Academic literature on the topic 'Anthropology and Art'

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Dissertations / Theses on the topic "Anthropology and Art"

1

Allen, Rika. "The anthropology of art and the art of anthropology : a complex relationship." Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/2304.

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Thesis (MPhil (Sociology and Social Anthropology))--University of Stellenbosch, 2008.<br>It has been said that anthropology operates in “liminal spaces” which can be defined as “spaces between disciplines”. This study will explore the space where the fields of art and anthropology meet in order to discover the epistemological and representational challenges that arise from this encounter. The common ground on which art and anthropology engage can be defined in terms of their observational and knowledge producing practices. Both art and anthropology rely on observational skills and varying f
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Muranicova, Zuzana. "Personal anthropology." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1399902963.

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Wanigasekera, Gwenda Dorothy. "Transformations: Anthropology, Art and the Quilt." The University of Waikato, 2006. http://hdl.handle.net/10289/2486.

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Drawing on both anthropological and quilt literature, this thesis shows the many different ways that made objects are thought about by different groups of people. Awareness of these differences permits a new perspective of 'Western' art and object making. This awareness allows a space in which to consider the importance of the process of making. Quiltmaking provides an interesting case study. This thesis therefore describes the field of quiltmaking activity that exists in New Zealand at the present time. This genre, as it is practised today, had its beginnings in the revival that began in
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4

Jucker, Jean-Luc. "Ambiguous artefacts : towards a cognitive anthropology of art." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0c90f23e-7f20-45b7-b9fd-f66dbdfaa3ab.

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This thesis proposes elements for a cognitive anthropology of visual art. Most works of art are human-made objects that cannot be approached in purely functional terms, and as such they frustrate important cognitive expectations that people have about artefacts. For this reason, it is hypothesised that art triggers speculation about the artist’s intention, and that it is intuitively approached as a form of communication. By application of Bloom’s (1996) theory of artefact categorisation, and Sperber and Wilson’s (1986/1995) relevance theory of communication, a series of predictions are generat
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Dyck, Sandra. "These things are our totems : Marius Barbeau and the indigenization of Canadian art and culture in the 1920s /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/MQ26893.pdf.

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McGuigan, Noel Damascus. "The social context of Abelam art : a comparison of art, religion and leadership in two Abelam communities." Thesis, University of Ulster, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359352.

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7

Leoussi, Athena S. "Images of Greeks in British and French art, c.1833-1880 : physical anthropology, art and society." Thesis, London School of Economics and Political Science (University of London), 1992. http://etheses.lse.ac.uk/1263/.

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The aim of this study is to measure the extent of the 'Greek revivals' in official British and French artistic practice during the second half of the nineteenth century and to explore their links with different parts of their social context. To this end I concentrate on the works of art illustrating aspects of Greek culture and life, both ancient and modern, which were exhibited at the Royal Academy and the Salon between 1833 and 1880. I study their numbers, themes and dates, and examine the role in these 'Greek revivals' of developments both inside and outside the sphere of art. I consider th
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Solano, Maria Schelle. "Art, Commerce, and Social Transformation: Public Art And the Marketing of Philadelphia." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/184817.

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Anthropology<br>Ph.D.<br>The field site for this US-based ethnography is the city of Philadelphia, Pennsylvania. The overwhelming presence of murals in the urban landscape calls into question how these figurative wall-sized paintings improve the lives and neighborhoods in which these paintings are found. With Philadelphia suffering the consequences of deindustrialization and neoliberal globalization, characterized by high poverty and inequality, and consistently low rankings in quality of life indicators by the national media, what role do murals play in change? Do murals mask urban problems b
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Wilkes, Fiona Saffron. "Guyanese Amerindian art : imagery, identity and memory." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270449.

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10

Dyck, Sandra. "These things are our totems Marius Barbeau and the indigenization of Canadian art and culture in the 1920s /." Ottawa : Library and Archives Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/MQ26893.pdf.

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