully aware of the divisiveness that had plagued Jewish religious attitudes over the centuries, they turned debate and dissent into their very trademark. Whether in matters legal, ethical, or theological, differing and even contradictory opinions were the norm. A natural result of this rabbinic posture is that the entire rabbinic corpus is anthological.

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Pinto, Samantha, and Jennifer C. Nash. "Then and Now: Women of Color Originalism and the Anthological Impulse in Women's and Gender Studies." Feminist Studies 48, no. 1 (2022): 13–23. http://dx.doi.org/10.1353/fem.2022.0001.

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Mancini, J. M. ""Messin' with the Furniture Man": Early Country Music, Regional Culture, and the Search for an Anthological Modernism." American Literary History 16, no. 2 (2004): 208–37. http://dx.doi.org/10.1093/alh/ajh018.

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Diamond, Christopher L. "The Strange Afterlife of Vidyāpati Ṭhākura (ca. 1350–1450 CE): Anthological Manuscripts, Linguistic Confusion, and Religious Appropriation". Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 4, № 1 (2019): 72–92. http://dx.doi.org/10.1353/mns.2019.0000.

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Hsu, Alexander O. "Coming to Terms with “Engaged Buddhism”: Periodizing, Provincializing, and Politicizing the Concept." Journal of Global Buddhism 23, no. 1 (2022): 17–31. http://dx.doi.org/10.26034/lu.jgb.2022.1991.

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Whatever happened to “Engaged Buddhism”? Twenty years after a flurry of publication placing this global movement firmly on the map, enthusiasm for the term itself appears to have evaporated. I attempt to reconstruct what happened: scholars turned away from the concept for its reproducing colonialist understandings of traditional Buddhism as essentially world-rejecting, and they developed alternate discourses for describing Buddhist actors’ multifarious social and political engagements, especially in contemporary Asia. I describe the specific rise and fall of the term in Anglophone scholarship,

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Virolainen, Maria. "“Upon The Hills Of Georgia”. (From manuscript to poetics)." Vremennik Pushkinskoi Komissii 36 (2022): 122–33. http://dx.doi.org/10.31860/0236-2481-2022-36-122-133.

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This paper focuses on the history of the poem “Upon The Hills Of Georgia” (1829) published in “Severnye Tsvety” in 1831 under the title “A Fragment”. The published version did not include stanzas from the original drafts, which alluded to memories of a past love. According to the traditional interpretation offered by S. M. Bondi, Pushkin, who in 1831 was soon to be married, did not want to publish lines devoted to another woman. However, in 2004, the Institute of Russian Literature received an autographic manuscript of the poem identical to the published version, but written in the autumn or w

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Jung, Sandro. "Ephemeral Spenser." Eighteenth-Century Life 44, no. 2 (2020): 78–110. http://dx.doi.org/10.1215/00982601-8218613.

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This essay approaches Edmund Spenser’s Renaissance masterpiece, The Faerie Queene, through a hitherto unknown series of twenty-four vignette illustrations that the eighteenth-century painter and book illustrator, Thomas Stothard, contributed to the nowadays little-known annual, The Royal Engagement Pocket Atlas, in 1794. Apart from making sense of Stothard’s visual interpretation of Spenser’s romance, the article will pay attention to how the painter creates an anthological miniature gallery of moments with which the users of the pocket diary may have been familiar. In other words, these vigne

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Ucciardello, Giuseppe. "‘Atticismo’, excerpta lessicografici e prassi didattiche in età paleologa." AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 41, no. 1 (2019): 208–34. http://dx.doi.org/10.1163/17246172-40010016.

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Abstract The search for purity of language during the Palaeologan age has often been regarded as a revival of the Atticist movement of the second century AD. Students who had access to the higher education aimed at mastering this new form of Attic Greek: a large set of ancient authors deemed to be models of language and style served as repositories of lexical materials. Within this framework the need of school handbooks, dictionaries is quite understandable. In the first section of the paper I offer an overview of the multifarious typologies of scholarly texts largely used in the first Palaeol

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Al Sheikh, Hanan Muneer. "The ontology of resistance between power and knowledge." Global Journal of Sociology: Current Issues 11, no. 1 (2021): 28–39. http://dx.doi.org/10.18844/gjs.v11i1.5455.

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The ontology of human resistance accentuates its existence through several expressive means with the most important being Art; as art transforms the question of resistance into a self-practice that starts with the artists and transfers between the inside and the outside in a continuous, creative and effective mutual relationship in order to emphasise the battle of existence conflict, ideology and Epistemology within the general framework of power. This philosophic analysis is based on the hypotheses of having a multilateral factor that continues with the past legacy on the one hand and interpr

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Laila, Nur. "Description of Islamic Patterns in the Archipelago in the subjects of PAI in Elementary Schools." Mahaguru: Jurnal Pendidikan Guru Sekolah Dasar 1, no. 2 (2020): 14–20. http://dx.doi.org/10.33487/mgr.v1i2.554.

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Religion and culture of the elementary schools are two different things but very closely related the majority of people are very complicated or quite difficult to distinguish the absolute religion and which culture becomes an expression well as vehicle and relatively it. Of course the inability of a person to distinguish lack of clarity is causing chaos in thinking epistemological side, chaos in the sense of hierarchy where the value associated with the higher values and the lower values which is absolute and which are relatively of the elementary schools. Departing of the elementary schools f

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Al Sheikh, Hanan Muneer. "The ontology of resistance between power and knowledge: A philosophical approach." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (2021): 43–51. http://dx.doi.org/10.18844/prosoc.v8i1.5790.

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The ontology of human resistance accentuates its existence through several expressive means with the most important being art, as art transforms the question of resistance into a self-practice that starts with the artists and transfers between the inside and the outside in a continuous, creative, effective mutual relationship, in order to emphasise the battle of existence conflict, ideology and epistemology within the general framework of power. This philosophic analysis is based on the hypotheses of having a multilateral factor that continues with the past legacy on one hand and interprets th

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Dragišić, Radmila. "Implied external competences of the European Union." Politea 12, no. 24 (2022): 129–41. http://dx.doi.org/10.5937/politeia0-38236.

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The anthological ERTA case is considered to be a case in which the contours of learning about the implicit external competence of the European Union have been developed. That logically based teaching, which has already been elaborated in detail so far, celebrated its 50th birthday in March 2021. Therefore, it seems justified to remind ourselves of it and explore the extent to which it is relevant today. At the center of our interest is the substantive determination of external implicit competencies, their origin and genesis at the level of the Union, as well as the scope of their application i

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